This document appears to be a shot list for a media project, as it contains headings for shot number, camera angle, subject matter, duration, location, and date. It provides a framework to plan out the visual elements of a project by listing specific shots needed along with relevant production details. The shot list allows filmmakers to efficiently organize the visual components of their project before and during production.
This props list provides details of the items needed for the film "Turn it Around" directed by Jessica Goldsmith. It outlines the props required for three main characters - Emily Goldsmith, Ibby Hearn, and Sian Teasdale - across various scenes. Emily, portrayed as punk, will wear dark colored tartan leggings, boots, and jumper. Ibby, from the upper class, wears riding attire including boots and a jacket at the stables. Sian, depicted as working class, is dressed in a grey hoodie, black leggings, and Nike sneakers, drawing on stereotypes of that demographic.
The document discusses tea production and consumption in India. It notes that India is the second largest producer and largest consumer of tea globally. Tea cultivation began in India about 172 years ago, and production is concentrated in the northeastern and southern states. India produces black, green, and orthodox teas, with CTC black tea accounting for 82% of production. While India exports tea, it also imports small quantities solely for re-export. The document concludes that increasing global tea production presents opportunities for India to improve its production systems and ensure small farmers have access to capital and markets.
The document analyzes the filmmaker's sports documentary project and how it develops conventions of real documentary forms. Research was conducted on documentaries like Blackfish and Coffee Shop Hot Shots to understand common themes like montage, interviews, cinematography, and editing techniques. The filmmaker aimed to explore issues in sports like drug abuse and discrimination using expository and reflexive modes inspired by films like Venus and Serena. Interviews were conducted with experts and structured narratively to discuss both positive and negative aspects of sports in a balanced way. Semiotic symbols like the Olympic rings and Team GB jersey were employed to impart ideologies about the power of sports.
The document discusses how the media producer's sports documentary product used and developed conventions from real documentary films. It analyzed films like Blackfish, Coffee Shop Hot Shots, and Sydney 2000 Olympic Film to understand common documentary techniques. It then applied these techniques like using interviews, montage editing, actual footage, and music to tell the narrative of its documentary about issues in sports like drug abuse and discrimination. While inspired by techniques from other films, it developed its own style appropriate to its topic and audience. The document reflects on how the producer's skills in creatively adapting conventions from real films has improved over time.
Newspaper Advert-Final Version DeconstructionHJones137
This document provides an analysis of the design elements used in a movie poster for a documentary. It discusses how the poster aims to attract a youthful audience by using a muted blue color scheme, modern typography, and imagery of a person in a hoodie to represent the target demographic. Iconography of the Olympics is also included to create recognition and associate the film with mass media Olympics coverage. The poster design aims to intrigue viewers about the themes explored in the film and create synergy between the film and promotional materials.
This document defines audiences and target audiences. It outlines that a target audience is the specific group a media product is aimed at, and audiences can be defined by the product, media type, or pre-existing groups like age, gender, ethnicity. Target audiences are important for media companies to have consumers for their products. The document also discusses categorizing audiences by demographics and other factors, and how audience theory like uses and gratifications and two-step flow can influence how target audiences are defined and will react to media.
This newspaper advertisement promotes a documentary about the role of sport in British society. The advertisement features a Team GB logo hooded athlete in the foreground of a blurred crowd, representing the link between sport and society. Bold typography is used to display the name and broadcast date of the documentary next to the recognizable Team GB symbol. Key elements like the Olympic rings symbol and slogans are used to engage the audience and hint at themes that will be explored in the documentary. The overall design is inspired by other advertising campaigns and aims to attract viewers through national pride in sport.
This document appears to be a shot list for a media project, as it contains headings for shot number, camera angle, subject matter, duration, location, and date. It provides a framework to plan out the visual elements of a project by listing specific shots needed along with relevant production details. The shot list allows filmmakers to efficiently organize the visual components of their project before and during production.
This props list provides details of the items needed for the film "Turn it Around" directed by Jessica Goldsmith. It outlines the props required for three main characters - Emily Goldsmith, Ibby Hearn, and Sian Teasdale - across various scenes. Emily, portrayed as punk, will wear dark colored tartan leggings, boots, and jumper. Ibby, from the upper class, wears riding attire including boots and a jacket at the stables. Sian, depicted as working class, is dressed in a grey hoodie, black leggings, and Nike sneakers, drawing on stereotypes of that demographic.
The document discusses tea production and consumption in India. It notes that India is the second largest producer and largest consumer of tea globally. Tea cultivation began in India about 172 years ago, and production is concentrated in the northeastern and southern states. India produces black, green, and orthodox teas, with CTC black tea accounting for 82% of production. While India exports tea, it also imports small quantities solely for re-export. The document concludes that increasing global tea production presents opportunities for India to improve its production systems and ensure small farmers have access to capital and markets.
The document analyzes the filmmaker's sports documentary project and how it develops conventions of real documentary forms. Research was conducted on documentaries like Blackfish and Coffee Shop Hot Shots to understand common themes like montage, interviews, cinematography, and editing techniques. The filmmaker aimed to explore issues in sports like drug abuse and discrimination using expository and reflexive modes inspired by films like Venus and Serena. Interviews were conducted with experts and structured narratively to discuss both positive and negative aspects of sports in a balanced way. Semiotic symbols like the Olympic rings and Team GB jersey were employed to impart ideologies about the power of sports.
The document discusses how the media producer's sports documentary product used and developed conventions from real documentary films. It analyzed films like Blackfish, Coffee Shop Hot Shots, and Sydney 2000 Olympic Film to understand common documentary techniques. It then applied these techniques like using interviews, montage editing, actual footage, and music to tell the narrative of its documentary about issues in sports like drug abuse and discrimination. While inspired by techniques from other films, it developed its own style appropriate to its topic and audience. The document reflects on how the producer's skills in creatively adapting conventions from real films has improved over time.
Newspaper Advert-Final Version DeconstructionHJones137
This document provides an analysis of the design elements used in a movie poster for a documentary. It discusses how the poster aims to attract a youthful audience by using a muted blue color scheme, modern typography, and imagery of a person in a hoodie to represent the target demographic. Iconography of the Olympics is also included to create recognition and associate the film with mass media Olympics coverage. The poster design aims to intrigue viewers about the themes explored in the film and create synergy between the film and promotional materials.
This document defines audiences and target audiences. It outlines that a target audience is the specific group a media product is aimed at, and audiences can be defined by the product, media type, or pre-existing groups like age, gender, ethnicity. Target audiences are important for media companies to have consumers for their products. The document also discusses categorizing audiences by demographics and other factors, and how audience theory like uses and gratifications and two-step flow can influence how target audiences are defined and will react to media.
This newspaper advertisement promotes a documentary about the role of sport in British society. The advertisement features a Team GB logo hooded athlete in the foreground of a blurred crowd, representing the link between sport and society. Bold typography is used to display the name and broadcast date of the documentary next to the recognizable Team GB symbol. Key elements like the Olympic rings symbol and slogans are used to engage the audience and hint at themes that will be explored in the documentary. The overall design is inspired by other advertising campaigns and aims to attract viewers through national pride in sport.
The document summarizes the results of a questionnaire about newspaper advertising preferences and expectations. 20 people answered questions about newspaper reading habits, effective ad characteristics, memorable ad styles and sizes, image and typography preferences, and sports icons. Key results indicated a preference for bold images with simple text in a medium or large size over elaborate designs. Respondents also associated sports with modern, uniform typography and icons of the Olympics, team sports stadiums, and sports brands. The findings will inform the design of the newspaper ad for a sports documentary.
The document analyzes the results of a 10 question questionnaire given to 20 people to help structure a radio advertisement for a documentary. Key findings include:
- 60% of respondents were male, ages 10-19 and 20-29
- The most listened to radio stations were sports and music, in mornings and afternoons
- Memorable elements included effective soundtracks, sound effects, and extracts from the content
- Interviews with experts and airing on well-known channels at prime time would intrigue people the most
The document provides three initial advertising ideas for promoting a documentary about the links between sport and society. The first idea features a British athlete in a crowded location to symbolize the connection. The second has a close-up image of an athlete overlaid on a cityscape. The third forms the Olympic rings using text describing issues in the documentary. Each idea includes annotations on its composition, inspiration, and goals in relation to the documentary's themes.
The document summarizes the results of a questionnaire given to 27 people about their viewing habits and opinions regarding documentaries and sport. Some key findings include:
- The majority of respondents were female and younger in age. Most watch 1-3 hours of documentaries per week.
- Sport documentaries are the most popular type to watch. Respondents want to see actual footage and engaging/exciting content in documentaries.
- Truth is prioritized over entertainment. Montages and interviews with stories/accounts are preferred.
- Most respondents had participated in volleyball and other sports. Discrimination and minority sports are seen as important issues to address.
- Athletes are seen as most knowledgeable to discuss sport.
The documentary Blackfish examines the death of SeaWorld trainer Dawn Brancheau in 2010. It uses interviews with former SeaWorld trainers and actual footage to argue that keeping killer whales in captivity is detrimental to the whales' health and safety. The film documents how Dawn's death was not an isolated incident, but part of a pattern of aggression from whales stressed by captivity. Through contrasting footage of whales in captivity and in the wild, the documentary aims to show that capturing and training whales for performance has turned them violent. It seeks to convince viewers that parks like SeaWorld should end orca captivity and switch to observing whales in their natural habitat.
The document analyzes four newspaper adverts for documentaries in order to identify effective techniques. It summarizes each advert's key elements: logos communicate the channel, titles/times attract viewers. Color schemes and layouts set tones related to the content. Iconic images and symbols appeal to target audiences and hint at documentary themes. Quotes and slogans intrigue viewers. The analysis inspires the creator's own documentary advert by considering effective use of iconography, focal images, and typography to attract the target audience and convey the documentary's themes.
The document provides details about the filmmaking techniques and conventions used in the production of a thriller/drama film project. It discusses how elements of classic thriller films like Seven and Memento were utilized, such as themes of crime/violence, close-ups, suspenseful music. However, it also challenges some thriller conventions by exploring themes of PTSD in soldiers and classified the film as a thriller/drama. Cinematography techniques like POV shots and camera movements build tension. Special effects like filters signify flashbacks and psychological states. Pacing increases over time. Mise-en-scene includes military uniforms and props. Iconography through photographs and dog tags convey themes and backstory. An original piano score was used
The document discusses various cinematography, editing, mise-en-scene, sound, and other techniques used in the filmmaker's thriller/drama media product. It examines how conventions from films like Seven and Memento were implemented, but also how the film challenged thriller genre conventions through its military/PTSD themes and inclusion of drama elements. Close-ups, tracking shots, filters, and a increasing editing pace over time were used, along with military uniforms, medication props, and original piano music to set the tone. Iconography through a photograph and dog tags provided context while informing the audience.
The document is a final storyboard for pre-production. It likely contains visual representations and descriptions of key scenes and shots to help plan filming. The storyboard allows the director and crew to visualize how the scenes will look and flow together before actual production begins.
Effective editing is crucial for media products as it shapes how an audience receives information. Editors must carefully consider things like structure, pace, tone and audience when organizing content. Cutting unnecessary material, rearranging sequences, and ensuring a logical flow helps editing transform raw content into a polished, coherent final product.
Film schedule, Risk Assessment, Contingency PlanHJones137
The document provides a film schedule, risk assessment, and contingency plan for an upcoming film shoot. The film schedule details 10 scenes to be shot between December 15th and January 4th in various indoor and outdoor locations. It lists the shots, costumes, props, and equipment needed for each scene. The risk assessment identifies potential hazards at each location and precautions to minimize risks. The contingency plan outlines alternative actions if issues arise such as bad weather, unavailable locations, sick actors, damaged equipment, or missing props.
The document discusses rough story boards and pre-production. It appears to be about planning for a film or video project before main production begins. Key aspects mentioned are rough story boards, which are early draft visual representations of scenes, as well as pre-production, which refers to the planning phase prior to principal photography and main filming.
John Batrane is the protagonist, a 21-year-old veteran of two tours in Afghanistan who suffers from PTSD after his best friend Sam Dawes was killed by an IED. Paige is Batrane's long-term fiancée who is unsure how to help with his condition. Sam Dawes served with Batrane and was like a brother to him; throughout the film, Sam appears only in Batrane's flashbacks and hallucinations. The document provides descriptions of the three main characters - John Batrane, Paige Nilsson, and Sam Dawes (appeared deceased) - along with the actors cast in their roles.
The document lists various items found in a room related to pre-production including dog tags, photographs, furniture, pill bottles for PTSD, forms diagnosing PTSD, headphones, a toy cannon, a digital watch, and an army uniform and boots.
Title Sequence Deconstruction (Lone Survivor)HJones137
The title sequence of Lone Survivor provides essential context for the film through montage editing of real Navy footage. It establishes the difficulties of SEAL training through imagery of soldiers struggling in harsh conditions and the use of Todorov's narrative structure. Symbols like uniforms and the ringing bell convey messages about purity, sacrifice, and overcoming failure that evoke sympathy and respect for the Navy SEALs from the audience.
The document discusses how audiences decode the narrative of the film "Memento." It is a one sentence article written by Harry Jones that asks how audiences understand the story of the Christopher Nolan film "Memento," known for its unconventional timeline.
Comparing and Contrasting Editing Techniques in Thriller FilmsHJones137
Thriller films employ editing techniques to build suspense and tension. Editing can speed up or slow down scenes to manipulate the viewer's emotions. Quick cuts between short shots that leave context out are used to disorient the audience, while slow, drawn-out scenes can heighten anxiety.
STATATHON: Unleashing the Power of Statistics in a 48-Hour Knowledge Extravag...sameer shah
"Join us for STATATHON, a dynamic 2-day event dedicated to exploring statistical knowledge and its real-world applications. From theory to practice, participants engage in intensive learning sessions, workshops, and challenges, fostering a deeper understanding of statistical methodologies and their significance in various fields."
The document summarizes the results of a questionnaire about newspaper advertising preferences and expectations. 20 people answered questions about newspaper reading habits, effective ad characteristics, memorable ad styles and sizes, image and typography preferences, and sports icons. Key results indicated a preference for bold images with simple text in a medium or large size over elaborate designs. Respondents also associated sports with modern, uniform typography and icons of the Olympics, team sports stadiums, and sports brands. The findings will inform the design of the newspaper ad for a sports documentary.
The document analyzes the results of a 10 question questionnaire given to 20 people to help structure a radio advertisement for a documentary. Key findings include:
- 60% of respondents were male, ages 10-19 and 20-29
- The most listened to radio stations were sports and music, in mornings and afternoons
- Memorable elements included effective soundtracks, sound effects, and extracts from the content
- Interviews with experts and airing on well-known channels at prime time would intrigue people the most
The document provides three initial advertising ideas for promoting a documentary about the links between sport and society. The first idea features a British athlete in a crowded location to symbolize the connection. The second has a close-up image of an athlete overlaid on a cityscape. The third forms the Olympic rings using text describing issues in the documentary. Each idea includes annotations on its composition, inspiration, and goals in relation to the documentary's themes.
The document summarizes the results of a questionnaire given to 27 people about their viewing habits and opinions regarding documentaries and sport. Some key findings include:
- The majority of respondents were female and younger in age. Most watch 1-3 hours of documentaries per week.
- Sport documentaries are the most popular type to watch. Respondents want to see actual footage and engaging/exciting content in documentaries.
- Truth is prioritized over entertainment. Montages and interviews with stories/accounts are preferred.
- Most respondents had participated in volleyball and other sports. Discrimination and minority sports are seen as important issues to address.
- Athletes are seen as most knowledgeable to discuss sport.
The documentary Blackfish examines the death of SeaWorld trainer Dawn Brancheau in 2010. It uses interviews with former SeaWorld trainers and actual footage to argue that keeping killer whales in captivity is detrimental to the whales' health and safety. The film documents how Dawn's death was not an isolated incident, but part of a pattern of aggression from whales stressed by captivity. Through contrasting footage of whales in captivity and in the wild, the documentary aims to show that capturing and training whales for performance has turned them violent. It seeks to convince viewers that parks like SeaWorld should end orca captivity and switch to observing whales in their natural habitat.
The document analyzes four newspaper adverts for documentaries in order to identify effective techniques. It summarizes each advert's key elements: logos communicate the channel, titles/times attract viewers. Color schemes and layouts set tones related to the content. Iconic images and symbols appeal to target audiences and hint at documentary themes. Quotes and slogans intrigue viewers. The analysis inspires the creator's own documentary advert by considering effective use of iconography, focal images, and typography to attract the target audience and convey the documentary's themes.
The document provides details about the filmmaking techniques and conventions used in the production of a thriller/drama film project. It discusses how elements of classic thriller films like Seven and Memento were utilized, such as themes of crime/violence, close-ups, suspenseful music. However, it also challenges some thriller conventions by exploring themes of PTSD in soldiers and classified the film as a thriller/drama. Cinematography techniques like POV shots and camera movements build tension. Special effects like filters signify flashbacks and psychological states. Pacing increases over time. Mise-en-scene includes military uniforms and props. Iconography through photographs and dog tags convey themes and backstory. An original piano score was used
The document discusses various cinematography, editing, mise-en-scene, sound, and other techniques used in the filmmaker's thriller/drama media product. It examines how conventions from films like Seven and Memento were implemented, but also how the film challenged thriller genre conventions through its military/PTSD themes and inclusion of drama elements. Close-ups, tracking shots, filters, and a increasing editing pace over time were used, along with military uniforms, medication props, and original piano music to set the tone. Iconography through a photograph and dog tags provided context while informing the audience.
The document is a final storyboard for pre-production. It likely contains visual representations and descriptions of key scenes and shots to help plan filming. The storyboard allows the director and crew to visualize how the scenes will look and flow together before actual production begins.
Effective editing is crucial for media products as it shapes how an audience receives information. Editors must carefully consider things like structure, pace, tone and audience when organizing content. Cutting unnecessary material, rearranging sequences, and ensuring a logical flow helps editing transform raw content into a polished, coherent final product.
Film schedule, Risk Assessment, Contingency PlanHJones137
The document provides a film schedule, risk assessment, and contingency plan for an upcoming film shoot. The film schedule details 10 scenes to be shot between December 15th and January 4th in various indoor and outdoor locations. It lists the shots, costumes, props, and equipment needed for each scene. The risk assessment identifies potential hazards at each location and precautions to minimize risks. The contingency plan outlines alternative actions if issues arise such as bad weather, unavailable locations, sick actors, damaged equipment, or missing props.
The document discusses rough story boards and pre-production. It appears to be about planning for a film or video project before main production begins. Key aspects mentioned are rough story boards, which are early draft visual representations of scenes, as well as pre-production, which refers to the planning phase prior to principal photography and main filming.
John Batrane is the protagonist, a 21-year-old veteran of two tours in Afghanistan who suffers from PTSD after his best friend Sam Dawes was killed by an IED. Paige is Batrane's long-term fiancée who is unsure how to help with his condition. Sam Dawes served with Batrane and was like a brother to him; throughout the film, Sam appears only in Batrane's flashbacks and hallucinations. The document provides descriptions of the three main characters - John Batrane, Paige Nilsson, and Sam Dawes (appeared deceased) - along with the actors cast in their roles.
The document lists various items found in a room related to pre-production including dog tags, photographs, furniture, pill bottles for PTSD, forms diagnosing PTSD, headphones, a toy cannon, a digital watch, and an army uniform and boots.
Title Sequence Deconstruction (Lone Survivor)HJones137
The title sequence of Lone Survivor provides essential context for the film through montage editing of real Navy footage. It establishes the difficulties of SEAL training through imagery of soldiers struggling in harsh conditions and the use of Todorov's narrative structure. Symbols like uniforms and the ringing bell convey messages about purity, sacrifice, and overcoming failure that evoke sympathy and respect for the Navy SEALs from the audience.
The document discusses how audiences decode the narrative of the film "Memento." It is a one sentence article written by Harry Jones that asks how audiences understand the story of the Christopher Nolan film "Memento," known for its unconventional timeline.
Comparing and Contrasting Editing Techniques in Thriller FilmsHJones137
Thriller films employ editing techniques to build suspense and tension. Editing can speed up or slow down scenes to manipulate the viewer's emotions. Quick cuts between short shots that leave context out are used to disorient the audience, while slow, drawn-out scenes can heighten anxiety.
STATATHON: Unleashing the Power of Statistics in a 48-Hour Knowledge Extravag...sameer shah
"Join us for STATATHON, a dynamic 2-day event dedicated to exploring statistical knowledge and its real-world applications. From theory to practice, participants engage in intensive learning sessions, workshops, and challenges, fostering a deeper understanding of statistical methodologies and their significance in various fields."
Open Source Contributions to Postgres: The Basics POSETTE 2024ElizabethGarrettChri
Postgres is the most advanced open-source database in the world and it's supported by a community, not a single company. So how does this work? How does code actually get into Postgres? I recently had a patch submitted and committed and I want to share what I learned in that process. I’ll give you an overview of Postgres versions and how the underlying project codebase functions. I’ll also show you the process for submitting a patch and getting that tested and committed.
Orchestrating the Future: Navigating Today's Data Workflow Challenges with Ai...Kaxil Naik
Navigating today's data landscape isn't just about managing workflows; it's about strategically propelling your business forward. Apache Airflow has stood out as the benchmark in this arena, driving data orchestration forward since its early days. As we dive into the complexities of our current data-rich environment, where the sheer volume of information and its timely, accurate processing are crucial for AI and ML applications, the role of Airflow has never been more critical.
In my journey as the Senior Engineering Director and a pivotal member of Apache Airflow's Project Management Committee (PMC), I've witnessed Airflow transform data handling, making agility and insight the norm in an ever-evolving digital space. At Astronomer, our collaboration with leading AI & ML teams worldwide has not only tested but also proven Airflow's mettle in delivering data reliably and efficiently—data that now powers not just insights but core business functions.
This session is a deep dive into the essence of Airflow's success. We'll trace its evolution from a budding project to the backbone of data orchestration it is today, constantly adapting to meet the next wave of data challenges, including those brought on by Generative AI. It's this forward-thinking adaptability that keeps Airflow at the forefront of innovation, ready for whatever comes next.
The ever-growing demands of AI and ML applications have ushered in an era where sophisticated data management isn't a luxury—it's a necessity. Airflow's innate flexibility and scalability are what makes it indispensable in managing the intricate workflows of today, especially those involving Large Language Models (LLMs).
This talk isn't just a rundown of Airflow's features; it's about harnessing these capabilities to turn your data workflows into a strategic asset. Together, we'll explore how Airflow remains at the cutting edge of data orchestration, ensuring your organization is not just keeping pace but setting the pace in a data-driven future.
Session in https://budapestdata.hu/2024/04/kaxil-naik-astronomer-io/ | https://dataml24.sessionize.com/session/667627
2. CHARACTER 1: JOHN BATRANE
John Batrane is the protagonist of the film. Aged 21,
Batrane has a hardened expression and solemn
demeanour, with black frizzy hair that has grown since his
leave from service. Batrane has served two tours for the
British Military, posted in Hellman Province, Afghanistan,
where he was awarded the Military Cross for outstanding
service. During his tour, his fellow comrade and best
friend, Lt. Sam Dawes was killed by an IED explosion,
which has resulted in Batrane contracting Post Traumatic
Stress Disorder, and thus being sent back to England to
receive treatment. Since his death, Batrane has become
withdrawn and haunted, regularly suffering from
flashbacks and hallucinations as he struggles to cope with
the dramatic events of his tour. Batrane is regularly on
edge, and continues to live and is he is still in Afghanistan,
regularly running to maintain his fitness.
3. CHARACTER 2: PAIGE NILSSON
Paige is the long term fiancé of Batrane, who has
suffered since his return from Afghanistan. She is a
shy and withdrawn character, who is afraid of the
condition that Batrane suffers from and is unsure
about what to do about the situation. She is a caring
individual, who will do anything to help someone who
is in need; this causes her many problems, as she is
uncertain and unwilling to confront others. She is a
fairly attractive young women and has earned a
masters in Social care, and yet the irony exists that
she has so many problems within her home life.
Paige will play a minor role in the film.
4. CHARACTER 3: SAM DAWES
Sam Dawes served in the same platoon as Batrane,
also reaching the rank of Lieutenant. He had a similar
personality to that of Batrane, as the two of them
were like brothers during their time in service. During
a regular patrol, Sam was killed by a hidden IED,
leading to Batrane contracting PTSD. Throughout the
film, Sam is never seen in person, but instead as an
hallucination, appearing in flashbacks and illusions
during Batrane’s panic attacks. He will be easily
recognizable in contrast to Batrane, as the two
different appearances highlights the similarities they
share in personality.
5. PROP LIST
Dog Tags
Photographs (Pictures of Batrane and Sam
together, Paige and Batrane together, Batrane in
his uniform)
Furniture in room
Pill bottles related to stress disorder
Forms diagnosing PTSD
Army uniform and boots
Prop gun (e.g. Pistol, Rifle)
Fake blood
6. SHOT LIST
Long/wide shot
Medium Shot
Close up
Extreme close up
Cut-in shot
Over the shoulder shot
Point of view shot