20TH AND 21ST CENTURY
MULTIMEDIA FORMS
PHILIPPINE BALLET
BALLET
• This dance form has been used to interpret stories of all
kinds.
• It does so by allowing the characters to come alive, not
in spoken dialogue but in body movements or
pantomime.
• Creative steps, arm gestures, facial expressions, and
body movements are the dancers’ ways to express the
meaning of the story being revealed.
PHILIPPINE BALLET
• present folktales based on local fables for example, Lola
Basyang as well as epics from neighboring regions, such
as India’s Ramayana
• Lola Basyang and Rama Hari are additions to the usual
Western ballets presented by Philippine ballet
companies.
FAMOUS PHILIPPINE BALLET
COMPANIES
• Ballet Manila
• Ballet Philippines
• Philippine Ballet Theater
• Halili-Cruz Ballet Company
TATLONG KWENTO NI LOLA BASYANG
• An adaptation of Severino Reyes’ Mga Kwento ni Lola
Basyang
• It was meant to instill and rekindle the interest of the
Filipino youth in the beauty, richness, and heritage of
Philippine literature.
• Two episodes of such stories were presented by Ballet
Manila, with Lisa Macuja-Elizalde as the company’s
Executive Director and prima ballerina. Entitled Tatlong
Kuwento ni Lola Basyang (2009) and Tatlo Pang
Kuwento ni Lola Basyang (2013)
TATLONG KWENTO NI LOLA BASYANG
• Ang Kapatid ng Tatlong Marya
• Ang Mahiwagang Biyulin
• Ang Prinsipe ng mga Ibon
RAMA HARI
• Philippine adaptation of the Indian epic Ramayana set to
music, dance, and drama.
• Originally presented on February 8 to 17, 1980, with the
creative team of Ryan Cayabyab (Music), National Artist
Alice Reyes (Choreography), National Artist Bienvenido
Lumbera (Literature), and National Artist Salvador Bernal
(Theater Design), with the CCP Philharmonic Orchestra
conducted by Cayabyab.
• The production had the dancers moving alongside the
characters to provide the choreographic interpretation of
their singing and acting.
MUSICAL PLAYS
MUSICAL PLAY
• Popular and generally lighter form of musical drama than
the opera
• Themes are usually more contemporary, and the musical
melodies are more manageable by the average singer.
• Acting is less intense and dramatic
• Choreography and dance sequence provide entertaining
breaks in the unfolding plots
BROADWAY AND WEST END MUSICALS
• Showboat – first major Broadway musical in 1927
• The King and I – Siamese royalty
• My Fair Lady – English aristocracy
• The Sound of Music – Austrian history
• Camelot – medieval English tragedy
• West Side Story – interracial gang rivalry and romance
BROADWAY AND WEST END MUSICALS
• South Pacific
• Cabaret
• Les Miserables
• Phantom of the Opera
• Miss Saigon
• Cats
• Lion King
• Beauty and the Beast
• Wicked
• Mama Mia
• Broadway musicals are popular entertainment with
themes and texts which are generally light and easy to
understand.
• These may include the problems of everyday life, such
as love and romance, social acceptance, jealousy and
intrigue, and adventure.
• Singing is usually amplified, unlike the operatic quality of
classically trained voices.
LEA SALONGA (INTERNATIONAL
THEATER STAR)
• Best known for her portrayal of Kim in the musical Miss
Saigon
• First Filipina to have won so many international awards
for a single role
• First Asian to play the role of Eponine in the musical Les
Miserables (later played the role of Fantine)
• Also portrayed Mei-Li in the revival of Flower Drum Song
PHILIPPINE MUSICAL PLAYS
• Musical play is a more recent development than on
broadway and west end.
• Relies mostly on adaptations of novels, literary works, or
biographical sketches of famous artists.
PHILIPPINE MUSICAL PLAYS
• Andres Bonifacio, Ang Dakilang Anak Pawis: The
Musical – depicts the life of the revolutionary hero.
• Atang – Dulang May Musika – a musical based on the
life of the first superstar of the Philippines Atang de la
Rama.
• Katy! The Musical – about the life of bodabil star Katy
de la Cruz.
PHILIPPINE MUSICAL PLAYS
• Florante at Laura, The Musical
• Daragang Magayon – Myth about the origin of mount
Mayon
• Magsimula ka, The Musical – the story of young
dreamers whose ambitions begin to fade amidst life’s
realities.
Philippine Ballet

Philippine Ballet

  • 1.
    20TH AND 21STCENTURY MULTIMEDIA FORMS
  • 2.
  • 3.
    BALLET • This danceform has been used to interpret stories of all kinds. • It does so by allowing the characters to come alive, not in spoken dialogue but in body movements or pantomime. • Creative steps, arm gestures, facial expressions, and body movements are the dancers’ ways to express the meaning of the story being revealed.
  • 4.
    PHILIPPINE BALLET • presentfolktales based on local fables for example, Lola Basyang as well as epics from neighboring regions, such as India’s Ramayana • Lola Basyang and Rama Hari are additions to the usual Western ballets presented by Philippine ballet companies.
  • 5.
    FAMOUS PHILIPPINE BALLET COMPANIES •Ballet Manila • Ballet Philippines • Philippine Ballet Theater • Halili-Cruz Ballet Company
  • 6.
    TATLONG KWENTO NILOLA BASYANG • An adaptation of Severino Reyes’ Mga Kwento ni Lola Basyang • It was meant to instill and rekindle the interest of the Filipino youth in the beauty, richness, and heritage of Philippine literature. • Two episodes of such stories were presented by Ballet Manila, with Lisa Macuja-Elizalde as the company’s Executive Director and prima ballerina. Entitled Tatlong Kuwento ni Lola Basyang (2009) and Tatlo Pang Kuwento ni Lola Basyang (2013)
  • 7.
    TATLONG KWENTO NILOLA BASYANG • Ang Kapatid ng Tatlong Marya • Ang Mahiwagang Biyulin • Ang Prinsipe ng mga Ibon
  • 8.
    RAMA HARI • Philippineadaptation of the Indian epic Ramayana set to music, dance, and drama. • Originally presented on February 8 to 17, 1980, with the creative team of Ryan Cayabyab (Music), National Artist Alice Reyes (Choreography), National Artist Bienvenido Lumbera (Literature), and National Artist Salvador Bernal (Theater Design), with the CCP Philharmonic Orchestra conducted by Cayabyab. • The production had the dancers moving alongside the characters to provide the choreographic interpretation of their singing and acting.
  • 9.
  • 10.
    MUSICAL PLAY • Popularand generally lighter form of musical drama than the opera • Themes are usually more contemporary, and the musical melodies are more manageable by the average singer. • Acting is less intense and dramatic • Choreography and dance sequence provide entertaining breaks in the unfolding plots
  • 11.
    BROADWAY AND WESTEND MUSICALS • Showboat – first major Broadway musical in 1927 • The King and I – Siamese royalty • My Fair Lady – English aristocracy • The Sound of Music – Austrian history • Camelot – medieval English tragedy • West Side Story – interracial gang rivalry and romance
  • 12.
    BROADWAY AND WESTEND MUSICALS • South Pacific • Cabaret • Les Miserables • Phantom of the Opera • Miss Saigon • Cats • Lion King • Beauty and the Beast • Wicked • Mama Mia
  • 13.
    • Broadway musicalsare popular entertainment with themes and texts which are generally light and easy to understand. • These may include the problems of everyday life, such as love and romance, social acceptance, jealousy and intrigue, and adventure. • Singing is usually amplified, unlike the operatic quality of classically trained voices.
  • 14.
    LEA SALONGA (INTERNATIONAL THEATERSTAR) • Best known for her portrayal of Kim in the musical Miss Saigon • First Filipina to have won so many international awards for a single role • First Asian to play the role of Eponine in the musical Les Miserables (later played the role of Fantine) • Also portrayed Mei-Li in the revival of Flower Drum Song
  • 15.
    PHILIPPINE MUSICAL PLAYS •Musical play is a more recent development than on broadway and west end. • Relies mostly on adaptations of novels, literary works, or biographical sketches of famous artists.
  • 16.
    PHILIPPINE MUSICAL PLAYS •Andres Bonifacio, Ang Dakilang Anak Pawis: The Musical – depicts the life of the revolutionary hero. • Atang – Dulang May Musika – a musical based on the life of the first superstar of the Philippines Atang de la Rama. • Katy! The Musical – about the life of bodabil star Katy de la Cruz.
  • 17.
    PHILIPPINE MUSICAL PLAYS •Florante at Laura, The Musical • Daragang Magayon – Myth about the origin of mount Mayon • Magsimula ka, The Musical – the story of young dreamers whose ambitions begin to fade amidst life’s realities.