Music videos
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This document discusses different types of music videos, including in concert/live videos which show artists performing live on stage, animation videos which can be hand drawn, digital, or stop motion and are often used by indie and alternative bands, narrative videos which tell a story by cutting between the narrative and the artist singing, and parody, pastiche, and homage videos which respectively imitate, celebrate, or pay tribute to other artists or media works.
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Genre conventions (1)
The document summarizes key traits seen in generic rock, pop, and rap music videos:
Rock music videos often feature the band performing with instruments like guitars and drums. They commonly tell a story that relates to the song's message.
Pop videos aim to feel happy and positive. Dancers of a different gender than the artist are usually included. Stories are less common than in rock since pop songs have fewer underlying messages.
Rap videos vary between calm scenes of substance usage and angry scenes of confronting the viewer. Artists are usually in urban settings without much story, as rap songs don't often have hidden meanings.
Task 1
This document discusses the purposes and styles of music videos. It provides examples of specific music videos to illustrate different styles. The purposes listed are to promote the artist and make money, establish an image, showcase creativity, entertain audiences, and go viral. Styles described include live performances, animation, narratives telling a story, surrealism using strange images, pastiche imitating other works, and homage respectfully referencing other artists. The document also discusses codes and conventions like focusing on the star and includes an analysis of the most and least influential videos listed.
Music video analysis paparazi
Lady Gaga's music video for "Paparazzi" is set in 1960s-70s Hollywood to portray her as a famous star. The large, glamorous set and Gaga's revealing costumes make references to iconic films from that era like Sunset Boulevard and Metropolis. The electro-pop and dance music matches the visuals of Gaga dancing in lavish costumes. Editing techniques like black and white swirls reference Alfred Hitchcock's Vertigo to further situate the video in the 1960s-70s film industry atmosphere.
Andrewgoodwinsmusicvideoprinciples
This document provides an analysis of several music videos based on music video principles. It summarizes the music videos for "Stressed Out" by Twenty One Pilots, "Welcome to the Black Parade" by My Chemical Romance, and "Kiss with a Fist" by Florence + the Machine. For each video, it discusses the links between the music and visuals, demonstrations of genre characteristics, use of intertextual references, and whether the video has a narrative, performance, or conceptual style.
Media genre
Suicide Squad and Batman are both action/superhero films that involve explosions and fighting. A My Chemical Romance music video features people playing instruments and is classified as rock music. A Twenty One Pilots music video includes alternative hip hop music and people playing drums. Panic at the Disco's "Ready to Go" music video shows people singing and dancing like a musical. A genre is a style or category of art, music, or literature used to classify creative works.
Dance Music
Joel Zimmerman adopted the name Deadmau5 after he found a defunct mouse in his computer system and t...
Jehst
Jehst is a pioneering British hip-hop artist who is releasing a new album after a long hiatus. The video for "Starting Over", the first single from the album, features Jehst dressed as a postman delivering letters to cameo appearances of other British rappers. The video challenges conventions of typical hip-hop videos by having a narrative concept and lacking stereotypical elements like scantily-clad women. It focuses on the meaning and message of refusing to conform to mainstream pressures while staying true to Jehst's underground roots.
Parody In Music Videos
Parody music involves changing or copying lyrics and musical ideas from existing well-known songs in a humorous way. Examples include barelypolitical's parody of "Love The Way You Lie" by Eminem and Rihanna, as well as Eminem's own parodies sometimes mocking other artists or celebrity culture.
Recommended
Genre conventions (1)
The document summarizes key traits seen in generic rock, pop, and rap music videos:
Rock music videos often feature the band performing with instruments like guitars and drums. They commonly tell a story that relates to the song's message.
Pop videos aim to feel happy and positive. Dancers of a different gender than the artist are usually included. Stories are less common than in rock since pop songs have fewer underlying messages.
Rap videos vary between calm scenes of substance usage and angry scenes of confronting the viewer. Artists are usually in urban settings without much story, as rap songs don't often have hidden meanings.
Task 1
This document discusses the purposes and styles of music videos. It provides examples of specific music videos to illustrate different styles. The purposes listed are to promote the artist and make money, establish an image, showcase creativity, entertain audiences, and go viral. Styles described include live performances, animation, narratives telling a story, surrealism using strange images, pastiche imitating other works, and homage respectfully referencing other artists. The document also discusses codes and conventions like focusing on the star and includes an analysis of the most and least influential videos listed.
Music video analysis paparazi
Lady Gaga's music video for "Paparazzi" is set in 1960s-70s Hollywood to portray her as a famous star. The large, glamorous set and Gaga's revealing costumes make references to iconic films from that era like Sunset Boulevard and Metropolis. The electro-pop and dance music matches the visuals of Gaga dancing in lavish costumes. Editing techniques like black and white swirls reference Alfred Hitchcock's Vertigo to further situate the video in the 1960s-70s film industry atmosphere.
Andrewgoodwinsmusicvideoprinciples
This document provides an analysis of several music videos based on music video principles. It summarizes the music videos for "Stressed Out" by Twenty One Pilots, "Welcome to the Black Parade" by My Chemical Romance, and "Kiss with a Fist" by Florence + the Machine. For each video, it discusses the links between the music and visuals, demonstrations of genre characteristics, use of intertextual references, and whether the video has a narrative, performance, or conceptual style.
Media genre
Suicide Squad and Batman are both action/superhero films that involve explosions and fighting. A My Chemical Romance music video features people playing instruments and is classified as rock music. A Twenty One Pilots music video includes alternative hip hop music and people playing drums. Panic at the Disco's "Ready to Go" music video shows people singing and dancing like a musical. A genre is a style or category of art, music, or literature used to classify creative works.
Dance Music
Joel Zimmerman adopted the name Deadmau5 after he found a defunct mouse in his computer system and t...
Jehst
Jehst is a pioneering British hip-hop artist who is releasing a new album after a long hiatus. The video for "Starting Over", the first single from the album, features Jehst dressed as a postman delivering letters to cameo appearances of other British rappers. The video challenges conventions of typical hip-hop videos by having a narrative concept and lacking stereotypical elements like scantily-clad women. It focuses on the meaning and message of refusing to conform to mainstream pressures while staying true to Jehst's underground roots.
Parody In Music Videos
Parody music involves changing or copying lyrics and musical ideas from existing well-known songs in a humorous way. Examples include barelypolitical's parody of "Love The Way You Lie" by Eminem and Rihanna, as well as Eminem's own parodies sometimes mocking other artists or celebrity culture.
Questionnaire
The document contains the questions and responses from a questionnaire given to a potential target audience for a music video. The questions gauge preferences on music video genres, watching platforms, favorite music genres, elements people look for, and opinions on narrative elements without music. The most common responses indicated a preference for narrative music videos, still watching videos on TV, indie pop genre, and narrative elements with the song playing. This will help inform the creator's upcoming music video production for a Coldplay song in the indie pop genre with a narrative style.
Frith (1998) types of music videos
Frith identified three main types of music videos: performance videos feature the artist singing to the camera as if in a live performance; narrative videos tell a story that relates to the song's lyrics, like a short film; conceptual videos take a more artistic approach through graphics, effects, or unique visual concepts without a narrative. This research will help the document's author identify different video styles to reference for their own music video production.
Textural analysis 1
The document analyzes the music video for "Bittersweet Symphony" by The Verve. It discusses several key points:
1) The video challenges stereotypes of the indie genre by embedding the musical performance into a narrative. This gives it elements of both indie and Britpop styles.
2) Shots include static shots and movement shots where the camera follows the singer down the street, portraying his detached mood.
3) The orchestral music contrasts with the realistic suburban visuals of run-down areas, representing being governed by money rather than personal success.
4) As the tempo and vocals increase, the other band members join the singer in walking as if unable to change their predetermined paths
Jehst 'Starting Over' - music video analysis
Jehst is a pioneering British hip-hop artist who is releasing a new album after a long hiatus. The video for the first single "Starting Over" features Jehst dressed as a postman delivering letters to cameo appearances of other British rappers. The video challenges conventions of typical hip-hop videos by featuring a narrative concept and lacking scantily clad women or luxury items, instead focusing on meaning and humility as Jehst ignores pressures to conform to mainstream styles.
1010 f11 8-31
The document provides information about various musical forms and structures, including binary form, ternary form, 12-bar blues form, verse-chorus form, rondo form, theme and variations form, and sonata form. It includes examples of songs that demonstrate different forms like "Please Please Me" showing an AAB structure and Cream's "Crossroads" showing the 12-bar blues form.
Mise en-scene - james hunter
The document discusses the plans for a music video. It will feature a band performing outside at Playing Aloud studios in Lincoln. The band members will wear black clothes and makeup to look sad and fit the glam metal genre. In the storyline, the distressed vocalist will be comforted by the other band members, who ask him to join their band.
Kanye west - short video analysis
The music video for Kanye West's song "Heartless" follows conventions of objectifying women as sex symbols. It includes flashing lights and bold objects that flow with the song's beat. The video also draws from influences like the video game Grand Theft Auto through its urban setting and depictions of "hood life." It represents the artist as wealthy and modern while contrasting with shots from an old cartoon and images of family life.
Analysis of ‘game’ the city
The video was released on March 22nd, 2012 and was directed by Matt Alonzo. It is a performance/narrative video that tells the story of the artist rapping about his friend who was killed. Editing techniques like cross fading and matching shots to heartbeats are used to adhere to conventions of rap music. The artist represents himself as a narrator who cares deeply about his lost friend, as shown through his clothing and emotions. He is signed to major record labels but the low-budget video focuses on shots in his neighborhood rather than expensive props. The video was distributed on YouTube and other websites for audiences who can relate to the personal story or similar experiences.
Indie music videos lucas sneddon
This document provides descriptions and context for scenes from three indie music videos: Arctic Monkeys' "Do I Wanna Know", Gorillaz' "Clint Eastwood", and The Courteeners' "Not Nineteen Forever". For "Do I Wanna Know", white lines in the video replicate sounds from the song and form shapes representing the end. Gorillaz' video introduces the band as cartoons and features a figure relating to the rap part. Scenes in "Not Nineteen Forever" show the band singing in a cafe and a woman they sing about arguing with them.
My 3 music videos analysis
The document analyzes and summarizes three music videos: Blink 182's "I Miss You" features the band in a haunted mansion depicting a ghostly feel to match the song's darker theme. Linkin Park's "Breaking the Habit" uses anime to tell the story of a character's depression and death shown through flashbacks. Yellowcard's "Only One" focuses on the singer and his girlfriend walking through a protest, with closeups showing his love and need for her against the backdrop of conflict with authority.
Eminem
Eminem's real name is Marshall Bruce Mathers III. He was born on October 17, 1972 in Saint Joseph, Misuri. Eminem is a famous American rapper known for hits like "Lose Yourself", "Sing for the Moment", and "The Way I Am". His style of music is rap, which emerged in the 20th century from the African American community as a rhythmic recitation of rhymes.
Music video analysis
The document analyzes and compares the music videos for three songs: "Lovin' Each Day" by Ronan Keating, "Parklife" by Blur, and "Buddy Holly" by Weezer. For "Lovin' Each Day", the video uses quick cuts between scenes of Keating walking down a dusty road and performing in a bar to show different scenes and his performance. "Parklife" features members of Blur in cameo roles and unusual shots that make the video unique. "Buddy Holly" combines footage of Weezer performing at a diner from the TV show Happy Days with scenes of the band, and references the show through a cameo by a cast member.
Locations
Rap music videos often use street locations connected to the artist's upbringing to show their hard background but success in the music industry. For example, Skepta's "Shutdown" video features the lower-class area he grew up in. Some videos take place in a single room to focus attention on the artist and lyrics rather than telling a narrative through the video. Tinchy Stryder's "Game Over" video shows him standing in the middle of a set with cameras circling.
Sunday
Auto-tune has become widely used in the music industry, with over half of popular artists using it to alter their vocals electronically. By using auto-tune, artists are making their real voices artificial and fake. If they rely on auto-tune, artists must lip sync during live concerts since they cannot match the processed sound produced in their recordings. This puts stress on artists to perfectly mimic their auto-tuned songs without making mistakes. Eminem is one of the few artists who does not use auto-tune and performs live concerts without lip syncing, giving audiences a real show. While many rappers use auto-tune, it has also become common in pop and hip hop genres.
My presentation 6
Goodwin distinguishes between three types of music videos: illustration videos that cut on beat and literally illustrate the lyrics, amplification videos that cut on and off beat to emphasize features and amplify the narrative meaning of lyrics, and disjuncture videos that cut off beat and use unrelated images to take creative risks in representing the artist. The document provides examples of each type and explains how Goodwin's theory could be applied in creating a music video.
S1 Critical Perspectives Key Concepts Application
The music video portrays an indie artist, Charlie, performing along different streets with his band. It uses a restricted narrative that maintains viewer interest by only showing what the characters see and do without revealing their mental states. While it follows the lead singer, it does not fully comply with Propp's or Todorov's narrative theories. The video challenges modular narrative conventions by using a mix of split screens, forking paths, and anachronic narratives without separate stories. It aims to appeal to an indie audience through its use of typical indie conventions like featuring a band and rock instruments.
Prince
Prince was a highly influential and innovative artist from 1980 to 1990. He blurred genres from rock to funk to pop, producing all his own albums. Some of his most famous albums and songs from this period include Dirty Mind, Controversy, 1999, Purple Rain, and When Doves Cry. He won seven Grammys and an Academy Award, selling over 100 million records and being one of the first black artists played on MTV. Prince was praised for his vocal range and musicianship.
First date music video analysis
The music video for "First Date" by blink-182 tells a humorous narrative through the characters played by the band members. It contains conventions of the pop-punk genre like drinking, skateboarding, and a rebellious attitude. Through dialogue and costumes, the characters establish a comedic tone typical of blink-182's toilet humor. The video cuts quickly between shots of the band performing and the characters engaging in silly antics like going to a waterpark, creating an energetic teenage anthem feel to accompany the song.
Alternative rock (1)
Alternative rock originated in the late 1970s and early 1980s, becoming most popular in the late 1980s and early 1990s. Some of the most famous alternative rock bands include Nirvana, Radiohead, Red Hot Chili Peppers, The Smiths, Green Day, and Foo Fighters. Alternative rock was dominated by male artists and bands, with female artists often serving as lead singers. Music videos for alternative rock typically focused on performance, showing the band playing their instruments, as well as some narrative elements that told a story related to the song's lyrics.
Genre convemtion
Music videos typically aim to promote artists and their music. They combine live performances with narrative and visual elements over 3-4 minutes. Common elements include performances of the artist, narratives that relate to the song lyrics, and symbolic or thematic imagery. Videos often feature direct address of the viewer by the artist to engage the audience. Narratives may tell a brief story or allude to one, while employing techniques like fast pacing, intertextuality, and genre references.
Genre convemtion
The document discusses the purpose and common conventions of music videos. Music videos primarily aim to promote artists and their music. They typically run 3-4 minutes and combine live performances with narrative and visual elements. Common conventions include performances by the artist, narratives that relate to the song's lyrics, and symbolic or thematic imagery. Music videos also aim to create a sense of spectacle by having artists directly address the viewer.
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Questionnaire
The document contains the questions and responses from a questionnaire given to a potential target audience for a music video. The questions gauge preferences on music video genres, watching platforms, favorite music genres, elements people look for, and opinions on narrative elements without music. The most common responses indicated a preference for narrative music videos, still watching videos on TV, indie pop genre, and narrative elements with the song playing. This will help inform the creator's upcoming music video production for a Coldplay song in the indie pop genre with a narrative style.
Frith (1998) types of music videos
Frith identified three main types of music videos: performance videos feature the artist singing to the camera as if in a live performance; narrative videos tell a story that relates to the song's lyrics, like a short film; conceptual videos take a more artistic approach through graphics, effects, or unique visual concepts without a narrative. This research will help the document's author identify different video styles to reference for their own music video production.
Textural analysis 1
The document analyzes the music video for "Bittersweet Symphony" by The Verve. It discusses several key points:
1) The video challenges stereotypes of the indie genre by embedding the musical performance into a narrative. This gives it elements of both indie and Britpop styles.
2) Shots include static shots and movement shots where the camera follows the singer down the street, portraying his detached mood.
3) The orchestral music contrasts with the realistic suburban visuals of run-down areas, representing being governed by money rather than personal success.
4) As the tempo and vocals increase, the other band members join the singer in walking as if unable to change their predetermined paths
Jehst 'Starting Over' - music video analysis
Jehst is a pioneering British hip-hop artist who is releasing a new album after a long hiatus. The video for the first single "Starting Over" features Jehst dressed as a postman delivering letters to cameo appearances of other British rappers. The video challenges conventions of typical hip-hop videos by featuring a narrative concept and lacking scantily clad women or luxury items, instead focusing on meaning and humility as Jehst ignores pressures to conform to mainstream styles.
1010 f11 8-31
The document provides information about various musical forms and structures, including binary form, ternary form, 12-bar blues form, verse-chorus form, rondo form, theme and variations form, and sonata form. It includes examples of songs that demonstrate different forms like "Please Please Me" showing an AAB structure and Cream's "Crossroads" showing the 12-bar blues form.
Mise en-scene - james hunter
The document discusses the plans for a music video. It will feature a band performing outside at Playing Aloud studios in Lincoln. The band members will wear black clothes and makeup to look sad and fit the glam metal genre. In the storyline, the distressed vocalist will be comforted by the other band members, who ask him to join their band.
Kanye west - short video analysis
The music video for Kanye West's song "Heartless" follows conventions of objectifying women as sex symbols. It includes flashing lights and bold objects that flow with the song's beat. The video also draws from influences like the video game Grand Theft Auto through its urban setting and depictions of "hood life." It represents the artist as wealthy and modern while contrasting with shots from an old cartoon and images of family life.
Analysis of ‘game’ the city
The video was released on March 22nd, 2012 and was directed by Matt Alonzo. It is a performance/narrative video that tells the story of the artist rapping about his friend who was killed. Editing techniques like cross fading and matching shots to heartbeats are used to adhere to conventions of rap music. The artist represents himself as a narrator who cares deeply about his lost friend, as shown through his clothing and emotions. He is signed to major record labels but the low-budget video focuses on shots in his neighborhood rather than expensive props. The video was distributed on YouTube and other websites for audiences who can relate to the personal story or similar experiences.
Indie music videos lucas sneddon
This document provides descriptions and context for scenes from three indie music videos: Arctic Monkeys' "Do I Wanna Know", Gorillaz' "Clint Eastwood", and The Courteeners' "Not Nineteen Forever". For "Do I Wanna Know", white lines in the video replicate sounds from the song and form shapes representing the end. Gorillaz' video introduces the band as cartoons and features a figure relating to the rap part. Scenes in "Not Nineteen Forever" show the band singing in a cafe and a woman they sing about arguing with them.
My 3 music videos analysis
The document analyzes and summarizes three music videos: Blink 182's "I Miss You" features the band in a haunted mansion depicting a ghostly feel to match the song's darker theme. Linkin Park's "Breaking the Habit" uses anime to tell the story of a character's depression and death shown through flashbacks. Yellowcard's "Only One" focuses on the singer and his girlfriend walking through a protest, with closeups showing his love and need for her against the backdrop of conflict with authority.
Eminem
Eminem's real name is Marshall Bruce Mathers III. He was born on October 17, 1972 in Saint Joseph, Misuri. Eminem is a famous American rapper known for hits like "Lose Yourself", "Sing for the Moment", and "The Way I Am". His style of music is rap, which emerged in the 20th century from the African American community as a rhythmic recitation of rhymes.
Music video analysis
The document analyzes and compares the music videos for three songs: "Lovin' Each Day" by Ronan Keating, "Parklife" by Blur, and "Buddy Holly" by Weezer. For "Lovin' Each Day", the video uses quick cuts between scenes of Keating walking down a dusty road and performing in a bar to show different scenes and his performance. "Parklife" features members of Blur in cameo roles and unusual shots that make the video unique. "Buddy Holly" combines footage of Weezer performing at a diner from the TV show Happy Days with scenes of the band, and references the show through a cameo by a cast member.
Locations
Rap music videos often use street locations connected to the artist's upbringing to show their hard background but success in the music industry. For example, Skepta's "Shutdown" video features the lower-class area he grew up in. Some videos take place in a single room to focus attention on the artist and lyrics rather than telling a narrative through the video. Tinchy Stryder's "Game Over" video shows him standing in the middle of a set with cameras circling.
Sunday
Auto-tune has become widely used in the music industry, with over half of popular artists using it to alter their vocals electronically. By using auto-tune, artists are making their real voices artificial and fake. If they rely on auto-tune, artists must lip sync during live concerts since they cannot match the processed sound produced in their recordings. This puts stress on artists to perfectly mimic their auto-tuned songs without making mistakes. Eminem is one of the few artists who does not use auto-tune and performs live concerts without lip syncing, giving audiences a real show. While many rappers use auto-tune, it has also become common in pop and hip hop genres.
My presentation 6
Goodwin distinguishes between three types of music videos: illustration videos that cut on beat and literally illustrate the lyrics, amplification videos that cut on and off beat to emphasize features and amplify the narrative meaning of lyrics, and disjuncture videos that cut off beat and use unrelated images to take creative risks in representing the artist. The document provides examples of each type and explains how Goodwin's theory could be applied in creating a music video.
S1 Critical Perspectives Key Concepts Application
The music video portrays an indie artist, Charlie, performing along different streets with his band. It uses a restricted narrative that maintains viewer interest by only showing what the characters see and do without revealing their mental states. While it follows the lead singer, it does not fully comply with Propp's or Todorov's narrative theories. The video challenges modular narrative conventions by using a mix of split screens, forking paths, and anachronic narratives without separate stories. It aims to appeal to an indie audience through its use of typical indie conventions like featuring a band and rock instruments.
Prince
Prince was a highly influential and innovative artist from 1980 to 1990. He blurred genres from rock to funk to pop, producing all his own albums. Some of his most famous albums and songs from this period include Dirty Mind, Controversy, 1999, Purple Rain, and When Doves Cry. He won seven Grammys and an Academy Award, selling over 100 million records and being one of the first black artists played on MTV. Prince was praised for his vocal range and musicianship.
First date music video analysis
The music video for "First Date" by blink-182 tells a humorous narrative through the characters played by the band members. It contains conventions of the pop-punk genre like drinking, skateboarding, and a rebellious attitude. Through dialogue and costumes, the characters establish a comedic tone typical of blink-182's toilet humor. The video cuts quickly between shots of the band performing and the characters engaging in silly antics like going to a waterpark, creating an energetic teenage anthem feel to accompany the song.
Alternative rock (1)
Alternative rock originated in the late 1970s and early 1980s, becoming most popular in the late 1980s and early 1990s. Some of the most famous alternative rock bands include Nirvana, Radiohead, Red Hot Chili Peppers, The Smiths, Green Day, and Foo Fighters. Alternative rock was dominated by male artists and bands, with female artists often serving as lead singers. Music videos for alternative rock typically focused on performance, showing the band playing their instruments, as well as some narrative elements that told a story related to the song's lyrics.
What's hot (20)
Similar to Music videos
Genre convemtion
Music videos typically aim to promote artists and their music. They combine live performances with narrative and visual elements over 3-4 minutes. Common elements include performances of the artist, narratives that relate to the song lyrics, and symbolic or thematic imagery. Videos often feature direct address of the viewer by the artist to engage the audience. Narratives may tell a brief story or allude to one, while employing techniques like fast pacing, intertextuality, and genre references.
Genre convemtion
The document discusses the purpose and common conventions of music videos. Music videos primarily aim to promote artists and their music. They typically run 3-4 minutes and combine live performances with narrative and visual elements. Common conventions include performances by the artist, narratives that relate to the song's lyrics, and symbolic or thematic imagery. Music videos also aim to create a sense of spectacle by having artists directly address the viewer.
Conventions of music video
This document discusses common conventions in music videos. It notes that music videos often use extreme long shots to establish the location, as well as close-ups and mid shots to convey the artist's emotions. Movement shots like panning and tracking are also frequently used. The arrangement and appearance of performers, known as mise-en-scene, aims to further represent the meaning of the song. Elements like lighting, editing techniques, diegetic and non-diegetic sound, and narrative vs. performance-based structures all contribute to the overall story and mood portrayed in a music video. Gender also influences the intended perspective, with male artists often seen as directly addressing the audience and female artists sometimes portrayed as objects of desire viewed by males.
Music Video Conventions
There are three primary types of music videos: performance videos that focus on the artist performing live, narrative videos that tell a story, and conceptual videos that are more abstract and open to interpretation. Music videos also utilize various cinematography techniques like different shot types and camera movements. Mise en scene, including costumes, props, locations, and lighting, helps establish genre and mood. Sound is central, with the music typically synchronized to the visuals and using both diegetic and nondiegetic elements. Editing pace and techniques vary by genre as well. Intertextuality, or referencing other media, is common in music videos for purposes like nostalgia or iconography.
Music vids and theory intro
There are several purposes and structures of music videos. Music videos primarily promote a single and album, as well as the artist. They typically run 3-4 minutes and combine live performance, narrative elements, and visual imagery. Common structures include performance videos, narrative videos, thematic videos, and symbolic videos. Performance videos focus on shots of the artist singing and include close-ups and unique visual styles. Narrative videos tell a story, either related to or suggested by the song's lyrics. Thematic and symbolic videos use recurring themes and symbols to build meaning.
Music video Initial Research
The document discusses different purposes and types of music videos. It describes that music videos can aim to entertain, promote, or tell a narrative. The document also summarizes Frith's three typologies of music videos: performance videos focus on performing, narrative videos tell a story, and conceptual videos have an abstract idea. Examples are given of each type, such as the Arctic Monkeys' "Teddy Picker" exemplifying a performance video through its footage of the band. The document further outlines Goodwin's seven conventions that most music videos conform to, such as relating the lyrics or music to the visuals.
Catfish and the bottlemen rango - music video analysis
This music video analysis document discusses several theories related to analyzing music videos. It begins by outlining some common characteristics of music videos like representing genre traits and having relationships between lyrics, music, and visuals. It then summarizes several theorists' perspectives on music videos, such as them representing modern mythic embodiments, having aesthetics similar to TV commercials, and containing performance and narrative elements. The document also analyzes the music video for the song "Rango" by Catfish and the Bottlemen, noting its animated concept involving sperm cells competing in a race and various symbolic elements it incorporates.
Music vids
The document discusses the purposes and common structures of music videos. It notes that music videos typically run 3-4 minutes and combine live performance, narrative elements, and visual imagery to promote the artist and song. Common structures include performance videos, which feature artists performing; narrative videos, which tell a story; and thematic or symbolic videos, which use themes and symbols to build meaning. The document also explores common elements, genres, and codes seen in different types of music videos.
Music vids styles
This document discusses different types and purposes of music videos. It begins by explaining that music videos are typically 3-4 minutes and combine live performance, narrative elements, and visuals to promote the artist and song. There are three main types of music videos: performance videos that feature the artist singing and include concert footage or "behind the scenes" clips; narrative videos that tell a story, either related to or suggested by the song's lyrics; and concept videos where performance and narrative take a backseat to symbolic or thematic visual concepts. The document provides examples and discusses common elements of each type of music video.
RESEARCH: A2 Media Music Video Analysis (Alternative Genre)
I did not find any explicit intertextual references to other films, TV programs or music videos in the "We Are Young" music video by Fun. The video focuses on depicting the song's lyrics through a narrative of a chaotic party scene. While it utilizes some common music video techniques like close-ups, slow motion and performance shots, it does not directly reference or allude to any other existing media texts.
Styles of Music Video
The document discusses different styles of music videos, including:
1) Performance videos that feature live footage of concerts to connect with fans. Taylor Swift's "Red" and Coldplay's "A Head Full of Dreams" are examples.
2) Animation styles used by artists like Gorillaz to create something unique. This style is synonymous with Gorillaz.
3) Narrative styles that tell a story to make a song more memorable, like Taylor Swift's "You Belong with Me" music video.
4) Impressionist styles where other artists sing a song as a form of respect, like celebrities singing Johnny Cash's "Cut You Down."
Codes and conventions of pop punk music videos
Pop punk music videos typically feature shots of the band performing along with an accompanying storyline related to the song's theme. Common visual elements include colorful, punk styles among both the band and extras meant to appeal to and represent the target teenage audience. Editing is often fast-paced to match the energetic mood, cutting between performance shots and a narrative that commonly depicts a misfit protagonist pursuing a romantic interest. Lighting and camera work enhance the outsider subculture image through techniques like low-key lighting, close-ups, and fast-paced movements.
Conventions of form and genre slideshare
The document discusses the conventions of different media forms and genres. It explains that a media form is the category a text falls into, such as films, TV programs, or music videos. Each form has its own conventions. For example, TV programs typically have opening credits, continuity edits, and end credits. Within a form there are also genres, like drama or comedy for TV. Genres also have their own conventions that differ from other genres in that form. Specifically for music videos, the indie pop genre conventions discussed include narrative-based videos that connect visually to song lyrics, focusing on the song's story, and using darker mise-en-scene elements like low lighting and black clothing to match typically sadder indie pop song
Music Videos (Structure)
The document discusses the typical structure and purposes of music videos. It notes that music videos usually run 3-4 minutes and combine live performance footage with narrative elements and visuals to promote the artist and song. Common components of music videos include performances by the artist, narratives or stories, thematic elements related to the song, and symbolic imagery. Music videos also often use techniques like direct address of the viewer, fast pacing, montage, and stylized cinematography to engage audiences in under 4 minutes.
Conventions in a music video
The document discusses several conventions of music videos. It begins by outlining the main purposes of music videos as promoting singles, albums, and artists. It then describes the basic structure of most music videos as being 3-4 minutes and combining live performances, narratives, and computer graphics. Common themes in music videos depend on the genre of music. The document also discusses how music videos often tell short stories and can feature direct address of the viewer or use of the "male gaze" and "female as object". It identifies five key aspects audiences look for in music videos.
Thirty second to mars hurricane - music video analysis
This music video analysis document discusses several theories about music videos and analyzes the Thirty Seconds to Mars music video for "Hurricane" in detail. The document covers how music videos can represent music genres through performance, the relationship between lyrics/music and visuals, and common techniques used. It then provides a thorough summary of the "Hurricane" video, describing its chapter structure, themes of confronting fears and desires, and symbolism relating to dreams.
Music video initial research
The document discusses different purposes, typologies, and conventions of music videos. It outlines three typologies of music videos defined by Frith: performance videos that show a band performing, narrative videos that tell a story, and conceptual videos that have an abstract idea with no relationship to the song. It provides examples for each typology. The document also discusses seven conventions of music videos put forth by Goodwin, such as a relationship between lyrics/music and visuals, and reference to voyeurism in treatment of women.
Music video types
There are three main types of music videos: performance videos that primarily show the artist performing the song, narrative videos that tell a story through footage with or without actors, and conceptual videos based around a single idea that often require more editing and effects. Most modern videos contain elements of all three types. Andrew Goodwin identified six key features of music videos in his book "Dancing in the Distraction", including demonstrating genre characteristics, relating lyrics and visuals, relating music and visuals, including close-ups of the artist, frequent references to looking, and intertextual references to other works. Goodwin later outlined five aspects to consider when analyzing music videos, such as relating visuals to the song structure, portraying the narrative
Styles of music videos
There are several styles of music videos described in the document. Studio performances are videos shot in a controlled environment with props and effects that add visuals to the music without much narrative. Surrealistic and interpretive/impressionist videos can be abstract and inspired by dreams, with surrealistic videos containing distorted imagery. Animation videos are entirely digital and can complement a song's mood. Narrative videos portray the meaning of a song through a literal or metaphorical story. Concert/live videos capture the experience of seeing an artist perform live. Parodies are comedic fan-made versions of popular music videos that change the lyrics.
Conventions of a music videos
There are three main types of music videos: narrative videos which tell a story, conceptual videos based around a single idea, and performance videos featuring the artist. Music videos use various camera shots and angles like close-ups and tracking shots to focus attention. They also utilize editing techniques, lighting, costumes, sets and props to match the genre and mood of the song.
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Music videos
- 2. In Concert/Live This is when the video consists of the singer performing on a stage from a real live gig. This is usually a tool for their concerts Popular with Rock songs
- 3. Animation There are 3 types of animated music videos, they are traditional hand drawn, digital and stop motion. This are usually used for Indie rock bands and Alternative music.
- 4. Narrative This music videos tell a story The video cuts between the story and the artist singing It has a beginning, a middle and an end.
- 5. Parody An imitation of the style of a particular writer, artist, or genre with deliberate exaggeration for comic effect
- 6. Pastiche Unlike parody, pastiche celebrates, rather than mocks, the work it imitates.
- 7. Homage This music video pays tribute to a specific artist. Or to anything in the media.