Mindmap film ideas
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A person walks alone down a dimly lit alley at night, catching glimpses of shadows. As they continue down the corridor in darkness broken by only one or two lights, the person believes they see a blurry black figure. They become increasingly paranoid that the shadow is following them, until the last shot where the figure drags them into the darkness as coins roll on the ground.
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Horror movie conventions sam tomlinson
The document outlines common conventions in horror movies. It discusses how settings are often isolated with dark atmospheres to build tension. Technical elements like camera work and sound are used to create fear through techniques like POV shots and diegetic noises. Iconography employs dark colors and lighting alongside props and masks that represent the genre. Narratives usually involve stalkers, mysteries or haunted houses. Characters typically fit stereotypes while villains are monsters or unknown killers. Overarching themes explore concepts like good vs. evil, madness, and the supernatural.
Seven - Media Presentation
This document analyzes the title sequence of the film "SE7EN" through its mise-en-scene, camera work, sound, editing, and colors. Key elements analyzed include low-key lighting, desaturated colors like black and red to connote death, and extreme close-ups of hands and objects to build mystery around the plot. Unsteady camera work and uncomfortable sounds are used to unsettle the audience. The analysis highlights how the title sequence builds an atmosphere of mystery, horror, and instability to engage the viewer.
Iconography
Iconography refers to the use of visual symbols and images in art to convey meaning. In films, iconography provides insight into the genre through props, lighting, colors, and themes of life/death or light/dark. Directors use iconography intentionally to give viewers information about the type of film, like showing an axe for a slasher film or using minimal lighting on a movie cover to signal it will be a horror.
Iconography in film and television
Iconography describes the visual language and symbols used within film genres to represent certain settings and themes. Iconography plays an important role in establishing the genre through common objects and visual cues audiences have come to expect for that style of film, such as dusty roads and horses for westerns or young girls and uses of lighting for horror films. These iconic images and symbols that represent the genre are called the iconography of the mise-en-scene.
Brainstorm for Thriller Opening
A document outlines elements for the opening scene of a thriller film, including a man driving and meeting another person in a car where little is said but they refer to something in the back. The opening would then have a short credit introduction without footage before revealing the movie title and cutting to the sequence. The ending scene would involve synchronized sounds of the car fading to black as credits appear when the sequence starts, taking inspiration from the openings of Insomnia, Stoker, and Seconds with anamorphic filming similar to Nightcrawler using low key lighting, warm colors, and zooms of the main character like in Prisoners.
Mise en-Scene Analysis
The document analyzes common mise-en-scene elements in horror movie trailers, including setting, costume, lighting, props, and body language. It discusses how the settings often have elements of mystery and darkness. Costumes commonly include scary masks to frighten audiences. Lighting is usually low and dark to create fear and suspense. Props include weapons like knives and guns. Body language and facial expressions aim to convey a sense of despair and impending danger to elicit the same feelings in viewers.
supernatural research
The document outlines the technical elements that would be used to create an effective horror film, including isolating shooting locations to establish a dark atmosphere, using various camera shots and angles to manipulate viewers' perspectives, incorporating ambient and non-diegetic sounds, fast pacing to build suspense through editing, and low key lighting to generate dark shadows. It also notes that both dark and light lighting may be used to emphasize supernatural experiences, and that costumes and props can help identify the horror genre and characters. Key themes to explore include alienation, death, questioning reality, insanity, survival, and the supernatural.
Genre research
This document summarizes common elements found in horror genre films. It discusses typical character archetypes like victims, annoying characters, heroes, and antagonists. It also covers common settings like isolated locations shot with low-key lighting to build tension. Props often involve weapons that inflict pain like knives and chainsaws. The narrative typically follows a pattern of equilibrium, disruption, and new resolution. Technical elements include handheld camera work, point-of-view shots, and fast editing. Sound is both non-diegetic like creepy music and diegetic like character dialogue and environmental sounds.
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Horror movie conventions sam tomlinson
The document outlines common conventions in horror movies. It discusses how settings are often isolated with dark atmospheres to build tension. Technical elements like camera work and sound are used to create fear through techniques like POV shots and diegetic noises. Iconography employs dark colors and lighting alongside props and masks that represent the genre. Narratives usually involve stalkers, mysteries or haunted houses. Characters typically fit stereotypes while villains are monsters or unknown killers. Overarching themes explore concepts like good vs. evil, madness, and the supernatural.
Seven - Media Presentation
This document analyzes the title sequence of the film "SE7EN" through its mise-en-scene, camera work, sound, editing, and colors. Key elements analyzed include low-key lighting, desaturated colors like black and red to connote death, and extreme close-ups of hands and objects to build mystery around the plot. Unsteady camera work and uncomfortable sounds are used to unsettle the audience. The analysis highlights how the title sequence builds an atmosphere of mystery, horror, and instability to engage the viewer.
Iconography
Iconography refers to the use of visual symbols and images in art to convey meaning. In films, iconography provides insight into the genre through props, lighting, colors, and themes of life/death or light/dark. Directors use iconography intentionally to give viewers information about the type of film, like showing an axe for a slasher film or using minimal lighting on a movie cover to signal it will be a horror.
Iconography in film and television
Iconography describes the visual language and symbols used within film genres to represent certain settings and themes. Iconography plays an important role in establishing the genre through common objects and visual cues audiences have come to expect for that style of film, such as dusty roads and horses for westerns or young girls and uses of lighting for horror films. These iconic images and symbols that represent the genre are called the iconography of the mise-en-scene.
Brainstorm for Thriller Opening
A document outlines elements for the opening scene of a thriller film, including a man driving and meeting another person in a car where little is said but they refer to something in the back. The opening would then have a short credit introduction without footage before revealing the movie title and cutting to the sequence. The ending scene would involve synchronized sounds of the car fading to black as credits appear when the sequence starts, taking inspiration from the openings of Insomnia, Stoker, and Seconds with anamorphic filming similar to Nightcrawler using low key lighting, warm colors, and zooms of the main character like in Prisoners.
Mise en-Scene Analysis
The document analyzes common mise-en-scene elements in horror movie trailers, including setting, costume, lighting, props, and body language. It discusses how the settings often have elements of mystery and darkness. Costumes commonly include scary masks to frighten audiences. Lighting is usually low and dark to create fear and suspense. Props include weapons like knives and guns. Body language and facial expressions aim to convey a sense of despair and impending danger to elicit the same feelings in viewers.
supernatural research
The document outlines the technical elements that would be used to create an effective horror film, including isolating shooting locations to establish a dark atmosphere, using various camera shots and angles to manipulate viewers' perspectives, incorporating ambient and non-diegetic sounds, fast pacing to build suspense through editing, and low key lighting to generate dark shadows. It also notes that both dark and light lighting may be used to emphasize supernatural experiences, and that costumes and props can help identify the horror genre and characters. Key themes to explore include alienation, death, questioning reality, insanity, survival, and the supernatural.
Genre research
This document summarizes common elements found in horror genre films. It discusses typical character archetypes like victims, annoying characters, heroes, and antagonists. It also covers common settings like isolated locations shot with low-key lighting to build tension. Props often involve weapons that inflict pain like knives and chainsaws. The narrative typically follows a pattern of equilibrium, disruption, and new resolution. Technical elements include handheld camera work, point-of-view shots, and fast editing. Sound is both non-diegetic like creepy music and diegetic like character dialogue and environmental sounds.
Decisions made according to the focus group
The document provides details on the visual elements and style of a horror film, including:
- The protagonist will wear a dark costume without a mask and not be fully revealed, while both the protagonist and antagonist will appear on a magazine cover but only the protagonist will be shown on a poster with the antagonist's shadow.
- The house setting will not be run-down and preferably located in a remote area.
- The film trailer will open with a shot of the antagonist after the title card and use orchestral music commonly found in horror films.
- Shots in the poster will be medium or long to portray the atmosphere while fitting other text elements.
Principles of Film Theory
The document discusses different film theory principles including types of films like realism, classical, and formalism. It also covers various film techniques such as shots, angles, lighting, color, sound, editing, and mise-en-scene. The goal is to understand how to analyze films through an examination of their content and stylistic elements.
In what ways does your media product use, develop or challenge forms and conv...
Presentation showing how our media conforms, develops or challenges ideas within the genre of crime thriller.
Conventions of horror films
Horror films commonly use certain conventions including dark colors, low lighting, isolated settings, exaggerated sounds, and specific props associated with villains. The characters are usually placed alone in isolated small towns or abandoned places with a dark history. Common character types include the main protagonist or victim/hero, a villain such as a monster or serial killer known for their killing method, and stereotypical teenagers who are killed. Camera techniques like handheld shots and close-ups create a sense of realism and observe emotions. Themes often involve good vs. evil, revenge, madness, nightmares, or the supernatural.
Uaksha genre research
Genre drama portrays realistic characters and stories that exhibit real life situations and the development of characters over time through intense social interactions. The purpose is to move audiences emotionally by presenting relatable journeys that typically feature dull lighting, close-ups of characters, props like alcohol and guns, and close-knit locations in order to portray gritty environments and provide a sense of realization or happy ending.
Codes and convention of a psychological horror
The document provides information on various techniques used in psychological horror films, including weapons, settings, color, lighting, costume, sound, and sight. Weapons in these films are often psychological rather than physical, using fear and tricks of the mind. Common settings include large houses, forests, schools, and hospitals to create realism. Dark colors like black and lighting that creates shadows are used to establish a frightening atmosphere. Flashbacks are sometimes incorporated to explain the killer's disturbed past.
Conventions of a horror
Horror settings are often isolated areas like small towns or abandoned buildings to increase the sense of isolation. Common locations include dark alleys, woods, and abandoned structures with dark histories.
Horror films employ unsettling camera techniques like high and low angles, point-of-view shots, and handheld footage to make audiences uncomfortable. Fast editing, loud noises, and eerie music also build tension.
Costumes are usually dark colors and torn clothing to represent evil. Common props help identify monsters and include weapons, torches, and fire. Themes explore issues like childhood trauma, science experiments gone wrong, and madness.
Mise-en-scène
Mise-en-scène refers to everything within the frame of a shot that can be used to tell the story or provide context. It includes settings and props, costumes, lighting, positioning of characters, and their body language and facial expressions. These elements are used purposefully in different genres to convey meaning and create certain moods, with factors like the use of color, lighting techniques, and character positioning providing important context for the audience.
Mise-en-scene in the mystery-thriller genre
The document discusses various elements of mise-en-scène that are commonly used in mystery-thriller films to create suspense and tension. Low key lighting and dark colors are used to hide details and play on fears of the unknown. Props like weapons increase stakes during confrontations. Non-diegetic music and silence are employed to build suspense, while diegetic sounds like footsteps indicate impending scenes. Settings range from urban areas that feel familiar yet dangerous to rural isolation or dystopian futures acting as social commentary. Costumes reflect the time period or indicate a character's morality through bright or dark colors.
Genre analysis
The document analyzes the genre and conventions of the horror film "Dawn of the Dead". It discusses how the genre is defined by conventions like gore, dark settings, and terrifying imagery. Specifically, it belongs to the zombie horror subgenre. It notes that horror aims to trigger the imagination and elicit an adrenaline response from audiences. Typically, male teenagers are the main viewers. Common conventions highlighted in the film analysis include scenes of characters investigating strange sounds and not returning, settings in isolated areas, characters dying in stupid ways, an unkillable killer, and the use of blood and gore. Stereotypes of strong male protectors and vulnerable female characters are both reinforced and challenged in horror film trailers.
Genre Analysis
The document analyzes the genre and conventions of the horror film "Dawn of the Dead". It discusses how the genre is defined by conventions like gore, dark settings, and isolation. It notes the film's subgenre is zombie horror. Stereotypes in horror films and trailers are examined, such as big masculine characters protecting others and seeming threatening through camera angles. While some stereotypes are reinforced, others are challenged by showing strong characters also feeling vulnerable at times.
Horror
Horror is a genre intended to frighten or disgust readers/viewers by inducing feelings of horror and terror. The genre originated with Horace Walpole's 1765 novel The Castle of Otranto, which may be considered the first horror story. Horror has ancient roots in folklore and religious traditions focused on death, the afterlife, evil, and supernatural beings. Early influential horror films from Germany in the 1910s-1920s like The Cabinet of Dr. Caligari and Nosferatu helped establish the genre and used a macabre atmosphere and themes to create fear. Common locations for horror films include haunted houses, forests, and isolated places while common sounds include creaking doors and screams. Low-key lighting
Generic conventions of horror
The opening scene of The Woman in Black establishes an eerie atmosphere through its use of generic horror conventions. We see three young girls playing with dolls accompanied by unsettling music, foreshadowing danger. Their strange behavior and a mysterious figure in black hook the audience to learn more. Iconography like screaming and the veil associated with death effectively set the horror tone for the film. The target audience is likely those 25 and under who enjoy horror genres, and the film attracted viewers through its young actors like Daniel Radcliffe from Harry Potter.
Fran
This document provides an overview of key elements that contribute to horror film genres. It discusses how locations are typically dark and spooky environments to create fear in audiences. It also describes common character archetypes seen in horror films and explains the importance of sound, costumes, makeup, and lighting in establishing the right mood and eliciting fear. Specifically, it notes how lighting is often low-key and dramatic to generate tension through shadows.
Mediathriller
A thriller film uses suspense, tension, and excitement through its conventions to create an adrenaline-rushing and fast-paced narrative. Common elements include a crime-centered plot, a vulnerable protagonist exploited by the antagonist, and a complex web trapping the protagonist into helplessness. Through micro-elements like camerawork and sound, thrillers build suspense towards resolving important enigmas set up in the opening.
Lesson 17 women and aco (ob)
This document discusses the concept of the "male gaze" in the film A Clockwork Orange, as analyzed by film theorist Laura Mulvey. It explains that Mulvey believes films typically depict women from the perspective of a heterosexual male gaze, as erotic objects for male characters and the audience. The document analyzes several scenes from the film through this lens, such as the opening shots introducing women and the "home invasion" scene. It argues that through techniques like camerawork and editing, the audience is encouraged to view the story and female characters from the perspective of the main character Alex, implicating us in his actions and allowing the male gaze.
Lazarus Opening Sequence - Storyboard
The document describes the opening sequence of the production "Lazarus" with 3 shots. Shot 1 is a tracking shot of circus equipment on a table that ends with a close-up of a jumping hand. Shot 2 shows a close-up of the protagonist in a mask under a spotlight, with the camera circling before the mask is removed. Shot 3 simply displays the title "Lazarus" in the center of the screen in a circus font color.
My film opening idea
The opening will show a bloody man standing over a dead body in dark and lonely woods. Slow establishing shots of the empty woods will be accompanied by tense music and the sounds of chopping and heavy breathing to set a mysterious tone. A tracking shot will follow a blood trail to the mysterious figure holding a hammer. Close-ups will reveal bloody details before showing his face covered in blood, looking down at the body. The screen will then cut to 24 hours earlier as two characters journey into the woods for a deer hunt, with one revealed to be the bloody figure. Sound and lighting will create tension and mystery through slow, dark music and low key lighting that hides some of the character's features.
Media research presentation
The document discusses conventions of the horror genre in film. It summarizes that camerawork is used to create dramatic effects, with techniques like high and low angle shots, establishing shots of isolated settings, and shaky "footage" camerawork. It also notes that lighting, props, costumes, editing techniques like cross-cutting, and diegetic sounds are employed to add tension and scare the audience. The target audience is typically younger viewers who enjoy being frightened, though some older audiences prefer certain subgenres. To appeal to this target, a film should keep the audience on edge with unpredictable jumps and a relatable teenage cast.
Proposal form
Two friends visit an area rumored to be haunted by a killer but don't take the rumors seriously. However, one friend's scream indicates things have taken a turn for the worse as they are dragged into the woods. The film, titled "A Walk in the Woods", is a horror movie aimed at audiences over 18 produced by Harry Taylor with a crew of seven people and equipment like cameras, microphones, and props.
Personnel list
The document lists personnel for a production including actors Harry Taylor, Callum Morris, Luke Adams, Raf Reynar, and Harry Cross. Cameramen are listed as Callum Morris, Luke Adams, Morgan Pitt, and Jake O’Brien. Other helpers included on the list are Jake O’Brien, Harry Brooke, Morgan Pitt Raf Reynar, and Luke Dodd.
Location recce
The filmmaker shot their horror film in a nearby coppice field for its forest setting and convenience as they lived and went to school nearby. They also helped film other projects in the same coppice field and a nearby farm, with additional shooting taking place on Sneyd Lane and under Sneyd Bridge.
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Decisions made according to the focus group
The document provides details on the visual elements and style of a horror film, including:
- The protagonist will wear a dark costume without a mask and not be fully revealed, while both the protagonist and antagonist will appear on a magazine cover but only the protagonist will be shown on a poster with the antagonist's shadow.
- The house setting will not be run-down and preferably located in a remote area.
- The film trailer will open with a shot of the antagonist after the title card and use orchestral music commonly found in horror films.
- Shots in the poster will be medium or long to portray the atmosphere while fitting other text elements.
Principles of Film Theory
The document discusses different film theory principles including types of films like realism, classical, and formalism. It also covers various film techniques such as shots, angles, lighting, color, sound, editing, and mise-en-scene. The goal is to understand how to analyze films through an examination of their content and stylistic elements.
In what ways does your media product use, develop or challenge forms and conv...
Presentation showing how our media conforms, develops or challenges ideas within the genre of crime thriller.
Conventions of horror films
Horror films commonly use certain conventions including dark colors, low lighting, isolated settings, exaggerated sounds, and specific props associated with villains. The characters are usually placed alone in isolated small towns or abandoned places with a dark history. Common character types include the main protagonist or victim/hero, a villain such as a monster or serial killer known for their killing method, and stereotypical teenagers who are killed. Camera techniques like handheld shots and close-ups create a sense of realism and observe emotions. Themes often involve good vs. evil, revenge, madness, nightmares, or the supernatural.
Uaksha genre research
Genre drama portrays realistic characters and stories that exhibit real life situations and the development of characters over time through intense social interactions. The purpose is to move audiences emotionally by presenting relatable journeys that typically feature dull lighting, close-ups of characters, props like alcohol and guns, and close-knit locations in order to portray gritty environments and provide a sense of realization or happy ending.
Codes and convention of a psychological horror
The document provides information on various techniques used in psychological horror films, including weapons, settings, color, lighting, costume, sound, and sight. Weapons in these films are often psychological rather than physical, using fear and tricks of the mind. Common settings include large houses, forests, schools, and hospitals to create realism. Dark colors like black and lighting that creates shadows are used to establish a frightening atmosphere. Flashbacks are sometimes incorporated to explain the killer's disturbed past.
Conventions of a horror
Horror settings are often isolated areas like small towns or abandoned buildings to increase the sense of isolation. Common locations include dark alleys, woods, and abandoned structures with dark histories.
Horror films employ unsettling camera techniques like high and low angles, point-of-view shots, and handheld footage to make audiences uncomfortable. Fast editing, loud noises, and eerie music also build tension.
Costumes are usually dark colors and torn clothing to represent evil. Common props help identify monsters and include weapons, torches, and fire. Themes explore issues like childhood trauma, science experiments gone wrong, and madness.
Mise-en-scène
Mise-en-scène refers to everything within the frame of a shot that can be used to tell the story or provide context. It includes settings and props, costumes, lighting, positioning of characters, and their body language and facial expressions. These elements are used purposefully in different genres to convey meaning and create certain moods, with factors like the use of color, lighting techniques, and character positioning providing important context for the audience.
Mise-en-scene in the mystery-thriller genre
The document discusses various elements of mise-en-scène that are commonly used in mystery-thriller films to create suspense and tension. Low key lighting and dark colors are used to hide details and play on fears of the unknown. Props like weapons increase stakes during confrontations. Non-diegetic music and silence are employed to build suspense, while diegetic sounds like footsteps indicate impending scenes. Settings range from urban areas that feel familiar yet dangerous to rural isolation or dystopian futures acting as social commentary. Costumes reflect the time period or indicate a character's morality through bright or dark colors.
Genre analysis
The document analyzes the genre and conventions of the horror film "Dawn of the Dead". It discusses how the genre is defined by conventions like gore, dark settings, and terrifying imagery. Specifically, it belongs to the zombie horror subgenre. It notes that horror aims to trigger the imagination and elicit an adrenaline response from audiences. Typically, male teenagers are the main viewers. Common conventions highlighted in the film analysis include scenes of characters investigating strange sounds and not returning, settings in isolated areas, characters dying in stupid ways, an unkillable killer, and the use of blood and gore. Stereotypes of strong male protectors and vulnerable female characters are both reinforced and challenged in horror film trailers.
Genre Analysis
The document analyzes the genre and conventions of the horror film "Dawn of the Dead". It discusses how the genre is defined by conventions like gore, dark settings, and isolation. It notes the film's subgenre is zombie horror. Stereotypes in horror films and trailers are examined, such as big masculine characters protecting others and seeming threatening through camera angles. While some stereotypes are reinforced, others are challenged by showing strong characters also feeling vulnerable at times.
Horror
Horror is a genre intended to frighten or disgust readers/viewers by inducing feelings of horror and terror. The genre originated with Horace Walpole's 1765 novel The Castle of Otranto, which may be considered the first horror story. Horror has ancient roots in folklore and religious traditions focused on death, the afterlife, evil, and supernatural beings. Early influential horror films from Germany in the 1910s-1920s like The Cabinet of Dr. Caligari and Nosferatu helped establish the genre and used a macabre atmosphere and themes to create fear. Common locations for horror films include haunted houses, forests, and isolated places while common sounds include creaking doors and screams. Low-key lighting
Generic conventions of horror
The opening scene of The Woman in Black establishes an eerie atmosphere through its use of generic horror conventions. We see three young girls playing with dolls accompanied by unsettling music, foreshadowing danger. Their strange behavior and a mysterious figure in black hook the audience to learn more. Iconography like screaming and the veil associated with death effectively set the horror tone for the film. The target audience is likely those 25 and under who enjoy horror genres, and the film attracted viewers through its young actors like Daniel Radcliffe from Harry Potter.
Fran
This document provides an overview of key elements that contribute to horror film genres. It discusses how locations are typically dark and spooky environments to create fear in audiences. It also describes common character archetypes seen in horror films and explains the importance of sound, costumes, makeup, and lighting in establishing the right mood and eliciting fear. Specifically, it notes how lighting is often low-key and dramatic to generate tension through shadows.
Mediathriller
A thriller film uses suspense, tension, and excitement through its conventions to create an adrenaline-rushing and fast-paced narrative. Common elements include a crime-centered plot, a vulnerable protagonist exploited by the antagonist, and a complex web trapping the protagonist into helplessness. Through micro-elements like camerawork and sound, thrillers build suspense towards resolving important enigmas set up in the opening.
Lesson 17 women and aco (ob)
This document discusses the concept of the "male gaze" in the film A Clockwork Orange, as analyzed by film theorist Laura Mulvey. It explains that Mulvey believes films typically depict women from the perspective of a heterosexual male gaze, as erotic objects for male characters and the audience. The document analyzes several scenes from the film through this lens, such as the opening shots introducing women and the "home invasion" scene. It argues that through techniques like camerawork and editing, the audience is encouraged to view the story and female characters from the perspective of the main character Alex, implicating us in his actions and allowing the male gaze.
Lazarus Opening Sequence - Storyboard
The document describes the opening sequence of the production "Lazarus" with 3 shots. Shot 1 is a tracking shot of circus equipment on a table that ends with a close-up of a jumping hand. Shot 2 shows a close-up of the protagonist in a mask under a spotlight, with the camera circling before the mask is removed. Shot 3 simply displays the title "Lazarus" in the center of the screen in a circus font color.
My film opening idea
The opening will show a bloody man standing over a dead body in dark and lonely woods. Slow establishing shots of the empty woods will be accompanied by tense music and the sounds of chopping and heavy breathing to set a mysterious tone. A tracking shot will follow a blood trail to the mysterious figure holding a hammer. Close-ups will reveal bloody details before showing his face covered in blood, looking down at the body. The screen will then cut to 24 hours earlier as two characters journey into the woods for a deer hunt, with one revealed to be the bloody figure. Sound and lighting will create tension and mystery through slow, dark music and low key lighting that hides some of the character's features.
Media research presentation
The document discusses conventions of the horror genre in film. It summarizes that camerawork is used to create dramatic effects, with techniques like high and low angle shots, establishing shots of isolated settings, and shaky "footage" camerawork. It also notes that lighting, props, costumes, editing techniques like cross-cutting, and diegetic sounds are employed to add tension and scare the audience. The target audience is typically younger viewers who enjoy being frightened, though some older audiences prefer certain subgenres. To appeal to this target, a film should keep the audience on edge with unpredictable jumps and a relatable teenage cast.
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More from 136722
Proposal form
Two friends visit an area rumored to be haunted by a killer but don't take the rumors seriously. However, one friend's scream indicates things have taken a turn for the worse as they are dragged into the woods. The film, titled "A Walk in the Woods", is a horror movie aimed at audiences over 18 produced by Harry Taylor with a crew of seven people and equipment like cameras, microphones, and props.
Personnel list
The document lists personnel for a production including actors Harry Taylor, Callum Morris, Luke Adams, Raf Reynar, and Harry Cross. Cameramen are listed as Callum Morris, Luke Adams, Morgan Pitt, and Jake O’Brien. Other helpers included on the list are Jake O’Brien, Harry Brooke, Morgan Pitt Raf Reynar, and Luke Dodd.
Location recce
The filmmaker shot their horror film in a nearby coppice field for its forest setting and convenience as they lived and went to school nearby. They also helped film other projects in the same coppice field and a nearby farm, with additional shooting taking place on Sneyd Lane and under Sneyd Bridge.
Tension graphs
This tension graph captures how the horror film has a slow start and climactic ending. The graph was constructed by reviewing the film and examining other tension graphs to see how they are designed and how the design could be tailored to fit this film.
Mind map
A mind map contains three horror film ideas. The first follows a schizophrenic and bipolar protagonist who believes someone is watching him and finds threatening messages at home before encountering a masked man. The second is about two friends investigating reports of a psychopath in the woods, when one screams and the other is attacked searching for him. The third involves being stalked and chased by a serial killer under a dark bridge.
Production script
The production script outlines 14 shots depicting the murder of a victim character by a killer character in a short film. Shot 1 and 2 show title screens, then shots 3-7 establish the victim walking alone at night. In shot 8, the killer emerges and begins following the victim. Shots 9-10 show the increasing pursuit from both characters' perspectives. Shot 11 depicts the killer stabbing the victim to the ground. Shots 12-14 show the killer standing over the body and walking away from the crime scene. The final shot 15 ends on a black screen with a static sound effect.
Terms and conditions for release forms
The document outlines terms and conditions for contributing to a project. It assigns copyright of any contributions to the company. It waives moral rights and allows the company to use the contributor's name, image, and interviews to promote the project. The company is not liable for any loss or damage to the contributor unless due to company negligence. The contributor agrees their content will not infringe copyright or damage the company's reputation, but the company cannot claim for defamation without contributor negligence or malice. The contributor confirms understanding the agreement terms, which are subject to English law and jurisdiction.
Unit 4 pre production and regulations
Pre-production is essential for any film project. It involves planning all aspects of production such as budgets, schedules, locations, and crew to ensure a smooth filming process. During pre-production, the script and crew are finalized, budgets are allocated for necessary resources, and a production schedule is established to guarantee the film can be made on time. While each producer's pre-production process may vary, the overall goal is always the same - to properly prepare for filming so that the movie can be successfully completed. Without pre-production, there would be no organization or coordination for the actual production.
Contributors release form unit 10
Luke Adams, Harry Cross, and Callum Morris contributed to the film "Into the Woods" produced by Coppice Performing Arts School from February 12th to March 5th. Their contributions included sometimes being in shots and other times working on camera and sound duty when not needed in scenes. The document lists their addresses, phone numbers, and signatures releasing their contributions to the film.
Final production script unit 10
Two friends discuss plans to check out some nearby woods that are rumored to be inhabited by an escaped mental asylum patient. They meet up after school and enter the woods, finding a path that has been made by pulling back branches. One friend goes ahead to investigate and calls for help, prompting the other to rush in to assist. After calling out for several minutes with no response, the assisting friend turns to leave, but is then attacked from behind by a masked man wielding a mallet.
Learning aim a unit 4(buffy)
This document summarizes two scenes from Buffy the Vampire Slayer. Scene 1 takes place in Xander's basement, where he, Anya, and Willow are playing poker. It involves regular characters and sets that are frequently reused. Scene 2 takes place in the woods, developing the themes of Buffy separating from her core group and her relationship with Riley. It features recurring characters in an outdoor location secured near other filming sites. Both scenes would utilize regular makeup, wardrobe, lighting and sound setups for the recurring characters. Scene 2 additionally requires visual effects for a taser shot added in post-production.
Equipment and budget unit 10 film
This document is an equipment rental form that details the items, day rates, number of days needed, and total costs for various film production equipment rented by Harry Taylor. It lists a camera, tripod, lens, lighting kit, rifle microphone and boom pole, and an editing suite and iMac computer, with a total rental cost of $2,156 to be paid over 14 days. It also notes the expected return dates for items being kept longer than 2 days.
Call sheet
This call sheet is for a horror film project being directed by Harry Taylor, with shooting scheduled from February 12th to 19th and continuing into March. Shooting times will be afternoons, mornings and nights, with sunny and sometimes cloudy weather expected. Sunrise is at 8am and sunset at 8:30pm. Contact details provided are a phone number and email address. Location will be at School Macs. Recee, risk assessment, equipment log, crew log and cast log are all complete. Props include masks, weapons and clothes. No extras are needed. Estimated wrap time is 2-3 weeks.
Call sheet
This call sheet is for a horror film project being directed by Harry Taylor, with shooting scheduled from February 12th to 19th and some dates in March. Call times will be in the afternoons, mornings, and nights, with sunny and cloudy weather expected. Sunrise is at 8am and sunset at 8:30pm. Contact details, location, equipment, props, and estimated wrap time are provided.
Contributors release form unit 4
Luke Adams, Harry Cross, and Callum Morris contributed to the film "Into the Woods" produced by Coppice Performing Arts School from February 12th to March 5th. Their contributions included sometimes being in shots and other times working on camera and sound duty when not needed in scenes. The document lists their addresses, phone numbers, and signatures releasing their contributions to the film.
Ideas unit 4
This brainstorm document lists several potential film genres including a horror film about a serial killer or killer clown, a psychological thriller or horror, and a murder mystery.
Learning aim a bectu media
The union sets minimum rates of pay for different jobs and experience levels to standardize compensation. It also negotiates for standard working conditions like breaks. Through collective bargaining, the union advocates for improved pay and conditions for the entire industry rather than individual workers negotiating alone. It also provides public liability insurance for productions at competitive rates to cover any unexpected costs. As many in the media industry are freelance or contract workers, the union offers support on tax, contract, and pension issues related to this employment situation. It helps connect people within the industry to network, learn from each other, and improve conditions overall. The union also provides training for those wanting to become representatives and to develop career skills.
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FOOD OBESITY IN NORTH AMERICA ( NEW).pptx
FOOD OBESITY IN AMERICA AND MARKETING CAMPAIGNS ESTABLISHED TO DEFEAT IT
快速办理(Adelaide毕业证书)阿德莱德大学毕业证文凭证书一模一样
学校原件一模一样【微信：741003700 】《(Adelaide毕业证书)阿德莱德大学毕业证文凭证书》【微信：741003700 】学位证，留信认证（真实可查，永久存档）原件一模一样纸张工艺/offer、雅思、外壳等材料/诚信可靠,可直接看成品样本，帮您解决无法毕业带来的各种难题！外壳，原版制作，诚信可靠，可直接看成品样本。行业标杆！精益求精，诚心合作，真诚制作！多年品质 ,按需精细制作，24小时接单,全套进口原装设备。十五年致力于帮助留学生解决难题，包您满意。
本公司拥有海外各大学样板无数，能完美还原。
1:1完美还原海外各大学毕业材料上的工艺：水印，阴影底纹，钢印LOGO烫金烫银，LOGO烫金烫银复合重叠。文字图案浮雕、激光镭射、紫外荧光、温感、复印防伪等防伪工艺。材料咨询办理、认证咨询办理请加学历顾问Q/微741003700
【主营项目】
一.毕业证【q微741003700】成绩单、使馆认证、教育部认证、雅思托福成绩单、学生卡等！
二.真实使馆公证(即留学回国人员证明,不成功不收费)
三.真实教育部学历学位认证（教育部存档！教育部留服网站永久可查）
四.办理各国各大学文凭(一对一专业服务,可全程监控跟踪进度)
如果您处于以下几种情况：
◇在校期间，因各种原因未能顺利毕业……拿不到官方毕业证【q/微741003700】
◇面对父母的压力，希望尽快拿到；
◇不清楚认证流程以及材料该如何准备；
◇回国时间很长，忘记办理；
◇回国马上就要找工作，办给用人单位看；
◇企事业单位必须要求办理的
◇需要报考公务员、购买免税车、落转户口
◇申请留学生创业基金
留信网认证的作用:
1:该专业认证可证明留学生真实身份
2:同时对留学生所学专业登记给予评定
3:国家专业人才认证中心颁发入库证书
4:这个认证书并且可以归档倒地方
5:凡事获得留信网入网的信息将会逐步更新到个人身份内，将在公安局网内查询个人身份证信息后，同步读取人才网入库信息
6:个人职称评审加20分
7:个人信誉贷款加10分
8:在国家人才网主办的国家网络招聘大会中纳入资料，供国家高端企业选择人才
在线办理(UCM毕业证书)加州大学美熹德分校毕业证文凭证书一模一样
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本公司拥有海外各大学样板无数，能完美还原。
1:1完美还原海外各大学毕业材料上的工艺：水印，阴影底纹，钢印LOGO烫金烫银，LOGO烫金烫银复合重叠。文字图案浮雕、激光镭射、紫外荧光、温感、复印防伪等防伪工艺。材料咨询办理、认证咨询办理请加学历顾问Q/微741003700
【主营项目】
一.毕业证【q微741003700】成绩单、使馆认证、教育部认证、雅思托福成绩单、学生卡等！
二.真实使馆公证(即留学回国人员证明,不成功不收费)
三.真实教育部学历学位认证（教育部存档！教育部留服网站永久可查）
四.办理各国各大学文凭(一对一专业服务,可全程监控跟踪进度)
如果您处于以下几种情况：
◇在校期间，因各种原因未能顺利毕业……拿不到官方毕业证【q/微741003700】
◇面对父母的压力，希望尽快拿到；
◇不清楚认证流程以及材料该如何准备；
◇回国时间很长，忘记办理；
◇回国马上就要找工作，办给用人单位看；
◇企事业单位必须要求办理的
◇需要报考公务员、购买免税车、落转户口
◇申请留学生创业基金
留信网认证的作用:
1:该专业认证可证明留学生真实身份
2:同时对留学生所学专业登记给予评定
3:国家专业人才认证中心颁发入库证书
4:这个认证书并且可以归档倒地方
5:凡事获得留信网入网的信息将会逐步更新到个人身份内，将在公安局网内查询个人身份证信息后，同步读取人才网入库信息
6:个人职称评审加20分
7:个人信誉贷款加10分
8:在国家人才网主办的国家网络招聘大会中纳入资料，供国家高端企业选择人才
Heritage Conservation.Strategies and Options for Preserving India Heritage
Presentation looks at the role , relevance and importance of built and natural heritage, issues faced by heritage in the Indian context and options which can be leveraged to preserve and conserve the heritage.It also lists the challenges faced by the heritage due to rapid urbanisation, land speculation and commercialisation in the urban areas. In addition, ppt lays down the roadmap for the preservation, conservation and making value addition to the available heritage by making it integral part of the planning , designing and management of the human settlements.
一比一原版(Sheffield毕业证书)谢菲尔德大学毕业证如何办理
学校原件一模一样【微信：6496090 】【(Sheffield毕业证书)谢菲尔德大学毕业证成绩单】【微信：6496090 】学位证，留信认证（真实可查，永久存档）原件一模一样纸张工艺/offer、雅思、外壳等材料/诚信可靠,可直接看成品样本，帮您解决无法毕业带来的各种难题！外壳，原版制作，诚信可靠，可直接看成品样本。行业标杆！精益求精，诚心合作，真诚制作！多年品质 ,按需精细制作，24小时接单,全套进口原装设备。十五年致力于帮助留学生解决难题，包您满意。
本公司拥有海外各大学样板无数，能完美还原。
1:1完美还原海外各大学毕业材料上的工艺：水印，阴影底纹，钢印LOGO烫金烫银，LOGO烫金烫银复合重叠。文字图案浮雕、激光镭射、紫外荧光、温感、复印防伪等防伪工艺。材料咨询办理、认证咨询办理请加学历顾问Q/微6496090
【主营项目】
一.毕业证【q微6496090】成绩单、使馆认证、教育部认证、雅思托福成绩单、学生卡等！
二.真实使馆公证(即留学回国人员证明,不成功不收费)
三.真实教育部学历学位认证（教育部存档！教育部留服网站永久可查）
四.办理各国各大学文凭(一对一专业服务,可全程监控跟踪进度)
如果您处于以下几种情况：
◇在校期间，因各种原因未能顺利毕业……拿不到官方毕业证【q/微6496090】
◇面对父母的压力，希望尽快拿到；
◇不清楚认证流程以及材料该如何准备；
◇回国时间很长，忘记办理；
◇回国马上就要找工作，办给用人单位看；
◇企事业单位必须要求办理的
◇需要报考公务员、购买免税车、落转户口
◇申请留学生创业基金
留信网认证的作用:
1:该专业认证可证明留学生真实身份
2:同时对留学生所学专业登记给予评定
3:国家专业人才认证中心颁发入库证书
4:这个认证书并且可以归档倒地方
5:凡事获得留信网入网的信息将会逐步更新到个人身份内，将在公安局网内查询个人身份证信息后，同步读取人才网入库信息
6:个人职称评审加20分
7:个人信誉贷款加10分
8:在国家人才网主办的国家网络招聘大会中纳入资料，供国家高端企业选择人才
办理(Sheffield毕业证书)谢菲尔德大学毕业证【微信：6496090 】外观非常简单，由纸质材料制成，上面印有校徽、校名、毕业生姓名、专业等信息。
办理(Sheffield毕业证书)谢菲尔德大学毕业证【微信：6496090 】格式相对统一，各专业都有相应的模板。通常包括以下部分：
校徽：象征着学校的荣誉和传承。
校名:学校英文全称
授予学位：本部分将注明获得的具体学位名称。
毕业生姓名：这是最重要的信息之一，标志着该证书是由特定人员获得的。
颁发日期：这是毕业正式生效的时间，也代表着毕业生学业的结束。
其他信息：根据不同的专业和学位，可能会有一些特定的信息或章节。
办理(Sheffield毕业证书)谢菲尔德大学毕业证【微信：6496090 】价值很高，需要妥善保管。一般来说，应放置在安全、干燥、防潮的地方，避免长时间暴露在阳光下。如需使用，最好使用复印件而不是原件，以免丢失。
综上所述，办理(Sheffield毕业证书)谢菲尔德大学毕业证【微信：6496090 】是证明身份和学历的高价值文件。外观简单庄重，格式统一，包括重要的个人信息和发布日期。对持有人来说，妥善保管是非常重要的。
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Heritage Conservation.Strategies and Options for Preserving India Heritage
Heritage Conservation.Strategies and Options for Preserving India Heritage
Mindmap film ideas
- 1. Film ideas Some one walking through an alley way/ corridor They keep walking and thinking they see a shadow (through a door/ window. Lighting would be dull, mostly one or two lights used in shots The whole film will be switching between character and shadow The person could be pulled into the shadows or dark by a blurry black figure Sound effects will be breathing and possibly a scream that’s low piched Props: Black / dark clothing Phone Coins (dropped when he gets pulled in shadows finishing shots are coins rolling