A mind map and mood board were created by Henry Buckham. A mind map is a diagram used to visually organize information. A mood board called "Fear" was also made to convey a particular feeling or atmosphere through images and colors.
Psychic Reading Rooms offers psychic readings and services from experienced psychics and mediums. Visitors can get readings on love, relationships, career, and life purpose through phone, chat, or video. Customers are provided profiles on the psychics with ratings and reviews to help choose the best psychic for their specific question or situation.
Grid Work is a document written by Henry Buckham. The document appears to be about grids or grid systems, as the title is "Grid Work". However, without reading the full document, no other key details or essential information can be determined from just the title and author provided.
The document provides feedback on 5 initial ideas for recipe card designs. Key ideas discussed include using natural themes and feminine touches without excluding men, targeting children and families with educational designs, modern designs for teens using bright colors and imagery, luxury designs for dinner parties, and fast recipes for busy people. Feedback suggested expanding audiences in some cases to appeal to more people and considering where to market niche designs. Overall, the feedback aimed to help refine the ideas and make the target audiences broader.
The document discusses several key camera settings that impact photographs, including aperture, shutter speed, ISO, white balance, and post-processing techniques. It provides examples to illustrate the effects of different settings on depth of field, motion blur, image noise, color temperature, and tone. Specifically, smaller apertures increase depth of field while larger apertures create shallower depths of field. Faster shutter speeds freeze motion with less blur, while slower speeds allow for motion blur effects. Higher ISO settings increase light sensitivity but also image noise. White balance settings impact the overall color tone from cool/blue to warm/orange. Post-processing can refine images through cropping, levels/tones adjustments, and color modifications.
This recipe card uses a combination of serif and sans serif fonts to create a formal, stylish atmosphere fitting for a Christmas recipe. The main image shows the finished pie staged with side dishes to depict a festive meal. Colours like gold and purple represent Christmas, while white and light grey create a snowy background. Decorative elements like baubles and swirls add flair in a way that breaks from the typical geometric style of other cards, conveying the seasonal theme through a stylized layout and formal design.
- Alcest began as a raw black metal project in France but has since evolved their sound to a melodic dream pop/shoegaze style inspired by bands like Slowdive and Ride.
- This change in sound divided fans, with some preferring the earlier black metal works and others embracing the new direction. However, it also attracted new fans, especially women, uncommon in the male-dominated metal scene.
- While opinions varied, many fans saw the album "Le Voyages de l'Âme" as Alcest's magnum opus, perfectly blending soft and hard elements. However, the album "Shelter" received mixed feedback for its calmer approach.
The document analyzes the layout, design and stylistic elements of publications including The Sun, Daily Mirror, Daily Star, Terrorizer Magazine, Metal Hammer Magazine and Zero Tolerance Magazine. Key points analyzed include placement of mastheads, headlines, images, use of fonts, colors and informal vs. formal language. Sample pages are provided showing layouts, typography and graphic elements used to match the tone and content of different publications. Mood boards and font testing pages are also included exploring design options for a new magazine.
Henry Buckham created a mind map and mood board to develop merchandise ideas for the SAS brand. The ideas included t-shirts with cartoon marine animals to appeal to younger customers, polo shirts with the circular SAS logo in different locations and styles, and towels and grip pads featuring the SAS colors and logo to connect to surfing and beaches. The designs would help promote brand awareness for SAS.
Psychic Reading Rooms offers psychic readings and services from experienced psychics and mediums. Visitors can get readings on love, relationships, career, and life purpose through phone, chat, or video. Customers are provided profiles on the psychics with ratings and reviews to help choose the best psychic for their specific question or situation.
Grid Work is a document written by Henry Buckham. The document appears to be about grids or grid systems, as the title is "Grid Work". However, without reading the full document, no other key details or essential information can be determined from just the title and author provided.
The document provides feedback on 5 initial ideas for recipe card designs. Key ideas discussed include using natural themes and feminine touches without excluding men, targeting children and families with educational designs, modern designs for teens using bright colors and imagery, luxury designs for dinner parties, and fast recipes for busy people. Feedback suggested expanding audiences in some cases to appeal to more people and considering where to market niche designs. Overall, the feedback aimed to help refine the ideas and make the target audiences broader.
The document discusses several key camera settings that impact photographs, including aperture, shutter speed, ISO, white balance, and post-processing techniques. It provides examples to illustrate the effects of different settings on depth of field, motion blur, image noise, color temperature, and tone. Specifically, smaller apertures increase depth of field while larger apertures create shallower depths of field. Faster shutter speeds freeze motion with less blur, while slower speeds allow for motion blur effects. Higher ISO settings increase light sensitivity but also image noise. White balance settings impact the overall color tone from cool/blue to warm/orange. Post-processing can refine images through cropping, levels/tones adjustments, and color modifications.
This recipe card uses a combination of serif and sans serif fonts to create a formal, stylish atmosphere fitting for a Christmas recipe. The main image shows the finished pie staged with side dishes to depict a festive meal. Colours like gold and purple represent Christmas, while white and light grey create a snowy background. Decorative elements like baubles and swirls add flair in a way that breaks from the typical geometric style of other cards, conveying the seasonal theme through a stylized layout and formal design.
- Alcest began as a raw black metal project in France but has since evolved their sound to a melodic dream pop/shoegaze style inspired by bands like Slowdive and Ride.
- This change in sound divided fans, with some preferring the earlier black metal works and others embracing the new direction. However, it also attracted new fans, especially women, uncommon in the male-dominated metal scene.
- While opinions varied, many fans saw the album "Le Voyages de l'Âme" as Alcest's magnum opus, perfectly blending soft and hard elements. However, the album "Shelter" received mixed feedback for its calmer approach.
The document analyzes the layout, design and stylistic elements of publications including The Sun, Daily Mirror, Daily Star, Terrorizer Magazine, Metal Hammer Magazine and Zero Tolerance Magazine. Key points analyzed include placement of mastheads, headlines, images, use of fonts, colors and informal vs. formal language. Sample pages are provided showing layouts, typography and graphic elements used to match the tone and content of different publications. Mood boards and font testing pages are also included exploring design options for a new magazine.
Henry Buckham created a mind map and mood board to develop merchandise ideas for the SAS brand. The ideas included t-shirts with cartoon marine animals to appeal to younger customers, polo shirts with the circular SAS logo in different locations and styles, and towels and grip pads featuring the SAS colors and logo to connect to surfing and beaches. The designs would help promote brand awareness for SAS.
Surfers Against Sewage is a non-profit organization formed in 1990 by surfers in Cornwall to address environmental issues affecting UK beaches and coastlines. The organization campaigns against marine pollution from sewage, plastic, and other waste that endangers wildlife. Surfers Against Sewage also works to educate the public on these issues and advocates for laws to improve water quality and protect coastal environments for future generations.
Take a Break magazine targets lower-middle class women aged 30-80 through stories focused on relationships, gossip, and sensationalism. It uses bright colors, informal language, and photos of smiling middle-aged women on the cover to attract its primarily female readership. The magazine encourages reader submissions and interaction through prizes, competitions, and social media to build loyalty among its 2.5 million readers.
This document summarizes four promotional materials produced by the Surfers Against Sewage (SAS) organization:
1) The SAS logo uses a stylized crashing wave to represent clean oceans and features a subtle human eye looking out for coastal areas. It is used on promotional materials to spread awareness.
2) A membership leaflet informs the public about SAS activities and benefits of membership to recruit new members. It uses imagery of cleanups and testimonials.
3) An educational leaflet uses facts and comparisons to historical events to highlight how long litter takes to decompose and entice people to join the cause.
4) A dramatic poster depicts a surfing wristband hanging from a dead tree to symbolize the death
The Marine Conservation Society created a poster campaign to raise awareness about the dangers balloons pose to wildlife. The poster explains how balloons can harm birds and other animals if they are released into the environment. It aims to educate the public and encourage safer alternatives to balloon releases. The campaign has been successful in banning balloon releases in some areas of the UK.
The document discusses considerations for researching existing social action organizations to help plan a campaign for Surfers Against Sewage (SAS). It notes that looking at 3 different organizations would provide a well-rounded perspective without being one-sided. The research would look at campaign materials, merchandising, leaflets and how each organization communicates their message through various media. Elements to examine include how groups operate, their activities, and effective use of design elements like color and fonts. Sensitivity is important since some causes help disadvantaged people and privacy must be respected. Some groups may not want to share information so alternative organizations should be researched. Completed pieces would be displayed in coastal areas and published nationwide to raise awareness. As a non-profit
The document outlines a social action project schedule spanning 4 weeks. In week 1, the schedule involves brainstorming and designing a logo on Monday, finalizing the logo on Tuesday, and beginning to plan a campaign poster on Tuesday. Week 2 focuses on finalizing the poster on Monday, designing a membership form on Monday and Tuesday, and planning merchandise by the end of the week. Week 3 involves continuing work on merchandise designs through mind maps and drafts. Week 4 is designated as contingency time to refine any work from previous weeks. Various computer programs and online resources are listed that will aid the project work.
Henry Buckham was contracted to design promotional materials for the charity Surfers Against Sewage, including a logo, campaign poster, recruitment form, and merchandise. He created several logo designs before settling on a simple circular logo featuring a wave shape. For the campaign poster, he designed two versions before selecting one with a serious message about cigarette litter using impactful typography and color matching the logo. The recruitment form featured images of polluted beaches with compelling text to recruit members. The merchandise line included apparel and accessories branded with original graphics tying into SAS campaigns.
Henry Buckham created a mind map and mood board to develop merchandise ideas for the SAS brand. The ideas included t-shirts with cartoon marine animals to appeal to younger customers, towels with SAS logos and colors to reference coastlines, and a grip pad with SAS colors and logo to connect to surfing. The designs would be available across different styles of shirts, locations on shirts, and accessories to promote brand awareness.
This document discusses SAS recruitment forms. It contains sections for development and final sides. The document provides information needed for recruiting purposes at SAS.
The document outlines the design of a membership form for a charity organization called SAS. The front of the form will feature an image with overlaying headings and a tagline relevant to SAS's goals. It will also include three small pictures of SAS members participating in charity activities. The back of the form will have a background image and columns of persuasive text to encourage people to join, as well as areas for contact information and a payment/direct debit form. The design aims to visually represent SAS's identity and goals while clearly presenting the important information and call to action.
Henry Buckham plans to create a campaign poster about offshore development that will use a portrait orientation with bold typography to draw attention. The poster will feature a background image of a beach detailed with structures like wind farms and oil rigs to make the point that offshore development is altering coastlines and threatening surfing spots. Bright colors will be used to tie the background image together and make the poster highly visible.
This document discusses final logo choices for the charity Surfers Against Sewage. The author's prime choice is a simple round logo using bold colors that can be used on various formats with different taglines. The second choice ties more into the youthful surfer image with text arranged in a semi-circle for brand identification. A surfboard-shaped logo was rejected for being too wide for posters and forms, but could work for merchandise. Another formal logo inspired by government seals was also rejected for not fitting the charity's carefree stereotype, though it could work distressed on apparel. A tall vertical logo was similarly rejected for documentation.
The document outlines a 4-week schedule for a social action project that includes designing a logo, poster, membership form, and merchandise. Week 1 focuses on brainstorming and designing the logo and beginning work on the campaign poster. Week 2 involves finalizing the poster design, creating a membership form, and planning merchandise ideas. Week 3 has the student continuing work on merchandise ideas and initial designs. Week 4 is designated as contingency time to refine all project materials and complete any remaining work.
Henry Buckham created three mood boards and mind maps for a publication about the organization Surfers Against Sewage. The first mood board emphasized bright, tropical colors and imagery to create a warm, welcoming feel. The second used more muted tones and images of surfers together to portray cooperation. The third incorporated darker colors and ominous underwater photos to highlight the negative impacts of sewage. Each mood board was accompanied by descriptions of the selected colors, images and fonts to represent different themes for the publication.
Neige, the frontman of the shoegaze band Alcest, was found dead on July 17th, 2017. He was seen as the founder of the blackgaze genre, fusing the harshness of black metal with the ethereal tones of shoegaze. Inspired by vivid dreams from his childhood in southern France, Neige sought to share his dreamlike visions through his music. While Alcest began playing raw black metal, their sound evolved to reflect Neige's dreams. Neige also played in other bands like Amesoeurs and Peste Noire, but considered Alcest his main outlet to express his peaceful, dreamlike vision. He remained dedicated to his artistic vision rather than commercial success
Surfers Against Sewage (SAS) is a non-profit organization formed in 1990 by surfers in Cornwall who were concerned about the decreasing quality of beaches and coastlines in the UK. SAS campaigns to protect marine wildlife from sewage and litter through beach cleanups, education efforts, and lobbying for new laws and regulations. Some of SAS's successes include stricter rules around sewage screening and plastic pellet containment. Their long term goal is for all UK beaches to be free of waste and sewage so they can be enjoyed by all.
This leaflet from the World Wildlife Fund (WWF) aims to educate the public about the dangers of shark finning and overfishing of sharks. It uses bold colors and imagery related to oceans to draw attention. Statistics and comparisons to historical events are provided to emphasize the scale of the problem and threat to shark species. The copy highlights how many shark species are endangered and that finning is the biggest threat sharks face. It encourages supporting WWF's campaign by joining, donating, or boycotting shark fin consumption to help address overfishing.
This document discusses considerations for researching existing social action organizations to help with a campaign for Surfers Against Sewage (SAS). It notes that looking at three different organizations would provide a diverse range of information without being one-sided. The research would examine elements like how organizations operate, communicate, and undertake activities. Sensitivity is important in researching social issues that help disadvantaged groups. Organizations may not want to share all information, but alternative groups could be examined. Finished materials may be displayed in coastal areas and published nationwide to raise awareness of coastal problems and solutions individuals can implement. Funding can be an issue for SAS as their work is voluntary, requiring fundraising and charity events to support printing materials and environmental work.
The document describes a campaign by the Marine Conservation Society to raise awareness of the dangers balloons pose to wildlife. The campaign aims to educate the public about how balloons can harm animals if released into the environment. It uses posters with images of tangled wildlife and the tagline "Don't Let Go!" to draw attention and convey its message. The campaign has been successful in banning balloon releases in some areas of the UK and reducing balloon-related wildlife deaths.
Surfers Against Sewage is a non-profit organization formed in 1990 by surfers in Cornwall to address environmental issues affecting UK beaches and coastlines. The organization campaigns against marine pollution from sewage, plastic, and other waste that endangers wildlife. Surfers Against Sewage also works to educate the public on these issues and advocates for laws to improve water quality and protect coastal environments for future generations.
Take a Break magazine targets lower-middle class women aged 30-80 through stories focused on relationships, gossip, and sensationalism. It uses bright colors, informal language, and photos of smiling middle-aged women on the cover to attract its primarily female readership. The magazine encourages reader submissions and interaction through prizes, competitions, and social media to build loyalty among its 2.5 million readers.
This document summarizes four promotional materials produced by the Surfers Against Sewage (SAS) organization:
1) The SAS logo uses a stylized crashing wave to represent clean oceans and features a subtle human eye looking out for coastal areas. It is used on promotional materials to spread awareness.
2) A membership leaflet informs the public about SAS activities and benefits of membership to recruit new members. It uses imagery of cleanups and testimonials.
3) An educational leaflet uses facts and comparisons to historical events to highlight how long litter takes to decompose and entice people to join the cause.
4) A dramatic poster depicts a surfing wristband hanging from a dead tree to symbolize the death
The Marine Conservation Society created a poster campaign to raise awareness about the dangers balloons pose to wildlife. The poster explains how balloons can harm birds and other animals if they are released into the environment. It aims to educate the public and encourage safer alternatives to balloon releases. The campaign has been successful in banning balloon releases in some areas of the UK.
The document discusses considerations for researching existing social action organizations to help plan a campaign for Surfers Against Sewage (SAS). It notes that looking at 3 different organizations would provide a well-rounded perspective without being one-sided. The research would look at campaign materials, merchandising, leaflets and how each organization communicates their message through various media. Elements to examine include how groups operate, their activities, and effective use of design elements like color and fonts. Sensitivity is important since some causes help disadvantaged people and privacy must be respected. Some groups may not want to share information so alternative organizations should be researched. Completed pieces would be displayed in coastal areas and published nationwide to raise awareness. As a non-profit
The document outlines a social action project schedule spanning 4 weeks. In week 1, the schedule involves brainstorming and designing a logo on Monday, finalizing the logo on Tuesday, and beginning to plan a campaign poster on Tuesday. Week 2 focuses on finalizing the poster on Monday, designing a membership form on Monday and Tuesday, and planning merchandise by the end of the week. Week 3 involves continuing work on merchandise designs through mind maps and drafts. Week 4 is designated as contingency time to refine any work from previous weeks. Various computer programs and online resources are listed that will aid the project work.
Henry Buckham was contracted to design promotional materials for the charity Surfers Against Sewage, including a logo, campaign poster, recruitment form, and merchandise. He created several logo designs before settling on a simple circular logo featuring a wave shape. For the campaign poster, he designed two versions before selecting one with a serious message about cigarette litter using impactful typography and color matching the logo. The recruitment form featured images of polluted beaches with compelling text to recruit members. The merchandise line included apparel and accessories branded with original graphics tying into SAS campaigns.
Henry Buckham created a mind map and mood board to develop merchandise ideas for the SAS brand. The ideas included t-shirts with cartoon marine animals to appeal to younger customers, towels with SAS logos and colors to reference coastlines, and a grip pad with SAS colors and logo to connect to surfing. The designs would be available across different styles of shirts, locations on shirts, and accessories to promote brand awareness.
This document discusses SAS recruitment forms. It contains sections for development and final sides. The document provides information needed for recruiting purposes at SAS.
The document outlines the design of a membership form for a charity organization called SAS. The front of the form will feature an image with overlaying headings and a tagline relevant to SAS's goals. It will also include three small pictures of SAS members participating in charity activities. The back of the form will have a background image and columns of persuasive text to encourage people to join, as well as areas for contact information and a payment/direct debit form. The design aims to visually represent SAS's identity and goals while clearly presenting the important information and call to action.
Henry Buckham plans to create a campaign poster about offshore development that will use a portrait orientation with bold typography to draw attention. The poster will feature a background image of a beach detailed with structures like wind farms and oil rigs to make the point that offshore development is altering coastlines and threatening surfing spots. Bright colors will be used to tie the background image together and make the poster highly visible.
This document discusses final logo choices for the charity Surfers Against Sewage. The author's prime choice is a simple round logo using bold colors that can be used on various formats with different taglines. The second choice ties more into the youthful surfer image with text arranged in a semi-circle for brand identification. A surfboard-shaped logo was rejected for being too wide for posters and forms, but could work for merchandise. Another formal logo inspired by government seals was also rejected for not fitting the charity's carefree stereotype, though it could work distressed on apparel. A tall vertical logo was similarly rejected for documentation.
The document outlines a 4-week schedule for a social action project that includes designing a logo, poster, membership form, and merchandise. Week 1 focuses on brainstorming and designing the logo and beginning work on the campaign poster. Week 2 involves finalizing the poster design, creating a membership form, and planning merchandise ideas. Week 3 has the student continuing work on merchandise ideas and initial designs. Week 4 is designated as contingency time to refine all project materials and complete any remaining work.
Henry Buckham created three mood boards and mind maps for a publication about the organization Surfers Against Sewage. The first mood board emphasized bright, tropical colors and imagery to create a warm, welcoming feel. The second used more muted tones and images of surfers together to portray cooperation. The third incorporated darker colors and ominous underwater photos to highlight the negative impacts of sewage. Each mood board was accompanied by descriptions of the selected colors, images and fonts to represent different themes for the publication.
Neige, the frontman of the shoegaze band Alcest, was found dead on July 17th, 2017. He was seen as the founder of the blackgaze genre, fusing the harshness of black metal with the ethereal tones of shoegaze. Inspired by vivid dreams from his childhood in southern France, Neige sought to share his dreamlike visions through his music. While Alcest began playing raw black metal, their sound evolved to reflect Neige's dreams. Neige also played in other bands like Amesoeurs and Peste Noire, but considered Alcest his main outlet to express his peaceful, dreamlike vision. He remained dedicated to his artistic vision rather than commercial success
Surfers Against Sewage (SAS) is a non-profit organization formed in 1990 by surfers in Cornwall who were concerned about the decreasing quality of beaches and coastlines in the UK. SAS campaigns to protect marine wildlife from sewage and litter through beach cleanups, education efforts, and lobbying for new laws and regulations. Some of SAS's successes include stricter rules around sewage screening and plastic pellet containment. Their long term goal is for all UK beaches to be free of waste and sewage so they can be enjoyed by all.
This leaflet from the World Wildlife Fund (WWF) aims to educate the public about the dangers of shark finning and overfishing of sharks. It uses bold colors and imagery related to oceans to draw attention. Statistics and comparisons to historical events are provided to emphasize the scale of the problem and threat to shark species. The copy highlights how many shark species are endangered and that finning is the biggest threat sharks face. It encourages supporting WWF's campaign by joining, donating, or boycotting shark fin consumption to help address overfishing.
This document discusses considerations for researching existing social action organizations to help with a campaign for Surfers Against Sewage (SAS). It notes that looking at three different organizations would provide a diverse range of information without being one-sided. The research would examine elements like how organizations operate, communicate, and undertake activities. Sensitivity is important in researching social issues that help disadvantaged groups. Organizations may not want to share all information, but alternative groups could be examined. Finished materials may be displayed in coastal areas and published nationwide to raise awareness of coastal problems and solutions individuals can implement. Funding can be an issue for SAS as their work is voluntary, requiring fundraising and charity events to support printing materials and environmental work.
The document describes a campaign by the Marine Conservation Society to raise awareness of the dangers balloons pose to wildlife. The campaign aims to educate the public about how balloons can harm animals if released into the environment. It uses posters with images of tangled wildlife and the tagline "Don't Let Go!" to draw attention and convey its message. The campaign has been successful in banning balloon releases in some areas of the UK and reducing balloon-related wildlife deaths.
Rethinking Kållered │ From Big Box to a Reuse Hub: A Transformation Journey ...SirmaDuztepeliler
"Rethinking Kållered │ From Big Box to a Reuse Hub: A Transformation Journey Toward Sustainability"
The booklet of my master’s thesis at the Department of Architecture and Civil Engineering at Chalmers University of Technology. (Gothenburg, Sweden)
This thesis explores the transformation of the vacated (2023) IKEA store in Kållered, Sweden, into a "Reuse Hub" addressing various user types. The project aims to create a model for circular and sustainable economic practices that promote resource efficiency, waste reduction, and a shift in societal overconsumption patterns.
Reuse, though crucial in the circular economy, is one of the least studied areas. Most materials with reuse potential, especially in the construction sector, are recycled (downcycled), causing a greater loss of resources and energy. My project addresses barriers to reuse, such as difficult access to materials, storage, and logistics issues.
Aims:
• Enhancing Access to Reclaimed Materials: Creating a hub for reclaimed construction materials for both institutional and individual needs.
• Promoting Circular Economy: Showcasing the potential and variety of reusable materials and how they can drive a circular economy.
• Fostering Community Engagement: Developing spaces for social interaction around reuse-focused stores and workshops.
• Raising Awareness: Transforming a former consumerist symbol into a center for circular practices.
Highlights:
• The project emphasizes cross-sector collaboration with producers and wholesalers to repurpose surplus materials before they enter the recycling phase.
• This project can serve as a prototype for reusing many idle commercial buildings in different scales and sizes.
• The findings indicate that transforming large vacant properties can support sustainable practices and present an economically attractive business model with high social returns at the same time.
• It highlights the potential of how sustainable practices in the construction sector can drive societal change.