Pl sacco dublin2
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The document discusses the evolution of culture-led development from Culture 1.0 to Culture 3.0. Culture 1.0 was pre-industrial with small audiences, Culture 2.0 was the cultural industry era with large audiences and markets, and Culture 3.0 focuses on communities of practice, non-market value, and permeation of culture through the economy. It argues that cultural participation has significant indirect socioeconomic impacts through innovation, welfare, sustainability, and more. An 8-tier framework is presented and regions are analyzed based on their cultural and creative industries.
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CREATIVE INDUSTRIES
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to a range of economic activities that are concerned
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The term ‘creative industries’ describes businesses
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For example design, music, publishing, architecture, film
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CREATIVE INDUSTRIES
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These include: advertising; architecture; the art and
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performing arts; publishing; software and computer
games; and television and radio.
4
CONFUSION BETWEEN CREATIVE AND
CULTURAL INDUSTRIES
“In its broadest sense it is used to refer to all the industries that
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“In its broadest sense it is used to refer to all the industries that
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is used to refer only to such industries that produce content or
cultural industries.” (Hawkins, 1991)
Possibly the most accepted definition at an international level is
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According to the Department, creative industries are those that:
“Have their origin in creativity, individual skills and talent and
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The term ‘cultural industries’ is also used by some
agencies, though this term relates to a more specific
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The cultural industries are defined by UNESCO as
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This document discusses the creative economy and creative industries. It defines key terms like creativity, creative industries, cultural industries, and the creative class. It describes major drivers of the creative economy like technology, growing demand, and tourism. The creative economy has economic, cultural, and social aspects. The document also discusses measuring and analyzing the creative economy, as well as developing appropriate public policies to support it.
Wgbp 0129
Culture-based creativity stems from artistic and cultural productions and activities that nurture innovation beyond just artistic content. It requires personal abilities like lateral thinking, technical skills, and a social environment that encourages creativity. Culture-based creativity impacts economies by generating new visions, differentiation, intangible values, and disruption. It drives innovation in products, services, branding, human resources, and meeting new demands. Europe has significant cultural assets but does not fully harness creativity's potential; a creativity policy is needed to promote culture-based innovation and social progress.
Transforming Cultural Industries
Prezentacija "Transforming Cultural Industries" koju je Nada Švob-Đokić sa Instituta za međunarodne odnose iz Hrvatske održala na konferenciji Glocal 2009, 16. oktobra u Skopju, Makedonija.
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