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The document contains excerpts from two poems: "Fate" by Ralph Waldo Emerson and "Invictus" by William Ernest Henley. The Emerson poem discusses how Cromwell's fate to rise to power in England was predetermined and shaped by forces outside of his control. The Henley poem expresses the belief that one can determine their own destiny and fate, rather than submit to external forces, as the speaker declares they are "master of [their] fate" and "captain of [their] soul."
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![Fate by: Ralph Waldo Emerson ,[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],Author believes fate is unknown to man The man’s fate is already determined and will shape his future](data:image/gif;base64,R0lGODlhAQABAIAAAAAAAP///yH5BAEAAAAALAAAAAABAAEAAAIBRAA7)
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which the Writing Assignment is set out. Please make sure your own response is similarly
formatted and that it, too, is clear of grammatical, spelling, or syntactical errors. I will be looking for
a clear argument, strong textual evidence, and a well-formatted and written response.
Please be sure to provide a Works Cited. This can be in any form you are most comfortable with
(AP, MLA, Chicago, Oxford, etc.), but should make it clear what is being referred to and where that
item can be found.
Please note: the 250-word limit (plus or minus 10%) applies only to the text of your argument. It
does not include the works cited or the heading information.
Sample question: To what extent can Frankenstein be considered a conversation with William
Godwin?
A. Student
Writing Assignment, Module 3
Mary Shelley’s Frankenstein is an extended conversation with her father William Godwin. From the
opening dedication, which alludes to two of his most famous works, to the Creature’s final speech
and suicide, the novel interrogates Godwin’s ideals of rational benevolence, suggesting that his
philosophy overlooks the importance of domestic affections in the decision-making process. In
particular, the novel’s depiction of Victor’s rational brilliance but limited emotional maturity
reveals the extent of Mary Shelley’s conversation with her father.
Godwin argued that humans should rely solely on reason to determine their actions. Every
action, he argued, should be judged by its potential benefits to society. He set this out
philosophically in Political Justice and then in the novel Caleb Williams, which tells the story of two
men locked in a battle for dominance. Frankenstein borrows much from the plot of Caleb Williams,
but Mary Shelley’s main purpose in mirroring her father’s work is to show the limitations of a
philosophy based solely on the dictates of reason. Victor is the embodiment of reason: he is a
groundbreaking scientist, able to resurrect dead bodies. His rationality, in other words, could
produce great benefits to society. He is, however, fatally flawed: he does not pay enough attention
to his own feelings, nor to the feelings of others. Instead of reflecting rationally on his achievement
when he sparks the Creature into life, “breathless horror and disgust filled [his] heart” (36). The
emphasis on heart, here.
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