Encinitas Arts Master Plan City Council Presentation 2002Cristina Chacon
Presentation to the Encinitas City Council for their approval to adopt the city's official document outlining the vision and goals for the arts and culture of Encinitas. The Arts Master Plan also describes the cultural planning process and profiles the history and character of the five incorporated communities - Leucadia, Old & New Encinitas, Olivenhain and Cardiff-by-the-Sea - which make Encinitas one of the most unique and beautiful cities of Southern California. July 2002
Expediente de candidatura para el registro del concepto Kodály en la lista de buenas prácticas para la salvaguardia de la herencia cultural intangible de la humanidad - UNESCO
Encinitas Arts Master Plan City Council Presentation 2002Cristina Chacon
Presentation to the Encinitas City Council for their approval to adopt the city's official document outlining the vision and goals for the arts and culture of Encinitas. The Arts Master Plan also describes the cultural planning process and profiles the history and character of the five incorporated communities - Leucadia, Old & New Encinitas, Olivenhain and Cardiff-by-the-Sea - which make Encinitas one of the most unique and beautiful cities of Southern California. July 2002
Expediente de candidatura para el registro del concepto Kodály en la lista de buenas prácticas para la salvaguardia de la herencia cultural intangible de la humanidad - UNESCO
The evolution of the music industry with the spread of the Internet. The full paper is available here: https://www.academia.edu/359318/The_recording_industry_and_grassroots_marketing_from_street_teams_to_flash_mobs
New media have changed the relationship between the recording industry and fans. TheInternet allows fans to share copyrighted music in p2p and Web 2.0 platforms. The
recording industry has reacted mainly with ‘prohibitionist’ strategies, while cultural scholarsargue that a ‘collaborationist’ approach is needed with the aim of creating an ‘affectiveeconomy’. In this paper, I describe the strategies of the major labels to create a fanbase of
grassroots promoters. During an ethnographic research project, I identified different forms
of grassroots marketing (‘street team’, ‘flash mob’, and ‘mission’). I argue that labels try toharness ‘participative stardom’: a ‘music star’ is created thanks to transmedia strategies
(online presence and TV appearances during media events and talent shows), then labelsoutsource promotional activities to fans, rewarding them with branded products and theopportunity to meet artists.
In times of the obsession with profit and growth, natural and social
resources are exploited in all corners of the world. Yet, the urge
to radically rethink the system sneaked into various levels. Many
creative and forward-looking professionals are actively searching
for new spaces of opportunity, to shape and test new modes of
economic production and responsible social fabric. Rural areas
have become relevant places for experimentation - smaller in size,
providing more time and space, with less hierarchical governance
structures.
Contemporary performing arts in a rural context are an integral
part of that exercise of imagining a different future. Moreover,
contemporary art in rural areas have been nurturing and shaping
local narratives for ages. However, contemporary artistic practices
have gone almost unnoticed in many funding schemes - both
cultural programmes and rural development funds, which tend to
focus on economic assets of only a few sectors.
In the past few years, IETM has organised a sequence of sessions
and one entire meeting on the subject of art in rural areas. Some of
the brightest art professionals engaging with rurality have created
an AREA (art in rural areas) focus group within our network
and continued their exchange during IETM events and beyond.
Through the dialogue within that group and with other members
experienced and interested in the topic, we have discovered a
fascinating, vibrant and powerful world of contemporary arts in
rural areas.
Today, more than ever, we want to turn the global attention to that
hugely important world.
When creating this publication, we realised it is urgent to find
unconventional approaches to the arts in rural areas. We need
to identify innovative solutions to support the rural arts in their
endeavour of working transversally with other sectors. We have
to seize the momentum and potential of rural arts to help reinvent
the system. Today, when our planet needs it the most.
We hope the present publication sets a strong and fertile ground
for reflecting on those ambitions. Please get in touch with us
(ietm@ietm.org) or write us on our forum (www.ietm.org/forums)
if you wish to further the debate.
We are very grateful to the three authors for their insightful and
sincere contributions. We also heartily thank our members and
other art professionals who shared their practices, stories, views
and experiences with us - through the ongoing exchange during
IETM meetings and via the open call we announced in July - August
2019. Some of the cases collected through the call are presented
in the annexes.
The publication “Arts in Rural Areas” is part of a collaborative
trajectory, which embraces three other European cultural
networks - Culture Action Europe, European Network of Cultural
Centres, and Trans Europe Halles. The policy paper “Beyond the
urban”, which you can read below, is the product of our joint work.
It is still in progress and subject to comments and suggestions
for improvement. We will pre
Presentation by Sharon Scaniglia which was part of the Cultural Commissioning National Seminar in London on the 6th June 2014.
Find out more about Cultural Commissioning Programme. http://www.ncvo.org.uk/practical-support/public-services/cultural-commissioning-programme
Creative industries: EU Policy: McGill Globalization ForumLidia Varbanova
Creative Industries in the European Union: Why EU cares and how EU supports creative industries? Presented by Lidia Varbanova at McGill Gloalization Forum, 2016
Synopsis Project: training - EU Supportto Cultural and Artistic HeritageKarl Donert
The SYNOPSIS project concerns Storytelling and Fundraising for Cultural Heritage professionals.
Cultural heritage covers a variety of activities, and a system of values, traditions, knowledge, and lifestyles that characterise society.
The heritage sector has to deal with new challenges and it is therefore necessary to develop new professionalism, able to promote and support cultural heritage as it improves not only the overall economic growth and employment, but also social cohesion and environmental sustainability.
Storytelling and fundraising skills assume a fundamental role in connecting the past to the future. Cultural Heritage storytelling is concerned with “communicating through stories”, creating narratives through which a cultural heritage enters into an emphatic relationship with people, managing to arouse public emotion. The purpose is to engage people to protect, exploit cultural heritage, and support it financially.
This presentation presents information on the funding support offered in Europe for cultural and artistic heritage
We are pleased to announce the publication of the results of our research within the Storydoers project: ‘Project Result 1 – Digital Story Doing for Local Tourism Framework Final Report’. This report details a comprehensive analysis and key findings of the project, offering innovative insights into the application of digital storydoing in local tourism. We invite our readers and partners to explore the findings and recommendations of this report, marking a significant milestone in our mission to transform rural tourism through digital storytelling.
Sondeo Rural Pride Vegas Altas del GuadianaWazo Coop
Encuesta: Realidad y desafíos del colectivo LGTBIQ+ en Vegas Altas del Guadiana
A través de métodos cuantitativos como el sondeo, se ha realizado una encuesta, que posibilita la exploración de un conocimiento del estado de los derechos de la comunidad LGTBIQ+ en Vegas Altas del Guadiana, con el fin de documentar, informar y sensibilizar a la sociedad en general, sobre la problemática de las personas objeto de estudio en materia de discriminación para el acceso a las oportunidades laborales, acceso a la vivienda, salud, educación, entre otros aspectos, que vulneran sus derechos, desde la concepción más amplia e integral de los derechos humanos.
RURAL PRIDE. Realidad y desafíos del colectivo LGTBIQ+ en Vegas Altas del Guadiana es un programa de Wazo Coop, la primera cooperativa de iniciativa social sin ánimo de lucro de Extremadura co-financiado por la Diputación de Badajoz.
The evolution of the music industry with the spread of the Internet. The full paper is available here: https://www.academia.edu/359318/The_recording_industry_and_grassroots_marketing_from_street_teams_to_flash_mobs
New media have changed the relationship between the recording industry and fans. TheInternet allows fans to share copyrighted music in p2p and Web 2.0 platforms. The
recording industry has reacted mainly with ‘prohibitionist’ strategies, while cultural scholarsargue that a ‘collaborationist’ approach is needed with the aim of creating an ‘affectiveeconomy’. In this paper, I describe the strategies of the major labels to create a fanbase of
grassroots promoters. During an ethnographic research project, I identified different forms
of grassroots marketing (‘street team’, ‘flash mob’, and ‘mission’). I argue that labels try toharness ‘participative stardom’: a ‘music star’ is created thanks to transmedia strategies
(online presence and TV appearances during media events and talent shows), then labelsoutsource promotional activities to fans, rewarding them with branded products and theopportunity to meet artists.
In times of the obsession with profit and growth, natural and social
resources are exploited in all corners of the world. Yet, the urge
to radically rethink the system sneaked into various levels. Many
creative and forward-looking professionals are actively searching
for new spaces of opportunity, to shape and test new modes of
economic production and responsible social fabric. Rural areas
have become relevant places for experimentation - smaller in size,
providing more time and space, with less hierarchical governance
structures.
Contemporary performing arts in a rural context are an integral
part of that exercise of imagining a different future. Moreover,
contemporary art in rural areas have been nurturing and shaping
local narratives for ages. However, contemporary artistic practices
have gone almost unnoticed in many funding schemes - both
cultural programmes and rural development funds, which tend to
focus on economic assets of only a few sectors.
In the past few years, IETM has organised a sequence of sessions
and one entire meeting on the subject of art in rural areas. Some of
the brightest art professionals engaging with rurality have created
an AREA (art in rural areas) focus group within our network
and continued their exchange during IETM events and beyond.
Through the dialogue within that group and with other members
experienced and interested in the topic, we have discovered a
fascinating, vibrant and powerful world of contemporary arts in
rural areas.
Today, more than ever, we want to turn the global attention to that
hugely important world.
When creating this publication, we realised it is urgent to find
unconventional approaches to the arts in rural areas. We need
to identify innovative solutions to support the rural arts in their
endeavour of working transversally with other sectors. We have
to seize the momentum and potential of rural arts to help reinvent
the system. Today, when our planet needs it the most.
We hope the present publication sets a strong and fertile ground
for reflecting on those ambitions. Please get in touch with us
(ietm@ietm.org) or write us on our forum (www.ietm.org/forums)
if you wish to further the debate.
We are very grateful to the three authors for their insightful and
sincere contributions. We also heartily thank our members and
other art professionals who shared their practices, stories, views
and experiences with us - through the ongoing exchange during
IETM meetings and via the open call we announced in July - August
2019. Some of the cases collected through the call are presented
in the annexes.
The publication “Arts in Rural Areas” is part of a collaborative
trajectory, which embraces three other European cultural
networks - Culture Action Europe, European Network of Cultural
Centres, and Trans Europe Halles. The policy paper “Beyond the
urban”, which you can read below, is the product of our joint work.
It is still in progress and subject to comments and suggestions
for improvement. We will pre
Presentation by Sharon Scaniglia which was part of the Cultural Commissioning National Seminar in London on the 6th June 2014.
Find out more about Cultural Commissioning Programme. http://www.ncvo.org.uk/practical-support/public-services/cultural-commissioning-programme
Creative industries: EU Policy: McGill Globalization ForumLidia Varbanova
Creative Industries in the European Union: Why EU cares and how EU supports creative industries? Presented by Lidia Varbanova at McGill Gloalization Forum, 2016
Synopsis Project: training - EU Supportto Cultural and Artistic HeritageKarl Donert
The SYNOPSIS project concerns Storytelling and Fundraising for Cultural Heritage professionals.
Cultural heritage covers a variety of activities, and a system of values, traditions, knowledge, and lifestyles that characterise society.
The heritage sector has to deal with new challenges and it is therefore necessary to develop new professionalism, able to promote and support cultural heritage as it improves not only the overall economic growth and employment, but also social cohesion and environmental sustainability.
Storytelling and fundraising skills assume a fundamental role in connecting the past to the future. Cultural Heritage storytelling is concerned with “communicating through stories”, creating narratives through which a cultural heritage enters into an emphatic relationship with people, managing to arouse public emotion. The purpose is to engage people to protect, exploit cultural heritage, and support it financially.
This presentation presents information on the funding support offered in Europe for cultural and artistic heritage
We are pleased to announce the publication of the results of our research within the Storydoers project: ‘Project Result 1 – Digital Story Doing for Local Tourism Framework Final Report’. This report details a comprehensive analysis and key findings of the project, offering innovative insights into the application of digital storydoing in local tourism. We invite our readers and partners to explore the findings and recommendations of this report, marking a significant milestone in our mission to transform rural tourism through digital storytelling.
Sondeo Rural Pride Vegas Altas del GuadianaWazo Coop
Encuesta: Realidad y desafíos del colectivo LGTBIQ+ en Vegas Altas del Guadiana
A través de métodos cuantitativos como el sondeo, se ha realizado una encuesta, que posibilita la exploración de un conocimiento del estado de los derechos de la comunidad LGTBIQ+ en Vegas Altas del Guadiana, con el fin de documentar, informar y sensibilizar a la sociedad en general, sobre la problemática de las personas objeto de estudio en materia de discriminación para el acceso a las oportunidades laborales, acceso a la vivienda, salud, educación, entre otros aspectos, que vulneran sus derechos, desde la concepción más amplia e integral de los derechos humanos.
RURAL PRIDE. Realidad y desafíos del colectivo LGTBIQ+ en Vegas Altas del Guadiana es un programa de Wazo Coop, la primera cooperativa de iniciativa social sin ánimo de lucro de Extremadura co-financiado por la Diputación de Badajoz.
Libro de Buenas Prácticas de la Economía Social en Extremadura.pdfWazo Coop
La economía social ha tomado un papel protagónico en el desarrollo sostenible de las regiones, y Extremadura no es la excepción. El reciente "Libro de Buenas Prácticas de la Economía Social en Extremadura" es un testimonio de las iniciativas que buscan generar un cambio positivo en la comunidad. Dentro de esta publicación, un capítulo destaca por su enfoque innovador y comprometido: "WAZO COOP: Impacto positivo en el medio rural".
Guía: Cooperativas de iniciativa social sin ánimo de lucro. Un modelo sosteni...Wazo Coop
En Wazo Coop, creemos en un modelo sostenible que impulsa el desarrollo y la transformación positiva de nuestro sector. Las cooperativas de iniciativa social son la clave para fomentar la colaboración, la equidad y el impacto social en la comunidad creativa y cultural de nuestra región.
Estas cooperativas son mucho más que simples organizaciones empresariales. Son un reflejo de los valores de solidaridad, participación y responsabilidad que impulsan el crecimiento colectivo. Al unir fuerzas, las personas profesionales y emprendedoras del ámbito cultural pueden superar desafíos, compartir recursos y fortalecer su posición en el mercado.
En Wazo Coop, trabajamos para promover la sostenibilidad y el bienestar en las Industrias Creativas y Culturales. Nuestro enfoque se basa en impulsar la economía social, generando un impacto positivo tanto a nivel económico como social y medioambiental.
Al adoptar este modelo sostenible, contribuimos a la preservación del patrimonio cultural y natural de nuestra región, al tiempo que creamos empleo y promovemos el desarrollo local. Además, fomentamos la diversidad y la inclusión, brindando oportunidades a personas de diversos perfiles y garantizando la representatividad en todas las áreas creativas.
¡Te invitamos a unirte a esta revolución cooperativa y formar parte del cambio en las Industrias Creativas y Culturales de Extremadura! Juntxs, podemos construir un sector más justo, resiliente y en armonía con nuestro entorno.
Buenas prácticas de turismo sostenible en Tierra de BarrosWazo Coop
El objetivo principal de la publicación es promocionar los recursos turísticos sostenibles de Tierra de Barros a través de la identificación de buenas prácticas que pueden ser inspiradoras para todas las población de la comarca.
La publicación transmedia: “Buenas prácticas de turismo sostenible en Tierra de Barros” es una herramienta diseñada para la promoción del turismo sostenible en el ámbito de Pymes que operan en el turismo, Entidades asociativas y de economía social y solidaria, Administración pública, Redes y comunidades locales para la mejora de la competitividad de productos turísticos de naturaleza cultural para el desarrollo del turismo sostenible en el marco de la Economía Social y Solidaria y el desarrollo rural en Tierra de Barros.
Las iniciativas desarrollada desde Tierra de Barros incluida como ejemplo de buenas prácticas de turismo sostenible y comprometidas con los valores de la Economía Social
Rural Stories: Guía de buenas prácticas de periodismo cultural, ciudadano y p...Wazo Coop
Es un placer para el equipo de Wazo Coop presentaros la publicación:
Rural Stories: Guía de buenas prácticas de periodismo cultural, ciudadano y participativo.
Rural Stories es un proyecto europeo por un periodismo cultural, ciudadano y participativo en el medio rural.
Un consocio formado por:
🇫🇷 Champs Libres média
🇫🇷 LeLABA
🇪🇸 Wazo Coop
🇧🇪 Signelazer
Wazo Coop tiene el placer de presentar la “Guía Migrant-ESS Almendralejo 2021” del Programa Migrant-ESS.
Esta guía se enmarca dentro del Programa Migrant-ESS impulsado por Wazo Coop para el fomento de la Economía Social y Solidaria (ESS) en migrantes del medio rural de la Comunidad Autónoma de Extremadura, de acuerdo al ODS 8. Trabajo decente y crecimiento económico.
Wazo Coop es la primera cooperativa de iniciativa social sin ánimo de lucro de Extremadura. Trabaja con la Economía Social y Solidaria y las Industrias Creativas y Culturales para generar impacto positivo en el medio rural.
Wazo Coop realiza la “Guía Migrant-ESS Almendralejo 2021” con el objetivo de ofrecer herramientas para favorecer la Economía Social y Solidaria y las Cooperativas de Iniciativa Social sin ánimo de lucro en personas migrantes de Almendralejo.
Manual transmedia para el turismo sostenible de Tierra de BarrosWazo Coop
“Manual transmedia para el turismo sostenible de Tierra de Barros”. Este proyecto se enmarca en el Programa de Desarrollo Sostenible del Patrimonio Extremeño (2020-2030) - DESOPAEX Fase 1-Raíces (2020-2022) de Wazo Coop. Su principal cometido es el de favorecer el desarrollo sostenible de las áreas rurales de Extremadura de acuerdo a la Agenda 2030 de Naciones Unidas por medio de la valorización del patrimonio y de la economía social y solidaria.
Mujer-ESS. Mujeres líderes de la economía social y solidaria en ExtremaduraWazo Coop
La revista “Mujer-ESS. Mujeres líderes de la economía social y solidaria en Extremadura” es un homenaje a las mujeres de la región que a través de sus empresas sociales de gestión democrática y propiedad conjunta, como las cooperativas y sociedades laborales, construyen una sociedad más justa a la vez que garantizan puestos de trabajo sostenible y decente para las personas socias-trabajadoras.
Diagnóstico: Joven-ESS Extremadura 2022.
En el marco del proyecto Joven-ESS 2022 hemos realizado un informe diagnóstico sobre la situación de las personas jóvenes del medio rural de Extremadura respecto al empleo y la economía social y solidaria.
Joven-ESS es un programa para el fomento de la Economía Social y Solidaria (ESS) en personas jóvenes del medio rural de la Comunidad Autónoma de Extremadura de acuerdo al ODS 8. Trabajo decente y crecimiento económico. Desarrollado por Wazo Coop y financiado por el Instituto de la Juventud de Extremadura.
Encuesta: Realidad y desafíos del colectivo LGTBIQ+ en Zafra-Río Bodión.
A través de métodos cuantitativos como el sondeo, se ha realizado una encuesta, que posibilita la exploración de un conocimiento del estado de los derechos de la comunidad LGTBIQ+ en Zafra-Río Bodión, con el fin de documentar, informar y sensibilizar a la sociedad en general, sobre la problemática de las personas objeto de estudio en materia de discriminación para el acceso a las oportunidades laborales, acceso a la vivienda, salud, educación, entre otros aspectos, que vulneran sus derechos, desde la concepción más amplia e integral de los derechos humanos.
RURAL PRIDE. Realidad y desafíos del colectivo LGTBIQ+ en Zafra-Río Bodión es un programa de Wazo Coop, la primera cooperativa de iniciativa social sin ánimo de lucro de Extremadura co-financiado por la Diputación de Badajoz.
Wazo Coop tiene el placer de presentar la “Guía Joven-ESS 2021” del Programa Joven-ESS, actividad financiada por el Instituto de la Juventud de Extremadura en su convocatoria de ayudas para el desarrollo de Proyectos de Interés General a asociaciones juveniles, entidades asimiladas a las mismas y entidades prestadoras de servicios a la juventud para el ejercicio 2021.
Wazo Coop realiza la “Guía Joven-ESS 2021” con el objetivo de ofrecer recursos específicos de Economía Social y Solidaria para el trabajo decente de las personas jóvenes.
ZGB - The Role of Generative AI in Government transformation.pdfSaeed Al Dhaheri
This keynote was presented during the the 7th edition of the UAE Hackathon 2024. It highlights the role of AI and Generative AI in addressing government transformation to achieve zero government bureaucracy
Many ways to support street children.pptxSERUDS INDIA
By raising awareness, providing support, advocating for change, and offering assistance to children in need, individuals can play a crucial role in improving the lives of street children and helping them realize their full potential
Donate Us
https://serudsindia.org/how-individuals-can-support-street-children-in-india/
#donatefororphan, #donateforhomelesschildren, #childeducation, #ngochildeducation, #donateforeducation, #donationforchildeducation, #sponsorforpoorchild, #sponsororphanage #sponsororphanchild, #donation, #education, #charity, #educationforchild, #seruds, #kurnool, #joyhome
Presentation by Jared Jageler, David Adler, Noelia Duchovny, and Evan Herrnstadt, analysts in CBO’s Microeconomic Studies and Health Analysis Divisions, at the Association of Environmental and Resource Economists Summer Conference.
Russian anarchist and anti-war movement in the third year of full-scale warAntti Rautiainen
Anarchist group ANA Regensburg hosted my online-presentation on 16th of May 2024, in which I discussed tactics of anti-war activism in Russia, and reasons why the anti-war movement has not been able to make an impact to change the course of events yet. Cases of anarchists repressed for anti-war activities are presented, as well as strategies of support for political prisoners, and modest successes in supporting their struggles.
Thumbnail picture is by MediaZona, you may read their report on anti-war arson attacks in Russia here: https://en.zona.media/article/2022/10/13/burn-map
Links:
Autonomous Action
http://Avtonom.org
Anarchist Black Cross Moscow
http://Avtonom.org/abc
Solidarity Zone
https://t.me/solidarity_zone
Memorial
https://memopzk.org/, https://t.me/pzk_memorial
OVD-Info
https://en.ovdinfo.org/antiwar-ovd-info-guide
RosUznik
https://rosuznik.org/
Uznik Online
http://uznikonline.tilda.ws/
Russian Reader
https://therussianreader.com/
ABC Irkutsk
https://abc38.noblogs.org/
Send mail to prisoners from abroad:
http://Prisonmail.online
YouTube: https://youtu.be/c5nSOdU48O8
Spotify: https://podcasters.spotify.com/pod/show/libertarianlifecoach/episodes/Russian-anarchist-and-anti-war-movement-in-the-third-year-of-full-scale-war-e2k8ai4
A process server is a authorized person for delivering legal documents, such as summons, complaints, subpoenas, and other court papers, to peoples involved in legal proceedings.
Understanding the Challenges of Street ChildrenSERUDS INDIA
By raising awareness, providing support, advocating for change, and offering assistance to children in need, individuals can play a crucial role in improving the lives of street children and helping them realize their full potential
Donate Us
https://serudsindia.org/how-individuals-can-support-street-children-in-india/
#donatefororphan, #donateforhomelesschildren, #childeducation, #ngochildeducation, #donateforeducation, #donationforchildeducation, #sponsorforpoorchild, #sponsororphanage #sponsororphanchild, #donation, #education, #charity, #educationforchild, #seruds, #kurnool, #joyhome
Jennifer Schaus and Associates hosts a complimentary webinar series on The FAR in 2024. Join the webinars on Wednesdays and Fridays at noon, eastern.
Recordings are on YouTube and the company website.
https://www.youtube.com/@jenniferschaus/videos
Jennifer Schaus and Associates hosts a complimentary webinar series on The FAR in 2024. Join the webinars on Wednesdays and Fridays at noon, eastern.
Recordings are on YouTube and the company website.
https://www.youtube.com/@jenniferschaus/videos
2024: The FAR - Federal Acquisition Regulations, Part 37
Music4Coop
1.
2. Positive impact in rural areas
Non-profit social
cooperative working with
Social Solidarity
Economy and Creative
Cultural Industries to
generate positive impact
in rural areas
4. strengthen the cooperative mindset in the music sector
for local development
It has a double purpose:
1) improve the labour market and working conditions of the music sector by the
implementation of Social and Solidarity Economy principles in an innovative upskilling
experience
2) boost the positive impact in local communities of sustainable development at European
level by creating new forms of cooperation.
5. OBJECTIVES
1) Definition of a new professional role in music: The European music cooperator (music
professional who work in conjunction with community-level stakeholders for the promotion of a
common end)
2) Develop an innovative upskilling experience to enable music professionals to gain new skills in
cooperation and SSE to allow sustained, inclusive and sustainable economic growth, full and
productive employment and decent work in the music sector
3) Reinforce the contribution of the music sector to the three dimensions of sustainable
development (social, economic and environmental) in local, regional and rural areas.
6. TARGET GROUPS
1) Aspiring European music cooperators: music professionals such as
composers, performers, educators, cultural managers... who develop their
professional career in public and private music institutions (orchestras,
conservatories, SMEs, universities...) established in the 27 EU Member
States
2) Community-level stakeholders such as civil society organisations, local
authorities, local business, community workers, schools... aiming to support
the sustainable development of their territories, established in Extremadura,
a rural region of Spain facing many challenges related to unemployment,
depopulation and vulnerable groups.
7. ACTIVITIES - shaping european music cooperators
CAMPAIGNS DIGITAL TOOLBOX
CALL FOR
ASPIRING MUSIC
COOPERATORS
REMOTE GROUP
SESSIONS
8. ACTIVITIES - COOPERATION EXPERIENCE IN EXTREMADURA
MUSIC4COOP
FEST
THINK TANK HACKATHON
CAPACITY
BUILDING
SESSIONS
20 aspiring music cooperators + 20 community-level stakeholders
9. strengthen the cooperative mindset in the music sector
for local development
● Music professionals will be immediately able to advance rights at work, improve the
quality of their jobs, and ensure access to social protection.
● In the medium term, the role of the music sector as driver of local and regional
development will be endorsed by cooperative practices equally beneficial for the music
sector and communities.
● In the long term European music cooperators will play a critical role in economic
growth and innovation at local level fostering sustainable jobs in music and societal
harmony.