Nuevos Lenguajes De La Musica Para Cine
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This document discusses new languages in film music, focusing on electronic sounds, repetitiveness, and opera. It profiles several influential film composers including Angelo Badalamenti, Philip Glass, Howard Shore, Éric Serra, and Michael Nyman, known for pioneering minimalist and electronic styles. Each composer's works and collaborations with major directors are briefly mentioned.
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Nuevos Lenguajes De La Musica Para Cine
- 1. NUEVOS LENGUAJES EN LA MÚSICA PARA CINE Iván L. Valderrama Espejo Ciencia de la Información - Bibliotecología
- 2. Tendencias Sonidos electrónicos Repetitividad Ópera
- 3. Representantes AngeloBadalamenti (1937- ) Philip Glass (1937- ) Howard Shore (1946- ) Éric Serra (1959- ) Michael Nyman (1944- , Reino Unido)
- 4. AngeloBadalamenti Blue Velvet (1986 – David Lynch) Wild at heart (1990 – David Lynch) Mullholand drive (2001 – David Lynch) La ciudad de los niños perdidos (1995 – Jean Pierre Jeunet) A verylongengagement (2004 – Jean Pierre Jeunet) The Beach (2000 – Danny Boyle)
- 5. Philip Glass QatsiTrilogy (Reggio Godfrey)
- 6. Philip Glass Kundun (1997 – Martin Scorsese) The Truman Show (1998 – Peter Weir) Thehours (2002 – Stephen Daldry) TheIllusionist (2006 – NeilBurger) Notes on a Scandal (2006 – Richard Eyre)
- 7. Howard Shore The Lord of theRings Trilogy (Peter Jackson)
- 8. Howard Shore TheBrood (1979 – David Cronenberg) Naked Lunch (1991 – David Cronenberg) Thesilence of thelambs (1991 – Jonathan Demme) Ed Wood (1994 – Tim Burton) Se7en (1995 – David Fincher) HighFidelity (2000 – Stephen Frears) TheDeparted (2006 – Martin Scorsese) Eastern Promises (2007 – David Cronenberg)
- 9. Éric Serra (RXRA) Le DernierCombat (1982 – LucBesson) Le Grand bleu (1988 – LucBesson) The Professional (1994 – LucBesson) GoldenEye (1995 – Martin Campbell) TheFifthElement (1997 – LucBesson) The Messenger: TheStory Of Joan of Arc (1999 – LucBesson)
- 10. Michael Nyman The Falls (1980 – Peter Greenway) TheDraughtsman’sContract (1983 – Peter Greenway) DrowningbyNumbers (1988 – Peter Greenway) The Piano (1993 - Jane Campion) TheClaim (2000 – Michael Winterbottom)