The document describes a British pop star performing in small clubs and ballrooms in 1965. It details his energetic live performances where he would leap around the stage, singing with a voice much older than his 16 years while connecting deeply with enthusiastic crowds. The band helped popularize raw American R&B sounds adapted with a rough English style, fueled by beer and simplicity over technical perfection. Their performances in London would draw thousands from across the country, creating mayhem and catharsis for the singer through their primal three-chord rock music.

1. Max Tomlinson copyrighted material
pop star
He moved across humble stages in 1965, through smoky bars,and on to the ballrooms, gripping
the mike in his small fist. Daring the world.Springing into the air when the band hit the first
chord of “I’ve Got Mine,” a flip of dark hair and the heel of a Chelsea boot kicking off the verse.
He’d growl out the broken words of a lover spurned in the voice decades older than he was.
Landing in a splash of exhilaration, sweat shining down his clenched temples, he’d soak up the
crowd yelling his name. He would grin and nod, yes, yes, yes, his eyes clamped shut, savoring
the unruly noise. Mod boys and girls in their best gear, their own voices lifting him back into the
air, where he’d float on top of them for a while, guitars ringing and drums pounding underneath.
That thick cloud. Then he would come back down and respond in the voice he’d been given.
Reverberating through his body, it came out like gunfire, a soft plea, whatever he wanted.
He kept the band honest. Chopping out American R&B with rough English hands, postwar
chords fashioned by meat rationing and grey factories. Drums, fueled by pints of bitter, banging
skins for all they were worth, making up for anything that might lack technically with simple
fury. Bass, eyes down, face down, pulling deep throbs out of a big guitar, making the small
rooms vibrate.
The London ballrooms erupted when they finally arrived, thousands in from as far as
Scotland, on Vespas, the train, anything that moved. Hitchhiking if they were skint.All for three
chords and the roar of the Voxamps.
Sixteen years old, he couldn’t read a note. Did it matter? Did it, fuck. He had the voice; it
was a gift. All he needed. All he wanted.

2. Max Tomlinson copyrighted material
And before the agents and the managers and the record company and the money—the brief,
brief money—when there were just the four of them huddled in the Bedford van, heading up the
M1, where they’d tear up the tiny rooms at night, he was the sanest he’d ever been, the noise and
mayhem deep in his skin, hair, lungs. Like a gorgeous battlefield, lit by cigarettes, rocked by
explosions in A, D, and E.
###