Pp1 How To Make Woodblock
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This document provides instructions for creating a linoleum or woodblock print in 4 steps: 1) Drawing the image on the block, noting it will print in reverse, 2) Cutting away the non-image areas with carving tools, 3) Rolling ink over the block with a brayer, and 4) Printing the image by rubbing paper onto the inked block. Examples of famous woodblock prints throughout history demonstrate the technique's versatility for reproducing images, literature, and detailed artwork.
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The document provides instructions for creating photograms, which are shadow images produced without film by arranging objects on photographic paper and exposing it to light. Students will learn about how light passes through objects and produce their own basic photograms. More advanced students may create successful photogram images. The technique is demonstrated through the examples of early Surrealist photographers and contemporary artists who use photograms to explore forms and dimensions. Students will then make photogram Christmas cards by arranging objects on photographic paper in the darkroom and developing the results.
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Printmaking is a form of art that involves transferring ink from a matrix, such as linoleum, to paper to create multiple copies of the same artwork. The document discusses the history and types of printmaking, including relief printing which uses linocuts. It provides instructions for creating a linocut print, including sketching a design, transferring it to linoleum, carving away areas to create the design, inking the linoleum, and printing the design onto paper. Creating prints with multiple colors requires cleaning and re-carving the linoleum between applying each color.
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This document provides instructions for an assignment asking students to create self-portrait photograms. Photograms are camera-less images created by placing light-sensitive paper under objects and exposing it to light. The document discusses the history of photograms, provides examples from artists like Man Ray and Moholy-Nagy, and gives detailed directions on how students should select representative objects, do test exposures, arrange compositions, and submit their work along with process notes. Students are asked to bring in objects that represent themselves and create photograms that show their exposure skills, design abilities, and understanding of the technique.
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Intaglio is a printmaking technique where an image is incised into a plate and ink is forced into the incisions before being transferred to paper under pressure. There are two main intaglio techniques - engraving and etching. The basic steps of intaglio printmaking are: 1) designing the image, 2) preparing the copper plate and paper, 3) using engraving tools or acid to cut or etch the design into the plate, 4) inking the plate so that ink fills the incisions, 5) printing the image by applying pressure to transfer the ink from the plate to the paper.
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The document summarizes different types of printmaking that have evolved since the 800s, including relief, monoprinting, collagraphy, screenprinting, lithography, and intaglio printmaking. It provides brief descriptions and examples of each type of printmaking process. Key printmaking tools are also listed, such as bench hooks, carving tools, brayers, ink, gelli plates, and linoleum printing plates.
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Printmaking History
The document summarizes different types of printmaking that have evolved since the 800s, including relief, monoprinting, collagraphy, screenprinting, lithography, and intaglio printmaking. It provides brief descriptions and examples of each type of printmaking process. Key printmaking tools are also listed, such as bench hooks, carving tools, brayers, ink, gelli plates, and linoleum printing plates.
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A photogram is a contact print made without a camera by placing objects directly on light-sensitive photographic paper and exposing it to light. Henry Fox Talbot created early photograms in the 1820s by placing botanical specimens on photographic paper. In the 1920s, photograms became popular among artists like Man Ray and Moholy-Nagy who placed cut paper and other objects on photographic paper to create photograms. To create a photogram, an object is placed on photographic paper and exposed to light, then the paper is developed using chemical processes to produce an image.
What is printmaking
This document discusses different printmaking techniques. It defines printmaking as producing images by applying ink to paper or other material using plates or blocks. The four major printmaking processes are relief, intaglio, planographic, and stencil. Relief printing is described as applying ink to the original surface of the matrix, with examples including woodcut, wood engraving, and linocut. Intaglio is applying ink beneath the matrix surface, using techniques like engraving and etching. Planographic involves a specially prepared surface to transfer the image, such as in lithography. Stencil uses a prepared screen to press ink or paint through.
Printmaking (History and Types)
Printmaking is a technique that uses inked blocks or plates to print images multiple times. It originated in China around 100 AD as a woodcut printing method for books. There are five major types of printmaking: woodcut, engraving, relief, intaglio, and stencil printing, each with different carving or etching methods. Famous printmakers through history include Albrecht Dürer in the 1500s, Andy Warhol in the 1960s, and Katsushika Hokusai in the 1800s. Linoleum cuts are a type of relief print where the artist carves out lines to create the print from the incised areas.
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Monoprinting is a printmaking technique that creates unique prints. It involves rolling ink onto a surface, then placing paper on top and making marks on the back of the paper. This transfers an image to the paper. Both positive images from the marks as well as negative spaces appear. The process is simple but results in prints with a painterly, spontaneous quality unlike other art. Examples demonstrate adding shading and tones using fingers on the paper. Monoprints capture accidental ink textures from the rolling process, making each print one-of-a-kind.
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Printmaking involves repeatedly transferring an original image from one prepared surface to another. Relief prints are created from the raised areas of a printing block after cutting away sections. Monoprints and monotypes produce unique prints from altered plates without permanent markings. Collagraphs use materials like paper or fabric glued to a printing surface. Key tools include brayers for applying ink, inking wells, burnishers for pressing paper to plates, and printing presses for consistent pressure. Proofs are trial prints and artist's proofs are reserved prints from the edition for the artist.
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This document discusses various printmaking techniques including acid etching, lino printing, collographs, direct offset monoprinting, additive and reductive monoprinting, monotypes, gyotaku fish printmaking, and gelatin monoprinting. The techniques involve drawing or collaging onto plates or surfaces, applying ink, and pressing onto paper to transfer the image. Some techniques like acid etching involve etching into metal plates while others like collographs build textures through collage that are then printed.
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Printmaking is the process of making multiple artworks through various techniques involving transferring ink from a matrix or screen onto paper or other material. The main printmaking techniques discussed include intaglio methods like engraving, etching, mezzotint and aquatint where ink is pressed into lines or tones on a plate before printing; lithography which uses the repulsion of oil and water to create images on stone or metal plates; and screenprinting which forces ink through a fabric stencil using a squeegee. Artists over centuries have experimented with these techniques to produce artistic prints.
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Printmaking techniques can be divided into four basic categories: relief, intaglio, planographic, and stencil. Relief printing involves a raised surface and includes woodcut and linoleum cut. Intaglio is the opposite, using a recessed surface created by cutting into metal plates with tools. Planographic printing involves a flat surface and includes lithography. Stencil printing uses a screen with a cut design to push ink onto paper. Contemporary artists combine traditional and digital techniques in new ways.
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Monoprinting is a printmaking technique that creates unique prints. It involves applying ink to a plastic surface with a roller, then placing paper on top and drawing through the paper, which transfers the image to the paper. When the paper is flipped over, it reveals a printed image with accidental background marks that make each monoprint unique. The process is simple but allows for spontaneity and a painted quality in the printed images.
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This document provides an overview of basic printmaking techniques, including relief printing, intaglio, etching, lithography, and serigraphy (screen printing). Relief printing involves carving away areas of a matrix to leave protruding surfaces that will receive ink. Intaglio is the opposite, where an image is incised into a surface like copper or zinc holding the ink. Etching is a type of intaglio where a waxy ground is drawn through and then acid etched. Lithography uses the chemical repulsion of oil and water, drawing an image with grease onto a limestone surface. Serigraphy uses a stretched fabric screen and squeegee to push ink through a stencil.
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This document provides information about several linocut prints and printmaking artists. It includes:
1) A description of a print titled "Bachelor" by Lee Bennett, which consists of 3 prints in a row showing different levels of carving away the linoleum to create light and dark effects.
2) Information about prints for sale by various artists, including price and size details.
3) Images and descriptions of linocut prints by different artists showcasing a variety of subjects from figures to landscapes.
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This document provides information about a lino cut printmaking course taught by Prasad Kumar Swain from August 17-22, 2015. The course objectives are to enhance students' technical skills in relief printmaking and understand the differences between linocut and lino etching techniques and processes. Students will learn the history of printmaking, tools and materials for relief printing, and techniques like transferring layouts onto lino blocks, cutting blocks, registering, proofing, and printing linocuts in black and white and color.
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Monoprinting involves creating unique prints using ink and paper. To make a monoprint, an artist applies ink to a plate or rolling pin and then places paper on top, drawing into the ink. This creates a "printed painting" with one-of-a-kind textures and marks. Successful monoprints combine spontaneity with control using various tools like fingers, pencils or pens. The document provides step-by-step instructions for making monoprints and examples of techniques like adding shading. It also lists artists who have worked with the monoprinting technique such as Jim Dine, Cy Twombly and Paul Klee.
Printmaking
This document provides an overview of different printmaking techniques, including intaglio printing which involves etching or scratching into metal plates, lithography which uses wax crayon on stone, screen printing where a mesh screen is used to apply ink in a stencil-like fashion, and relief printing by carving into blocks of wood or other materials. It explains that prints are produced in limited editions, with only a set number of each print made, and discusses prominent artists who have used these various printmaking methods.
Photograms and darkroom procedure
A photogram is a contact print made without a camera by placing objects directly on light-sensitive photographic paper and exposing it to light. Henry Fox Talbot created early photograms in the 1820s by placing botanical specimens on photographic paper. In the 1920s, photograms became popular among artists like Man Ray and Moholy-Nagy who placed cut paper and other objects on photographic paper to create photograms. To create a photogram, an object is placed on photographic paper and exposed to light, then the paper is developed using chemical processes to produce an image.
What is printmaking
This document discusses different printmaking techniques. It defines printmaking as producing images by applying ink to paper or other material using plates or blocks. The four major printmaking processes are relief, intaglio, planographic, and stencil. Relief printing is described as applying ink to the original surface of the matrix, with examples including woodcut, wood engraving, and linocut. Intaglio is applying ink beneath the matrix surface, using techniques like engraving and etching. Planographic involves a specially prepared surface to transfer the image, such as in lithography. Stencil uses a prepared screen to press ink or paint through.
Printmaking (History and Types)
Printmaking is a technique that uses inked blocks or plates to print images multiple times. It originated in China around 100 AD as a woodcut printing method for books. There are five major types of printmaking: woodcut, engraving, relief, intaglio, and stencil printing, each with different carving or etching methods. Famous printmakers through history include Albrecht Dürer in the 1500s, Andy Warhol in the 1960s, and Katsushika Hokusai in the 1800s. Linoleum cuts are a type of relief print where the artist carves out lines to create the print from the incised areas.
Photograms and darkroom procedure
A photogram is a contact print made without a camera by placing objects directly on light-sensitive photographic paper and exposing it to light. Henry Fox Talbot created early photograms by placing botanical specimens on photographic paper. In the 1920s, artists like Man Ray and Moholy-Nagy popularized the technique. To create a photogram, an artist places objects on photographic paper and exposes it to light, then develops the paper using chemicals to reveal the latent image.
Monoprinting
Monoprinting is a printmaking technique that creates unique prints. It involves rolling ink onto a surface, then placing paper on top and making marks on the back of the paper. This transfers an image to the paper. Both positive images from the marks as well as negative spaces appear. The process is simple but results in prints with a painterly, spontaneous quality unlike other art. Examples demonstrate adding shading and tones using fingers on the paper. Monoprints capture accidental ink textures from the rolling process, making each print one-of-a-kind.
Design Printmaking Terms Pics
Printmaking involves repeatedly transferring an original image from one prepared surface to another. Relief prints are created from the raised areas of a printing block after cutting away sections. Monoprints and monotypes produce unique prints from altered plates without permanent markings. Collagraphs use materials like paper or fabric glued to a printing surface. Key tools include brayers for applying ink, inking wells, burnishers for pressing paper to plates, and printing presses for consistent pressure. Proofs are trial prints and artist's proofs are reserved prints from the edition for the artist.
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Printmaking is an art form that uses plates or blocks to create replicas of a design. The earliest known prints originated in China during the Tang Dynasty and were done with ink on carved wooden blocks. There are several main printmaking techniques, including relief printing where the design is carved into a block, intaglio where the design is carved into a plate, lithography where the image is drawn on stone, and screen-printing where ink is pushed through a stretched screen. Each technique has been used throughout history for applications such as textiles, posters, books, and more. Famous printmaking artists have worked in various techniques, such as Pablo Picasso in intaglio and Andy Warhol in screen-printing.
Printmaking techniques
This document provides an overview of different printmaking techniques including relief printing techniques like woodcut and linocut, intaglio techniques like etching and drypoint, stencil techniques like silkscreen, and planographic techniques like lithography. It describes the basic processes for each technique such as how the image is created on the plate or surface and how it is then printed to create multiples.
Printmaking
This document discusses various printmaking techniques including acid etching, lino printing, collographs, direct offset monoprinting, additive and reductive monoprinting, monotypes, gyotaku fish printmaking, and gelatin monoprinting. The techniques involve drawing or collaging onto plates or surfaces, applying ink, and pressing onto paper to transfer the image. Some techniques like acid etching involve etching into metal plates while others like collographs build textures through collage that are then printed.
Art Appreciation: Intro to Printmaking
Covers a variety of relief and intaglio printmaking processes, with examples of student work and pieces by Adam Palmer, Josh Banks, Christopher Wallace (UNT grads), and more well-known printmakers. Relief and intaglio processes such as linocut, woodcut relief, lithography, and screenprinting are introduced.
Printmaking
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Print making report
Printmaking is the process of making multiple artworks through various techniques involving transferring ink from a matrix or screen onto paper or other material. The main printmaking techniques discussed include intaglio methods like engraving, etching, mezzotint and aquatint where ink is pressed into lines or tones on a plate before printing; lithography which uses the repulsion of oil and water to create images on stone or metal plates; and screenprinting which forces ink through a fabric stencil using a squeegee. Artists over centuries have experimented with these techniques to produce artistic prints.
Monoprint presentation
Monoprinting is an ancient art form that involves creating unique prints using ink and various mark-making tools on a plate, usually made of plexiglass. Artists can create monoprints by rolling ink onto the plate and then drawing into the ink with tools to remove areas, or by placing paper on the inked plate and drawing on the back of the paper. Monoprinting allows for experimentation and unique results each time as the ink is manipulated in various ways. The document provides instructions for different monoprinting techniques like the subtractive method and using stencils or textured objects pressed into the ink.
Printmaking presentation FA28
This document provides an overview of printmaking in the Philippines, including a brief history and description of techniques. It discusses the origins and development of the art form from the 15th century until the 19th century, highlighting important engravers, books, and magazines produced. The core printmaking techniques of relief, intaglio, and planographic printing are defined and examples like woodcut, etching, lithography, and serigraphy are described. Semiotic interpretations regarding the use of printmaking in advancing art, faith, and politics in Philippine history are also presented.
Printmaking
Printmaking techniques can be divided into four basic categories: relief, intaglio, planographic, and stencil. Relief printing involves a raised surface and includes woodcut and linoleum cut. Intaglio is the opposite, using a recessed surface created by cutting into metal plates with tools. Planographic printing involves a flat surface and includes lithography. Stencil printing uses a screen with a cut design to push ink onto paper. Contemporary artists combine traditional and digital techniques in new ways.
Printmaking patterns
Printmaking is an ancient art form that involves transferring ink or other materials from a matrix onto paper or other surfaces. This document discusses how students will create motifs by carving a linoleum relief block and printing their designs. They will use a linoleum block, carving tools, ink, and paper to produce prints that are mirror images of their carved designs, with white areas indicating cut parts of the block and black showing uncut areas.
Year 10 Monoprinting
Monoprinting is a printmaking technique that creates unique prints. It involves applying ink to a plastic surface with a roller, then placing paper on top and drawing through the paper, which transfers the image to the paper. When the paper is flipped over, it reveals a printed image with accidental background marks that make each monoprint unique. The process is simple but allows for spontaneity and a painted quality in the printed images.
Printmaking
This document provides an overview of basic printmaking techniques, including relief printing, intaglio, etching, lithography, and serigraphy (screen printing). Relief printing involves carving away areas of a matrix to leave protruding surfaces that will receive ink. Intaglio is the opposite, where an image is incised into a surface like copper or zinc holding the ink. Etching is a type of intaglio where a waxy ground is drawn through and then acid etched. Lithography uses the chemical repulsion of oil and water, drawing an image with grease onto a limestone surface. Serigraphy uses a stretched fabric screen and squeegee to push ink through a stencil.
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This document provides information about several linocut prints and printmaking artists. It includes:
1) A description of a print titled "Bachelor" by Lee Bennett, which consists of 3 prints in a row showing different levels of carving away the linoleum to create light and dark effects.
2) Information about prints for sale by various artists, including price and size details.
3) Images and descriptions of linocut prints by different artists showcasing a variety of subjects from figures to landscapes.
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This document provides information about a lino cut printmaking course taught by Prasad Kumar Swain from August 17-22, 2015. The course objectives are to enhance students' technical skills in relief printmaking and understand the differences between linocut and lino etching techniques and processes. Students will learn the history of printmaking, tools and materials for relief printing, and techniques like transferring layouts onto lino blocks, cutting blocks, registering, proofing, and printing linocuts in black and white and color.
Block Printing Notes
This document discusses the art of printmaking, specifically linocut printing. It explains that printmaking involves carving an image or design into a linoleum block to reproduce the design multiple times, allowing more people to view the image. The document provides examples of printmaking throughout history from 9th century Korean block printing to modern linocut artworks.
Linocut Portraits
Linocut is a printmaking technique where a design is carved into a linoleum block, ink is applied to the carved areas, and paper is pressed onto the block to transfer the image. The document shows the tools used in linocut printing including a brayer to apply ink, a lino block with carved design, a baren to apply pressure, and lino cutters of various sizes used to carve into the block. Examples of linocut prints are also shown, including a 1968 portrait and 1912 and 1913 woodcut prints from German Expressionist artists.
Linocut Examples.ppt
This document provides information on various artists and their linocut works. It lists the names of over 15 artists such as Mark Hearld, Angie Lewin, Nick Morley, Kreg Yingst, and Darrel Perkins who have created linocut illustrations, portraits, and series. It also describes linocut exhibitions in London and provides details on the linocut process from several artists like Aijung Kim, James Green, and students at Seymour Road Studios.
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The document provides instructions for creating block prints through a process of sketching compositions, carving a linoleum block, inking the block, and printing. It discusses considerations for composition such as use of space, rule of thirds, texture, balance of light and dark, and contrast. The reader is then instructed to create 13 prints exploring different color schemes such as primary/secondary/tertiary colors, warm/cool colors, analogous/complimentary colors, and more. Printing techniques including printing maximum two colors at a time and hand-coloring additional colors are also outlined.
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This document provides an overview of lessons on still life drawing and techniques. It includes questions, examples, and instructions for various assignments focused on still life arrangement, tonal studies using ink and charcoal, negative space, monoprinting, and the works of artists such as Morandi. Students are given homework assignments practicing different mediums and subject matter, such as copying a Craig-Martin painting, drawing a bedroom corner, and creating a tonal still life drawing. The document provides guidance, examples, and criteria for completing the lessons and assignments.
Final piece
The document provides instructions for several craft projects:
1) Creating a jar puzzle by printing photos, cutting them up, and placing pieces in jars to recreate the full picture.
2) Framing and distressing a photo to look old by smashing, breaking and burning an old frame and incorporating leaves and sticks.
3) Creating a peeling paint effect in Photoshop by overlaying an edit and paint texture, scaling and rotating the texture to cover skin, and masking it to only show on skin areas.
Shopping lists for materials are included.
Collage Techniques: "Painting with Paper"
How to make a collage. Which papers to use, where to find them, how to apply them. Which glues work best. Background techniques. Image transfer techniques.
TilePatternPrintmakingUnitPowerpoint-1.pptx
To access links in PowerPoint presentations, you must first present the slideshow. Clicking links without presenting will make them inactive. Alternatively, you can access links in slide view by right clicking the link and selecting "Open Hyperlink" from the menu.
Block printing involves carving a design into linoleum or other material to create areas that will print and areas that will appear blank. To create a block print, an artist transfers their design to the block, carves away the negative space, rolls out ink on the block, and presses paper onto the block to transfer the ink from the raised design areas.
This document provides instructions for a lesson on block printing tile patterns. It discusses stylizing images,
4 color woodcut
This document provides instructions for creating a 4 color woodcut print using 4 blocks. Each block is used to apply a different color. An image is selected, transferred to each block using graphite paper, and the blocks are cut. The block with the most detail is called the key block. When printing, the lightest or background color is applied first using the appropriate block placed in a register frame. Additional colors are added by re-inking and printing with the other blocks until the full color image is completed. The process ensures consistency across prints.
4 color woodcut_2020
The 4 color woodcut process involves creating a composition and transferring it to 4 blocks, with each block representing a different color. The key block contains the most detail and is printed last. The printing process starts with the lightest color and involves inking each block, placing it in a register frame, and printing one color at a time onto the paper to build up the full color image.
The Pop Art Printmaking Presentation Relief
This document provides instructions for students to create a pop art print self-portrait. It explains that students will take a selfie, edit it using posterization to break it into shapes and values, and transfer the design onto scratch foam to create a printing plate. Students will then print their self-portrait design onto colored construction paper using white ink to recreate the pop art style of Andy Warhol. The instructions outline the step-by-step process of transferring the design onto the scratch foam printing plate and printing the final self-portrait pop art prints.
Warhol Inspired Relief Printing Project
PowerPoint presentation introducing key concepts, project objectives, process steps, and student-friendly assessment rubric.
Natural Form Sculpture
The document provides instructions for several homework assignments related to sculpture. Students are asked to:
1) Research and write about an artist, including biographical details and analysis of one of their works, and create a drawing of the work.
2) Create a detailed drawing of a natural object or one of their sculpture ideas using color, tone, and detail.
3) Continue working on their main sculpture project by experimenting, taking reference photos, and annotating process drawings in their sketchbook.
The different media of the visual arts.pptx
This document discusses different media used in visual arts. It describes graphic or two-dimensional arts such as drawing, which can be done using pencils, ink, pastels, charcoal, and paper. Specific shading and blending techniques for each medium are outlined. Painting media like watercolors, gouache, oils, tempera, fresco, and acrylics are also discussed. Additional visual art forms summarized include mosaic, collage, printmaking techniques like relief, intaglio, and surface printing.
printmaking-120501132807-phpapp02.pptx
The document provides information about printmaking techniques including silkscreen, lithography, intaglio/etching, monotype, relief, and reduction printing. It discusses the purposes and processes for each technique. Key tools used for block printing like brayers, carving tools, ink plates, and ink are also outlined. The document seeks to educate about the various methods in the art of printmaking.
Paint night colorful abstracts
- The document provides instructions and suggestions for a do-it-yourself acrylic painting night, including supplies needed, techniques, color theory basics, and ideas for finding inspiration.
- Attendees are encouraged to be creative and intuitive, working with layers of shapes, patterns, and details, while keeping composition and balance in mind.
- The host welcomes feedback and questions, and asks if anyone would be interested in future art nights focused on other mediums like zentangle.
Opartshadingblobs
This document provides instructions for an art project called "Op Art shading blobs" where students will create an optical illusion design. It explains that Op Art uses tricks of the eye to make images seem like they are moving. Key steps include drawing curved lines and connecting dots to fill the page before adding just two complementary colors with darker shades in the corners and lighter toward the tops of shapes. The objectives are for students to understand concepts like line, space, value, color and movement through creating their own Op Art.
Year 6 painting and collage experiments: Howard Arkley
This document provides instructions for an art project that involves experimenting with different painting techniques and styles. Students will take photos of their house and select one to create various artworks inspired by different artists. These include:
1) Creating an abstract painting using straight lines inspired by Piet Mondrian.
2) Making a color field painting with soft edges like Mark Rothko to use as a background.
3) Doing an action painting by splattering paint like Jackson Pollock.
4) Producing a pointillist dot painting in the style of Seurat.
Students will then create cutouts of the elements of their house and collage them onto the background paintings to recreate their house
Year 6 painting and collage experiments: Howard Arkley houses
This document provides instructions for an art project that involves experimenting with different painting techniques and styles. Students will take photos of their house and select one to create various artworks inspired by different artists. These include:
1) Creating an abstract painting using straight lines inspired by Piet Mondrian.
2) Making color field paintings with soft edges like Mark Rothko to use as backgrounds.
3) Doing an action painting by splattering paint like Jackson Pollock.
4) Using pointillism with dots of paint like Georges Seurat.
Students will then create patterns using paint pens inspired by Howard Arkley and collage the finished artworks onto a traced outline of their house photo
Chiaroscuro project
A slide presentation for my Art 10 students on understanding form and space through the development of light and shadow.
Similar to Pp1 How To Make Woodblock (20)
Chalk Mixed Media Drawing inspired by Jim Dine Lesson
Chalk Mixed Media Drawing inspired by Jim Dine Lesson
Year 6 painting and collage experiments: Howard Arkley
Year 6 painting and collage experiments: Howard Arkley
Year 6 painting and collage experiments: Howard Arkley houses
Year 6 painting and collage experiments: Howard Arkley houses
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Leonardo DiCaprio House: A Journey Through His Extravagant Real Estate Portfolio
Introduction
Leonardo DiCaprio, A name synonymous with Hollywood excellence. is not only known for his stellar acting career but also for his impressive real estate investments. The "Leonardo DiCaprio house" is a topic that piques the interest of many. as the Oscar-winning actor has amassed a diverse portfolio of luxurious properties. DiCaprio's homes reflect his varied tastes and commitment to sustainability. from retreats to historic mansions. This article will delve into the fascinating world of Leonardo DiCaprio's real estate. Exploring the details of his most notable residences. and the unique aspects that make them stand out.
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Leonardo DiCaprio House: Malibu Beachfront Retreat
A Prime Location
His Malibu beachfront house is one of the most famous properties in Leonardo DiCaprio's real estate portfolio. Situated in the exclusive Carbon Beach. also known as "Billionaire's Beach," this property boasts stunning ocean views and private beach access. The "Leonardo DiCaprio house" in Malibu is a testament to the actor's love for the sea and his penchant for luxurious living.
Architectural Highlights
The Malibu house features a modern design with clean lines, large windows. and open spaces blending indoor and outdoor living. The expansive deck and patio areas provide ample space for entertaining guests or enjoying a quiet sunset. The house has state-of-the-art amenities. including a gourmet kitchen, a home theatre, and many guest suites.
Sustainable Features
Leonardo DiCaprio is a well-known environmental activist. whose Malibu house reflects his commitment to sustainability. The property incorporates solar panels, energy-efficient appliances, and sustainable building materials. The landscaping around the house is also designed to be water-efficient. featuring drought-resistant plants and intelligent irrigation systems.
Leonardo DiCaprio House: Hollywood Hills Hideaway
Privacy and Seclusion
Another remarkable property in Leonardo DiCaprio's collection is his Hollywood Hills house. This secluded retreat offers privacy and tranquility. making it an ideal escape from the hustle and bustle of Los Angeles. The "Leonardo DiCaprio house" in Hollywood Hills nestled among lush greenery. and offers panoramic views of the city and surrounding landscapes.
Design and Amenities
The Hollywood Hills house is a mid-century modern gem characterized by its sleek design and floor-to-ceiling windows. The open-concept living space is perfect for entertaining. while the cozy bedrooms provide a comfortable retreat. The property also features a swimming pool, and outdoor dining area. and a spacious deck that overlooks the cityscape.
Environmental Initiatives
The Hollywood Hills house incorporates several green features that are in line with DiCaprio's environmental values. The home has solar panels, energy-efficient lighting, and a rainwater harvesting system. Additionally, the landscaping designed to support local wildlife and promote
一比一原版(AUT毕业证)奥克兰理工大学毕业证如何办理
AUT毕业证假文凭【微信95270640】购买（奥克兰理工大学毕业证成绩单硕士学历）Q微信95270640代办AUT学历认证留信网伪造奥克兰理工大学学位证书精仿奥克兰理工大学本科/硕士文凭证书补办奥克兰理工大学 diplomaoffer,Transcript购买奥克兰理工大学毕业证成绩单购买AUT假毕业证学位证书购买伪造奥克兰理工大学文凭证书学位证书,专业办理雅思、托福成绩单，学生ID卡，在读证明，海外各大学offer录取通知书，毕业证书，成绩单，文凭等材料:1:1完美还原毕业证、offer录取通知书、学生卡等各种在读或毕业材料的防伪工艺（包括 烫金、烫银、钢印、底纹、凹凸版、水印、防伪光标、热敏防伪、文字图案浮雕，激光镭射，紫外荧光，温感光标）学校原版上有的工艺我们一样不会少，不论是老版本还是最新版本，都能保证最高程度还原，力争完美以求让所有同学都能享受到完美的品质服务。
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国外奥克兰理工大学奥克兰理工大学毕业证文凭证书办理过程：
1客户提供办理信息：姓名生日专业学位毕业时间等（如信息不确定可以咨询顾问：我们有专业老师帮你查询）；
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3毕业证成绩单电子版做好以后发送给您确认；
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From Swing Music to Big Band Fame_ 5 Iconic Artists.pptx
Know about the five famous artists who have transitioned to Big Band Music from Swing Music. Here is a glimpse of their work and contributions.
原版制作(MUN毕业证书)纽芬兰纪念大学毕业证PDF成绩单一模一样
学校原件一模一样【微信：741003700 】《(MUN毕业证书)纽芬兰纪念大学毕业证》【微信：741003700 】学位证，留信认证（真实可查，永久存档）原件一模一样纸张工艺/offer、雅思、外壳等材料/诚信可靠,可直接看成品样本，帮您解决无法毕业带来的各种难题！外壳，原版制作，诚信可靠，可直接看成品样本。行业标杆！精益求精，诚心合作，真诚制作！多年品质 ,按需精细制作，24小时接单,全套进口原装设备。十五年致力于帮助留学生解决难题，包您满意。
本公司拥有海外各大学样板无数，能完美还原。
1:1完美还原海外各大学毕业材料上的工艺：水印，阴影底纹，钢印LOGO烫金烫银，LOGO烫金烫银复合重叠。文字图案浮雕、激光镭射、紫外荧光、温感、复印防伪等防伪工艺。材料咨询办理、认证咨询办理请加学历顾问Q/微741003700
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三.真实教育部学历学位认证（教育部存档！教育部留服网站永久可查）
四.办理各国各大学文凭(一对一专业服务,可全程监控跟踪进度)
如果您处于以下几种情况：
◇在校期间，因各种原因未能顺利毕业……拿不到官方毕业证【q/微741003700】
◇面对父母的压力，希望尽快拿到；
◇不清楚认证流程以及材料该如何准备；
◇回国时间很长，忘记办理；
◇回国马上就要找工作，办给用人单位看；
◇企事业单位必须要求办理的
◇需要报考公务员、购买免税车、落转户口
◇申请留学生创业基金
留信网认证的作用:
1:该专业认证可证明留学生真实身份
2:同时对留学生所学专业登记给予评定
3:国家专业人才认证中心颁发入库证书
4:这个认证书并且可以归档倒地方
5:凡事获得留信网入网的信息将会逐步更新到个人身份内，将在公安局网内查询个人身份证信息后，同步读取人才网入库信息
6:个人职称评审加20分
7:个人信誉贷款加10分
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Sara Saffari: Turning Underweight into Fitness Success at 23
Uncover the remarkable journey of Sara Saffari, whose transformation from underweight struggles to being recognized as a fitness icon at 23 underscores the importance of perseverance, discipline, and embracing a healthy lifestyle.
The Future of Independent Filmmaking Trends and Job Opportunities
The landscape of independent filmmaking is evolving at an unprecedented pace. Technological advancements, changing consumer preferences, and new distribution models are reshaping the industry, creating new opportunities and challenges for filmmakers and film industry jobs. This article explores the future of independent filmmaking, highlighting key trends and emerging job opportunities.
The Enigmatic Portrait, In the heart of a sleepy town
In the heart of a sleepy town nestled between rolling hills and whispering pines …
created with AI assistance…
The Gallery of Shadows, In the heart of a bustling city
In the heart of a bustling city, hidden away from the modern chaos …
created with AI assistance…
原版制作(Mercer毕业证书)摩斯大学毕业证在读证明一模一样
学校原件一模一样【微信：741003700 】《(Mercer毕业证书)摩斯大学毕业证》【微信：741003700 】学位证，留信认证（真实可查，永久存档）原件一模一样纸张工艺/offer、雅思、外壳等材料/诚信可靠,可直接看成品样本，帮您解决无法毕业带来的各种难题！外壳，原版制作，诚信可靠，可直接看成品样本。行业标杆！精益求精，诚心合作，真诚制作！多年品质 ,按需精细制作，24小时接单,全套进口原装设备。十五年致力于帮助留学生解决难题，包您满意。
本公司拥有海外各大学样板无数，能完美还原。
1:1完美还原海外各大学毕业材料上的工艺：水印，阴影底纹，钢印LOGO烫金烫银，LOGO烫金烫银复合重叠。文字图案浮雕、激光镭射、紫外荧光、温感、复印防伪等防伪工艺。材料咨询办理、认证咨询办理请加学历顾问Q/微741003700
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一.毕业证【q微741003700】成绩单、使馆认证、教育部认证、雅思托福成绩单、学生卡等！
二.真实使馆公证(即留学回国人员证明,不成功不收费)
三.真实教育部学历学位认证（教育部存档！教育部留服网站永久可查）
四.办理各国各大学文凭(一对一专业服务,可全程监控跟踪进度)
如果您处于以下几种情况：
◇在校期间，因各种原因未能顺利毕业……拿不到官方毕业证【q/微741003700】
◇面对父母的压力，希望尽快拿到；
◇不清楚认证流程以及材料该如何准备；
◇回国时间很长，忘记办理；
◇回国马上就要找工作，办给用人单位看；
◇企事业单位必须要求办理的
◇需要报考公务员、购买免税车、落转户口
◇申请留学生创业基金
留信网认证的作用:
1:该专业认证可证明留学生真实身份
2:同时对留学生所学专业登记给予评定
3:国家专业人才认证中心颁发入库证书
4:这个认证书并且可以归档倒地方
5:凡事获得留信网入网的信息将会逐步更新到个人身份内，将在公安局网内查询个人身份证信息后，同步读取人才网入库信息
6:个人职称评审加20分
7:个人信誉贷款加10分
8:在国家人才网主办的国家网络招聘大会中纳入资料，供国家高端企业选择人才
Abraham Laboriel Records ‘The Bass Walk’ at Evergreen Stage
A legendary musician records an intricate song designed to show off his expert bass guitar chops at a historical Los Angeles studio.
The Evolution of the Leonardo DiCaprio Haircut: A Journey Through Style and C...
Leonardo DiCaprio, a name synonymous with Hollywood stardom and acting excellence. has captivated audiences for decades with his talent and charisma. But, the Leonardo DiCaprio haircut is one aspect of his public persona that has garnered attention. From his early days as a teenage heartthrob to his current status as a seasoned actor and environmental activist. DiCaprio's hairstyles have evolved. reflecting both his personal growth and the changing trends in fashion. This article delves into the many phases of the Leonardo DiCaprio haircut. exploring its significance and impact on pop culture.
一比一原版(UCSF毕业证)旧金山分校毕业证如何办理
原件一模一样【微信：95270640】【旧金山分校毕业证UCSF学位证成绩单】【微信：95270640】（留信学历认证永久存档查询）采用学校原版纸张、特殊工艺完全按照原版一比一制作（包括：隐形水印，阴影底纹，钢印LOGO烫金烫银，LOGO烫金烫银复合重叠，文字图案浮雕，激光镭射，紫外荧光，温感，复印防伪）行业标杆！精益求精，诚心合作，真诚制作！多年品质 ,按需精细制作，24小时接单,全套进口原装设备，十五年致力于帮助留学生解决难题，业务范围有加拿大、英国、澳洲、韩国、美国、新加坡，新西兰等学历材料，包您满意。
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留信网认证的作用:
1:该专业认证可证明留学生真实身份【微信：95270640】
2:同时对留学生所学专业登记给予评定
3:国家专业人才认证中心颁发入库证书
4:这个认证书并且可以归档倒地方
5:凡事获得留信网入网的信息将会逐步更新到个人身份内，将在公安局网内查询个人身份证信息后，同步读取人才网入库信息
6:个人职称评审加20分
7:个人信誉贷款加10分
8:在国家人才网主办的国家网络招聘大会中纳入资料，供国家高端企业选择人才
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3:国家专业人才认证中心颁发入库证书
4:这个认证书并且可以归档倒地方
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6:个人职称评审加20分
7:个人信誉贷款加10分
8:在国家人才网主办的国家网络招聘大会中纳入资料，供国家高端企业选择人才
【关于价格问题（保证一手价格）】
我们所定的价格是非常合理的，而且我们现在做得单子大多数都是代理和回头客户介绍的所以一般现在有新的单子 我给客户的都是第一手的代理价格，因为我想坦诚对待大家 不想跟大家在价格方面浪费时间
对于老客户或者被老客户介绍过来的朋友，我们都会适当给一些优惠。
University of Western Sydney degree offer diploma Transcript
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Leonardo DiCaprio Super Bowl: Hollywood Meets America’s Favorite Game
Introduction
Leonardo DiCaprio is synonymous with Hollywood stardom and acclaimed performances. has a unique connection with one of America's most beloved sports events—the Super Bowl. The "Leonardo DiCaprio Super Bowl" phenomenon combines the worlds of cinema and sports. drawing attention from fans of both domains. This article delves into the multifaceted relationship between DiCaprio and the Super Bowl. exploring his appearances at the event, His involvement in Super Bowl advertisements. and his cultural impact that bridges the gap between these two massive entertainment industries.
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Leonardo DiCaprio: The Hollywood Icon
Early Life and Career Beginnings
Leonardo Wilhelm DiCaprio was born in Los Angeles, California, on November 11, 1974. His journey to stardom began at a young age with roles in television commercials and educational programs. DiCaprio's breakthrough came with his portrayal of Luke Brower in the sitcom "Growing Pains" and later as Tobias Wolff in "This Boy's Life" (1993). where he starred alongside Robert De Niro.
Rise to Stardom
DiCaprio's career skyrocketed with his performance in "What's Eating Gilbert Grape" (1993). earning him his first Academy Award nomination. He continued to gain acclaim with roles in "Romeo + Juliet" (1996) and "Titanic" (1997). the latter of which cemented his status as a global superstar. Over the years, DiCaprio has showcased his versatility in films like "The Aviator" (2004). "Start" (2010), and "The Revenant" (2015), for which he finally won an Academy Award for Best Actor.
Environmental Activism
Beyond his film career, DiCaprio is also renowned for his environmental activism. He established the Leonardo DiCaprio Foundation in 1998, focusing on global conservation efforts. His commitment to ecological issues often intersects with his public appearances. including those related to the Super Bowl.
The Super Bowl: An American Institution
History and Significance
The Super Bowl is the National Football League (NFL) championship game. is one of the most-watched sporting events in the world. First played in 1967, the Super Bowl has evolved into a cultural phenomenon. featuring high-profile halftime shows, memorable advertisements, and significant media coverage. The event attracts a diverse audience, from avid sports fans to casual viewers. making it a prime platform for celebrities to appear.
Entertainment and Advertisements
The Super Bowl is not only about football but also about entertainment. The halftime show features performances by some of the biggest names in the music industry. while the commercials are often as anticipated as the game itself. Companies invest millions in Super Bowl ads. creating iconic and sometimes controversial commercials that capture public attention.
Leonardo DiCaprio's Super Bowl Appearances
A Celebrity Among the Fans
Leonardo DiCaprio's presence at the Super Bowl has noted several times. As a high-profile celebrity. DiCaprio attracts
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Pp1 How To Make Woodblock
- 1. How to Create a Linoleum/Woodblock Print Mary Powell
- 2. Index • Materials • Step 1: Making Your Image • Step 2: Cutting the Block • Step 3: Inking the Block • Step 4: Printing • Some Examples of Woodblocks
- 3. Materials: • A level block of wood or a piece of linoleum • Drawing utensil • Woodcarving tools • Ink and Ink Brayer • Paper • Wooden Spoon
- 4. Step 1: Making Your Image • You can draw your image directly onto your matrix, or you can draw your image on paper and then using graphite paper or tracing paper transfer the image onto the matrix.
- 5. Making Your Image (Cont.) • Be aware that since you are in essence “stamping” the image that it will print backwards! So any words you want MUST be carved into the block backwards to come out the right way! See?
- 6. Step 2: Cutting The Block • Using your wood carving tools, begin carving away all the negative space in your image • The raised areas are the ones that will print! • Use caution – these tools are SHARP
- 7. Step 3: Inking the Block • Put some ink out on a smooth surface like a pane of glass, and roll the brayer over the ink in several directions until you have the brayer evenly coated in ink, (not dripping in it!)
- 8. Inking the Block (Cont.) • Roll the inked brayer over your carved block, continue rolling with even pressure (not much heavier than the brayer weighs itself) • Continue rolling in alternating directions until the block is evenly coated in a thin layer of ink
- 9. Step 4: Printing • Take your paper and lay it on top of your freshly inked block • Using either a wooden spoon or other smooth surface, begin rubbing the paper into the block • The harder you rub the darker/cleaner your image will be
- 10. You have your image! Notice that there are chatter marks. These are often used to the artists’ advantage to create a sense of movement, but can be removed with some more carving.
- 12. Katsushika HOKUSAI, 1831, from the series “36 Views of Mt. Fuji” This very famous Japanese woodblock print is created using multiple layers for the different colors. Achieving this can be very difficult, as it is easy for the layers to not line up perfectly.
- 13. Yuan Dynasty, Part of a play, (1206- 1368) Early use of woodblock printing was to make quick copies of literature that could be distributed to many people. Imagine the original block had to be carved BACKWARDS in order for it to print out normally! Printmaking really forces one to think opposites.
- 14. Albrecht Dürer, The Revelation of St John: The Four Riders of the Apocalypse, 1497- 98, Woodcut The detail is amazing in Durer prints.