This document provides a summary of Angela Piccini's academic and professional experience. It outlines her current role as Reader in Screen Media at the University of Bristol's Department of Film & Television, where she has held several management roles. It also details previous roles in academia, arts management, and heritage organizations, demonstrating extensive experience in areas such as community engagement, research, budgeting, and project management. Her background establishes her as an innovative leader with a successful track record across sectors.
Social Contract Archaeology: a business case for the futureDigVentures Ltd
In July 2012, DigVentures pioneered an entirely new procurement model for archaeology, hosting Europe’s first crowdfunded and crowdsourced excavation at the internationally significant Bronze Age site at Flag Fen (www.digventures.com). Crowdfunding has been most successful in creative industries such as film, music and drama, where supporters can launch projects such as films, records, exhibitions and runway shows through buying perks and rewards (such as invitations to premieres, performances, or limited edition artwork) with creative and social entrepreneurs retaining commercial and artistic ownership of their project. Ideas that may not fit the pattern required by conventional financiers therefore achieve traction in the marketplace, supported by what has been called the ‘wisdom of crowds.’ This new approach to funding (using social networks in the context of e-commerce transactions) was combined with crowdsourcing, inviting the public to join the excavation team – either via a robust digital platform from the comfort of their armchairs (in real time), or with their sleeves rolled up on the site itself. The DigVentures approach can best be described as ‘Social Contract Archaeology’ – a value-led archaeology situated within the emerging trend for social commerce, entering into a social contract with as wide a constituency of funders and stakeholders as possible. Assessing the success of this new business model in terms of audience reach and engagement, this paper will present key metrics for breadth, depth and diversity of on and off-line participation, evaluating our contribution to the public good.
Embracing the new technologies – fra analogt til digitalt arkiv. Formidling i en ny teknologisk virkelighed v. Sue Howard
Yorkshire Filmarkiv deltager i det engelske projekt ”Moving History” www.movinghistory.ac.uk). Projektet har til opgave at webformidle befolkningens egen film via Internettet. Sue Howard vil fortælle om sine erfaringer med at skabe et digitalt filmarkiv og om den skrækblandede fryd, man går til opgaven med, samt kommer ind på hvilken effekt on-line access kan have på et filmarkiv. Yorkshire Film Archive har for nylig fået et beløb til udvikling af digitalt filmarkiv og opgaven med at forvalte disse midler vil vi høre mere om.
Sue Howard er leder af Yorkshire Film Archive, (www.yorkshirefilmarchive.com/ view.aspx?id=37)
Sergio Angelini from BUFVC gave an introduction to the services provided with digital media. "Insight into using digital media" webinar. All the resources are available at http://bit.ly/insight-resources.
The social and technological challenges of augmenting the ABC’s archival coll...University of Sydney
Given the provocation that cultural institutions should be engaging in mobile platforms to provide the public with improved access to their archival collections, many institutions have been experimenting with hybrid projects. The Australian Broadcasting Corporation (ABC) facilitated one experiment during 2011 to understand how it could leverage augmented reality (AR) technologies to promote public access to its archival collections. This presentation describes one ABC AR project, MyBurb. MyBurb was developed to publish ABC Australian suburban archives, while also encouraging users to contribute their personal collections to co-create an historical urban landscape. Burgess and Banks (2010) define co-creation as “the ways in which platform providers (however imperfectly) integrate user-participation into their own models of production” (2010, p. 298). Co-creation at the ABC aligns with its public service remit to foster national culture and engage the public sphere (Cunningham, 2013).
Eye Gesture Analysis for Prevention of Road Accidentsijsrd.com
Around the globe, death is a daily occurrence mainly due to accidents. Research has been conducted intensively to attempt reduce accidents and extemporize the Driver Assistance System. The core idea for this paper is depicted through a process evolved to enhance effectively the Intelligent Driver assistance system and also a safety system to access the driver's perspectives with vehicles. The system uses a dynamic CCD camera in the vehicle that observes the driver's face. A prototype to match the approach is used to compare the Driver's eye pattern with a set of existing templates of the driver gazing at various focal points inside the vehicle. The windscreen is further divided into segments and a comparison of the driver's eye gaze pattern with the existing stencil determines the driver's view point on the windscreen. For instance, in case the driver is detected to be drowsy with closed eyelids for more than a few seconds then he will be alerted automatically.
Social Contract Archaeology: a business case for the futureDigVentures Ltd
In July 2012, DigVentures pioneered an entirely new procurement model for archaeology, hosting Europe’s first crowdfunded and crowdsourced excavation at the internationally significant Bronze Age site at Flag Fen (www.digventures.com). Crowdfunding has been most successful in creative industries such as film, music and drama, where supporters can launch projects such as films, records, exhibitions and runway shows through buying perks and rewards (such as invitations to premieres, performances, or limited edition artwork) with creative and social entrepreneurs retaining commercial and artistic ownership of their project. Ideas that may not fit the pattern required by conventional financiers therefore achieve traction in the marketplace, supported by what has been called the ‘wisdom of crowds.’ This new approach to funding (using social networks in the context of e-commerce transactions) was combined with crowdsourcing, inviting the public to join the excavation team – either via a robust digital platform from the comfort of their armchairs (in real time), or with their sleeves rolled up on the site itself. The DigVentures approach can best be described as ‘Social Contract Archaeology’ – a value-led archaeology situated within the emerging trend for social commerce, entering into a social contract with as wide a constituency of funders and stakeholders as possible. Assessing the success of this new business model in terms of audience reach and engagement, this paper will present key metrics for breadth, depth and diversity of on and off-line participation, evaluating our contribution to the public good.
Embracing the new technologies – fra analogt til digitalt arkiv. Formidling i en ny teknologisk virkelighed v. Sue Howard
Yorkshire Filmarkiv deltager i det engelske projekt ”Moving History” www.movinghistory.ac.uk). Projektet har til opgave at webformidle befolkningens egen film via Internettet. Sue Howard vil fortælle om sine erfaringer med at skabe et digitalt filmarkiv og om den skrækblandede fryd, man går til opgaven med, samt kommer ind på hvilken effekt on-line access kan have på et filmarkiv. Yorkshire Film Archive har for nylig fået et beløb til udvikling af digitalt filmarkiv og opgaven med at forvalte disse midler vil vi høre mere om.
Sue Howard er leder af Yorkshire Film Archive, (www.yorkshirefilmarchive.com/ view.aspx?id=37)
Sergio Angelini from BUFVC gave an introduction to the services provided with digital media. "Insight into using digital media" webinar. All the resources are available at http://bit.ly/insight-resources.
The social and technological challenges of augmenting the ABC’s archival coll...University of Sydney
Given the provocation that cultural institutions should be engaging in mobile platforms to provide the public with improved access to their archival collections, many institutions have been experimenting with hybrid projects. The Australian Broadcasting Corporation (ABC) facilitated one experiment during 2011 to understand how it could leverage augmented reality (AR) technologies to promote public access to its archival collections. This presentation describes one ABC AR project, MyBurb. MyBurb was developed to publish ABC Australian suburban archives, while also encouraging users to contribute their personal collections to co-create an historical urban landscape. Burgess and Banks (2010) define co-creation as “the ways in which platform providers (however imperfectly) integrate user-participation into their own models of production” (2010, p. 298). Co-creation at the ABC aligns with its public service remit to foster national culture and engage the public sphere (Cunningham, 2013).
Eye Gesture Analysis for Prevention of Road Accidentsijsrd.com
Around the globe, death is a daily occurrence mainly due to accidents. Research has been conducted intensively to attempt reduce accidents and extemporize the Driver Assistance System. The core idea for this paper is depicted through a process evolved to enhance effectively the Intelligent Driver assistance system and also a safety system to access the driver's perspectives with vehicles. The system uses a dynamic CCD camera in the vehicle that observes the driver's face. A prototype to match the approach is used to compare the Driver's eye pattern with a set of existing templates of the driver gazing at various focal points inside the vehicle. The windscreen is further divided into segments and a comparison of the driver's eye gaze pattern with the existing stencil determines the driver's view point on the windscreen. For instance, in case the driver is detected to be drowsy with closed eyelids for more than a few seconds then he will be alerted automatically.
The Policyholders' Preference And Satisfaction Towards Life Insurance Corpora...inventionjournals
: Gradually, the market share of private insurers went up and till financial year 2012-2013 reached
as high as 42%. The market share of LIC decreased after the entry of private insurers but it doesn’t mean that
the growth of LIC got down. LIC continues its growth even after a cut throat competition from the private
players. On the demand side, growth is being fuelled by the growing population base, rising purchasing power,
increased insurance awareness, increased domestic savings and rising financial literacy. The suppliers are
correspondingly playing a market making role as competition intensifies and differentiation become necessary
for profitable growth. Life Insurance Corporation of India offer innovative products to attract further business
from both existing and new policyholders. In this regard the researcher is interested to undertake a study on the
policyholders’ preference and satisfaction with regard to Life Insurance Corporation of India’s policies.
STJ -Mantida condenação de prefeito que pagou advogado próprio com verba públicaallaymer
A Sexta Turma do Superior Tribunal de Justiça (STJ) negou habeas corpus a Manoel Ramalho de Alencar, ex-prefeito da cidade de Ibiara (PB), condenado a nove anos de reclusão por desviar verba pública em benefício próprio. O relator, ministro Og Fernandes, apontou que as razões apresentadas no habeas corpus são simples reprodução dos argumentos já apreciados no Tribunal de Justiça da Paraíba (TJPB), e que foram rebatidos, um a um.
Vision Retail Fujitsu France. Approche transformation vers l'omnicommerce et la digitalisation du point de vente pour permettre une personnalisation de l'expérience client, même en magasin, quand le consommateur ne demande pas de renseignement à un vendeur.
ISOCARP @ WUF10 | Projects and Activities of ISOCARP InstituteTjark Gall
The session at the World Urban Forum included an overview of the activities and projects of ISOCARP Institute, the research branch of the International Society of City and Regional Planners.
The BUFVC supports education by delivering unique services and advice to promote the production, study and use of moving image and sound across all subject areas in post-compulsory education.
This presentation was part of a session that looked at BUFVC resources - how they can help you find, access and use audiovisual resources in teaching and learning, including resources that are open to all FE/HE institutions and some that are entirely free of charge.
More details at moodle.rsc-em.ac.uk/course/view.php?id=254#bufvc.
On 14th November 2014, members of ARMA (Association of Research Managers and Administrators) were invited to a study tour at the AHRC offices in Swindon. The day provided ARMA members with the opportunity to learn more about the AHRC, and upcoming developments of interest. The day included presentations on:
- The AHRC’s 10th Anniversary activities
- The AHRC's new area of Business Processes and Analysis
- European Funding – Horizon 2020 and HERA
- The Knowledge Exchange Hubs: lessons and legacy
- Research Outcomes and Researchfish
The Policyholders' Preference And Satisfaction Towards Life Insurance Corpora...inventionjournals
: Gradually, the market share of private insurers went up and till financial year 2012-2013 reached
as high as 42%. The market share of LIC decreased after the entry of private insurers but it doesn’t mean that
the growth of LIC got down. LIC continues its growth even after a cut throat competition from the private
players. On the demand side, growth is being fuelled by the growing population base, rising purchasing power,
increased insurance awareness, increased domestic savings and rising financial literacy. The suppliers are
correspondingly playing a market making role as competition intensifies and differentiation become necessary
for profitable growth. Life Insurance Corporation of India offer innovative products to attract further business
from both existing and new policyholders. In this regard the researcher is interested to undertake a study on the
policyholders’ preference and satisfaction with regard to Life Insurance Corporation of India’s policies.
STJ -Mantida condenação de prefeito que pagou advogado próprio com verba públicaallaymer
A Sexta Turma do Superior Tribunal de Justiça (STJ) negou habeas corpus a Manoel Ramalho de Alencar, ex-prefeito da cidade de Ibiara (PB), condenado a nove anos de reclusão por desviar verba pública em benefício próprio. O relator, ministro Og Fernandes, apontou que as razões apresentadas no habeas corpus são simples reprodução dos argumentos já apreciados no Tribunal de Justiça da Paraíba (TJPB), e que foram rebatidos, um a um.
Vision Retail Fujitsu France. Approche transformation vers l'omnicommerce et la digitalisation du point de vente pour permettre une personnalisation de l'expérience client, même en magasin, quand le consommateur ne demande pas de renseignement à un vendeur.
ISOCARP @ WUF10 | Projects and Activities of ISOCARP InstituteTjark Gall
The session at the World Urban Forum included an overview of the activities and projects of ISOCARP Institute, the research branch of the International Society of City and Regional Planners.
The BUFVC supports education by delivering unique services and advice to promote the production, study and use of moving image and sound across all subject areas in post-compulsory education.
This presentation was part of a session that looked at BUFVC resources - how they can help you find, access and use audiovisual resources in teaching and learning, including resources that are open to all FE/HE institutions and some that are entirely free of charge.
More details at moodle.rsc-em.ac.uk/course/view.php?id=254#bufvc.
On 14th November 2014, members of ARMA (Association of Research Managers and Administrators) were invited to a study tour at the AHRC offices in Swindon. The day provided ARMA members with the opportunity to learn more about the AHRC, and upcoming developments of interest. The day included presentations on:
- The AHRC’s 10th Anniversary activities
- The AHRC's new area of Business Processes and Analysis
- European Funding – Horizon 2020 and HERA
- The Knowledge Exchange Hubs: lessons and legacy
- Research Outcomes and Researchfish
TRANSCULTURAL PRAXIS
A half-day of talks, a workshop and an exhibition on the sustainable application of local and foreign resources in context-specific architecture.
Presented by Marika Sarvilahti, at the Annual Conference of the Visual Resources Association, March 12-15, 2014 in Milwaukee, Wisconsin.
Session 9, Case Studies in International Copyright Compliance: Untangling the Web of Publishing and Sharing Copyrighted Content Online
ORGANIZERS:
Cara Hirsch, Artstor
Allan Kohl, Minneapolis College of Art and Design (on behalf of the VRA Intellectual Property Rights Committee)
Vicky Brown, University of Oxford (on behalf of the VRA International Task Force)
MODERATOR:
Allan Kohl, Minneapolis College of Art and Design
Vicky Brown, University of Oxford
PRESENTERS:
• Matthias Arnold, University of Heidelberg (Germany)
• Vicky Brown, University of Oxford (United Kingdom)
• Marta Bustillo, National College of Art and Design, Dublin (Ireland)
• Lavinia Ciuffa, American Academy in Rome (Italy)
• Marika Sarvilahti, Aalto University, Helsinki (Finland)
Teachers, students and scholars have long been able to rely on fair use in making content available for teaching, research and study within the United States. However, such protections don’t exist outside the United States. This session explores the various ways that visual resource professionals have addressed copyright compliance issues when making images available for educational and scholarly purposes outside of the United States. Using various case studies, the session will address the sharing of image resources between and among different institutions, determining when and how images can be made available to the general public, creating image-based research collaborations across national boundaries, and the international aspects of publishing with images.
Brief summary of Mitch Goodwin's teaching experience between 2004 and 2013. Brief description of his PhD project Dark Euphoria : The Neo Gothic Narrative of MillennialTechnoculture". Practice led reserach outcomes from his recent period of Special Studies Leave.
Presentation by Michael Huxley on the economic impact of the 26 cultural facilities located in the seven Evocities of NSW presented at the 2014 Albury City Council Keeping It Real seminar.
Full report available http://mgnsw.org.au/sector/resources/online-resources/research/adding-value/
Celebrating 25 years of European Capitals of CultureBeatriz Garcia
I was a plenary speaker at a major European Commission conference in Brussels, celebrating 25 years of the European Capital of Culture programme.
I made a presentation on the Impacts 08 research programme, placing an emphasis on the relevance of conducting longitudinal (over 5 years) research, and combining an assessment of the economic, social, cultural and environmental dimensions of hosting a major event.
1. ANGELA
A.
PICCINI
BA,
MA,
PhD
Department
of
Film
&
Television
University
of
Bristol
/
Cantocks
Close
/
Bristol
BS8
1UP
/
UK
+44
(0)117
331-‐5087
/
a.a.piccini@bristol.ac.uk
uk.linkedin.com/in/angelapiccini
/
www.bristol.ac.uk/school-‐of-‐arts/people/angela-‐a-‐piccini/
Canadian
citizen,
academic,
curator-‐producer,
manager
and
artist
with
a
successful
and
consistent
track
record
in
executive
decision-‐making,
fund
raising,
strategic
planning
and
concurrent
project
management
across
academia,
the
arts,
heritage
and
community
organizations.
An
innovative
leader
skilled
in
activating
connections
across
and
between
diverse
people
and
communities
and
building
and
mentoring
teams.
AREAS
OF
EXPERTISE
• Community
Engagement
• Community-‐Involved
Planning
• Strategic
Planning
/
Budgets
• Research
Design
/
Management
• Participatory
Mapping
• Arts
Commissioning
• Media
Production
/
Analysis
• Staff
Management
/
External
Consultants
• Data
Analysis
/
Reporting
• Academic
&
Popular
Publication
• Curriculum
Design
RELEVANT
EXPERIENCE
DEPARTMENT
OF
FILM
&
TELEVISION,
UNIVERSITY
OF
BRISTOL
2009-‐date
READER
IN
SCREEN
MEDIA
Report
to
Head
of
School
of
Arts.
In
addition
to
teaching
and
research,
management
roles
include
Subject
Head:
Education
(HoE,
2009-‐12)
and
School
of
Arts
Research
Director
(2015-‐18).
Responsibilites
for
capital
expenditure
and
teaching
budgets;
undergraduate
and
postgraduate
teaching;
community-‐based
experiential
learning;
health
and
safety;
research
supervision;
strategic
planning;
restructuring;
securing
external
funding;
generating
research
outputs;
line
management
and
performance
monitoring;
workload
management;
administrative
planning,
quality
assurance,
reporting
and
analysis.
(Promotions:
Lecturer
to
Senior
Lecturer,
2010;
Senior
Lecturer
to
Reader,
2015)
• As
HoE,
secured
5%
annual
budget
increases
from
Faculty
of
Arts:
£65k
(Teaching),
£77k
(Operations),
£150k
(Technological
Infrastructure)
• As
HoE
and
to
address
career
stagnation,
campaigned
for
and
secured
annual
Continuing
Professional
Development
award
for
Teaching
Fellows
• As
HoE,
addressed
inherited
problem
of
poor
student
satisfaction
by
spearheading
unique
student-‐led
re-‐design
and
implementation
of
new
curriculum,
effective
2011-‐12
• As
HoE,
raised
National
Students
Survey
satisfaction
rates
from
52%
to
71%
in
3
years
2. Angela
Piccini
2
• To
increase
visibility
of
department
in
the
city
and
nationwide,
have
partnered
with
UK
creative
and
cultural
industries
for
teaching
and
engagement
activities
• Co-‐wrote
and
participated
in
research
funding
applications,
with
grant
capture
of
some
£4m
on
projects
involving
community
engagement,
participatory
mapping
and
heritage
(see
Appendix)
• Published
books
and
articles,
exhibited
artwork
and
was
Executive
Producer
on
some
20
MA
student
films
(see
Appendix)
DEPARTMENT
OF
DRAMA:
THEATRE,
FILM,
TV,
UNIVERSITY
OF
BRISTOL
2005-‐2009
RCUK
ACADEMIC
FELLOW
Reported
to
Head
of
Department.
Independent
research-‐only
post
attached
to
University
Research
Theme
‘Performativity,
Place,
Space’,
with
responsibility
for
event
design
and
management,
grant
capture
and
research
outputs.
• Raised
some
£50k
in
external
research
funding
for
projects
involving
mapping,
community-‐researcher
collaboration
and
video
archives
• Produced
unique
web
services
(see
Appendix)
• Curated
and
managed
3
site-‐specific,
interdisciplinary
arts-‐and-‐heritage
workshops
&
4
international
conferences
• Published
numerous
articles
and
books
(see
Appendix)
DEPARTMENT
OF
DRAMA:
THEATRE,
FILM,
TV,
UNIVERSITY
OF
BRISTOL
2001–2005
POSTDOCTORAL
RESEARCH
ASSOCIATE
Reported
to
Principal
Investigator
of
externally
funded
Practice-‐as-‐Research
in
Performance
and
Screen
(PARIP)
project.
Responsible
for
conference
design,
implementation
and
management;
research
publications,
website
design;
database
design;
delegated
management
of
annual
£60k
operating
budgets.
• Successful
design,
curation,
production
and
management
of
3
international
festival-‐
conferences
financed
through
registration
fees,
each
involving
some
200
delegates
showing
performance,
dance,
screen
and
art
practice
and
sharing
research
• Collaborated
with
technical
researchers
to
research,
design
and
produce
state-‐of-‐the-‐art
Semantic
Web
database
of
500
international
practitioner-‐researchers
CADW,
NATIONAL
ASSEMBLY
FOR
WALES
1997–2001
PUBLICATIONS
OFFICER
Reported
to
Publications
Manager,
within
Interpretation
Unit.
Responsible
for
tendering
and
commissioning
print,
design
and
photography
contracts
for
commercial
and
statutory
publications;
copyright
clearance;
research;
liaising
with
Mapping
and
Planning
departments;
copy-‐editing;
oversight
of
Welsh-‐language
editions;
proof-‐reading.
• Successfully
argued
for
quality
as
‘best
value’
criterion
within
publications,
thus
securing
£300,000
annual
print
budgets
• Oversaw
redesign
of
flagship
guidebook
series
• Launched
highly
popular
photographic
calendar
3. Angela
Piccini
3
OTHER
EXPERIENCE
Invited
member
of
numerous
international
editorial
boards,
steering
committees,
advisory
boards
and
research
teams.
Various
invited
speaking
engagements.
Between
2002-‐10,
Chair
(2
years)
and
Secretary
(3
years)
of
volunteer-‐run
Brislington
Community
Partnership
(UK)
and
active
in
Brislington
Community
Archaeology
Project.
Since
1992,
participated
in
several
community-‐based
archaeology
and
heritage
projects,
UK
and
Lower
Mainland
(see
Appendix).
2013-‐date
BOARD
MEMBER
Audio-‐Visual
Heritage
Society
of
BC
1995–1997
RESEARCH
ASSISTANT
Grade
1b
Board
of
Celtic
Studies,
Department
of
Geography,
Swansea
University
1990-‐1991
LIBRARY
ASSISTANT
Vancouver
Public
Library,
Main
Branch
1987-‐1991
CO-‐OP
MEMBER
Amicae
Housing
Co-‐op,
Barclay
St,
Vancouver
1986-‐1991
VOLUNTEER
FILM/ART
CRITIC
&
NEWSREADER
CiTR
Radio,
UBC
PROFESSIONAL
DEVELOPMENT
AND
SKILLS
Professional
Development:
Managing
Change,
University
of
Bristol
(2010);
Managing
Academics,
University
of
Bristol
(2010);
Introductory
Certificate
in
Management,
University
of
Bristol
(2008);
Fair
Recruitment,
University
of
Bristol
(2004);
Teaching
and
Learning
in
Higher
Education,
University
of
Bristol
(2003);
Streaming
Content
for
the
Web,
BUFVC
(2001),
Copyright
and
Online
Content,
BUFVC
(2001)
Skills:
Qualitative
and
quantitative
research
methods;
research
ethics;
Final
Cut
Pro,
HTML,
MSOffice,
Photoshop,
WordPress,
social
media,
presentation
software
(Prezi,
Powerpoint)
EDUCATION
PhD
(2001)
Archaeology
and
Prehistory,
University
of
Sheffield:
Celtic
Constructs:
Heritage
Media,
Archaeological
Knowledge
and
the
Politics
of
Consumption
in
1990s
Britain
MA
(1993)
Archaeology
and
Prehistory,
University
of
Sheffield
(with
Distinction)
BA
(1990)
Art
History/English
Literature
(Dbl
Major),
University
of
British
Columbia
LANGUAGES
English
(native
speaker),
French
(basic
conversational),
Italian
(basic
conversational),
Spanish
(advanced
spoken;
intermediate
written),
Welsh
(basic
conversational)