This narrative shot list is for a film titled "Space Bound" and contains 108 shots across 5 narrative elements. It details the shots needed to tell the story of a Rapper and Woman who have a volatile relationship, break up after he becomes violent, and he spirals into depression while trying to find her again. The list culminates with the two reuniting in an afterlife setting, rekindling their love.
This is my first draft of a script. To of made this better I should of researched other scripts from television so I could make it look more professional the first time. I wrote this more like a theater script rather than for a short film.
This is my first draft of a script. To of made this better I should of researched other scripts from television so I could make it look more professional the first time. I wrote this more like a theater script rather than for a short film.
6th edition of Collection of Essays on Development and Investment Opportuniti...Gabriel Prado de Barros
This is to share with you the 6th Edition of "Collection of Essays on Development and Investment Opportunities in Brazil", primarily dedicated to Korean companies either already investing in Brazil or willing to invest in Brazil.
In this edition, I am flattered to be one of the content contributors to the article “ Logistics - a nation's sustainable economic growth factor".
6ª edição da Coleção de Ensaios sobre Desenvolvimento e Oportunidades de Inve...Gabriel Prado de Barros
Gostaria de compartilhar com vocês a 6ª edição da "Collection of Essays on Development and Investment Opportunities in Brazil” (Coleção de Ensaios sobre Desenvolvimento e Oportunidades de Investimento no Brasil), dedicada principalmente a empresas coreanas, já investindo no Brasil ou dispostas a investir no Brasil.
Nesta edição, sinto-me lisonjeado por ser um dos contribuintes de conteúdo com o artigo "Logística - o fator de crescimento econômico sustentável de uma nação".
6th edition of Collection of Essays on Development and Investment Opportuniti...Gabriel Prado de Barros
This is to share with you the 6th Edition of "Collection of Essays on Development and Investment Opportunities in Brazil", primarily dedicated to Korean companies either already investing in Brazil or willing to invest in Brazil.
In this edition, I am flattered to be one of the content contributors to the article “ Logistics - a nation's sustainable economic growth factor".
6ª edição da Coleção de Ensaios sobre Desenvolvimento e Oportunidades de Inve...Gabriel Prado de Barros
Gostaria de compartilhar com vocês a 6ª edição da "Collection of Essays on Development and Investment Opportunities in Brazil” (Coleção de Ensaios sobre Desenvolvimento e Oportunidades de Investimento no Brasil), dedicada principalmente a empresas coreanas, já investindo no Brasil ou dispostas a investir no Brasil.
Nesta edição, sinto-me lisonjeado por ser um dos contribuintes de conteúdo com o artigo "Logística - o fator de crescimento econômico sustentável de uma nação".
As per Companies Act, 1956 :
Holding Company: A holding company is a parent company that owns enough voting stock(more than 50%) in a subsidiary to make management decisions , influence and contorl the company's board of directors
The economy has added almost half a million jobs in the first two months of 2017, the best back-to-back performance since last summer.
The U.S. has expanded steadily for years, putting millions of people back to work and driving unemployment rate to an eight-year low.
As the pool of available workers shrinks, companies have to pay more to attract or maintain talent. Average wages rose 0.2% to $26.09 an hour last month.
Cyberfenix: o local da Internet rápida e poderosaLuiz Felipe
Minha primeira apresentação criada no Powerpoint, em meados de Abril/Maio de 2015, com um projeto de criação de um cybercafé.
Fontes originais do trabalho: Bauhaus 93 (logo) e Frankling Gothic (textos)
Can AI do good? at 'offtheCanvas' India HCI preludeAlan Dix
Invited talk at 'offtheCanvas' IndiaHCI prelude, 29th June 2024.
https://www.alandix.com/academic/talks/offtheCanvas-IndiaHCI2024/
The world is being changed fundamentally by AI and we are constantly faced with newspaper headlines about its harmful effects. However, there is also the potential to both ameliorate theses harms and use the new abilities of AI to transform society for the good. Can you make the difference?
Between Filth and Fortune- Urban Cattle Foraging Realities by Devi S Nair, An...Mansi Shah
This study examines cattle rearing in urban and rural settings, focusing on milk production and consumption. By exploring a case in Ahmedabad, it highlights the challenges and processes in dairy farming across different environments, emphasising the need for sustainable practices and the essential role of milk in daily consumption.
Book Formatting: Quality Control Checks for DesignersConfidence Ago
This presentation was made to help designers who work in publishing houses or format books for printing ensure quality.
Quality control is vital to every industry. This is why every department in a company need create a method they use in ensuring quality. This, perhaps, will not only improve the quality of products and bring errors to the barest minimum, but take it to a near perfect finish.
It is beyond a moot point that a good book will somewhat be judged by its cover, but the content of the book remains king. No matter how beautiful the cover, if the quality of writing or presentation is off, that will be a reason for readers not to come back to the book or recommend it.
So, this presentation points designers to some important things that may be missed by an editor that they could eventually discover and call the attention of the editor.
Hello everyone! I am thrilled to present my latest portfolio on LinkedIn, marking the culmination of my architectural journey thus far. Over the span of five years, I've been fortunate to acquire a wealth of knowledge under the guidance of esteemed professors and industry mentors. From rigorous academic pursuits to practical engagements, each experience has contributed to my growth and refinement as an architecture student. This portfolio not only showcases my projects but also underscores my attention to detail and to innovative architecture as a profession.
Technoblade The Legacy of a Minecraft Legend.Techno Merch
Technoblade, born Alex on June 1, 1999, was a legendary Minecraft YouTuber known for his sharp wit and exceptional PvP skills. Starting his channel in 2013, he gained nearly 11 million subscribers. His private battle with metastatic sarcoma ended in June 2022, but his enduring legacy continues to inspire millions.
1. Narrative Shot List
Production Title: Space Bound
Director: Avinash Navani
Cinematographer: Avinash Navani
Narrative
Element
Shot
#
Location Shot type Camera
Angle
Camera
Movement
Comments
1 #1 EXT. EST (MLS) EL Tilt From the bars, we see a darkened figure walking…
#2 EXT. MLS LA PAN The figure walks directly past us…
#3 EXT. LS EL Steadicam The figure walks past the path.
#4 EXT. LS EL Steadicam A crow on a platform.
#5 EXT. MCU EL Steadicam The figure walks towards a bench and takes a
seat.
#6 EXT. LS EL Steadicam A crow on a platform.
#7 EXT. MCU EL Steadicam The Rapper sees something that shocks him…
#10 EXT. MCU EL Movement The Rapper walks forward.
2 #11 INT. LS HA Pan The Woman enters the frame, angry, walking
towards the dining set. The Rapper follows.
#12 INT. 2S EL Steadicam Two shot. Focus on The Woman’s tears. The Rapper
yells behind her.
#13 INT. OTS-The
Rapper
EL Steadicam We see the argument over-the-shoulder of The
Rapper.
#14 INT. MLS EL Steadicam Argument continues.
#15 INT. MCU EL Movement The Rapper moves towards the woman, slamming the
wall next to her.
#16 INT. MS EL Tilt Tilt downward – both characters against the wall.
Sexual innuendo.
#17 INT. CU-MCU EL Steadicam Woman gets angry and pushes the Rapper away from
him, man falls back.
#18 INT. MCU-MS DT Movement The Rapper gets up. His anger is in ‘limbo’.
#19 INT. CU EL Steadicam The Rapper grabs item.
2. $20 INT. MS EL Steadicam The Rapper throws the item right beside the
woman.
#21 INT. XCU EL Shaky cam The item has landed by the wall, beside the
woman.
#22 INT. CU EL Steadicam The Woman is shocked and yells at him.
#23 INT. MS EL Pan The Rapper walks toward her and raises his hand.
#24 INT. MS EL Tilt We move upward against the wall, as to not to
show the violence of The Rapper attacking The
Woman.
#25 INT. MCU HA Steadicam The Rapper raises his hand and drops it down.
#26 INT. LS EL Movement Moving from the walls, we see The Woman and The
Rapper – his hand raised in the air, but he
stops.
#27 INT. MCU HA Steadicam The Rapper’s face turns from anger to sorrow,
realizes his mistake.
#28 INT. MLS LA Shaky cam The Woman is in tears, trying to protect herself.
#29 INT. MS-MLS LA Movement The Rapper picks up the Woman, we track this with
movement.
#30 INT. OTS-The Woman EL Steadicam The Rapper tries to reassure The Woman.
#31 INT. POV-The
Rapper
EL Steadicam The Woman backs away, slowly, and resists, she’s
afraid of who he has become.
#32 INT. MS EL Track The Woman retreats to the bedroom, locking it.
#33 INT. MCU DT Steadicam The Rapper looks on in awe.
#34 INT. CU HA Steadicam The Rapper’s emotion is further captured.
#35 INT. XCU EL Steadicam The Rapper’s eyes provide the transition.
3.1 #36 INT. CU EL Steadicam The Rapper sits by the couch.
#37 INT. XCU EL Pan The Rapper slowly turns, just a bit.
#38 INT. MLS-ML 2S Zoom The Woman stands at the back with her bags in
hand and drops them.
#39 INT. MLS EL Steadicam The Woman looks on at The Rapper.
#40 INT. CU EL Steadicam The Rapper is looking away… minding his own
business (or masking it rather).
#41 INT. MLS EL Steadicam The Woman picks up her bags and leaves.
3. #42 INT. LS-MLS EL Steadicam-
Zoom
The Rapper looks behind… she is gone… and he
rises.
#43 INT. LS HA Pan The Rapper gets angry… throws a bit of furniture
around… and goes into a depression.
#44 INT. CU EL Steadicam The Rapper is emotional.
#45 INT. OTS EL Movement The Rapper walks toward the desk.
#46 INT. MLS LA Steadicam The Rapper looks at a picture of him and the girl
to be reminded of the good times they shared
together.
#47 INT. MS EL Steadicam The Rapper makes it his mandate to find the Woman
and rekindle their romance.
3.2 #58 INT. MS HA Tilt The Rapper is in front of his laptop, his back is
to the camera.
#49 INT. OTS EL Steadicam The Rapper is on the laptop – typing on Facebook.
#50 INT. MCU EL Steadicam The Rapper sits in front of the screen.
#51 INT. XCU EL Steadicam The Rapper types the Woman’s name, but is met
with a pop-up that she has blocked him.
#52 EXT. OTS EL Movement In a new setting – cut from the previous one –
The Rapper walks around the streets of JVT.
#53 INT. LS-MLS EL Zoom The rapper continues typing on his laptop
#54 INT. CU EL Steadicam A chat-window open, in which the rapper asks the
woman’s friends for the location of the woman,
but they do not respond.
#55 INT. CU EL Steadicam The Rapper looks distraught.
#56 EXT. LS EL Pan The Rapper walks down the streets of JVT.
#57 INT. MS EL Steadicam The Rapper is still on his laptop.
#58 INT. CU EL Movement We’re moving across the computer screen,
different messages sent to the Woman’s friends,
but no responses, at all.
#59 INT. MLS EL Steadicam The Rapper closes his laptop, and sighs.
#60 INT. LS BE Steadicam Birds-Eye of the entire room.
4. #61 EXT. LS EL Pan The Rapper continues walking down the streets of
JVT.
#62 EXT. OTS EL Movement The Rapper walks up to the gate of a villa. It
looks deserted, no car in the garage.
#63 EXT. MLS EL Steadicam The Rapper approaches the door.
#64 EXT. OTS EL Steadicam The Rapper rings the bell on the gate. No
response.
#65 EXT. MLS LA Steadicam The Rapper looks on. He turns.
#66 EXT. MS-MLS EL Movement-
Steadicam
The Rapper notices something on the wall nearby.
He goes to it and picks up the paper.
#67 EXT. MLS-MS EL Tilt Tilt upward by the wall.
#68 EXT. MCU EL Steadicam The Rapper throws the paper down.
#69 EXT. MCU-MLS EL Tilt As rapper walks away, we move down to see what
the paper says: “VACANT”
4 #70 INT. LS-MCU EL Zoom Zooming in on the Rapper opening up a letter, and
smiling.
#71 INT. MCU DT Steadicam From the mirror, we see the rapper getting ready,
cleaning up and combing his hair.
#72 EXT. MLS EL Zoom Zooming back as the rapper walks forward on the
street near the café.
#73 EXT. MCU EL Steadicam The Rapper sits on the table waiting for the
Woman. The Woman comes and the man smiles. She
takes a seat, opposite him.
#74 EXT. MCU EL Steadicam The Woman returns a smile, and the two have a bit
of chatter - definite cut to performance
#75 EXT. CU EL Steadicam The Rapper’s smile slowly fades.
#76 EXT. MS EL Shaky Cam The Woman puts The Rapper’s hand on her stomach.
#77 EXT. MCU EL Steadicam The Rapper realizes the implications.
#78 EXT. LS EL Steadicam The Rapper rises and begins to leaves.
#79 EXT. 2S-OTS (The
Rapper)
EL Movement-
Steadicam
As the Rapper walks away, the Woman moves to talk
to him.
#80 EXT. LS EL Steadicam The Rapper gets angry himself and turns to attack
the woman. He hits her.
#81 EXT. MCU HA Shaky cam The woman falls to the ground.
5. #82 EXT. LS DT Movement Across the walls, we see the Rapper attacking the
Woman. It is slightly visible.
#83 EXT. OTS EL Steadicam The Rapper is about to hit the girl again, but
before he can do so – another man attacks him
from behind.
#84 EXT. MS-MCU BE-HA Movement Birds-eye view to High angle shot of the rapper
getting up.
#85 EXT. OTS EL Steadicam The rapper sees the girl comforted by the another
man.
#86 EXT. CU EL Steadicam The Rapper realizes the true extent of his
actions.
#87 EXT. XCU EL Steadicam Extreme close-up of the rapper’s eyes.
#88 EXT. MS EL Steadicam The Rapper walks away from the frame.
#89 EXT. MLS EL Steadicam The girl is with the other man, wrapped in his
arms.
#90 INT. LS EL Movement The Rapper enters his house and removes a gun
from his cabinet.
#91 INT. CU EL Shaky cam The gun is in his hand.
#92 INT. CU EL Movement The hand of the rapper moves up with the gun and
he places it on his temple.
5 #93 EXT. LS EL Tilt We’re moving downwards back to the setting of the
first narrative element – the rapper walks down
the street
#94 EXT. XCU EL Steadicam The Rapper’s eyes.
#95 EXT. MS EL Pan The Rapper walks by.
#96 EXT. MS-MCU EL Zoom The Rapper sits down by the seats.
#97 EXT. MCU EL Steadicam The Rapper sees something that shocks him.
#98 EXT. CU EL Steadicam The Rapper looks closer
#99 EXT. MLS LA Steadicam-
Movement
The Rapper exits the car and walks forward as the
camera follows him.
#100 EXT. MCU EL Movement The Rapper walks forward.
#101 EXT. MLS EL Zoom The Woman stands before him.
#102 EXT. CU EL Zoom The Rapper at first confused, now smiles.
#103 EXT. CU EL Zoom The Woman smiles as well.
6. #104 EXT. MLS EL Steadicam The two walk towards each other.
#105 EXT. MCU EL Moving The Rapper walks…
#116 EXT. MCU EL Moving The Woman walks…
#107 EXT. MLS EL Steadicam The Woman and The Rapper, now within reach of
each other, stand for a second and then embrace.
#108 EXT. LS EL Steadicam The two are in each other’s arms and have
rekindled their love in the after world.