Lecture 3 A Isometric And Orthographic Sketching 2009nttf
The document discusses isometric and orthographic sketching techniques used in engineering design. It compares engineering drawings to sketches and explains that sketches are used in early conceptual design while drawings are for final production. Various methods for sketching objects in isometric and orthographic views are presented, including unfolding 3D objects, transferring between views using construction lines, and ordering of drawing different object surfaces. Students are assigned to practice these techniques by sketching a cell phone in isometric and orthographic views.
The document discusses orthographic projection drawings which are a collection of 2D drawings that accurately represent an object. It describes the six principle views used in orthographic projection including front, right side, top, bottom, left side, and rear views. The document also explains rules for orthographic drawings including choosing a front view and common view combinations. Additionally, it outlines the glass box technique, different line types, steps for creating orthographic projection drawings, and guidelines for spacing views.
Isometric projections for engineering studentsAkshay Darji
The document discusses isometric projections and isometric drawing. It begins by explaining the limitations of orthographic views and how isometric projections show all three dimensions of an object in a single view. It then defines the principles and types of projection, including orthographic, pictorial, axonometric, isometric, dimetric and trimetric. The remainder of the document focuses specifically on isometric projection, defining isometric axes, lines, planes and drawings. It provides examples of how to construct isometric views of various objects from their orthographic projections.
The document contains instructions and examples for 14 exercises related to orthographic projection. The exercises include identifying views of objects from different angles, matching orthographic drawings to isometric or oblique views, sketching projections of objects, and drawing multi-view orthographic projections of components with dimensions. Solutions or spaces for solutions are provided for each exercise.
Orthographic projections provide 2D views of an object that together accurately represent it. Common views are the front, top, and side. Objects are imagined inside a glass box and each face is projected onto a plane. Dimensions are drawn with thin continuous lines and indicate sizes. Drawings include title blocks with title, author, date, scale, and other information.
This document discusses perspectives on media globalization and cultural imperialism. It summarizes the debate between those arguing for homogenization of culture through Western media dominance, and those pointing to examples of multi-directional cultural flows and hybridization. While some regional media have risen, most large regional producers have been acquired by transnational giants, indicating the power of large corporations. The growing size and influence of a small number of multinational media conglomerates raises concerns about a new form of imperialism making many nations subsidiary to the media products of the most powerful countries and companies.
The document discusses different perspectives on the nature and role of the Internet. It first compares the Internet to the Netherlands and a hammer, suggesting the Internet is more like a cultural forum where users negotiate culture production, unlike a hammer which is just a tool. Second, it discusses whether the color of a computer plastic matters, arguing aesthetics likely only influence participation, not skills. Finally, it describes how the Internet organizes routines more accurately and binds people in time and space through services like online banking and weather updates from anywhere.
The document discusses challenges in using the internet to construct a solidary community and ways to address them. Some key problems identified are: members becoming too reliant on the virtual environment and comfortable within it, replacing real experiences with virtual ones that lack physical sensations, and using the internet to escape real problems rather than solve them. To address these challenges, the document suggests facilitating offline meetings and events to encourage real-world interaction, and using the online community to support real-world action and problem-solving rather than as an escape.
Internationalisation of media industries and sense of spaceNikos Koulousios
This document argues that the internationalization and conglomeration of media industries does not have a positive effect on our sense of place and belonging. It contends that as media ownership becomes more concentrated, content will become more uniform, potentially threatening diversity and local identities. While international media can foster a global communicative space, without common political and social systems, it will be difficult to establish a shared identity. The trend towards media conglomeration risks the creation of a homogenized global cultural identity driven by profit motives, rather than diversity and local distinction.
The document discusses a project by a group of communication advisors to increase awareness and interest among students aged 18-25 in the Netherlands to choose Malaysia as a travel destination.
The group conducted a survey of 150 students to understand their travel preferences and perceptions of Malaysia. The survey found that most students were not well-informed about Malaysia's tourism offerings.
To address this, the group is organizing an event showcasing Malaysian culture through activities like martial arts demonstrations and traditional dances. The goal is to stimulate students' interest in visiting Malaysia and help the Malaysian Tourist Promotion Board penetrate this market segment.
Amnesty International began as a campaigning organization in 1961 to achieve change through non-violent action. While some human rights victories have been achieved, violations continue around the world. The document outlines principles and steps for effective campaigning, including focusing objectives, maintaining credibility, relevance to issues, strategic timing, and commitment to see campaigns through. It provides guidance on locating responsibility, developing strategy, maintaining networks, correspondence, media outreach, interviews, and celebrating successes.
Lecture 3 A Isometric And Orthographic Sketching 2009nttf
The document discusses isometric and orthographic sketching techniques used in engineering design. It compares engineering drawings to sketches and explains that sketches are used in early conceptual design while drawings are for final production. Various methods for sketching objects in isometric and orthographic views are presented, including unfolding 3D objects, transferring between views using construction lines, and ordering of drawing different object surfaces. Students are assigned to practice these techniques by sketching a cell phone in isometric and orthographic views.
The document discusses orthographic projection drawings which are a collection of 2D drawings that accurately represent an object. It describes the six principle views used in orthographic projection including front, right side, top, bottom, left side, and rear views. The document also explains rules for orthographic drawings including choosing a front view and common view combinations. Additionally, it outlines the glass box technique, different line types, steps for creating orthographic projection drawings, and guidelines for spacing views.
Isometric projections for engineering studentsAkshay Darji
The document discusses isometric projections and isometric drawing. It begins by explaining the limitations of orthographic views and how isometric projections show all three dimensions of an object in a single view. It then defines the principles and types of projection, including orthographic, pictorial, axonometric, isometric, dimetric and trimetric. The remainder of the document focuses specifically on isometric projection, defining isometric axes, lines, planes and drawings. It provides examples of how to construct isometric views of various objects from their orthographic projections.
The document contains instructions and examples for 14 exercises related to orthographic projection. The exercises include identifying views of objects from different angles, matching orthographic drawings to isometric or oblique views, sketching projections of objects, and drawing multi-view orthographic projections of components with dimensions. Solutions or spaces for solutions are provided for each exercise.
Orthographic projections provide 2D views of an object that together accurately represent it. Common views are the front, top, and side. Objects are imagined inside a glass box and each face is projected onto a plane. Dimensions are drawn with thin continuous lines and indicate sizes. Drawings include title blocks with title, author, date, scale, and other information.
This document discusses perspectives on media globalization and cultural imperialism. It summarizes the debate between those arguing for homogenization of culture through Western media dominance, and those pointing to examples of multi-directional cultural flows and hybridization. While some regional media have risen, most large regional producers have been acquired by transnational giants, indicating the power of large corporations. The growing size and influence of a small number of multinational media conglomerates raises concerns about a new form of imperialism making many nations subsidiary to the media products of the most powerful countries and companies.
The document discusses different perspectives on the nature and role of the Internet. It first compares the Internet to the Netherlands and a hammer, suggesting the Internet is more like a cultural forum where users negotiate culture production, unlike a hammer which is just a tool. Second, it discusses whether the color of a computer plastic matters, arguing aesthetics likely only influence participation, not skills. Finally, it describes how the Internet organizes routines more accurately and binds people in time and space through services like online banking and weather updates from anywhere.
The document discusses challenges in using the internet to construct a solidary community and ways to address them. Some key problems identified are: members becoming too reliant on the virtual environment and comfortable within it, replacing real experiences with virtual ones that lack physical sensations, and using the internet to escape real problems rather than solve them. To address these challenges, the document suggests facilitating offline meetings and events to encourage real-world interaction, and using the online community to support real-world action and problem-solving rather than as an escape.
Internationalisation of media industries and sense of spaceNikos Koulousios
This document argues that the internationalization and conglomeration of media industries does not have a positive effect on our sense of place and belonging. It contends that as media ownership becomes more concentrated, content will become more uniform, potentially threatening diversity and local identities. While international media can foster a global communicative space, without common political and social systems, it will be difficult to establish a shared identity. The trend towards media conglomeration risks the creation of a homogenized global cultural identity driven by profit motives, rather than diversity and local distinction.
The document discusses a project by a group of communication advisors to increase awareness and interest among students aged 18-25 in the Netherlands to choose Malaysia as a travel destination.
The group conducted a survey of 150 students to understand their travel preferences and perceptions of Malaysia. The survey found that most students were not well-informed about Malaysia's tourism offerings.
To address this, the group is organizing an event showcasing Malaysian culture through activities like martial arts demonstrations and traditional dances. The goal is to stimulate students' interest in visiting Malaysia and help the Malaysian Tourist Promotion Board penetrate this market segment.
Amnesty International began as a campaigning organization in 1961 to achieve change through non-violent action. While some human rights victories have been achieved, violations continue around the world. The document outlines principles and steps for effective campaigning, including focusing objectives, maintaining credibility, relevance to issues, strategic timing, and commitment to see campaigns through. It provides guidance on locating responsibility, developing strategy, maintaining networks, correspondence, media outreach, interviews, and celebrating successes.
Interview with Gary Highland, AIA’s Director of Strategic CommunicationsNikos Koulousios
- Gary Highland, Director of Strategic Communications at Amnesty International Australia (AIA), was interviewed about AIA's communication strategy and their Asia Pacific campaign.
- AIA's communication strategy is formulated based on international priorities from Amnesty International, but AIA has autonomy to select local priorities like their current Asia Pacific campaign.
- AIA's objectives for public communication are to promote awareness of human rights issues, activate membership, influence government policies, and establish AIA as the prominent human rights organization in Australia.
