NEA advertisement evaluation
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This is the evaluation of our NEA advertisement, A spoof of the Dolce and Gabbana 'The One' fragrance advert.
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Performance shots lily allen-will humphrey
The document describes different types of shots used in a music video by Lily Allen, including narrative shots that establish a relationship between characters and set the scene, and performance shots where Lily directly addresses the camera. It notes how the camera cuts between these shots, sometimes starting with a wider midshot that zooms in to a close-up, or vice versa. Location changes are also summarized, from a bedroom to a cafe to a street, with various front-on shots used in both narrative and performance scenes.
Lily allen-Will Humphrey
The document describes different types of camera shots used in a music video by Lily Allen. It begins with narrative shots establishing a relationship between two characters. The first performance shot is a long side view of Allen in a bedroom. The camera then cuts between close-ups of Allen addressing the audience and mid-shots or long shots that zoom in or out. Locations include a bedroom, cafe and street, with some narrative scenes disguising performance shots through different angles and shots.
The cut - evaluation
The document summarizes sections of a stop motion recreation of a movie trailer created by students. It provides the original shots from the trailer and descriptions of how the students recreated or modified shots for their version. Key modifications included changing backgrounds, lighting, and camera angles to focus attention and work within the constraints of stop motion. Shots were often closer with a simpler background to make them easier to recreate through stop motion.
Proof of planning
The document contains 10 storyboards and notes for key shots needed to film a scene where a group of girls get ready at a friend's house for a night out. It outlines shots showing their arrival, preparations like hair, makeup and outfit changes, and ends with them posing for a photo before leaving. Camera placements are also planned to capture match-on-action shots between various locations like the stairs, bathroom, and bedroom as the scene progresses.
Opening scene analysis on kick ass and Batman
The opening scene of Kick Ass begins with an establishing wide shot of New York City showing iconic buildings. There is dialogue over this scene to set the tone. It then cuts to a close-up of a pink backpack, surprising the audience when a gun is revealed to be held confidently by a feminine character. It pans up to show an intelligent but vulnerable character framed against rocks in the background, isolating the two characters in an abandoned area with buildings far away, contrasting them with the outside world.
Amalysis of 'nightmare in elm street'
The document analyzes key elements of the horror film "A Nightmare on Elm Street" including mise-en-scene, camera work, sound, and editing techniques. It discusses the opening scene which establishes the villain through mysterious camera shots without showing his face. Close-up shots focus on his workshop where he appears to be making something important. The scene then introduces the damsel in distress through a mid-shot showing her vulnerable facial expression, isolated in a vast setting in dark lighting and a nightgown, enhancing the frightening atmosphere.
Snap[1]
The film follows a man who steals cameras from people and takes creative photos as he is being chased, returning the cameras and photos to his surprised victims. The camera work captures his excitement and obstacles through close-ups, tracking shots, and handheld footage. Sound and editing match the energy of each scene. Mise-en-scene hints he repeats this process with different people through changing clothes and cameras between shots.
Snap
The film follows a man who steals cameras from people and takes creative photos as he is being chased, returning the cameras and photos to his surprised victims. The camera work captures his excitement and obstacles through close-ups, tracking shots, and handheld footage during chases. Sound and editing match the energy and tension of scenes, from calm music for setup to faster music building tension as he is pursued. Mise-en-scene hints he has done this many times through changing clothes and cameras between shots.
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Performance shots lily allen-will humphrey
The document describes different types of shots used in a music video by Lily Allen, including narrative shots that establish a relationship between characters and set the scene, and performance shots where Lily directly addresses the camera. It notes how the camera cuts between these shots, sometimes starting with a wider midshot that zooms in to a close-up, or vice versa. Location changes are also summarized, from a bedroom to a cafe to a street, with various front-on shots used in both narrative and performance scenes.
Lily allen-Will Humphrey
The document describes different types of camera shots used in a music video by Lily Allen. It begins with narrative shots establishing a relationship between two characters. The first performance shot is a long side view of Allen in a bedroom. The camera then cuts between close-ups of Allen addressing the audience and mid-shots or long shots that zoom in or out. Locations include a bedroom, cafe and street, with some narrative scenes disguising performance shots through different angles and shots.
The cut - evaluation
The document summarizes sections of a stop motion recreation of a movie trailer created by students. It provides the original shots from the trailer and descriptions of how the students recreated or modified shots for their version. Key modifications included changing backgrounds, lighting, and camera angles to focus attention and work within the constraints of stop motion. Shots were often closer with a simpler background to make them easier to recreate through stop motion.
Proof of planning
The document contains 10 storyboards and notes for key shots needed to film a scene where a group of girls get ready at a friend's house for a night out. It outlines shots showing their arrival, preparations like hair, makeup and outfit changes, and ends with them posing for a photo before leaving. Camera placements are also planned to capture match-on-action shots between various locations like the stairs, bathroom, and bedroom as the scene progresses.
Opening scene analysis on kick ass and Batman
The opening scene of Kick Ass begins with an establishing wide shot of New York City showing iconic buildings. There is dialogue over this scene to set the tone. It then cuts to a close-up of a pink backpack, surprising the audience when a gun is revealed to be held confidently by a feminine character. It pans up to show an intelligent but vulnerable character framed against rocks in the background, isolating the two characters in an abandoned area with buildings far away, contrasting them with the outside world.
Amalysis of 'nightmare in elm street'
The document analyzes key elements of the horror film "A Nightmare on Elm Street" including mise-en-scene, camera work, sound, and editing techniques. It discusses the opening scene which establishes the villain through mysterious camera shots without showing his face. Close-up shots focus on his workshop where he appears to be making something important. The scene then introduces the damsel in distress through a mid-shot showing her vulnerable facial expression, isolated in a vast setting in dark lighting and a nightgown, enhancing the frightening atmosphere.
Snap[1]
The film follows a man who steals cameras from people and takes creative photos as he is being chased, returning the cameras and photos to his surprised victims. The camera work captures his excitement and obstacles through close-ups, tracking shots, and handheld footage. Sound and editing match the energy of each scene. Mise-en-scene hints he repeats this process with different people through changing clothes and cameras between shots.
Snap
The film follows a man who steals cameras from people and takes creative photos as he is being chased, returning the cameras and photos to his surprised victims. The camera work captures his excitement and obstacles through close-ups, tracking shots, and handheld footage during chases. Sound and editing match the energy and tension of scenes, from calm music for setup to faster music building tension as he is pursued. Mise-en-scene hints he has done this many times through changing clothes and cameras between shots.
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The opening scene of Kick Ass begins with an establishing wide shot of New York City that shows the setting. Dialogue is heard over this shot to juxtapose the busy city with a line about gun speed. The scene cuts to a close-up of a pink backpack, surprising the audience when a gun is revealed. It pans up to show a character holding the gun confidently while looking at another character framed on the left below in glasses, suggesting vulnerability. This introduces the important characters in an isolated area of New York, contrasting them with the buildings in the background.
Opening scene analysis on kick ass (action)
The opening scene of Kick Ass begins with an establishing shot of New York City, showing iconic buildings like the Empire State Building. Dialogue is heard over this shot, juxtaposing the busy city with words about the speed of a handgun bullet. The scene cuts to a close-up of a pink backpack, surprising the audience when a gun is revealed being held confidently. It pans up to show another character framed on the left looking powerless with glasses, suggesting intelligence. A wide shot shows the isolated characters far from the buildings in the background, contrasting them with the outside world.
Preliminary Task Storyboard – Sam Smith Stay With Me
The document describes several shots from the music video Stay With Me by Sam Smith. It begins with a long take walking down a street in natural light. It then cuts to a medium shot as the camera tracks Sam from behind on a dolly as he lip syncs while walking. Another cut shows a low shot of Sam lip syncing in a bedroom with the main light coming from the window.
Mise en-scene breakdown
Ron Burgundy is the dominant character in a medium shot from Anchorman. The lighting is high key and balanced throughout, a typical comedy technique. All of the characters are centered in the frame and placed at a vertical position, suggesting they are prepared for an upcoming fight as a unified news crew.
List of Tricky Shots
The document lists several tricky shots that will be attempted in an upcoming film: a high angle close up of the main character Jenifer's face to show vulnerability; a panning and craning shot to follow Jenifer walking down stairs; focus pulls when Jenifer changes clothes that must look intentional; walking backwards while filming Jenifer walk towards the camera; filming Jenifer from below in a ditch to give the effect of being watched; a handheld running shot of chasing Jenifer that cannot look amateur; and a point-of-view tilt shot of Jenifer revealing a mysterious character. Many of these shots will be difficult to execute due to camera angles, movement, or maintaining a professional appearance.
Black dalieh
The document provides a 9-frame analysis of a scene from the film The Black Dahlia. Frame 1 shows two characters in a locker room with one facing away from the camera. Frame 2 is a close-up of the character taking deep breaths. Frame 3 includes a fade transition implying what the character is thinking. Frame 4 shows a street riot in chaos with fights everywhere. Frame 5 uses an over the shoulder shot to show two sides of a fight. Frame 6 shows two characters in deep conversation with shadows and a burning car outside. Frame 7 positions one character chained to a radiator with no power compared to the other. Frame 8 shows a busy factory with characters in hats and suits lit by window light. Frame 9 has
Form research
This document discusses conventions for establishing locations, characters, and genre in opening scenes of action films. It notes that opening shots should use a variety of shot types, like medium shots (MS) and long shots (LS), to set the pace and keep the film interesting. Shots should feature both police and criminals to display action and establish their roles through costume and positioning within the scene. Titles are usually shown between shots at the correct time. Overall, the opening aims to quickly establish key details like location, characters, and genre (like crime themes in this case) to set up the film.
Shot list performer
The shot list describes 3 shots - a long wide shot of the performer walking in a field singing and playing guitar, keeping her centered in the frame. A medium shot of the performer standing and singing/playing guitar, with the camera panning smoothly. A close up shot of the performer playing guitar where the camera will pan down the guitar, with care taken to properly frame the increasing surface area of the guitar.
Analysis of action film openings
The document analyzes the openings of two action films, "Bending the Rules" and "96 Minutes", through the lens of mise-en-scene, sound, camera work, and editing techniques. The opening of "Bending the Rules" establishes the setting and introduces the main characters through an establishing shot, tilt-up close-up, and match cuts between characters. Tension is built through intense music and a high angle shot. The opening of "96 Minutes" starts with the title and focuses on the protagonist's distressed expression through an extreme close-up of his eyes and flashback showing a tense car ride with foul language. Both openings use techniques like music, lighting, and shot sequencing to set the tone
Analysis of action film openings
This document analyzes the openings of two action films, "Bending the Rules" and "96 Minutes", through the lens of mise-en-scene, sound, camera work, and editing. For "Bending the Rules", it describes how the opening establishes the setting and introduces the main characters through shots that show their costumes and body language. Tension is built through intense music and shots that show a man running in fear. For "96 Minutes", it summarizes how the opening uses close-ups of a protagonist's hands and eyes to suggest disturbance, then cuts to a flashback in a car that reveals a bleeding woman, adding pressure through dialogue and foul language.
Shot list snow white
Snow White walks into the forest where she finds a poisoned apple on the ground. A close up shot shows her biting into the apple, after which her clothes change color to black as she collapses. The camera zooms out to show her transformation from a close up to a long shot. Prince Charming then discovers Snow White lying unconscious on the forest floor. He kisses her to break the spell. The document outlines various shots needed for the story including establishing shots, point of view shots, close ups, and long shots, noting potential framing and technical issues for each shot.
Location shots
This document discusses 7 potential location shots for scenes in a film trailer and movie. Location Shot 1 shows the attacker fleeing after wounding the main character Daniel. Location Shot 2 takes place in Daniel's house as he wakes up surrounded by alcohol bottles left by his mother, using close-up and angle shots. Location Shot 3 includes a POV shot of Daniel's bloody hands and a close-up of Daniel that will be used on a magazine cover. Location Shot 4 continues scenes 5 and 6, following Daniel crawling after an attack and being given a dealer's card. Location Shots 5-7 depict additional scenes, though some locations may be changed for authenticity in the final versions.
Media plamen
The overhead camera shot provides an establishing view of the entire scene from above, allowing the viewer to see broad positioning and motions of multiple characters and objects at once without confusion. It introduces the city setting of the film and the lighthearted, joking nature of the protagonist as he swings through the city fighting villains. The opening focuses on the main character, establishing him as the protagonist through his bright red suit and the camera's positioning behind him, making the viewer feel like they are gliding alongside him. It sets up the genre of the film as a heroic action story by showing the main character saving others during a conflict in the opening sequence.
Storyboard
The document discusses various shot types and compositions that could be used in filming a story, including wide shots, mid-shots, close-ups, and point-of-view shots. Specific techniques like rule of thirds, leading lines, focus pulls, panning, tracking, and zooming are proposed for different scenes to convey meaning around characters' emotions and relationships through their positioning and movement within the frame. Locations like a church, street, home, office, and bar are referenced for where different shots may take place.
Location Photos
These location photos are for a short film called "7 Minutes" and show the main urban areas where filming will take place, including an alleyway representing confinement of the main character, a street for a chase scene leading to a car accident, and a park where the chase scene begins and flashbacks occur, acting as the central part of the storyline.
Nine-Shot Analysis, Taken
The document analyzes the first nine shots of a scene from the movie "Taken" where the main character Kim is moving through a house while on the phone. The shots are described as being simple camera angles changing positions as Kim moves through different rooms, with some shots also cutting to the character Bryan on the other side of the phone call.
Location Shots
The document provides example location shots for filming the opening scene of a thriller film featuring a businessman character. The shots were taken at different locations but are intended to create a continuous route. While not all shots may be used, they help develop ideas for establishing the character's modern, sophisticated environment in London. The shots include a business building exit, pathways, stairs, a road with shadows and lighting effects, a tunnel entrance and interior. Care was taken to link the different locations so they appear as one continuous route.
Analysis+Of+Opening+Techniques Terminator
The document analyzes the opening film techniques used in Terminator 2: Judgment Day. It provides examples of techniques like the titles done over post-apocalyptic backgrounds to set the scene, tracking shots used rapidly during the war sequence, and jump cuts between different locations. Camera angles like high shots are used to show the Terminators' superiority. The lighting signifies the start of the war, and sound mixes diegetic elements during the war with non-diegetic music throughout. Actor movements contrast with humans acting erratically versus Terminators moving robotically.
Post it love (2)
The film Post-it Love tells the story of two shy coworkers who express their romantic feelings for each other through post-it notes. It is filmed as a single long take at their shared workplace to allow the audience to observe the characters' body language and growing emotions conveyed through music but no dialogue. Various shot types like long shots, bird's eye views, and close-ups are used to showcase their similarities, actions, and reactions. The title's use of the word "post-it" and pink color foreshadow this lighthearted story of office romance.
Mimi media Evaluation 1
This document compares scenes from the student's media project to scenes from well-known films like American Sniper, Creed, Lone Survivor, Rocky, and Jarhead. Across four paragraphs, the student analyzes how several scenes from their project that involve sniper preparation, running, boxing training, and shooting targets respectively, utilize similar camera techniques, shots, and conventions as the comparable scenes in these other films, while differing in settings, costumes, and other story-based elements. The student concludes by noting how their project and Rocky both show training and getting stronger over time through repetition of actions, but that Rocky depicts more realistic physical changes over time.
Evaluation question 7
The document discusses continuity techniques used in filmmaking, including the 180 degree rule, match on action, and shot reverse shot. It provides examples of how these techniques were used in the author's preliminary project and opening sequence to improve continuity. The author analyzes improvements made from the preliminary project to the opening sequence in areas like camera work, editing, mise-en-scene, and title design. In conclusion, the author learned the importance of continuity principles and how to effectively incorporate them through practice.
Evaluation question 7
The document discusses various continuity techniques used in filmmaking such as the 180 degree rule, match on action, and shot reverse shot. It provides examples of how these techniques were used in the author's preliminary project and opening sequence to improve continuity. The author analyzes improvements made from having more practice with camera angles, movement, and editing techniques on Final Cut Express. Mise-en-scene and title design are also discussed. In conclusion, the author learned the importance of continuity principles and improved filmmaking skills through practice.
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Opening scene analysis on kick ass (action)
The opening scene of Kick Ass begins with an establishing wide shot of New York City that shows the setting. Dialogue is heard over this shot to juxtapose the busy city with a line about gun speed. The scene cuts to a close-up of a pink backpack, surprising the audience when a gun is revealed. It pans up to show a character holding the gun confidently while looking at another character framed on the left below in glasses, suggesting vulnerability. This introduces the important characters in an isolated area of New York, contrasting them with the buildings in the background.
Opening scene analysis on kick ass (action)
The opening scene of Kick Ass begins with an establishing shot of New York City, showing iconic buildings like the Empire State Building. Dialogue is heard over this shot, juxtaposing the busy city with words about the speed of a handgun bullet. The scene cuts to a close-up of a pink backpack, surprising the audience when a gun is revealed being held confidently. It pans up to show another character framed on the left looking powerless with glasses, suggesting intelligence. A wide shot shows the isolated characters far from the buildings in the background, contrasting them with the outside world.
Preliminary Task Storyboard – Sam Smith Stay With Me
The document describes several shots from the music video Stay With Me by Sam Smith. It begins with a long take walking down a street in natural light. It then cuts to a medium shot as the camera tracks Sam from behind on a dolly as he lip syncs while walking. Another cut shows a low shot of Sam lip syncing in a bedroom with the main light coming from the window.
Mise en-scene breakdown
Ron Burgundy is the dominant character in a medium shot from Anchorman. The lighting is high key and balanced throughout, a typical comedy technique. All of the characters are centered in the frame and placed at a vertical position, suggesting they are prepared for an upcoming fight as a unified news crew.
List of Tricky Shots
The document lists several tricky shots that will be attempted in an upcoming film: a high angle close up of the main character Jenifer's face to show vulnerability; a panning and craning shot to follow Jenifer walking down stairs; focus pulls when Jenifer changes clothes that must look intentional; walking backwards while filming Jenifer walk towards the camera; filming Jenifer from below in a ditch to give the effect of being watched; a handheld running shot of chasing Jenifer that cannot look amateur; and a point-of-view tilt shot of Jenifer revealing a mysterious character. Many of these shots will be difficult to execute due to camera angles, movement, or maintaining a professional appearance.
Black dalieh
The document provides a 9-frame analysis of a scene from the film The Black Dahlia. Frame 1 shows two characters in a locker room with one facing away from the camera. Frame 2 is a close-up of the character taking deep breaths. Frame 3 includes a fade transition implying what the character is thinking. Frame 4 shows a street riot in chaos with fights everywhere. Frame 5 uses an over the shoulder shot to show two sides of a fight. Frame 6 shows two characters in deep conversation with shadows and a burning car outside. Frame 7 positions one character chained to a radiator with no power compared to the other. Frame 8 shows a busy factory with characters in hats and suits lit by window light. Frame 9 has
Form research
This document discusses conventions for establishing locations, characters, and genre in opening scenes of action films. It notes that opening shots should use a variety of shot types, like medium shots (MS) and long shots (LS), to set the pace and keep the film interesting. Shots should feature both police and criminals to display action and establish their roles through costume and positioning within the scene. Titles are usually shown between shots at the correct time. Overall, the opening aims to quickly establish key details like location, characters, and genre (like crime themes in this case) to set up the film.
Shot list performer
The shot list describes 3 shots - a long wide shot of the performer walking in a field singing and playing guitar, keeping her centered in the frame. A medium shot of the performer standing and singing/playing guitar, with the camera panning smoothly. A close up shot of the performer playing guitar where the camera will pan down the guitar, with care taken to properly frame the increasing surface area of the guitar.
Analysis of action film openings
The document analyzes the openings of two action films, "Bending the Rules" and "96 Minutes", through the lens of mise-en-scene, sound, camera work, and editing techniques. The opening of "Bending the Rules" establishes the setting and introduces the main characters through an establishing shot, tilt-up close-up, and match cuts between characters. Tension is built through intense music and a high angle shot. The opening of "96 Minutes" starts with the title and focuses on the protagonist's distressed expression through an extreme close-up of his eyes and flashback showing a tense car ride with foul language. Both openings use techniques like music, lighting, and shot sequencing to set the tone
Analysis of action film openings
This document analyzes the openings of two action films, "Bending the Rules" and "96 Minutes", through the lens of mise-en-scene, sound, camera work, and editing. For "Bending the Rules", it describes how the opening establishes the setting and introduces the main characters through shots that show their costumes and body language. Tension is built through intense music and shots that show a man running in fear. For "96 Minutes", it summarizes how the opening uses close-ups of a protagonist's hands and eyes to suggest disturbance, then cuts to a flashback in a car that reveals a bleeding woman, adding pressure through dialogue and foul language.
Shot list snow white
Snow White walks into the forest where she finds a poisoned apple on the ground. A close up shot shows her biting into the apple, after which her clothes change color to black as she collapses. The camera zooms out to show her transformation from a close up to a long shot. Prince Charming then discovers Snow White lying unconscious on the forest floor. He kisses her to break the spell. The document outlines various shots needed for the story including establishing shots, point of view shots, close ups, and long shots, noting potential framing and technical issues for each shot.
Location shots
This document discusses 7 potential location shots for scenes in a film trailer and movie. Location Shot 1 shows the attacker fleeing after wounding the main character Daniel. Location Shot 2 takes place in Daniel's house as he wakes up surrounded by alcohol bottles left by his mother, using close-up and angle shots. Location Shot 3 includes a POV shot of Daniel's bloody hands and a close-up of Daniel that will be used on a magazine cover. Location Shot 4 continues scenes 5 and 6, following Daniel crawling after an attack and being given a dealer's card. Location Shots 5-7 depict additional scenes, though some locations may be changed for authenticity in the final versions.
Media plamen
The overhead camera shot provides an establishing view of the entire scene from above, allowing the viewer to see broad positioning and motions of multiple characters and objects at once without confusion. It introduces the city setting of the film and the lighthearted, joking nature of the protagonist as he swings through the city fighting villains. The opening focuses on the main character, establishing him as the protagonist through his bright red suit and the camera's positioning behind him, making the viewer feel like they are gliding alongside him. It sets up the genre of the film as a heroic action story by showing the main character saving others during a conflict in the opening sequence.
Storyboard
The document discusses various shot types and compositions that could be used in filming a story, including wide shots, mid-shots, close-ups, and point-of-view shots. Specific techniques like rule of thirds, leading lines, focus pulls, panning, tracking, and zooming are proposed for different scenes to convey meaning around characters' emotions and relationships through their positioning and movement within the frame. Locations like a church, street, home, office, and bar are referenced for where different shots may take place.
Location Photos
These location photos are for a short film called "7 Minutes" and show the main urban areas where filming will take place, including an alleyway representing confinement of the main character, a street for a chase scene leading to a car accident, and a park where the chase scene begins and flashbacks occur, acting as the central part of the storyline.
Nine-Shot Analysis, Taken
The document analyzes the first nine shots of a scene from the movie "Taken" where the main character Kim is moving through a house while on the phone. The shots are described as being simple camera angles changing positions as Kim moves through different rooms, with some shots also cutting to the character Bryan on the other side of the phone call.
Location Shots
The document provides example location shots for filming the opening scene of a thriller film featuring a businessman character. The shots were taken at different locations but are intended to create a continuous route. While not all shots may be used, they help develop ideas for establishing the character's modern, sophisticated environment in London. The shots include a business building exit, pathways, stairs, a road with shadows and lighting effects, a tunnel entrance and interior. Care was taken to link the different locations so they appear as one continuous route.
Analysis+Of+Opening+Techniques Terminator
The document analyzes the opening film techniques used in Terminator 2: Judgment Day. It provides examples of techniques like the titles done over post-apocalyptic backgrounds to set the scene, tracking shots used rapidly during the war sequence, and jump cuts between different locations. Camera angles like high shots are used to show the Terminators' superiority. The lighting signifies the start of the war, and sound mixes diegetic elements during the war with non-diegetic music throughout. Actor movements contrast with humans acting erratically versus Terminators moving robotically.
Post it love (2)
The film Post-it Love tells the story of two shy coworkers who express their romantic feelings for each other through post-it notes. It is filmed as a single long take at their shared workplace to allow the audience to observe the characters' body language and growing emotions conveyed through music but no dialogue. Various shot types like long shots, bird's eye views, and close-ups are used to showcase their similarities, actions, and reactions. The title's use of the word "post-it" and pink color foreshadow this lighthearted story of office romance.
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Preliminary Task Storyboard – Sam Smith Stay With Me
Preliminary Task Storyboard – Sam Smith Stay With Me
Similar to NEA advertisement evaluation
Mimi media Evaluation 1
This document compares scenes from the student's media project to scenes from well-known films like American Sniper, Creed, Lone Survivor, Rocky, and Jarhead. Across four paragraphs, the student analyzes how several scenes from their project that involve sniper preparation, running, boxing training, and shooting targets respectively, utilize similar camera techniques, shots, and conventions as the comparable scenes in these other films, while differing in settings, costumes, and other story-based elements. The student concludes by noting how their project and Rocky both show training and getting stronger over time through repetition of actions, but that Rocky depicts more realistic physical changes over time.
Evaluation question 7
The document discusses continuity techniques used in filmmaking, including the 180 degree rule, match on action, and shot reverse shot. It provides examples of how these techniques were used in the author's preliminary project and opening sequence to improve continuity. The author analyzes improvements made from the preliminary project to the opening sequence in areas like camera work, editing, mise-en-scene, and title design. In conclusion, the author learned the importance of continuity principles and how to effectively incorporate them through practice.
Evaluation question 7
The document discusses various continuity techniques used in filmmaking such as the 180 degree rule, match on action, and shot reverse shot. It provides examples of how these techniques were used in the author's preliminary project and opening sequence to improve continuity. The author analyzes improvements made from having more practice with camera angles, movement, and editing techniques on Final Cut Express. Mise-en-scene and title design are also discussed. In conclusion, the author learned the importance of continuity principles and improved filmmaking skills through practice.
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This document provides descriptions and examples of various camera angles and movements that are used in filmmaking. It includes close-ups, establishing shots, extreme wide shots, wide shots, mid shots, medium close-ups, extreme close-ups, cutaways, two-shots, over the shoulder shots, point of view shots, tracking, tilting, zooming, rules of framing, and the rule of thirds technique. For each technique, an image example is given along with an explanation of how it is used in films.
Angles and movements challenge
This document provides descriptions and examples of various camera angles and movements that are used in filmmaking. It includes close-ups, establishing shots, extreme wide shots, wide shots, mid shots, medium close-ups, extreme close-ups, cutaways, two-shots, over the shoulder shots, point of view shots, tracking, tilting, zooming, rules of framing, and the rule of thirds technique. For each technique, an image example is given along with an explanation of how it is used in films.
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2) Locations in Ripon such as fields and the photographer's home will be used from June 20-24, along with a DSLR camera, tripod, and models with release forms.
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This document provides location information for filming a two minute scene. The locations include outside the high school, a pathway near the school, a study room door and inside room at the school, and a bathroom. For each location, details are given about why it was chosen, where the camera will be placed, and how lighting will be used to create tension through shadows. The goal is to use different angles and lighting conditions at each location to build suspense as the scene progresses towards its climax in the bathroom.
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This document discusses test shots taken for a student film project and provides feedback on how to improve them. Several shots from the school setting and basement are analyzed, with notes on the lighting, composition, and how well they establish the intended mood and story elements. Suggestions are made to change camera angles, focus more on key subjects, and modify lighting and background elements to better direct audience attention and indicate the developing plot. The use of shot types and lighting to signify different stages of the narrative structure is also addressed.
Jen shutter
The document provides details about Jennifer Shutter's AS Media coursework. It discusses film techniques like match on action, the 180-degree rule, and shot reverse shot that she will be using. It summarizes her preliminary task of filming a conversation between two actors in a classroom. It also outlines her plans for the main task, which will be a 2-minute horror/mystery opening scene titled "The Hidden Truth." Production diaries describe the filming process over two days on location and challenges faced.
Evaluation x.1
The document summarizes a photography shoot where the photographer experimented with different techniques, including multiple exposures and out of focus shots. Weather conditions made the shoot difficult and the photographer had to make adjustments on the fly. Edited photos applying different effects in Photoshop are included, such as overlaying shots and changing layers to black and white. The photographer aims to convey emotions like loneliness and discovery through surreal, overlapping images.
Morgan scott to amend
This document provides instructions for a student assignment on researching and visually representing different camera angles and movements. It lists 14 camera angles - close up, establishing shot, extreme wide shot, wide shot, mid shot, medium close up, extreme close up, cutaway, two-shot, over the shoulder, point of view, tracking, tilt, and zoom. For each angle, an image example is provided as well as a description of how the technique is used in film. The document also covers rules of framing, headroom, looking room, leading room, and the rule of thirds grid for composition. Students are to research each technique and create a visual and written description for the assignment due on Friday, September 16th.
Lighting
This document provides descriptions of different lighting styles for photography and an experiment plan for taking photos. It describes short lighting, where light is cast from behind onto one side of the face, leaving soft shadows. It also discusses loop lighting from the side and back lighting from behind to illuminate the outline. The experiment plan lists 10 shots to take with models in different poses and locations, exploring short, loop, and back lighting techniques with black and urban backgrounds.
Planning for ancillary shoots
The document discusses plans for a photo shoot to promote a film. It will take place at the studio, which has equipment like lights, backdrops, and storage areas marked on a site plan. Safety measures are outlined in a risk assessment to prevent hazards from equipment, temperatures, flashing lights, and burns. The model will have down hair and natural makeup. She will wear the same white top and dark jeans costume as in the film to develop branding continuity. Test lighting will aim to recreate shadows from film posters. Shot types of mid-shots and close-ups will allow focus on facial expressions and body language/costume similarly to posters and magazines. Influential film imagery is provided.
Camera Angles
This document discusses various camera angles, movements, and framing techniques used in filmmaking. It provides examples and descriptions of different shots including close-ups, establishing shots, extreme wide shots, mid shots, point-of-view shots, tracking shots, tilt shots, and zoom shots. It also covers framing rules like the rule of thirds and techniques for headroom, looking room, and leading room. The goal is to understand how these techniques are used to guide the audience's perspective and focus their attention on important elements in a scene.
Task 4 final images review portrait
This document summarizes 10 photographs taken for an urban photography theme. For each image, the photographer explains the theme, focus of the image, and reasons for choosing it. Common themes were urban settings and a model as the focus. Techniques like rule of thirds, depth of field, and similar camera settings were used. The photographer evaluates their work, noting strengths like composition and areas for improvement like unwanted shadows. Editing details are provided for each photo.
Angles and Movements Media Work
The document discusses various camera angles and movements that are used in filmmaking, including close-ups, establishing shots, extreme wide shots, and point-of-view shots. It provides examples and descriptions of how each technique is used, such as showing emotion with close-ups or setting a new scene with establishing shots. The document also covers rules of framing, the rule of thirds, and how different shots and framing techniques are used to compose shots and tell a story through filming.
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留信网认证的作用:
1:该专业认证可证明留学生真实身份
2:同时对留学生所学专业登记给予评定
3:国家专业人才认证中心颁发入库证书
4:这个认证书并且可以归档倒地方
5:凡事获得留信网入网的信息将会逐步更新到个人身份内，将在公安局网内查询个人身份证信息后，同步读取人才网入库信息
6:个人职称评审加20分
7:个人信誉贷款加10分
8:在国家人才网主办的国家网络招聘大会中纳入资料，供国家高端企业选择人才
Authenticity in Motion Pictures: How Steve Greisen Retains Real Stories
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定制(uow毕业证书)卧龙岗大学毕业证文凭学位证书原版一模一样
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本公司拥有海外各大学样板无数，能完美还原海外各大学 Bachelor Diploma degree, Master Degree Diploma
1:1完美还原海外各大学毕业材料上的工艺：水印，阴影底纹，钢印LOGO烫金烫银，LOGO烫金烫银复合重叠。文字图案浮雕、激光镭射、紫外荧光、温感、复印防伪等防伪工艺。材料咨询办理、认证咨询办理请加学历顾问Q/微741003700
留信网认证的作用:
1:该专业认证可证明留学生真实身份
2:同时对留学生所学专业登记给予评定
3:国家专业人才认证中心颁发入库证书
4:这个认证书并且可以归档倒地方
5:凡事获得留信网入网的信息将会逐步更新到个人身份内，将在公安局网内查询个人身份证信息后，同步读取人才网入库信息
6:个人职称评审加20分
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8:在国家人才网主办的国家网络招聘大会中纳入资料，供国家高端企业选择人才
From Teacher to OnlyFans: Brianna Coppage's Story at 28
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Christian Louboutin: Innovating with Red Soles
Christian Louboutin is celebrated for his innovative approach to footwear design, marked by his trademark red soles. This in-depth look at his life and career explores the origins of his creativity, the milestones in his journey, and the impact of his work on the fashion industry. Learn how Louboutin's bold vision and dedication to excellence have made his brand synonymous with luxury and style.
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DIGIDEVTV A New area of OTT Distribution
At Digidev, we are working to be the leader in interactive streaming platforms of choice by smart device users worldwide.
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Barbie Movie Review - The Astras.pdfffff
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The Unbelievable Tale of Dwayne Johnson Kidnapping: A Riveting Saga
Introduction
The notion of Dwayne Johnson kidnapping seems straight out of a Hollywood thriller. Dwayne "The Rock" Johnson, known for his larger-than-life persona, immense popularity. and action-packed filmography, is the last person anyone would envision being a victim of kidnapping. Yet, the bizarre and riveting tale of such an incident, filled with twists and turns. has captured the imagination of many. In this article, we delve into the intricate details of this astonishing event. exploring every aspect, from the dramatic rescue operation to the aftermath and the lessons learned.
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The Origins of the Dwayne Johnson Kidnapping Saga
Dwayne Johnson: A Brief Background
Before discussing the specifics of the kidnapping. it is crucial to understand who Dwayne Johnson is and why his kidnapping would be so significant. Born May 2, 1972, Dwayne Douglas Johnson is an American actor, producer, businessman. and former professional wrestler. Known by his ring name, "The Rock," he gained fame in the World Wrestling Federation (WWF, now WWE) before transitioning to a successful career in Hollywood.
Johnson's filmography includes blockbuster hits such as "The Fast and the Furious" series, "Jumanji," "Moana," and "San Andreas." His charismatic personality, impressive physique. and action-star status have made him a beloved figure worldwide. Thus, the news of his kidnapping would send shockwaves across the globe.
Setting the Scene: The Day of the Kidnapping
The incident of Dwayne Johnson's kidnapping began on an ordinary day. Johnson was filming his latest high-octane action film set to break box office records. The location was a remote yet scenic area. chosen for its rugged terrain and breathtaking vistas. perfect for the film's climactic scenes.
But, beneath the veneer of normalcy, a sinister plot was unfolding. Unbeknownst to Johnson and his team, a group of criminals had planned his abduction. hoping to leverage his celebrity status for a hefty ransom. The stage was set for an event that would soon dominate worldwide headlines and social media feeds.
The Abduction: Unfolding the Dwayne Johnson Kidnapping
The Moment of Capture
On the day of the kidnapping, everything seemed to be proceeding as usual on set. Johnson and his co-stars and crew were engrossed in shooting a particularly demanding scene. As the day wore on, the production team took a short break. providing the kidnappers with the perfect opportunity to strike.
The abduction was executed with military precision. A group of masked men, armed and organized, infiltrated the set. They created chaos, taking advantage of the confusion to isolate Johnson. Johnson was outnumbered and caught off guard despite his formidable strength and fighting skills. The kidnappers overpowered him, bundled him into a waiting vehicle. and sped away, leaving everyone on set in a state of shock and disbelief.
The Immediate Aftermath
The immediate aftermath of the Dwayne Johnson kidnappin
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Leonardo DiCaprio, A name synonymous with Hollywood excellence. is not only known for his stellar acting career but also for his impressive real estate investments. The "Leonardo DiCaprio house" is a topic that piques the interest of many. as the Oscar-winning actor has amassed a diverse portfolio of luxurious properties. DiCaprio's homes reflect his varied tastes and commitment to sustainability. from retreats to historic mansions. This article will delve into the fascinating world of Leonardo DiCaprio's real estate. Exploring the details of his most notable residences. and the unique aspects that make them stand out.
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Leonardo DiCaprio House: Malibu Beachfront Retreat
A Prime Location
His Malibu beachfront house is one of the most famous properties in Leonardo DiCaprio's real estate portfolio. Situated in the exclusive Carbon Beach. also known as "Billionaire's Beach," this property boasts stunning ocean views and private beach access. The "Leonardo DiCaprio house" in Malibu is a testament to the actor's love for the sea and his penchant for luxurious living.
Architectural Highlights
The Malibu house features a modern design with clean lines, large windows. and open spaces blending indoor and outdoor living. The expansive deck and patio areas provide ample space for entertaining guests or enjoying a quiet sunset. The house has state-of-the-art amenities. including a gourmet kitchen, a home theatre, and many guest suites.
Sustainable Features
Leonardo DiCaprio is a well-known environmental activist. whose Malibu house reflects his commitment to sustainability. The property incorporates solar panels, energy-efficient appliances, and sustainable building materials. The landscaping around the house is also designed to be water-efficient. featuring drought-resistant plants and intelligent irrigation systems.
Leonardo DiCaprio House: Hollywood Hills Hideaway
Privacy and Seclusion
Another remarkable property in Leonardo DiCaprio's collection is his Hollywood Hills house. This secluded retreat offers privacy and tranquility. making it an ideal escape from the hustle and bustle of Los Angeles. The "Leonardo DiCaprio house" in Hollywood Hills nestled among lush greenery. and offers panoramic views of the city and surrounding landscapes.
Design and Amenities
The Hollywood Hills house is a mid-century modern gem characterized by its sleek design and floor-to-ceiling windows. The open-concept living space is perfect for entertaining. while the cozy bedrooms provide a comfortable retreat. The property also features a swimming pool, and outdoor dining area. and a spacious deck that overlooks the cityscape.
Environmental Initiatives
The Hollywood Hills house incorporates several green features that are in line with DiCaprio's environmental values. The home has solar panels, energy-efficient lighting, and a rainwater harvesting system. Additionally, the landscaping designed to support local wildlife and promote
University of Western Sydney degree offer diploma Transcript
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高仿(nyu毕业证书)美国纽约大学毕业证文凭毕业证原版一模一样
原版纸张【微信：741003700 】【(nyu毕业证书)美国纽约大学毕业证、文凭毕业证】【微信：741003700 】学位证，留信认证（真实可查，永久存档）offer、雅思、外壳等材料/诚信可靠,可直接看成品样本，帮您解决无法毕业带来的各种难题！外壳，原版制作，诚信可靠，可直接看成品样本。行业标杆！精益求精，诚心合作，真诚制作！多年品质 ,按需精细制作，24小时接单,全套进口原装设备。十五年致力于帮助留学生解决难题，包您满意。
本公司拥有海外各大学样板无数，能完美还原海外各大学 Bachelor Diploma degree, Master Degree Diploma
1:1完美还原海外各大学毕业材料上的工艺：水印，阴影底纹，钢印LOGO烫金烫银，LOGO烫金烫银复合重叠。文字图案浮雕、激光镭射、紫外荧光、温感、复印防伪等防伪工艺。材料咨询办理、认证咨询办理请加学历顾问Q/微741003700
留信网认证的作用:
1:该专业认证可证明留学生真实身份
2:同时对留学生所学专业登记给予评定
3:国家专业人才认证中心颁发入库证书
4:这个认证书并且可以归档倒地方
5:凡事获得留信网入网的信息将会逐步更新到个人身份内，将在公安局网内查询个人身份证信息后，同步读取人才网入库信息
6:个人职称评审加20分
7:个人信誉贷款加10分
8:在国家人才网主办的国家网络招聘大会中纳入资料，供国家高端企业选择人才
Orpah Winfrey Dwayne Johnson: Titans of Influence and Inspiration
Introduction
In the realm of entertainment, few names resonate as Orpah Winfrey Dwayne Johnson. Both figures have carved unique paths in the industry. achieving unparalleled success and becoming iconic symbols of perseverance, resilience, and inspiration. This article delves into the lives, careers. and enduring legacies of Orpah Winfrey Dwayne Johnson. exploring how their journeys intersect and what we can learn from their remarkable stories.
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Early Life and Backgrounds
Orpah Winfrey: From Humble Beginnings to Media Mogul
Orpah Winfrey, often known as Oprah due to a misspelling on her birth certificate. was born on January 29, 1954, in Kosciusko, Mississippi. Raised in poverty by her grandmother, Winfrey's early life was marked by hardship and adversity. Despite these challenges. she demonstrated a keen intellect and an early talent for public speaking.
Winfrey's journey to success began with a scholarship to Tennessee State University. where she studied communication. Her first job in media was as a co-anchor for the local evening news in Nashville. This role paved the way for her eventual transition to talk show hosting. where she found her true calling.
Dwayne Johnson: From Wrestling Royalty to Hollywood Superstar
Dwayne Johnson, also known by his ring name "The Rock," was born on May 2, 1972, in Hayward, California. He comes from a family of professional wrestlers, with both his father, Rocky Johnson. and his grandfather, Peter Maivia, being notable figures in the wrestling world. Johnson's early life was spent moving between New Zealand and the United States. experiencing a variety of cultural influences.
Before entering the world of professional wrestling. Johnson had aspirations of becoming a professional football player. He played college football at the University of Miami. where he was part of a national championship team. But, injuries curtailed his football career, leading him to follow in his family's footsteps and enter the wrestling ring.
Career Milestones
Orpah Winfrey: The Queen of All Media
Winfrey's career breakthrough came in 1986 when she launched "The Oprah Winfrey Show." The show became a cultural phenomenon. drawing millions of viewers daily and earning many awards. Winfrey's empathetic and candid interviewing style resonated with audiences. helping her tackle diverse and often challenging topics.
Beyond her talk show, Winfrey expanded her empire to include the creation of Harpo Productions. a multimedia production company. She also launched "O, The Oprah Magazine" and OWN: Oprah Winfrey Network, further solidifying her status as a media mogul.
Dwayne Johnson: From The Ring to The Big Screen
Dwayne Johnson's wrestling career took off in the late 1990s. when he became one of the most charismatic and popular figures in WWE. His larger-than-life persona and catchphrases endeared him to fans. making him a household name. But, Johnson had ambitions beyond the wrestling ring.
In the early 20
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University of Western Sydney degree offer diploma Transcript
University of Western Sydney degree offer diploma Transcript
Orpah Winfrey Dwayne Johnson: Titans of Influence and Inspiration
Orpah Winfrey Dwayne Johnson: Titans of Influence and Inspiration
NEA advertisement evaluation
- 1. NEA PRACTISE EVALUATION DOLCE AND GABBANA – ‘THE ONE’
- 2. FIRST SCENE The first shot of the advert is when the model is getting out of a vehicle, it has a low angle shot which the model enters from the bottom of the screen. They both have the same costumes and props, as well as having a similar location, both with the pillar in the background. A way in which these do not match and what we can do better is that the original advert starts outside, whereas ours starts inside. This becomes a problem when we begin to shoot multiple scenes in the same location. Overall the similarities are good: similar background with the pillar same low angle shot, and we both enter shot from below. The differences are that we start inside whereas the original starts outside. This is something we could easily fix next time we do it.
- 3. SECOND SCENE This shot in the original is a close up of one of the photographers taking a photograph. The photographer comes round from the corner and takes a photo of the model. I think we recreated this scene very well as both of the characters are doing the same actions, the shot type and angle are both the same and both of them are at eye level; however one difference is the props used. In the original advert the photographer has a proper camera whereas in our advert the character just has his own phone with the flash. While it still gives a similar impression I think the big camera is better for what the advertisement is meant to be selling.
- 4. THIRD SCENE This scene features the main character taking of their jacket while walking down a corridor. These scenes are very similar, they’re both using the rule of thirds and placing the main character at the intersections of the thirds. The character is off center with a wall on the left hand side. They both use a low camera angle as well as a mid shot. Another way both of these shots are similar is because both of them have the same costumes, smart suit with the top button undone. Overall I think we executed this shot very well and stuck closely to the original advert. We used similar settings, same props and costume, and same camera shot/angle.
- 5. FOURTH SCENE The last scene is when the main character takes his shirt off and continues to have photos taken of him. There is also a fade from the monochromatic colours to full colours. These scenes are similar because they share the same setting and are doing the same action. However, the costume has changed. For my own dignity our model kept his shirt on while in the original the model took it off. another difference would be how to original model had direct address at the end of this scene while ours didn’t. the last difference was the perfume bottle present in out advert while absent in the original. Overall I think we did a good job recreating this scene from the changing colour palette to the setting, where we could also have made some improvements such as the direct address and costume.