Module 37: Parting Words
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Module 18: Walk a Day in Your Client’s Shoes
To effectively represent a client, a lawyer must try to understand the client's perspective and experiences. This means empathizing with the client by imagining themselves in the client's situation and worldview. By doing this, the lawyer can understand how the facts of the case were experienced by the client. While challenging, taking this empathetic approach is crucial to helping others understand and care about the client, and to presenting the client as a human being rather than just "the defendant" in the eyes of the jury.
Module 3: Inside the Mind of the Jury
This document discusses how juries make decisions. It begins by debunking the myth that juries objectively accumulate facts and apply the law linearly. Instead, studies show juries make decisions with their hearts and then rationalize their decision based on their feelings about the case. The document notes that juries care most about determining right from wrong and their top fear is convicting an innocent person. It argues that effective trial lawyers must make the jury like and feel sympathy for their client, as facts about the crime are less important.
Module 26: The Director’s Eye
This document discusses techniques for questioning witnesses as a director prepares scenes in a play. It provides an example of Harry Potter discovering his ability to speak to snakes at the zoo. The key points are:
1) Directors/lawyers should understand the purpose/objective of each witness/scene to know what information is needed and what questions will draw it out.
2) Identifying the purpose is like finding the path through the forest - it leads the actor/lawyer and helps the jury understand the story from their perspective.
3) Directors/lawyers should consider what happened right before the witness/scene to inform their questions. Asking too many questions risks damaging testimony.
Module 32: Empowering the Jury
The document discusses empowering a jury to find a defendant named Michael not guilty. It argues that while Michael may have used poor judgment, that does not make him guilty of any crimes. Michael is an innocent man whose false statement has convinced others of his guilt. The document urges the jury to say "no" and find Michael not guilty, as only they have the power to do so. It advises lawyers to tell the jury in their opening and closing statements what verdict they want - in this case, for Michael to be able to leave with his son after being found not guilty.
Module 6: Eye Catching Statistics
The document discusses several eye-catching statistics related to communication and emotion, including that people make 90% of their decisions based on emotions, 93% of communication is non-verbal, and the tone, syntax and inflection of speech reveals more than the words themselves. It also contains quotes emphasizing the importance of emotion in communication from Maya Angelou and Sanford Meisner.
Module 35: Disengaging
Actors recognize the importance of disengaging from intense roles to maintain well-being. Lawyers handling emotional cases similarly require disengagement to avoid stress. Actors use rituals like yoga or vocal exercises to shift out of character; lawyers should adopt such practices to disengage from intense legal work. Maintaining facades in life prevents constant vulnerability as required in art, and one cannot live as openly as they create without harm. Disengaging practices help actors and lawyers alike avoid being constantly wounded by their work.
Module 2: Overview of Topics
The document discusses various topics related to the courtroom including the mind of the jury, different views of the courtroom, the American jury system, and statistics. It emphasizes taking a step-by-step approach to mastering courtroom techniques, focusing on just a few at a time to avoid feeling overwhelmed. The final sections discuss the importance of experiential learning and preparation, and share a quote about the wisdom that can be learned from dogs by openly expressing wants and needs for love.
Module 24: Exposing the Liar, the Fool, and the Trained Pig
This document discusses techniques for developing a character's objectives and motivations in acting. It explains that a character should have a "driving question" about how they can achieve their objective, phrased as a question to the other character. The actor also chooses an "emotional core" and "inner actions" to pursue their objective secretly, along with "outer tactics" for how they reveal their actions. It provides an example of a lawyer cross-examining a witness in a way that exposes her true motivation for testifying, which is to avoid a long prison sentence and be there for her children.
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Module 18: Walk a Day in Your Client’s Shoes
To effectively represent a client, a lawyer must try to understand the client's perspective and experiences. This means empathizing with the client by imagining themselves in the client's situation and worldview. By doing this, the lawyer can understand how the facts of the case were experienced by the client. While challenging, taking this empathetic approach is crucial to helping others understand and care about the client, and to presenting the client as a human being rather than just "the defendant" in the eyes of the jury.
Module 3: Inside the Mind of the Jury
This document discusses how juries make decisions. It begins by debunking the myth that juries objectively accumulate facts and apply the law linearly. Instead, studies show juries make decisions with their hearts and then rationalize their decision based on their feelings about the case. The document notes that juries care most about determining right from wrong and their top fear is convicting an innocent person. It argues that effective trial lawyers must make the jury like and feel sympathy for their client, as facts about the crime are less important.
Module 26: The Director’s Eye
This document discusses techniques for questioning witnesses as a director prepares scenes in a play. It provides an example of Harry Potter discovering his ability to speak to snakes at the zoo. The key points are:
1) Directors/lawyers should understand the purpose/objective of each witness/scene to know what information is needed and what questions will draw it out.
2) Identifying the purpose is like finding the path through the forest - it leads the actor/lawyer and helps the jury understand the story from their perspective.
3) Directors/lawyers should consider what happened right before the witness/scene to inform their questions. Asking too many questions risks damaging testimony.
Module 32: Empowering the Jury
The document discusses empowering a jury to find a defendant named Michael not guilty. It argues that while Michael may have used poor judgment, that does not make him guilty of any crimes. Michael is an innocent man whose false statement has convinced others of his guilt. The document urges the jury to say "no" and find Michael not guilty, as only they have the power to do so. It advises lawyers to tell the jury in their opening and closing statements what verdict they want - in this case, for Michael to be able to leave with his son after being found not guilty.
Module 6: Eye Catching Statistics
The document discusses several eye-catching statistics related to communication and emotion, including that people make 90% of their decisions based on emotions, 93% of communication is non-verbal, and the tone, syntax and inflection of speech reveals more than the words themselves. It also contains quotes emphasizing the importance of emotion in communication from Maya Angelou and Sanford Meisner.
Module 35: Disengaging
Actors recognize the importance of disengaging from intense roles to maintain well-being. Lawyers handling emotional cases similarly require disengagement to avoid stress. Actors use rituals like yoga or vocal exercises to shift out of character; lawyers should adopt such practices to disengage from intense legal work. Maintaining facades in life prevents constant vulnerability as required in art, and one cannot live as openly as they create without harm. Disengaging practices help actors and lawyers alike avoid being constantly wounded by their work.
Module 2: Overview of Topics
The document discusses various topics related to the courtroom including the mind of the jury, different views of the courtroom, the American jury system, and statistics. It emphasizes taking a step-by-step approach to mastering courtroom techniques, focusing on just a few at a time to avoid feeling overwhelmed. The final sections discuss the importance of experiential learning and preparation, and share a quote about the wisdom that can be learned from dogs by openly expressing wants and needs for love.
Module 24: Exposing the Liar, the Fool, and the Trained Pig
This document discusses techniques for developing a character's objectives and motivations in acting. It explains that a character should have a "driving question" about how they can achieve their objective, phrased as a question to the other character. The actor also chooses an "emotional core" and "inner actions" to pursue their objective secretly, along with "outer tactics" for how they reveal their actions. It provides an example of a lawyer cross-examining a witness in a way that exposes her true motivation for testifying, which is to avoid a long prison sentence and be there for her children.
Module 19: Opening Statement as Story
This document provides guidance on crafting an effective opening statement by treating it as a story. It discusses key principles of storytelling that should be applied, such as setting the stage, engaging the senses, and coordinating the opening with the closing argument. An effective opening statement predisposes jurors to one side by establishing a tentative conclusion and filtering the evidence accordingly. It emphasizes finding an emotional core and theme for the case that appeals to universal human emotions. Developing a clear theory and theme that jurors can relate to is vital for an impactful opening.
Module 17: How Actors Create Emotions And What We Can Learn From It
Actors create emotions through techniques developed by Stanislavsky, such as emotional memory, which involves remembering a personal experience to relate to the emotional requirements of a role. However, some argue relying too heavily on real trauma is unhealthy. Alternative methods focus on imagination rather than personal experiences. Highly realistic acting, as in Hayden Christensen's emotional performance in Star Wars, involves the actor finding essence of the emotion within themselves and marrying their emotions with the character. This allows actors to genuinely express emotions that deeply resonate with audiences.
Module 31: Get Off the Ferris Wheel of Perfection
This document discusses getting off the "Ferris wheel of perfection" and becoming more comfortable with imperfection. It notes that society is obsessed with perfection, but perfection is not real. The author discusses how they used to obsess over using the perfect words but realized jurors responded better to speeches that were more real and honest, even if imperfect. It encourages allowing discomfort and tensions, like Winston Churchill did with his "black dog" of sadness, rather than suppressing imperfect emotions.
Module 8: The Tools
This document outlines various tools and techniques for becoming a better storyteller in the courtroom. It discusses developing vocal presence and body language skills. It also provides tips for overcoming psychological barriers like focusing on authenticity and concentration. Specific techniques include opening statements as stories, using emphasis and impact devices, embracing fear and movement in the courtroom. The overall message is that lawyers can improve their skills by drawing on acting techniques to connect with juries through their voice, body, and presence.
Module 27: Movement in the Courtroom
The document discusses how movement in the courtroom can be planned and intentional like other aspects of a trial presentation, such as opening and closing statements. It notes that natural, fluid movement is important to avoid coming across as artificial. The document makes connections between common language involving movement and actual physical movements, and advises trial lawyers to think of the courtroom from the juror's point of view when planning movements, using specific positions and areas to emphasize important points. Downstage right and downstage left positions are discussed as ways to convey intimacy, importance, and humor. Lawyers are advised to make purposeful movements between positions for effect and ensure all jurors are included.
Module 14: Waking Up The Instrument
This document discusses the importance of energy and physical presence for lawyers in the courtroom. It notes that a lawyer occupies space and their energy level will impact interest from the other side. It cites Michael Chekhov's statement that an actor is "dead" without being alive on stage. The document defines energy as the life force that moves the body. It emphasizes that a lawyer's body is their front line of expression and gives clues about who they are. It stresses the importance of alignment between a lawyer's body language and words to maintain credibility with the jury.
Module 9: Overcoming Psychological Barriers/A Changing Mindset
This document discusses overcoming psychological barriers by changing one's mindset. It notes that we can be our own worst critics and doubt ourselves, fearing we are uninteresting or lack talent. Rejection can shatter confidence, yet we erect psychic walls to avoid emotional pain like rejection or humiliation. These walls prevent us from achieving our potential, as living freely takes more courage than staying safely behind these barriers, never fully living at all.
Module 11: Concentration
An actor must cultivate concentration as it is their most essential skill. Concentration allows an actor to focus their attention wherever and whenever needed, whether on stage or off, and remain focused with a specific intention. Just as an Olympic runner or first responder must remain intensely focused in high-pressure moments, actors and litigators must also master concentration to take control of unpredictable situations.
Module 7: The Case for Storytelling
Storytelling is a powerful tool for persuasion in the legal system. It allows lawyers to (1) address jurors who come from varied backgrounds and perspectives with a single narrative framework, (2) help jurors make sense of complex evidence presented out of order by suggesting an organizing story, and (3) humanize clients to jurors to gain empathy and avoid judgment based solely on the facts of the alleged crime. Effective legal storytelling requires tapping into jurors' natural instinct to understand information narratively.
Module 25: Breaking Down the Fourth Wall
The document discusses breaking the "fourth wall" in theater, where actors acknowledge the audience, and applies it to trial law. It argues lawyers should view juries as participants in a reconstructed reality of events, not just spectators. By allowing juries to make discoveries and drawing them into sharing this imaginary world, trials can come alive for them in new engaging ways, with juries feeling like they witnessed events even if they were reconstructed through testimony. This unconventional approach can be unsettling for lawyers used to control but encourages more involvement from juries.
Evidence 101 (Part 1)
Evidential issues are questions of law. By ruling on motions and objections, the judge determines what evidence may be presented to and considered by the jury. Judges apply the rules of evidence to determine whether to admit or exclude physical evidence, oral testimony, and exhibits. Once admitted, the jury decides how much weight to afford the evidence.
The rules of evidence permit only that which is deemed relevant and trustworthy to be received by the jury.
This presentation will provide you with a comprehensive review of the rules of evidence that come up most frequently. With memorable hypotheticals to trigger fast recall, you'll be able to think fast on your feet and use the rules to your advantage, both before and during trial.
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This document discusses the importance of storytelling in the courtroom. It begins with a personal story of the author's experience with fear and vulnerability during a closing argument. It then discusses how storytelling is a powerful persuasive tool that taps into human nature. Effective trial advocacy requires presenting a compelling narrative framework for the jury to interpret the evidence. Without a story, the jury may judge the client only on the bare facts of the alleged crime. Storytelling helps the jury empathize with the client and leaves them understanding why the client acted as they did. It elevates the credibility of the attorney. To be effective trial lawyers, we must embrace storytelling techniques.
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Course Description
If you own or manage a business that uses independent contractors, you need to know when you can or cannot treat a worker as an independent contractor. This presentation answers some of the common questions about worker classification.
INTRODUCTION
Misclassification of employees as independent contractors is now a common phrase uttered by state and federal legislators and regulators. State task forces have been formed to crack down on businesses that do not pay unemployment insurance and workers’ compensation premiums or withhold taxes for workers whom the state believes are employees and not independent contractors.How the IRS Reconstructs Income In Tax Fraud Cases
In one of the climactic scenes from 1954’s On The Waterfront, Crime Commission prosecutors had to make their corruption case against union boss Johnny Friendly (a/k/a Michael Skelly) by convincing a reticent yet pure-hearted Terry Malloy to come forward and tell what he knew about corruption in the International Longshoremen’s Association, beginning with the murder of Joey Doyle, because an underling insisted that “we were robbed last night and can’t find no books.”
If that same case came up in 21st Century tax court, Eva Marie Saint and Karl Malden could’ve stayed at home rather than serving as Marlon Brando’s cheering section, because government prosecutors could reconstruct the ILA’s income, based on the records retention requirements in Section 6500 et seq.
In other words, the conventional wisdom that only divine beings can create something out of nothing does not apply in income tax evasion cases. Is it enough for the government to pull a metaphorical rabbit out of a metaphorical hat, or are there some additional requirements?
The Kovel Accountant
In this presentation, tax attorney Mike DeBlis explains Kovel agreements and discusses the case that gave rise to them.
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This multi-step summary outlines the process for determining rights and obligations in a contractual agreement. Step 1 examines if there is a present assignment and if it is valid. Step 2 looks at if the assignment alters the original agreement. Step 3 checks for revocation of the assignment. Step 4 establishes who has rights if the assignment is valid. Step 5
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This document provides guidance on how to draft an airtight contract. It discusses the key elements needed to establish a legally binding agreement, including offer, acceptance, clear terms, and ensuring the offer is still open when acceptance is made. The document outlines the steps to analyze a contract for these elements: 1) identifying an offer, 2) confirming the offer was still open when accepted, and 3) checking for a valid acceptance. It emphasizes applying an objective standard to determine the parties' intent and reasonable expectations based on the words and actions used.
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The document provides an overview of contract law fundamentals, including the requirements for forming a valid contract. It discusses the key steps in analyzing a contract scenario: 1) determining if there was an offer, 2) if the offer was still outstanding when acceptance was attempted, and 3) if there was a valid acceptance or defective acceptance. The document also covers important concepts like offer requirements, acceptance methods, exceptions to the "mirror image" rule of acceptance, and how contracts are formed in different communication contexts.
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This document provides guidance on crafting an effective opening statement by treating it as a story. It discusses key principles of storytelling that should be applied, such as setting the stage, engaging the senses, and coordinating the opening with the closing argument. An effective opening statement predisposes jurors to one side by establishing a tentative conclusion and filtering the evidence accordingly. It emphasizes finding an emotional core and theme for the case that appeals to universal human emotions. Developing a clear theory and theme that jurors can relate to is vital for an impactful opening.
Module 17: How Actors Create Emotions And What We Can Learn From It
Actors create emotions through techniques developed by Stanislavsky, such as emotional memory, which involves remembering a personal experience to relate to the emotional requirements of a role. However, some argue relying too heavily on real trauma is unhealthy. Alternative methods focus on imagination rather than personal experiences. Highly realistic acting, as in Hayden Christensen's emotional performance in Star Wars, involves the actor finding essence of the emotion within themselves and marrying their emotions with the character. This allows actors to genuinely express emotions that deeply resonate with audiences.
Module 31: Get Off the Ferris Wheel of Perfection
This document discusses getting off the "Ferris wheel of perfection" and becoming more comfortable with imperfection. It notes that society is obsessed with perfection, but perfection is not real. The author discusses how they used to obsess over using the perfect words but realized jurors responded better to speeches that were more real and honest, even if imperfect. It encourages allowing discomfort and tensions, like Winston Churchill did with his "black dog" of sadness, rather than suppressing imperfect emotions.
Module 8: The Tools
This document outlines various tools and techniques for becoming a better storyteller in the courtroom. It discusses developing vocal presence and body language skills. It also provides tips for overcoming psychological barriers like focusing on authenticity and concentration. Specific techniques include opening statements as stories, using emphasis and impact devices, embracing fear and movement in the courtroom. The overall message is that lawyers can improve their skills by drawing on acting techniques to connect with juries through their voice, body, and presence.
Module 27: Movement in the Courtroom
The document discusses how movement in the courtroom can be planned and intentional like other aspects of a trial presentation, such as opening and closing statements. It notes that natural, fluid movement is important to avoid coming across as artificial. The document makes connections between common language involving movement and actual physical movements, and advises trial lawyers to think of the courtroom from the juror's point of view when planning movements, using specific positions and areas to emphasize important points. Downstage right and downstage left positions are discussed as ways to convey intimacy, importance, and humor. Lawyers are advised to make purposeful movements between positions for effect and ensure all jurors are included.
Module 14: Waking Up The Instrument
This document discusses the importance of energy and physical presence for lawyers in the courtroom. It notes that a lawyer occupies space and their energy level will impact interest from the other side. It cites Michael Chekhov's statement that an actor is "dead" without being alive on stage. The document defines energy as the life force that moves the body. It emphasizes that a lawyer's body is their front line of expression and gives clues about who they are. It stresses the importance of alignment between a lawyer's body language and words to maintain credibility with the jury.
Module 9: Overcoming Psychological Barriers/A Changing Mindset
This document discusses overcoming psychological barriers by changing one's mindset. It notes that we can be our own worst critics and doubt ourselves, fearing we are uninteresting or lack talent. Rejection can shatter confidence, yet we erect psychic walls to avoid emotional pain like rejection or humiliation. These walls prevent us from achieving our potential, as living freely takes more courage than staying safely behind these barriers, never fully living at all.
Module 11: Concentration
An actor must cultivate concentration as it is their most essential skill. Concentration allows an actor to focus their attention wherever and whenever needed, whether on stage or off, and remain focused with a specific intention. Just as an Olympic runner or first responder must remain intensely focused in high-pressure moments, actors and litigators must also master concentration to take control of unpredictable situations.
Module 7: The Case for Storytelling
Storytelling is a powerful tool for persuasion in the legal system. It allows lawyers to (1) address jurors who come from varied backgrounds and perspectives with a single narrative framework, (2) help jurors make sense of complex evidence presented out of order by suggesting an organizing story, and (3) humanize clients to jurors to gain empathy and avoid judgment based solely on the facts of the alleged crime. Effective legal storytelling requires tapping into jurors' natural instinct to understand information narratively.
Module 25: Breaking Down the Fourth Wall
The document discusses breaking the "fourth wall" in theater, where actors acknowledge the audience, and applies it to trial law. It argues lawyers should view juries as participants in a reconstructed reality of events, not just spectators. By allowing juries to make discoveries and drawing them into sharing this imaginary world, trials can come alive for them in new engaging ways, with juries feeling like they witnessed events even if they were reconstructed through testimony. This unconventional approach can be unsettling for lawyers used to control but encourages more involvement from juries.
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Evidential issues are questions of law. By ruling on motions and objections, the judge determines what evidence may be presented to and considered by the jury. Judges apply the rules of evidence to determine whether to admit or exclude physical evidence, oral testimony, and exhibits. Once admitted, the jury decides how much weight to afford the evidence.
The rules of evidence permit only that which is deemed relevant and trustworthy to be received by the jury.
This presentation will provide you with a comprehensive review of the rules of evidence that come up most frequently. With memorable hypotheticals to trigger fast recall, you'll be able to think fast on your feet and use the rules to your advantage, both before and during trial.
Cross-Examination Made Simple - Part 1
This document discusses the importance of storytelling in the courtroom. It begins with a personal story of the author's experience with fear and vulnerability during a closing argument. It then discusses how storytelling is a powerful persuasive tool that taps into human nature. Effective trial advocacy requires presenting a compelling narrative framework for the jury to interpret the evidence. Without a story, the jury may judge the client only on the bare facts of the alleged crime. Storytelling helps the jury empathize with the client and leaves them understanding why the client acted as they did. It elevates the credibility of the attorney. To be effective trial lawyers, we must embrace storytelling techniques.
Is that Worker an Employee? Questions and Answers on Worker Classification.
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Course Description
If you own or manage a business that uses independent contractors, you need to know when you can or cannot treat a worker as an independent contractor. This presentation answers some of the common questions about worker classification.
INTRODUCTION
Misclassification of employees as independent contractors is now a common phrase uttered by state and federal legislators and regulators. State task forces have been formed to crack down on businesses that do not pay unemployment insurance and workers’ compensation premiums or withhold taxes for workers whom the state believes are employees and not independent contractors.How the IRS Reconstructs Income In Tax Fraud Cases
In one of the climactic scenes from 1954’s On The Waterfront, Crime Commission prosecutors had to make their corruption case against union boss Johnny Friendly (a/k/a Michael Skelly) by convincing a reticent yet pure-hearted Terry Malloy to come forward and tell what he knew about corruption in the International Longshoremen’s Association, beginning with the murder of Joey Doyle, because an underling insisted that “we were robbed last night and can’t find no books.”
If that same case came up in 21st Century tax court, Eva Marie Saint and Karl Malden could’ve stayed at home rather than serving as Marlon Brando’s cheering section, because government prosecutors could reconstruct the ILA’s income, based on the records retention requirements in Section 6500 et seq.
In other words, the conventional wisdom that only divine beings can create something out of nothing does not apply in income tax evasion cases. Is it enough for the government to pull a metaphorical rabbit out of a metaphorical hat, or are there some additional requirements?
The Kovel Accountant
In this presentation, tax attorney Mike DeBlis explains Kovel agreements and discusses the case that gave rise to them.
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This multi-step summary outlines the process for determining rights and obligations in a contractual agreement. Step 1 examines if there is a present assignment and if it is valid. Step 2 looks at if the assignment alters the original agreement. Step 3 checks for revocation of the assignment. Step 4 establishes who has rights if the assignment is valid. Step 5
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This document discusses defenses to getting out of a contract you don't want to be in. It outlines four categories of defenses: (1) those centered on the form of the bargain, (2) those based on a party's lack of capacity, (3) those regarding the content of the bargain, and (4) those arising from unfair tactics used during bargaining. Within each category, it provides examples of specific defenses like the statute of frauds or mental incapacity, and explains how they can preclude contract formation or make obligations voidable. The document aims to identify potential defenses that could allow one to avoid contractual duties.How to Draft An Airtight Contract that Houdini Can’t Even Escape
This document provides guidance on how to draft an airtight contract. It discusses the key elements needed to establish a legally binding agreement, including offer, acceptance, clear terms, and ensuring the offer is still open when acceptance is made. The document outlines the steps to analyze a contract for these elements: 1) identifying an offer, 2) confirming the offer was still open when accepted, and 3) checking for a valid acceptance. It emphasizes applying an objective standard to determine the parties' intent and reasonable expectations based on the words and actions used.
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The document provides an overview of contract law fundamentals, including the requirements for forming a valid contract. It discusses the key steps in analyzing a contract scenario: 1) determining if there was an offer, 2) if the offer was still outstanding when acceptance was attempted, and 3) if there was a valid acceptance or defective acceptance. The document also covers important concepts like offer requirements, acceptance methods, exceptions to the "mirror image" rule of acceptance, and how contracts are formed in different communication contexts.
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1. The IRS conducts a tax audit to ensure accurate tax reporting. All tax returns are subject to audit.
2. If the audit finds a deficiency, the taxpayer receives a "30-day letter" and can request an appeals conference or do nothing.
3. If no agreement is reached in appeals or the taxpayer ignores the letter, a "90-day letter" is sent requiring payment or a tax court petition within 90 days.
4. If the taxpayer petitions tax court, the case may be settled or proceed to trial and potential appeals. If not,
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This document discusses employment taxes and the trust fund recovery penalty (TFRP). It begins by explaining trust fund taxes, which are taxes that employers are required to withhold from employee wages, such as income taxes and the employee portion of Social Security and Medicare taxes. These withheld taxes are considered funds held in trust for the government. The TFRP is a penalty that can be assessed against individuals within an employer's organization who are responsible for ensuring these trust fund taxes are paid over to the IRS but willfully fail to do so. The document outlines the key elements the IRS examines to determine if someone is liable for the TFRP, such as if they had sufficient control over the employer's financial decisions. It also discusses
Module 15: Empathy for Your Client
This document discusses the importance of empathy for clients in the legal system. It provides several tips for demonstrating care and humanizing clients, such as using their name instead of "defendant," making eye contact, and finding personal connections to the case. Requesting curative instructions is discouraged as it may draw more attention to prejudicial information. Overall, the document emphasizes that caring is essential to ask jurors to care, and explores how defense attorneys can maintain empathy even for those accused of serious crimes.
Module 34: A Lawyer Prepares
The document discusses how lawyers should prepare opening and closing statements like actors prepare for roles. It recommends starting with the closing statement and brainstorming the facts needed to make the desired arguments. Lawyers are advised to memorize statements neutrally without emphasis so they can respond authentically to the jury. Thorough rehearsal is important to get comfortable with the material and allow spontaneity. Simplicity is key rather than overpreparing emotions. The goal is to achieve a state of "public solitude" and focus on the jury.
Module 16: Unleash the Beast: Openly Revealing Your Feelings!
This document discusses the importance of openly revealing feelings. It notes that suppressing feelings leads to an unfulfilling life and potential health issues. Actors and lawyers are encouraged to be vulnerable and express genuine emotions to build credibility and connect with others. The document cautions against exaggerating emotions and provides tips on allowing real feelings to emerge naturally. Overall, it argues that openly sharing one's authentic feelings is empowering and helps one live more fully.
Module 12: Overcoming Consciousness of Self
The document discusses overcoming consciousness of self in acting. It states that when actors focus inward on themselves, their performances become exaggerated and inauthentic. It recommends actors focus their attention outward onto an "acting object" like a scene partner, in order to get out of their heads and lose self-consciousness. By becoming fully immersed and concentrating on the acting object, actors no longer have attention left over to observe and judge themselves, allowing their true performances to emerge.
Module 10: Authenticity: Being True to You
The document discusses the importance of authenticity and being true to oneself. It provides examples of how hiding one's true self can be inauthentic and deprive others of a person's unique qualities. The document encourages lawyers to bring their authentic selves to the courtroom and not be afraid to show their true personalities.
More from Michael DeBlis III, Esq., LLM (20)
Is that Worker an Employee? Questions and Answers on Worker Classification.
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How the IRS Reconstructs Income In Tax Fraud Cases
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The Bullet Proof Checklist for Attacking a Fourth Amendment Search & Seizure ...
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Module 30: Defending Our Humanity In A Society That Values Human Connection L...
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How to Get Out of a Contract You Don’t Want to Be In: Defenses to a Contract
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Learn more on how to obtain the work permit for self-employed persons in Italy at https://immigration-italy.com/selfemployment-work-permit-in-italy/.
原版制作(PSU毕业证书)宾州州立大学公园分校毕业证学历证书一模一样
学校原件一模一样【微信：741003700 】《(PSU毕业证书)宾州州立大学公园分校毕业证学历证书》【微信：741003700 】学位证，留信认证（真实可查，永久存档）原件一模一样纸张工艺/offer、雅思、外壳等材料/诚信可靠,可直接看成品样本，帮您解决无法毕业带来的各种难题！外壳，原版制作，诚信可靠，可直接看成品样本。行业标杆！精益求精，诚心合作，真诚制作！多年品质 ,按需精细制作，24小时接单,全套进口原装设备。十五年致力于帮助留学生解决难题，包您满意。
本公司拥有海外各大学样板无数，能完美还原。
1:1完美还原海外各大学毕业材料上的工艺：水印，阴影底纹，钢印LOGO烫金烫银，LOGO烫金烫银复合重叠。文字图案浮雕、激光镭射、紫外荧光、温感、复印防伪等防伪工艺。材料咨询办理、认证咨询办理请加学历顾问Q/微741003700
【主营项目】
一.毕业证【q微741003700】成绩单、使馆认证、教育部认证、雅思托福成绩单、学生卡等！
二.真实使馆公证(即留学回国人员证明,不成功不收费)
三.真实教育部学历学位认证（教育部存档！教育部留服网站永久可查）
四.办理各国各大学文凭(一对一专业服务,可全程监控跟踪进度)
如果您处于以下几种情况：
◇在校期间，因各种原因未能顺利毕业……拿不到官方毕业证【q/微741003700】
◇面对父母的压力，希望尽快拿到；
◇不清楚认证流程以及材料该如何准备；
◇回国时间很长，忘记办理；
◇回国马上就要找工作，办给用人单位看；
◇企事业单位必须要求办理的
◇需要报考公务员、购买免税车、落转户口
◇申请留学生创业基金
留信网认证的作用:
1:该专业认证可证明留学生真实身份
2:同时对留学生所学专业登记给予评定
3:国家专业人才认证中心颁发入库证书
4:这个认证书并且可以归档倒地方
5:凡事获得留信网入网的信息将会逐步更新到个人身份内，将在公安局网内查询个人身份证信息后，同步读取人才网入库信息
6:个人职称评审加20分
7:个人信誉贷款加10分
8:在国家人才网主办的国家网络招聘大会中纳入资料，供国家高端企业选择人才
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Our company bridges the gap between registered users and experienced advocates, offering a user-friendly online platform for seamless interaction. This platform empowers users to voice their grievances, particularly regarding online consumer issues. We streamline support by utilizing our team of expert advocates to provide consultancy services and initiate appropriate legal actions.
Our Online Consumer Legal Forum offers comprehensive guidance to individuals and businesses facing consumer complaints. With a dedicated team, round-the-clock support, and efficient complaint management, we are the preferred solution for addressing consumer grievances.
Our intuitive online interface allows individuals to register complaints, seek legal advice, and pursue justice conveniently. Users can submit complaints via mobile devices and send legal notices to companies directly through our portal.
It's the Law: Recent Court and Administrative Decisions of Interest
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To ensure the integrity of financial systems and combat illicit financial activities, understanding AML (Anti-Money Laundering) compliance regulations is crucial for financial institutions and businesses. AML compliance regulations are designed to prevent money laundering and the financing of terrorist activities by imposing specific requirements on financial institutions, including customer due diligence, monitoring, and reporting of suspicious activities (GitHub Docs).Genocide in International Criminal Law.pptx
Excited to share insights from my recent presentation on genocide! 💡 In light of ongoing debates, it's crucial to delve into the nuances of this grave crime.
一比一原版(Lincoln毕业证)新西兰林肯大学毕业证如何办理
Lincoln硕士毕业证成绩单【微信95270640】办理新西兰林肯大学毕业证原版一模一样、Lincoln毕业证制作【Q微信95270640】《新西兰林肯大学毕业证购买流程》《Lincoln成绩单制作》新西兰林肯大学毕业证书Lincoln毕业证文凭新西兰林肯大学
本科毕业证书,学历学位认证如何办理【留学国外学位学历认证、毕业证、成绩单、大学Offer、雅思托福代考、语言证书、学生卡、高仿教育部认证等一切高仿或者真实可查认证服务】代办国外（海外）英国、加拿大、美国、新西兰、澳大利亚、新西兰等国外各大学毕业证、文凭学历证书、成绩单、学历学位认证真实可查。
[留学文凭学历认证(留信认证使馆认证)新西兰林肯大学毕业证成绩单毕业证证书大学Offer请假条成绩单语言证书国际回国人员证明高仿教育部认证申请学校等一切高仿或者真实可查认证服务。
多年留学服务公司,拥有海外样板无数能完美1:1还原海外各国大学degreeDiplomaTranscripts等毕业材料。海外大学毕业材料都有哪些工艺呢？工艺难度主要由：烫金.钢印.底纹.水印.防伪光标.热敏防伪等等组成。而且我们每天都在更新海外文凭的样板以求所有同学都能享受到完美的品质服务。
国外毕业证学位证成绩单办理方法：
1客户提供办理新西兰林肯大学新西兰林肯大学毕业证学位证信息：姓名生日专业学位毕业时间等（如信息不确定可以咨询顾问：我们有专业老师帮你查询）；
2开始安排制作毕业证成绩单电子图；
3毕业证成绩单电子版做好以后发送给您确认；
4毕业证成绩单电子版您确认信息无误之后安排制作成品；
5成品做好拍照或者视频给您确认；
6快递给客户（国内顺丰国外DHLUPS等快读邮寄）
— — — — 我们是挂科和未毕业同学们的福音我们是实体公司精益求精的工艺！ — — — -
一真实留信认证的作用(私企外企荣誉的见证):
1：该专业认证可证明留学生真实留学身份同时对留学生所学专业等级给予评定。
2：国家专业人才认证中心颁发入库证书这个入网证书并且可以归档到地方。
3：凡是获得留信网入网的信息将会逐步更新到个人身份内将在公安部网内查询个人身份证信息后同步读取人才网入库信息。
4：个人职称评审加20分个人信誉贷款加10分。
5：在国家人才网主办的全国网络招聘大会中纳入资料供国家500强等高端企业选择人才。问山娃想买什么想吃什么山娃知道父亲赚钱很辛苦除了书籍和文具山娃啥也不要能牵着父亲的手满城闲逛他已心满意足了父亲连挑了三套童装叫山娃试穿山娃有点不想父亲说城里不比乡下要穿得漂漂亮亮爸怎么不穿得漂亮望着父亲山娃反问道父亲听了并不回答只是吃吃地笑山娃很精神越逛越起劲父亲却越逛越疲倦望着父亲呵欠连天的样子山娃也说困了累了回家吧小屋闷罐一般头顶上的三叶扇彻夜呜呜作响搅得满屋热气腾腾也搅得山娃心烦意乱父亲一的
原版定做(sheffield学位证书)英国谢菲尔德大学毕业证文凭证书原版一模一样
原版定制【微信:bwp0011】《(sheffield学位证书)英国谢菲尔德大学毕业证文凭证书》【微信:bwp0011】成绩单 、雅思、外壳、留信学历认证永久存档查询，采用学校原版纸张、特殊工艺完全按照原版一比一制作（包括：隐形水印，阴影底纹，钢印LOGO烫金烫银，LOGO烫金烫银复合重叠，文字图案浮雕，激光镭射，紫外荧光，温感，复印防伪）行业标杆！精益求精，诚心合作，真诚制作！多年品质 ,按需精细制作，24小时接单,全套进口原装设备，十五年致力于帮助留学生解决难题，业务范围有加拿大、英国、澳洲、韩国、美国、新加坡，新西兰等学历材料，包您满意。
【业务选择办理准则】
一、工作未确定，回国需先给父母、亲戚朋友看下文凭的情况，办理一份就读学校的毕业证【微信bwp0011】文凭即可
二、回国进私企、外企、自己做生意的情况，这些单位是不查询毕业证真伪的，而且国内没有渠道去查询国外文凭的真假，也不需要提供真实教育部认证。鉴于此，办理一份毕业证【微信bwp0011】即可
三、进国企，银行，事业单位，考公务员等等，这些单位是必需要提供真实教育部认证的，办理教育部认证所需资料众多且烦琐，所有材料您都必须提供原件，我们凭借丰富的经验，快捷的绿色通道帮您快速整合材料，让您少走弯路。
留信网认证的作用:
1:该专业认证可证明留学生真实身份
2:同时对留学生所学专业登记给予评定
3:国家专业人才认证中心颁发入库证书
4:这个认证书并且可以归档倒地方
5:凡事获得留信网入网的信息将会逐步更新到个人身份内，将在公安局网内查询个人身份证信息后，同步读取人才网入库信息
6:个人职称评审加20分
7:个人信誉贷款加10分
8:在国家人才网主办的国家网络招聘大会中纳入资料，供国家高端企业选择人才
【关于价格问题（保证一手价格）】
我们所定的价格是非常合理的，而且我们现在做得单子大多数都是代理和回头客户介绍的所以一般现在有新的单子 我给客户的都是第一手的代理价格，因为我想坦诚对待大家 不想跟大家在价格方面浪费时间
对于老客户或者被老客户介绍过来的朋友，我们都会适当给一些优惠。
快速办理(SCU毕业证书)澳洲南十字星大学毕业证文凭证书一模一样
学校原件一模一样【微信：741003700 】《(SCU毕业证书)澳洲南十字星大学毕业证文凭证书》【微信：741003700 】学位证，留信认证（真实可查，永久存档）原件一模一样纸张工艺/offer、雅思、外壳等材料/诚信可靠,可直接看成品样本，帮您解决无法毕业带来的各种难题！外壳，原版制作，诚信可靠，可直接看成品样本。行业标杆！精益求精，诚心合作，真诚制作！多年品质 ,按需精细制作，24小时接单,全套进口原装设备。十五年致力于帮助留学生解决难题，包您满意。
本公司拥有海外各大学样板无数，能完美还原。
1:1完美还原海外各大学毕业材料上的工艺：水印，阴影底纹，钢印LOGO烫金烫银，LOGO烫金烫银复合重叠。文字图案浮雕、激光镭射、紫外荧光、温感、复印防伪等防伪工艺。材料咨询办理、认证咨询办理请加学历顾问Q/微741003700
【主营项目】
一.毕业证【q微741003700】成绩单、使馆认证、教育部认证、雅思托福成绩单、学生卡等！
二.真实使馆公证(即留学回国人员证明,不成功不收费)
三.真实教育部学历学位认证（教育部存档！教育部留服网站永久可查）
四.办理各国各大学文凭(一对一专业服务,可全程监控跟踪进度)
如果您处于以下几种情况：
◇在校期间，因各种原因未能顺利毕业……拿不到官方毕业证【q/微741003700】
◇面对父母的压力，希望尽快拿到；
◇不清楚认证流程以及材料该如何准备；
◇回国时间很长，忘记办理；
◇回国马上就要找工作，办给用人单位看；
◇企事业单位必须要求办理的
◇需要报考公务员、购买免税车、落转户口
◇申请留学生创业基金
留信网认证的作用:
1:该专业认证可证明留学生真实身份
2:同时对留学生所学专业登记给予评定
3:国家专业人才认证中心颁发入库证书
4:这个认证书并且可以归档倒地方
5:凡事获得留信网入网的信息将会逐步更新到个人身份内，将在公安局网内查询个人身份证信息后，同步读取人才网入库信息
6:个人职称评审加20分
7:个人信誉贷款加10分
8:在国家人才网主办的国家网络招聘大会中纳入资料，供国家高端企业选择人才
Receivership and liquidation Accounts Prof. Oyedokun.pptx
Receivership and liquidation Accounts Prof. Oyedokun.pptxGodwin Emmanuel Oyedokun MBA MSc PhD FCA FCTI FCNA CFE FFAR
Receivership and liquidation Accounts
Being a Paper Presented at Business Recovery and Insolvency Practitioners Association of Nigeria (BRIPAN) on Friday, August 18, 2023.
From Promise to Practice. Implementing AI in Legal Environments
Pim Betist's presentation about generative AI in the legal sector at Lexpo.com '24
Business Laws Sunita saha
Business law for the students of undergraduate level. The presentation contains the summary of all the chapters under the syllabus of State University, Contract Act, Sale of Goods Act, Negotiable Instrument Act, Partnership Act, Limited Liability Act, Consumer Protection Act.
San Remo Manual on International Law Applicable to Armed Conflict at Sea
Presentation by Justin Ordoyo
University of the Philippines College of Law
The Future of Criminal Defense Lawyer in India.pdf
https://veteranlegal.in/defense-lawyer-in-india/ | Criminal defense Lawyer in India has always been a vital aspect of the country's legal system. As defenders of justice, criminal Defense Lawyer play a critical role in ensuring that individuals accused of crimes receive a fair trial and that their constitutional rights are protected. As India evolves socially, economically, and technologically, the role and future of criminal Defense Lawyer are also undergoing significant changes. This comprehensive blog explores the current landscape, challenges, technological advancements, and prospects for criminal Defense Lawyer in India.
V.-SENTHIL-BALAJI-SLP-C-8939-8940-2023-SC-Judgment-07-August-2023.pdf
सुप्रीम कोर्ट ने यह भी माना था कि मजिस्ट्रेट का यह कर्तव्य है कि वह सुनिश्चित करे कि अधिकारी पीएमएलए के तहत निर्धारित प्रक्रिया के साथ-साथ संवैधानिक सुरक्षा उपायों का भी उचित रूप से पालन करें।
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Integrating Advocacy and Legal Tactics to Tackle Online Consumer Complaints
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It's the Law: Recent Court and Administrative Decisions of Interest
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Module 37: Parting Words
- 1. Parting Words • Several years ago, I had the unique opportunity of training under the late Donald Fiedler, a legendary criminal defense attorney in his own right who was also an actor. He shared with me a story that has inspired me throughout my career.
- 2. Parting Words • It came from a play written by Gerald Uelman, entitled, “Bryan.” The play explores the life of William Jennings Bryan, Clarence Darrow’s adversary in the Scopes Monkey Trial. In the play, there is a scene when William discovers the magic he has over audiences. William told his beloved wife his secret:
- 3. Parting Words • “ … Mary, last night I found I have power over an audience. I can move them as I please. It was an incredible feeling. The whole room was focused on me, waiting for my next word. I spoke from my heart, and realized my audience was listening with their hearts. Knowing what is in a person’s heart gives you enormous power. It is a power that can move people and inspire them.”
- 4. Parting Words • Just as William recognized the power that he had over his audience when he spoke from his heart, a trial lawyer who is not afraid to be emotionally vulnerable possesses that very same power over a jury.
- 5. Parting Words Hold on to the foundation of your technique. It’s rock solid.
- 6. Parting Words Dare to be great!
- 7. Advice to those wanting to try out acting Acting is NOT a spectator sport. Preparation and “learning by doing” are critical elements of honing this craft.