This document discusses a proposed European Minimal Music Project. The project aims to create an online virtual museum and social platform exploring the histories and traditions of minimalist music across Europe. It will provide an immersive 3D experience allowing users to visit locations and experience performances. The project also seeks partners in areas like 3D interaction, narrative design, and technology-enhanced learning to help integrate innovative digital tools. The goals are to promote intercultural dialogue, connect music organizations, and improve access to minimalist music across education and participation.
The Netherlands Institute for Sound and Vision (NISV) manages over 70% of Dutch audiovisual heritage in its collection, including over a million hours of television, radio, music and film from 1898 to present. NISV aims to make as much of its collection publicly available online as possible under various open licenses, while obtaining permissions for material with third party rights. Its Open Images platform shares over 150 hours each of video and audio openly online, which has been reused over 160 million times on Wikipedia and elsewhere, though this represents only 0.03% of NISV's total collection.
The Europeana meeting under the Romanian Presidency, Exposing Online the Euro...Europeana
The Finnish National Gallery has adopted an open access policy to share digital images of its collections online through its own website and Europeana. It began by sharing archival materials in 2012 under Creative Commons licenses. In 2018, it launched sharing over 12,000 high-resolution images from its art collections with a CC0 license on both its website and Europeana. This was the result of collaboration between the Gallery and Europeana to improve access to the collections online. The open access policy aims to make the collections, which belong to the Finnish people, more accessible to wider audiences and to support education, research, and creative reuse. It has been positively received as responding to audience needs and expectations.
Hungarian theatre has developed significantly since the 18th century. There were no formal theatres before then, but influential figures like György Bessenyei helped establish the first National Theatre. By the early 20th century, there were over 100 theatres in Budapest alone. The Hungarian National Theatre building first opened in 1908 but was rebuilt in 2002 after political disputes delayed construction. It is now a large, modern facility with multiple stages surrounded by parks. Another famous theatre is the Vígszínház Theatre of Comedy, founded in 1896 in downtown Budapest, which puts on productions for all ages in its 1,100 seat venue.
This document provides information on several museums, collections, and resources related to textiles, design, and domestic objects. It lists the names, websites, and brief descriptions of places like the Museum of Domestic Design and Architecture, Norwich Museum of Costume and Textiles, The Rush Factory, Constance Howard Resource and Research Centre in Textiles, Warner Archive Collections, Zoological Museum Cambridge, Cummersdale Design Collection, and Des Pawson Rope Museum. It also includes additional resources for textile history, advertising, materials, footwear, and international archives.
The document summarizes EUscreen, a Best Practice Network funded by the European Commission to provide access to Europe's television heritage. The network includes 27 partners such as archives and technology providers. It aims to contribute 35,000 television items to Europeana with consistent metadata based on EBUcore. The network develops tools to facilitate accessing, commenting on, embedding, and remixing television content from European archives.
The Joint Information Systems Committee (JISC) is a UK government-funded organization that supports higher education. It provides the JANET network, infrastructure services, and funds innovative digital projects totaling around $50 million, including the digitization of over 70 collections. JISC is concerned with the usage of these digital resources and funds research on their impact. It also supports projects that combine multiple digital collections and enable new ways of exploring and engaging with the data, such as visualizations and tools that allow data to be transcribed by the public.
This document discusses a proposed European Minimal Music Project. The project aims to create an online virtual museum and social platform exploring the histories and traditions of minimalist music across Europe. It will provide an immersive 3D experience allowing users to visit locations and experience performances. The project also seeks partners in areas like 3D interaction, narrative design, and technology-enhanced learning to help integrate innovative digital tools. The goals are to promote intercultural dialogue, connect music organizations, and improve access to minimalist music across education and participation.
The Netherlands Institute for Sound and Vision (NISV) manages over 70% of Dutch audiovisual heritage in its collection, including over a million hours of television, radio, music and film from 1898 to present. NISV aims to make as much of its collection publicly available online as possible under various open licenses, while obtaining permissions for material with third party rights. Its Open Images platform shares over 150 hours each of video and audio openly online, which has been reused over 160 million times on Wikipedia and elsewhere, though this represents only 0.03% of NISV's total collection.
The Europeana meeting under the Romanian Presidency, Exposing Online the Euro...Europeana
The Finnish National Gallery has adopted an open access policy to share digital images of its collections online through its own website and Europeana. It began by sharing archival materials in 2012 under Creative Commons licenses. In 2018, it launched sharing over 12,000 high-resolution images from its art collections with a CC0 license on both its website and Europeana. This was the result of collaboration between the Gallery and Europeana to improve access to the collections online. The open access policy aims to make the collections, which belong to the Finnish people, more accessible to wider audiences and to support education, research, and creative reuse. It has been positively received as responding to audience needs and expectations.
Hungarian theatre has developed significantly since the 18th century. There were no formal theatres before then, but influential figures like György Bessenyei helped establish the first National Theatre. By the early 20th century, there were over 100 theatres in Budapest alone. The Hungarian National Theatre building first opened in 1908 but was rebuilt in 2002 after political disputes delayed construction. It is now a large, modern facility with multiple stages surrounded by parks. Another famous theatre is the Vígszínház Theatre of Comedy, founded in 1896 in downtown Budapest, which puts on productions for all ages in its 1,100 seat venue.
This document provides information on several museums, collections, and resources related to textiles, design, and domestic objects. It lists the names, websites, and brief descriptions of places like the Museum of Domestic Design and Architecture, Norwich Museum of Costume and Textiles, The Rush Factory, Constance Howard Resource and Research Centre in Textiles, Warner Archive Collections, Zoological Museum Cambridge, Cummersdale Design Collection, and Des Pawson Rope Museum. It also includes additional resources for textile history, advertising, materials, footwear, and international archives.
The document summarizes EUscreen, a Best Practice Network funded by the European Commission to provide access to Europe's television heritage. The network includes 27 partners such as archives and technology providers. It aims to contribute 35,000 television items to Europeana with consistent metadata based on EBUcore. The network develops tools to facilitate accessing, commenting on, embedding, and remixing television content from European archives.
The Joint Information Systems Committee (JISC) is a UK government-funded organization that supports higher education. It provides the JANET network, infrastructure services, and funds innovative digital projects totaling around $50 million, including the digitization of over 70 collections. JISC is concerned with the usage of these digital resources and funds research on their impact. It also supports projects that combine multiple digital collections and enable new ways of exploring and engaging with the data, such as visualizations and tools that allow data to be transcribed by the public.
The document discusses the Smithsonian Institution and its transition to becoming more of a distributed social network through various online platforms and digital initiatives. It notes that the Smithsonian has over 30 million physical visitors annually and 180 million online visitors. It then outlines several digital projects and online presences aimed at engaging broader audiences and encouraging participation, including the Smithsonian Commons initiative to share more of the Institution's resources and encourage new forms of learning through open access and interaction.
The Digitisation Programme of the National Art Library, Victoria and Albert M...Martin Flynn
This document discusses the digitization program of the National Art Library at the Victoria and Albert Museum. It provides an overview of the library's collections, highlights some examples of digitized materials including manuscripts by Charles Dickens and Jonathan Swift, and discusses various funding streams and technological developments that have supported and enabled digitization efforts. Challenges to digitization include the library's culture focusing more on physical objects than digital content, differing metadata standards, and museum databases not being well-suited for books. The presentation outlines current digitization technologies and workflows as well as ideas for expanding the program in the future through increased scale, volunteer involvement, commercial partnerships, and making digitization a core activity.
The Great War Archive: Oxford University’s Community CollectionSarahFahmy
The document discusses the Great War Archive, a community collection project run by Oxford University that digitized material from World War 1. It collected over 6,000 digital images and historical materials from public contributors. The project had submission days where staff would help people digitize and catalog their contributions. In total it received over 6,000 contributed images and objects. The project creator discusses expanding the model to other countries and collections.
The Victoria and Albert Museum is located in South Kensington, London. It was established in 1852 and has a collection size of over 4.6 million objects. The museum has galleries dedicated to various subjects including architecture, Asia, British art, ceramics, fashion, furniture, glass, metalwork, paintings, prints, sculpture, and textiles. Notable works in the collection include portraits by Botticelli, sculptures by Canova, and Islamic artifacts such as a 10th century rock crystal ewer.
Introducing Europeana: a workshop for students @School of FormEuropeana
This document introduces Europeana, an online platform that provides access to over 53 million digitized items from European museums, libraries, archives and audiovisual collections. It discusses Europeana's collections of art, music, and items relating to World War I. The document outlines how users can search for content on Europeana and provides examples of how cultural works from Europeana have been reused in apps and other digital projects. It emphasizes that when reusing content from Europeana, users should properly attribute it by mentioning the title, creator, date, holding institution, and rights statement.
Presentation at #DISH2011 in Rotterdam, in the session "Institutional Change - Change achieved through action" chaired by Michael Edson, Smithsonian Institution, Dec 7, 2011
3/11 ignite talk 1. Karolina Tabak, national museum warsaw, “digitisation of ...Europeana
This document discusses the digitization of glass negatives as part of efforts to restore looted art. Over 18,000 negatives from the National Museum in Warsaw have been digitized. These digitized negatives include the last remaining records of over 400 artworks that are now lost, after the museum lost over 2,000 objects from its collection. Digitizing the glass negatives helps preserve this historical record and supports work to restore looted art pieces to their rightful owners.
Preview of the OER16 Open Culture Conference presented as part of Open Education Week, facilitated by the ALT Open Education SIG. Webinar recording available here: https://www.alt.ac.uk/civicrm/event/info?reset=1&id=219
This document lists and briefly describes several interesting places to visit in Warsaw, Poland. These include the Palace of Culture and Science, Lazienki Park known for its monuments and events, the Baroque Wilanow Palace built for King Jan III Sobieski, the Chopin Monument in Lazienki Park, the Warsaw Mermaid symbol, Agrykola Park offering views of the city, and monuments to Copernicus, Sigismund III Vasa, and others. Museums on automobiles and ropes courses are also mentioned, as well as spending time at the city zoo.
This document provides an introduction and overview of the "Books Discovered Once Again" project from the National Library of the Czech Republic. The project will catalog and digitize over 12,000 confiscated books in the library's reserve collection to research their origins and legal status. Key activities include accessing the documents, researching their historical context, assessing their legal status, and presenting results through a website, publications, and exhibitions. The project runs from January 2015 to April 2016 with a budget of over 13 million CZK shared between the National Library and collaborating Stiftelsen Arkivet organization.
Prezentacja Moniki M<urawskiej i Dominiki Nowickiej przygotowana w ramach realizacji Projektu Gimnazjalnego w Gimnazjum nr 6 w Gdańsku. 1 czerwca 2015 r.
A project to investigate engagement with archives using Web 2.0 software:
http://www.flickr.com/people/manchesterarchiveplus/
http://twitter.com/#!/mcrarchives
http://manchesterarchiveplus.wordpress.com/
Treasuring the sound heritage: the Europeana Sounds projectEuropeana_Sounds
This document summarizes the Europeana Sounds project, which aims to aggregate audio and related collections across Europe. It provides details on:
1) The Europeana platform which aggregates over 53 million digitized items from 3,500 organizations across Europe.
2) The Europeana Sounds project specifically, which has brought together 24 organizations from 12 countries to contribute over 282,000 audio records so far.
3) Events held to promote participation in the project, including "re-discovery" events in various countries and edit-a-thons to improve metadata.
EUscreen is a project that brings together audiovisual archives from over 20 European countries to provide public access to thousands of film clips, videos, and other content in 19 languages dating from the early 20th century to present day. The collection showcases the richness and diversity of European audiovisual culture and is searchable and contextualized to help educators, researchers, and professionals find relevant content. EUscreen also includes curated virtual exhibitions on specific themes to provide educational exploration of history and culture.
Come In, We're OPEN - Why we need open licenses and where they took us. Karin Glasemann
The presentation was given at the colloquium "De nouvelles démocraties du savoir ? Pourquoi et comment ouvrir à la réutilisation les images des collections publiques" and provides findings from the Nationalmuseum's Open Access policy which was effectuated 2016
Monthly newsletter for members of the Kaptur Project Steering Group - and particularly aimed at the Project Sponsors. Month 6 of this 18 month project.
The document discusses perspectives on digitization from a funder. It provides examples of large-scale digitization projects in areas like newspapers, government documents, and books. Successful projects require engagement with users, clear educational benefits, strong management, and technical and intellectual quality reviews. Digitization creates free, high-quality online resources but requires ongoing funding to sustain them.
The document discusses the Smithsonian Institution and its transition to becoming more of a distributed social network through various online platforms and digital initiatives. It notes that the Smithsonian has over 30 million physical visitors annually and 180 million online visitors. It then outlines several digital projects and online presences aimed at engaging broader audiences and encouraging participation, including the Smithsonian Commons initiative to share more of the Institution's resources and encourage new forms of learning through open access and interaction.
The Digitisation Programme of the National Art Library, Victoria and Albert M...Martin Flynn
This document discusses the digitization program of the National Art Library at the Victoria and Albert Museum. It provides an overview of the library's collections, highlights some examples of digitized materials including manuscripts by Charles Dickens and Jonathan Swift, and discusses various funding streams and technological developments that have supported and enabled digitization efforts. Challenges to digitization include the library's culture focusing more on physical objects than digital content, differing metadata standards, and museum databases not being well-suited for books. The presentation outlines current digitization technologies and workflows as well as ideas for expanding the program in the future through increased scale, volunteer involvement, commercial partnerships, and making digitization a core activity.
The Great War Archive: Oxford University’s Community CollectionSarahFahmy
The document discusses the Great War Archive, a community collection project run by Oxford University that digitized material from World War 1. It collected over 6,000 digital images and historical materials from public contributors. The project had submission days where staff would help people digitize and catalog their contributions. In total it received over 6,000 contributed images and objects. The project creator discusses expanding the model to other countries and collections.
The Victoria and Albert Museum is located in South Kensington, London. It was established in 1852 and has a collection size of over 4.6 million objects. The museum has galleries dedicated to various subjects including architecture, Asia, British art, ceramics, fashion, furniture, glass, metalwork, paintings, prints, sculpture, and textiles. Notable works in the collection include portraits by Botticelli, sculptures by Canova, and Islamic artifacts such as a 10th century rock crystal ewer.
Introducing Europeana: a workshop for students @School of FormEuropeana
This document introduces Europeana, an online platform that provides access to over 53 million digitized items from European museums, libraries, archives and audiovisual collections. It discusses Europeana's collections of art, music, and items relating to World War I. The document outlines how users can search for content on Europeana and provides examples of how cultural works from Europeana have been reused in apps and other digital projects. It emphasizes that when reusing content from Europeana, users should properly attribute it by mentioning the title, creator, date, holding institution, and rights statement.
Presentation at #DISH2011 in Rotterdam, in the session "Institutional Change - Change achieved through action" chaired by Michael Edson, Smithsonian Institution, Dec 7, 2011
3/11 ignite talk 1. Karolina Tabak, national museum warsaw, “digitisation of ...Europeana
This document discusses the digitization of glass negatives as part of efforts to restore looted art. Over 18,000 negatives from the National Museum in Warsaw have been digitized. These digitized negatives include the last remaining records of over 400 artworks that are now lost, after the museum lost over 2,000 objects from its collection. Digitizing the glass negatives helps preserve this historical record and supports work to restore looted art pieces to their rightful owners.
Preview of the OER16 Open Culture Conference presented as part of Open Education Week, facilitated by the ALT Open Education SIG. Webinar recording available here: https://www.alt.ac.uk/civicrm/event/info?reset=1&id=219
This document lists and briefly describes several interesting places to visit in Warsaw, Poland. These include the Palace of Culture and Science, Lazienki Park known for its monuments and events, the Baroque Wilanow Palace built for King Jan III Sobieski, the Chopin Monument in Lazienki Park, the Warsaw Mermaid symbol, Agrykola Park offering views of the city, and monuments to Copernicus, Sigismund III Vasa, and others. Museums on automobiles and ropes courses are also mentioned, as well as spending time at the city zoo.
This document provides an introduction and overview of the "Books Discovered Once Again" project from the National Library of the Czech Republic. The project will catalog and digitize over 12,000 confiscated books in the library's reserve collection to research their origins and legal status. Key activities include accessing the documents, researching their historical context, assessing their legal status, and presenting results through a website, publications, and exhibitions. The project runs from January 2015 to April 2016 with a budget of over 13 million CZK shared between the National Library and collaborating Stiftelsen Arkivet organization.
Prezentacja Moniki M<urawskiej i Dominiki Nowickiej przygotowana w ramach realizacji Projektu Gimnazjalnego w Gimnazjum nr 6 w Gdańsku. 1 czerwca 2015 r.
A project to investigate engagement with archives using Web 2.0 software:
http://www.flickr.com/people/manchesterarchiveplus/
http://twitter.com/#!/mcrarchives
http://manchesterarchiveplus.wordpress.com/
Treasuring the sound heritage: the Europeana Sounds projectEuropeana_Sounds
This document summarizes the Europeana Sounds project, which aims to aggregate audio and related collections across Europe. It provides details on:
1) The Europeana platform which aggregates over 53 million digitized items from 3,500 organizations across Europe.
2) The Europeana Sounds project specifically, which has brought together 24 organizations from 12 countries to contribute over 282,000 audio records so far.
3) Events held to promote participation in the project, including "re-discovery" events in various countries and edit-a-thons to improve metadata.
EUscreen is a project that brings together audiovisual archives from over 20 European countries to provide public access to thousands of film clips, videos, and other content in 19 languages dating from the early 20th century to present day. The collection showcases the richness and diversity of European audiovisual culture and is searchable and contextualized to help educators, researchers, and professionals find relevant content. EUscreen also includes curated virtual exhibitions on specific themes to provide educational exploration of history and culture.
Come In, We're OPEN - Why we need open licenses and where they took us. Karin Glasemann
The presentation was given at the colloquium "De nouvelles démocraties du savoir ? Pourquoi et comment ouvrir à la réutilisation les images des collections publiques" and provides findings from the Nationalmuseum's Open Access policy which was effectuated 2016
Monthly newsletter for members of the Kaptur Project Steering Group - and particularly aimed at the Project Sponsors. Month 6 of this 18 month project.
The document discusses perspectives on digitization from a funder. It provides examples of large-scale digitization projects in areas like newspapers, government documents, and books. Successful projects require engagement with users, clear educational benefits, strong management, and technical and intellectual quality reviews. Digitization creates free, high-quality online resources but requires ongoing funding to sustain them.
Slides from:
Seminar at Trinity College Dublin, Ireland
Department of History of Art and Architecture
BA | Two Subject Moderatorship History of Art (TSM) 2014/2015
HA1010: Introduction to the History of European Art and Architecture I
Introduction to digital art historical resources
Creating, Curating and Collecting Interactive Fiction at the British LibraryStella Wisdom
Presentation for DRHA: Digital Research in the Humanities and Arts 2020, Panel 1A, 11:00-12:30, Monday 7th September 2020, http://www.drha.uk/salford2020
Sharing is Caring. Societal impact of open collections? Merete Sanderhoff
Presentation for the seminar Open Collections, arranged by the Nationalmuseum in Stockholm, on the occasion of the launh of their Public Domain policy, 7 October 2016
Scientia Aperta: enabling humanities and the open turnPip Willcox
This talk was part of the New Perspectives on Open Science symposium and launch of the Global Access to Research Software Report, held at the Maison Française d'Oxford, 20 March 2018, organized by Moritz Riede and Koen Vermeir.
20170908 digital dreams_some_lessons_learned_from_projects_that_explore_the_p...PACKED vzw
Some lessons learnt from projects that explore the possibilities of the Wikimedia platforms - Research indicates that the sources mostly used by non-professional information seekers to find factual information are Google and Wikipedia. Only a small percentage of information seekers still goes directly to traditional knowledge centres as libraries, archives and museum to find the information that they are looking. This situation forces knowledge centres to look for new ways to provide access to their collections and thus create value for their collection and institutional activities. A possible solution is the use of digital technology and a collaboration with third-party platforms to facilitate the access and (re)use of their information.
This presentation presents some lessons learnt from projects that explore the possibilities of the Wikimedia platforms for memory institutions: sharing your authority with others, collaborating with the (Wikimedia) community and using technical platforms that are beyond your control. All projects were initiated by PACKED vzw in collaboration with Wikimedia Netherlands, Wikimedia België and a group of museums in Flanders.
Speakers: Sam Donvil (PACKED vzw)
Wikipedia at "Heritage Commons", the conference of the Italian Presidency of ...Iolanda Pensa
This document discusses the role of Wikipedia and its community in supporting cultural heritage organizations. It provides examples of cultural works, buildings, and collections that have been documented on Wikipedia and Wikimedia Commons through photographs uploaded under Creative Commons licenses. These open licenses allow reuse of the media even for commercial purposes, thereby increasing access to cultural heritage. Institutions are encouraged to provide authorizations and metadata to facilitate uploading photographs of monuments and adding open data about heritage collections on Wikipedia.
Turning digital access into visitor engagement at Nationalmuseum Sweden Karin Glasemann
Nationalmuseum Sweden is the Swedish museum of art and design founded in 1866 with a collection of 700,000 works. It has placed all reproductions of two-dimensional works in the public domain and made 70,000 works available online. Images on Wikimedia Commons from Nationalmuseum received over 44 million views in 2020. The museum aims to preserve cultural heritage and promote art through open access and engaging digital experiences for visitors.
Report on the Art History Challenge on Wikimedia in support of the Europeana 280 campaign. Presented at the Central & Eastern European (CEE) Wikimedians conference, August 2016
Every year we organise Public Domain Day together with Ghent University Library, the Royal Library of Belgium and Wikimedia Belgium. This year the event to highlight the public domain will be taking place on 10 February. In this presentation you will find out about initiatives that various cultural heritage organisations have run to make their public domain collections accessible in 2021.
Slides of Belgium's 2020 Public Domain Day celebration. Presentations include Creative Commons, Royal Library of Belgium, meemoo, Collections of Ghent, KOERS museum, MoMu Antwerp Fashion Museum,
On 21 February 2020, meemoo and the Royal Library of Belgium organised a special study day in Brussels in celebration of Public Domain Day. Sam Donvil (meemoo) introduced the basic principles of the public domain and its significance to heritage institutions. He also gave an overview of authors that fell into the public domain in 2020, some examples of possibilities with public domain works all over the world and illustrated concrete actions taken by meemoo, a.o. concerning the oeuvre of James Ensor. Then, two other speakers from Vlaamse Kunstcollectie and KU Leuven took the floor. Sam Donvil continued with some guidelines for institutions that want to bring collections into the public domain, and a few words on Open Access in Belgium. To conclude, the results of the Wiki Loves Heritage photography competition were announced.
Talk given at the SMK/Maersk event Data in Art | Art in Data
with Jonas Heide Smith, Head of Digital, SMK
26 April 2017
Statens Museum for Kunst, Copenhagen
https://www.eventbrite.com/e/data-in-art-art-in-data-tickets-33142653569
Slides from:
Seminar at Trinity College Dublin, Ireland
Department of History of Art and Architecture
BA | Two Subject Moderatorship History of Art (TSM) 2015/2016
HA1006: Introduction to the Practice of Art History I
Introduction to digital art historical resources
Presentation "Wikimedia projects for geographers" of the cultural association InFormAzioni at the EuroMed Regional Congress 2018 (Dolcè - VR - Italy) - May 10yh 2018
Democratisation of Collections through Digitisation.Simon Tanner
Public lecture: Democratisation of Collections through Digitisation. The talk will be delivered by Simon Tanner, Senior Tutor in the Department of Digital Humanities, King’s College London, and Founding Director of King’s Digital Consultancy Services.
In his talk Simon will explore how accelerating access to unique and distinct library content activates new areas of scholarship and teaching. He will also offer his insight, based on his extensive experience in the area, into the successful collaboration between Libraries, Academic Support areas and Digital Humanities scholars
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Pori Art Museum open data - Hack your heritage 5.2.2016
1. Pori Art Museum
Collections in Wikidata and Wikimedia Commons
Hack your heritage 5.–7.2.2016 hackathon
Intendant Anni Saisto http://www.poriartmuseum.fi/
Pori Art Museum I Graffitis by Eggs, Street Art exhibition I Spring 2012 I Photo: Erkki Valli-Jaakola
2. Touko Palojoki Art Collection
• Finnish art from 1900th
century
• 20 paintings in Wikimedia
Commons (Public domain)
and Wikidata
• Picture size ca. 3000 x 2200
px jpeg
Severin Falkman (1831–1889): Nature Morte (Woodcock)
Oil on canvas, 41 x 32,5 cm
Wikidata: Q22348421