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Second Music and Second Language Learning Among Adults
Research Questions ,[object Object],[object Object],[object Object]
Definitions ,[object Object],[object Object],[object Object]
Literature Review (part one) Music Learning ,[object Object]
 
Literature Review (part two) Language Learning ,[object Object]
 
Literature Review (part three)  Music  and  Language Learning ,[object Object]
 
Social and Cultural Contexts Formal / Informal Learning Learners Teacher Cognition / Perception Transfer Internalizing Learning  “ Real World” Contexts  COMMONALITIES
Literature Review (part four)  Androgyny (Adult Learning) ,[object Object]
Bimusicality Hood (1960) The ability to hear (refrain from “correcting”) Imitation and rote rather than notation Sing and play. Sing to learn Need to be convinced of methods Lack of training is helpful Assimilation of the culture’s “whole identity”  Bilingualism Tucker (1999) Subject knowledge is easily transferrable once the L2 is gained Academic language (different than social) success depends on academic language success in L1 - “Nurture the first language” Gap between making use of the L2 and using L2 as a method of instruction (immersion)
1st Music 2nd Music 1st Language 2nd Music (Notes) Participant One age 37 -  -  Romanian  English Also learned French Participant Two age 52 Piano Lessons African Drumming -  -  Also voice lessons, musical theatre Participant Three age 57 -  -  English Mandarin Chinese German, French Participant Four age 26 Classical Piano African Drumming Chinese English Some English Participant Five age 45 Elementary General Music  Guitar Lessons  -  -  Played some guitar informally
Interviews Reflective Journal
Themes from Interviews Schema Immersion Identity Quality/ Quantity Fluency Success Teacher Function/ Applicability Social/ Individual
Themes from Interviews Schema Immersion Identity Quality/ Quantity Fluency Success Teacher Function/ Applicability Social/  Individual
[object Object],[object Object],Structure of Learning -  Schema
[object Object],[object Object],[object Object],Structure of Learning -  Organizing (structuring) own learning
Structure of Learning -  Quality / quantity of experience ,[object Object],[object Object]
Signs of development -  Success ,[object Object],[object Object]
Signs of development -  Fluency ,[object Object],[object Object]
Signs of development -  Function and applicability ,[object Object],[object Object]
Experiences -  Identity ,[object Object],[object Object]
Experiences -  Immersion ,[object Object],[object Object],[object Object]
Experiences -  Teacher ,[object Object],[object Object],[object Object]
Experiences -  Social and individual learning ,[object Object],[object Object]
Clusters of ideas from the literature and the study   ,[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object]
[object Object]
Immersion takes advantage of clusters (multiple processes)  Immersion demands internalizing the new system, whether music or language. Foundational relationships of first and second learning (music or language)
Second Music Close Foundational Relationship Second Music Distant Foundational Relationship African Drumming Drum Set / Percussion Blues Harmonica Gamelan
Second Language Close Foundational Relationship Second Language Distant Foundational Relationship Norwegian Mandarin Chinese French Spanish
More Questions ,[object Object],[object Object],[object Object],[object Object]
Continuation ,[object Object],Teenagers Middle School Students Elementary Students Early Childhood Learners

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Adult Second Music and Language Learning Processes

  • 1. Second Music and Second Language Learning Among Adults
  • 2.
  • 3.
  • 4.
  • 5.  
  • 6.
  • 7.  
  • 8.
  • 9.  
  • 10. Social and Cultural Contexts Formal / Informal Learning Learners Teacher Cognition / Perception Transfer Internalizing Learning “ Real World” Contexts COMMONALITIES
  • 11.
  • 12. Bimusicality Hood (1960) The ability to hear (refrain from “correcting”) Imitation and rote rather than notation Sing and play. Sing to learn Need to be convinced of methods Lack of training is helpful Assimilation of the culture’s “whole identity” Bilingualism Tucker (1999) Subject knowledge is easily transferrable once the L2 is gained Academic language (different than social) success depends on academic language success in L1 - “Nurture the first language” Gap between making use of the L2 and using L2 as a method of instruction (immersion)
  • 13. 1st Music 2nd Music 1st Language 2nd Music (Notes) Participant One age 37 - - Romanian English Also learned French Participant Two age 52 Piano Lessons African Drumming - - Also voice lessons, musical theatre Participant Three age 57 - - English Mandarin Chinese German, French Participant Four age 26 Classical Piano African Drumming Chinese English Some English Participant Five age 45 Elementary General Music Guitar Lessons - - Played some guitar informally
  • 15. Themes from Interviews Schema Immersion Identity Quality/ Quantity Fluency Success Teacher Function/ Applicability Social/ Individual
  • 16. Themes from Interviews Schema Immersion Identity Quality/ Quantity Fluency Success Teacher Function/ Applicability Social/ Individual
  • 17.
  • 18.
  • 19.
  • 20.
  • 21.
  • 22.
  • 23.
  • 24.
  • 25.
  • 26.
  • 27.
  • 28.
  • 29. Immersion takes advantage of clusters (multiple processes) Immersion demands internalizing the new system, whether music or language. Foundational relationships of first and second learning (music or language)
  • 30. Second Music Close Foundational Relationship Second Music Distant Foundational Relationship African Drumming Drum Set / Percussion Blues Harmonica Gamelan
  • 31. Second Language Close Foundational Relationship Second Language Distant Foundational Relationship Norwegian Mandarin Chinese French Spanish
  • 32.
  • 33.