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Photographing Monuments
Madhumita Gopalan
The Basics
LENS
APERTURE
SHUTTER
SENSOR
● What's the story?
● Compose the image
● Control the light
● Shoot!
● Review, Reshoot
● Process
[ ]
When do you have the best light?
● Early mornings, mid mornings, late afternoons and around sunset are
great
● Sunny days with clear blue skies and fluffy white clouds here and there
make dramatic colorful backdrops. Light is harder and colours brighter
● Clouds act as diffusers – they make light softer, and illuminate building
evenly. But too much will make your photo dull
● Rainy days can be quite dramatic but keeping your gear safe is a
challenge
● Right AFTER a rain, everything is clean, colors pop, gear is safe -
ideal
● Avoid shooting when the front of the monument is in shadow – you
can, however, experiment with silhouettes, flares etc
● Useful to know orientation of the monument beforehand
Look for interesting compositions
● Wide shots of the whole monument
● Zoom in and capture architectural details, carvings, etc
● Try low angles to exaggerate features
● Walk all around the monument to make sure you haven't missed an
interesting angle/view
● Look for repeating patterns – a frame with a single repeating pattern
can make a compelling image
● Views of the monument from other places – neighborhood, other
nearby buildings, etc
Interesting ways to frame the monument
● Through an arch
● Through the window of your car
● Through the leaves of a tree
● Seen from another monument
● Reflections in ponds, puddles, rearview mirrors,
windshields - anywhere!
● Interesting shadows
Inside the monument (if allowed)
● Photos of the interiors
● Photos of the outside FROM the inside
● Light-shadow patterns created by stained glass, perforated screens etc
● Dramatic shafts of light through stained glass windows etc
● Look up - Ceilings are often interesting
● Look down from staircases, balconies, etc
Make use of distractions
● Use people, vehicles and other familiar objects to convey the size of
the monument
● These also add color and movement to the photo
● Use the monument as a backdrop for some other subject – like
children running around, hawkers on the street, etc
● Local people in the frame add character
● Pigeons...or any bird = awesome
● Distractions like wires, garbage = not awesome
More Composition Tips
● Make sure your horizon and lines are straight
● Level your planes – very hard to correct later
● Rule of thirds
● Minimalism
● Pathways, driveways, staircases as leading lines
● Convey depth
● Use diagonals
Flares and Silhouettes
(sun behind monument)Flares:
● Shoot into the sun, at an angle.
● Don't include the whole sun – let the building cut out most of it.
● Don't point at the sun directly – harmful to your eyes and camera sensor
Silhouettes:
● Only the outline of the monument
● Colorful sky at the time of sunset is best
● Monument should have distinct identifiable outline
● Sun need not be right behind building, it just has to be in front of you
● Underexpose as required if using DSLR
● Don't use auto white balance – you might lose colours. Switching to
cloudy mode might make colors better.
So...
● Use techniques alone or in combinations
● Don't shy away from the cliched shots
● How often do you visit the same monument? Shoot, review,
recompose, reshoot as many times as you want. It's digital & storage is
cheap.
● Rules are meant to be broken, but break them unapologetically for
maximum impact
● Remember to take some time to soak in the atmosphere – it'll help you
see the story you want to shoot
Happy Shooting!

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GCA Workshop II - Photographing monuments by Madhu Gopalan

  • 2. The Basics LENS APERTURE SHUTTER SENSOR ● What's the story? ● Compose the image ● Control the light ● Shoot! ● Review, Reshoot ● Process [ ]
  • 3. When do you have the best light? ● Early mornings, mid mornings, late afternoons and around sunset are great ● Sunny days with clear blue skies and fluffy white clouds here and there make dramatic colorful backdrops. Light is harder and colours brighter ● Clouds act as diffusers – they make light softer, and illuminate building evenly. But too much will make your photo dull ● Rainy days can be quite dramatic but keeping your gear safe is a challenge ● Right AFTER a rain, everything is clean, colors pop, gear is safe - ideal ● Avoid shooting when the front of the monument is in shadow – you can, however, experiment with silhouettes, flares etc ● Useful to know orientation of the monument beforehand
  • 4. Look for interesting compositions ● Wide shots of the whole monument ● Zoom in and capture architectural details, carvings, etc ● Try low angles to exaggerate features ● Walk all around the monument to make sure you haven't missed an interesting angle/view ● Look for repeating patterns – a frame with a single repeating pattern can make a compelling image ● Views of the monument from other places – neighborhood, other nearby buildings, etc
  • 5. Interesting ways to frame the monument ● Through an arch ● Through the window of your car ● Through the leaves of a tree ● Seen from another monument ● Reflections in ponds, puddles, rearview mirrors, windshields - anywhere! ● Interesting shadows
  • 6. Inside the monument (if allowed) ● Photos of the interiors ● Photos of the outside FROM the inside ● Light-shadow patterns created by stained glass, perforated screens etc ● Dramatic shafts of light through stained glass windows etc ● Look up - Ceilings are often interesting ● Look down from staircases, balconies, etc
  • 7. Make use of distractions ● Use people, vehicles and other familiar objects to convey the size of the monument ● These also add color and movement to the photo ● Use the monument as a backdrop for some other subject – like children running around, hawkers on the street, etc ● Local people in the frame add character ● Pigeons...or any bird = awesome ● Distractions like wires, garbage = not awesome
  • 8. More Composition Tips ● Make sure your horizon and lines are straight ● Level your planes – very hard to correct later ● Rule of thirds ● Minimalism ● Pathways, driveways, staircases as leading lines ● Convey depth ● Use diagonals
  • 9. Flares and Silhouettes (sun behind monument)Flares: ● Shoot into the sun, at an angle. ● Don't include the whole sun – let the building cut out most of it. ● Don't point at the sun directly – harmful to your eyes and camera sensor Silhouettes: ● Only the outline of the monument ● Colorful sky at the time of sunset is best ● Monument should have distinct identifiable outline ● Sun need not be right behind building, it just has to be in front of you ● Underexpose as required if using DSLR ● Don't use auto white balance – you might lose colours. Switching to cloudy mode might make colors better.
  • 10. So... ● Use techniques alone or in combinations ● Don't shy away from the cliched shots ● How often do you visit the same monument? Shoot, review, recompose, reshoot as many times as you want. It's digital & storage is cheap. ● Rules are meant to be broken, but break them unapologetically for maximum impact ● Remember to take some time to soak in the atmosphere – it'll help you see the story you want to shoot Happy Shooting!