Greek art developed from the Aegean Bronze Age through the Geometric and Archaic periods. Early Greek art focused on pottery and sculptures depicting humans and gods. Styles evolved from simple geometric patterns to more naturalistic representations over time.
Art that predates written language played an important role in communicating ideas and beliefs. Cave paintings from over 30,000 years ago provide some of the earliest evidence of art and helped pass knowledge between generations without a written language. These early art forms allowed humans to develop their thinking and share aspects of their culture before the invention of writing systems.
Ayurveda is an ancient system of medicine that originated in India more than 3,000 years ago. It focuses on treating the whole person - body, mind, and spirit. The goal of Ayurveda is to balance the doshas (Vata, Pitta, and Kapha), which are thought to govern biological processes that influence a person's health.
1. La economía informal incluye actividades que evaden regulaciones y no están sujetas a control fiscal o contable por el Estado. Incluye trabajo doméstico no declarado, venta ambulante y subvaluación de precios en transacciones inmobiliarias.
2. América Latina tiene aproximadamente 130 millones de personas en la economía informal según la OIT. Una de las causas es la baja capacidad del mercado para absorber toda la oferta laboral.
3. La economía informal es un medio de subsistencia de baja inversión, aunque muchos
Medieval art from India, Cambodia, and China is explored. Indian art from this period showed Hindu religious themes through temple architecture and sculpture. Cambodian art flourished under the Khmer Empire and produced grand temples such as Angkor Wat. Chinese art during medieval times saw the rise of landscape painting, with artists capturing mountains and rivers through ink and brushstrokes on silk or paper.
The document discusses the impact of COVID-19 on the tourism industry in Curacao. Curacao's economy relies heavily on tourism, but travel restrictions and lockdowns have led to a steep decline in visitors and revenue. The government is implementing measures to help local businesses and encourage domestic tourism to mitigate the effects of the pandemic on the island's economy.
Maximus Accessories Co., LtD is a leading manufacturer of phone, tablet, and e-reader accessories located in Saigon, Vietnam. Founded in 2011, they have 11-50 employees and produce 10,000 plastic cases and covers per month through injection molding and other production processes. Their main products include plastic cases, molds, and covers for tablets and cell phones. They have provided customized accessories to companies in various industries.
Early medieval art developed after the fall of the Western Roman Empire and the beginning of the Middle Ages in Europe. This period saw the emergence of new styles of art that incorporated Christian themes with traditional decorative motifs. Art during this time was primarily created for churches and illuminated manuscripts rather than as standalone works.
Art that predates written language played an important role in communicating ideas and beliefs. Cave paintings from over 30,000 years ago provide some of the earliest evidence of art and helped pass knowledge between generations without a written language. These early art forms allowed humans to develop their thinking and share aspects of their culture before the invention of writing systems.
Ayurveda is an ancient system of medicine that originated in India more than 3,000 years ago. It focuses on treating the whole person - body, mind, and spirit. The goal of Ayurveda is to balance the doshas (Vata, Pitta, and Kapha), which are thought to govern biological processes that influence a person's health.
1. La economía informal incluye actividades que evaden regulaciones y no están sujetas a control fiscal o contable por el Estado. Incluye trabajo doméstico no declarado, venta ambulante y subvaluación de precios en transacciones inmobiliarias.
2. América Latina tiene aproximadamente 130 millones de personas en la economía informal según la OIT. Una de las causas es la baja capacidad del mercado para absorber toda la oferta laboral.
3. La economía informal es un medio de subsistencia de baja inversión, aunque muchos
Medieval art from India, Cambodia, and China is explored. Indian art from this period showed Hindu religious themes through temple architecture and sculpture. Cambodian art flourished under the Khmer Empire and produced grand temples such as Angkor Wat. Chinese art during medieval times saw the rise of landscape painting, with artists capturing mountains and rivers through ink and brushstrokes on silk or paper.
The document discusses the impact of COVID-19 on the tourism industry in Curacao. Curacao's economy relies heavily on tourism, but travel restrictions and lockdowns have led to a steep decline in visitors and revenue. The government is implementing measures to help local businesses and encourage domestic tourism to mitigate the effects of the pandemic on the island's economy.
Maximus Accessories Co., LtD is a leading manufacturer of phone, tablet, and e-reader accessories located in Saigon, Vietnam. Founded in 2011, they have 11-50 employees and produce 10,000 plastic cases and covers per month through injection molding and other production processes. Their main products include plastic cases, molds, and covers for tablets and cell phones. They have provided customized accessories to companies in various industries.
Early medieval art developed after the fall of the Western Roman Empire and the beginning of the Middle Ages in Europe. This period saw the emergence of new styles of art that incorporated Christian themes with traditional decorative motifs. Art during this time was primarily created for churches and illuminated manuscripts rather than as standalone works.
Civilization first emerged in several ancient river valleys, including those of the Tigris and Euphrates rivers in Mesopotamia around 3500 BCE. Early Mesopotamian societies developed new technologies and social structures like irrigation, the wheel, writing, and the first cities including Uruk and Ur. This period in the ancient Near East saw many advances that helped establish the foundations of early human civilization.
The document discusses cloud computing projects for final year students based on 2011-2012 IEEE papers. It provides an overview of cloud computing concepts like SaaS, PaaS, IaaS and virtualization. It then lists over 30 potential cloud computing project topics derived from recent IEEE papers covering areas like load balancing, security, storage management, and network management. It outlines the training and methodology that will be used for the projects including requirements gathering, design, development, testing and documentation review. Contact details are provided to inquire about these cloud computing final year projects.
Gothic art developed in Europe during the High and Late Middle Ages. It was a style of medieval art that developed out of Romanesque art in northern Europe. Gothic art was known for elaborate stained glass windows, flying buttresses, pointed arches, and detailed sculptures and tracery on cathedrals and churches.
The document discusses the benefits of exercise for mental health. Regular physical activity can help reduce anxiety and depression and improve mood and cognitive function. Exercise causes chemical changes in the brain that may help protect against mental illness and improve symptoms.
Greek art from the 5th to 1st centuries BC is divided into the Classical and Hellenistic periods. During the Classical period, artists focused on realistic and idealized human forms to represent gods and heroes from mythology. The Hellenistic period saw Greek rule expand greatly and art shifted to a more naturalistic and emotional style as individualism grew.
The Roman Empire had a profound impact on art and architecture. Romans adopted Greek styles and increasingly Hellenized their art, combining stately grandeur with technical precision. They made major contributions in sculpture, architecture, painting and decorative arts which emphasized order, symmetry, and mathematical proportions.
The Etruscans were an ancient civilization located in what is now central Italy who flourished between the 8th and 3rd centuries BC. Their art and culture heavily influenced early Roman art and culture. Etruscan art is characterized by ornate metalwork, terracotta sculptures, and wall paintings found in elaborate tombs depicting both mythological scenes and aspects of daily life.
The document provides information about reviewing for a final exam. It recommends making flashcards of key terms and concepts, practicing old exams if examples are available, and focusing your study time on topics you struggled with the most during the semester.
The final exam will cover all material from the semester. Students should review their notes and re-read all chapters to prepare. The exam will include multiple choice, short answer, and essay questions testing knowledge of key concepts, theories, and historical events discussed in class.
The document discusses the results of a study on the impact of COVID-19 lockdowns on air pollution. Researchers found that lockdowns led to significant short-term reductions in nitrogen dioxide and fine particulate matter pollution globally as transportation and industrial activities declined substantially. However, the document notes that the improvements in air quality were temporary and pollution levels rose back to pre-pandemic levels as restrictions eased and activity increased again.
The document discusses the benefits of exercise for mental health. Regular physical activity can help reduce anxiety and depression and improve mood and cognitive function. Exercise causes chemical changes in the brain that may help alleviate symptoms of mental illness and boost overall mental well-being.
Mannerism and early and high northern renjennygheith
Mannerism was an artistic style in Europe in the late 15th and 16th centuries that was a reaction against the formal balance and harmony of the Renaissance. It was known for elongated figures, complex compositions, and dramatic use of color and lighting. The Northern Renaissance style developed in northern Europe from the 14th to the 17th centuries and was characterized by more realistic and detailed representations of objects and people compared to the idealized styles in Italy.
The document discusses the benefits of exercise for mental health. Regular physical activity can help reduce anxiety and depression and improve mood and cognitive functioning. Exercise causes chemical changes in the brain that may help boost feelings of calmness, happiness and focus.
The early Renaissance in Italy saw major developments in art and architecture. Artists rediscovered techniques of linear perspective and realism in depicting the human form which had been lost in the Middle Ages. Painters like Giotto, Donatello and Brunelleschi made major advances that influenced later Renaissance artists and helped usher in new styles that emphasized realism and a revival of classical forms from ancient Greece and Rome.
The document provides information on several art objects from different museums:
- A painted limestone relief from ancient Egypt depicting King's son Wepemnofret that demonstrates his elite status through his clothing, accessories, and the offerings listed on the stela.
- A marble head fragment from ancient Rome showing a man with his right eye closed that was crafted in an "impressionist" style popular in its time period.
- A glazed ceramic figurine from China of a drummer on horseback that reflects cultural influences from Central Asia following the Han dynasty's fall.
African art encompasses a diverse range of cultural artifacts and styles from across the continent. Sculptures, masks, textiles, and other works provide insight into the rich traditions and beliefs of many African societies. These artistic traditions continue to evolve while also preserving important cultural heritage.
Japan has a long and rich artistic tradition spanning thousands of years. Japanese art incorporates influences from China and other parts of Asia as well as indigenous styles. The main artistic genres that developed in Japan include paintings, calligraphy, poetry, gardening, architecture, pottery and ceramics, sculpture, textiles, lacquerware, and woodblock printing.
Islamic art encompasses the visual arts produced from the 7th century onwards by people who lived within the territory that was inhabited by Muslim populations. The artistic elements involved include both figurative and non-figurative, geometric and floral designs. Calligraphy, or Arabic script, also became a major influential element in Islamic artistic expression.
This document discusses various types of images and their relationship to nature, people, places of worship, leaders, spirituality, religion, and architecture. It seems to categorize different subject matters that images commonly depict such as men, women, places of worship, leaders and historical events, spirituality and religion, death, and architectural advancement.
Early Jewish, Christian, and Byzantine art developed between the 1st century BCE and the 6th century CE. These artistic traditions were heavily influenced by Greco-Roman styles but also incorporated local traditions and beliefs. Religious texts and narratives from the Bible often provided inspiration for artistic works during this period.
Early Asian art developed independently in many regions across the vast continent. In India, Buddhist art flourished between the 1st century BC and 5th century AD, producing iconic sculptures and architecture. China saw the emergence of distinct artistic traditions during its Shang and Zhou dynasties, when ritual bronzes and jade carvings conveyed cultural and political meanings.
Civilization first emerged in several ancient river valleys, including those of the Tigris and Euphrates rivers in Mesopotamia around 3500 BCE. Early Mesopotamian societies developed new technologies and social structures like irrigation, the wheel, writing, and the first cities including Uruk and Ur. This period in the ancient Near East saw many advances that helped establish the foundations of early human civilization.
The document discusses cloud computing projects for final year students based on 2011-2012 IEEE papers. It provides an overview of cloud computing concepts like SaaS, PaaS, IaaS and virtualization. It then lists over 30 potential cloud computing project topics derived from recent IEEE papers covering areas like load balancing, security, storage management, and network management. It outlines the training and methodology that will be used for the projects including requirements gathering, design, development, testing and documentation review. Contact details are provided to inquire about these cloud computing final year projects.
Gothic art developed in Europe during the High and Late Middle Ages. It was a style of medieval art that developed out of Romanesque art in northern Europe. Gothic art was known for elaborate stained glass windows, flying buttresses, pointed arches, and detailed sculptures and tracery on cathedrals and churches.
The document discusses the benefits of exercise for mental health. Regular physical activity can help reduce anxiety and depression and improve mood and cognitive function. Exercise causes chemical changes in the brain that may help protect against mental illness and improve symptoms.
Greek art from the 5th to 1st centuries BC is divided into the Classical and Hellenistic periods. During the Classical period, artists focused on realistic and idealized human forms to represent gods and heroes from mythology. The Hellenistic period saw Greek rule expand greatly and art shifted to a more naturalistic and emotional style as individualism grew.
The Roman Empire had a profound impact on art and architecture. Romans adopted Greek styles and increasingly Hellenized their art, combining stately grandeur with technical precision. They made major contributions in sculpture, architecture, painting and decorative arts which emphasized order, symmetry, and mathematical proportions.
The Etruscans were an ancient civilization located in what is now central Italy who flourished between the 8th and 3rd centuries BC. Their art and culture heavily influenced early Roman art and culture. Etruscan art is characterized by ornate metalwork, terracotta sculptures, and wall paintings found in elaborate tombs depicting both mythological scenes and aspects of daily life.
The document provides information about reviewing for a final exam. It recommends making flashcards of key terms and concepts, practicing old exams if examples are available, and focusing your study time on topics you struggled with the most during the semester.
The final exam will cover all material from the semester. Students should review their notes and re-read all chapters to prepare. The exam will include multiple choice, short answer, and essay questions testing knowledge of key concepts, theories, and historical events discussed in class.
The document discusses the results of a study on the impact of COVID-19 lockdowns on air pollution. Researchers found that lockdowns led to significant short-term reductions in nitrogen dioxide and fine particulate matter pollution globally as transportation and industrial activities declined substantially. However, the document notes that the improvements in air quality were temporary and pollution levels rose back to pre-pandemic levels as restrictions eased and activity increased again.
The document discusses the benefits of exercise for mental health. Regular physical activity can help reduce anxiety and depression and improve mood and cognitive function. Exercise causes chemical changes in the brain that may help alleviate symptoms of mental illness and boost overall mental well-being.
Mannerism and early and high northern renjennygheith
Mannerism was an artistic style in Europe in the late 15th and 16th centuries that was a reaction against the formal balance and harmony of the Renaissance. It was known for elongated figures, complex compositions, and dramatic use of color and lighting. The Northern Renaissance style developed in northern Europe from the 14th to the 17th centuries and was characterized by more realistic and detailed representations of objects and people compared to the idealized styles in Italy.
The document discusses the benefits of exercise for mental health. Regular physical activity can help reduce anxiety and depression and improve mood and cognitive functioning. Exercise causes chemical changes in the brain that may help boost feelings of calmness, happiness and focus.
The early Renaissance in Italy saw major developments in art and architecture. Artists rediscovered techniques of linear perspective and realism in depicting the human form which had been lost in the Middle Ages. Painters like Giotto, Donatello and Brunelleschi made major advances that influenced later Renaissance artists and helped usher in new styles that emphasized realism and a revival of classical forms from ancient Greece and Rome.
The document provides information on several art objects from different museums:
- A painted limestone relief from ancient Egypt depicting King's son Wepemnofret that demonstrates his elite status through his clothing, accessories, and the offerings listed on the stela.
- A marble head fragment from ancient Rome showing a man with his right eye closed that was crafted in an "impressionist" style popular in its time period.
- A glazed ceramic figurine from China of a drummer on horseback that reflects cultural influences from Central Asia following the Han dynasty's fall.
African art encompasses a diverse range of cultural artifacts and styles from across the continent. Sculptures, masks, textiles, and other works provide insight into the rich traditions and beliefs of many African societies. These artistic traditions continue to evolve while also preserving important cultural heritage.
Japan has a long and rich artistic tradition spanning thousands of years. Japanese art incorporates influences from China and other parts of Asia as well as indigenous styles. The main artistic genres that developed in Japan include paintings, calligraphy, poetry, gardening, architecture, pottery and ceramics, sculpture, textiles, lacquerware, and woodblock printing.
Islamic art encompasses the visual arts produced from the 7th century onwards by people who lived within the territory that was inhabited by Muslim populations. The artistic elements involved include both figurative and non-figurative, geometric and floral designs. Calligraphy, or Arabic script, also became a major influential element in Islamic artistic expression.
This document discusses various types of images and their relationship to nature, people, places of worship, leaders, spirituality, religion, and architecture. It seems to categorize different subject matters that images commonly depict such as men, women, places of worship, leaders and historical events, spirituality and religion, death, and architectural advancement.
Early Jewish, Christian, and Byzantine art developed between the 1st century BCE and the 6th century CE. These artistic traditions were heavily influenced by Greco-Roman styles but also incorporated local traditions and beliefs. Religious texts and narratives from the Bible often provided inspiration for artistic works during this period.
Early Asian art developed independently in many regions across the vast continent. In India, Buddhist art flourished between the 1st century BC and 5th century AD, producing iconic sculptures and architecture. China saw the emergence of distinct artistic traditions during its Shang and Zhou dynasties, when ritual bronzes and jade carvings conveyed cultural and political meanings.
Ancient Egypt was a civilization located along the lower reaches of the Nile River in northeastern Africa. The civilization coalesced around 3100 BC and lasted until 332 BC when it was conquered by Alexander the Great. For most of its history, Ancient Egyptian kings maintained control over territories in surrounding areas, including Nubia and parts of the Near East.
The Introduction to the Arts course for Fall 2011 will provide an overview of visual arts, music, theatre and dance. Students will learn about elements and principles of each art form through lectures, readings, videos and visits to local cultural institutions. The goal is for students to gain an appreciation of the arts and an understanding of how the different art forms are interrelated.
The document discusses the benefits of exercise for mental health. It notes that regular physical activity can help reduce anxiety and depression and improve mood and cognitive function. Exercise has also been shown to enhance self-esteem and serve as a healthy means of stress management.
FREE A4 Cyber Security Awareness Posters-Social Engineering part 3Data Hops
Free A4 downloadable and printable Cyber Security, Social Engineering Safety and security Training Posters . Promote security awareness in the home or workplace. Lock them Out From training providers datahops.com
Digital Banking in the Cloud: How Citizens Bank Unlocked Their MainframePrecisely
Inconsistent user experience and siloed data, high costs, and changing customer expectations – Citizens Bank was experiencing these challenges while it was attempting to deliver a superior digital banking experience for its clients. Its core banking applications run on the mainframe and Citizens was using legacy utilities to get the critical mainframe data to feed customer-facing channels, like call centers, web, and mobile. Ultimately, this led to higher operating costs (MIPS), delayed response times, and longer time to market.
Ever-changing customer expectations demand more modern digital experiences, and the bank needed to find a solution that could provide real-time data to its customer channels with low latency and operating costs. Join this session to learn how Citizens is leveraging Precisely to replicate mainframe data to its customer channels and deliver on their “modern digital bank” experiences.
HCL Notes and Domino License Cost Reduction in the World of DLAUpanagenda
Webinar Recording: https://www.panagenda.com/webinars/hcl-notes-and-domino-license-cost-reduction-in-the-world-of-dlau/
The introduction of DLAU and the CCB & CCX licensing model caused quite a stir in the HCL community. As a Notes and Domino customer, you may have faced challenges with unexpected user counts and license costs. You probably have questions on how this new licensing approach works and how to benefit from it. Most importantly, you likely have budget constraints and want to save money where possible. Don’t worry, we can help with all of this!
We’ll show you how to fix common misconfigurations that cause higher-than-expected user counts, and how to identify accounts which you can deactivate to save money. There are also frequent patterns that can cause unnecessary cost, like using a person document instead of a mail-in for shared mailboxes. We’ll provide examples and solutions for those as well. And naturally we’ll explain the new licensing model.
Join HCL Ambassador Marc Thomas in this webinar with a special guest appearance from Franz Walder. It will give you the tools and know-how to stay on top of what is going on with Domino licensing. You will be able lower your cost through an optimized configuration and keep it low going forward.
These topics will be covered
- Reducing license cost by finding and fixing misconfigurations and superfluous accounts
- How do CCB and CCX licenses really work?
- Understanding the DLAU tool and how to best utilize it
- Tips for common problem areas, like team mailboxes, functional/test users, etc
- Practical examples and best practices to implement right away
Dandelion Hashtable: beyond billion requests per second on a commodity serverAntonios Katsarakis
This slide deck presents DLHT, a concurrent in-memory hashtable. Despite efforts to optimize hashtables, that go as far as sacrificing core functionality, state-of-the-art designs still incur multiple memory accesses per request and block request processing in three cases. First, most hashtables block while waiting for data to be retrieved from memory. Second, open-addressing designs, which represent the current state-of-the-art, either cannot free index slots on deletes or must block all requests to do so. Third, index resizes block every request until all objects are copied to the new index. Defying folklore wisdom, DLHT forgoes open-addressing and adopts a fully-featured and memory-aware closed-addressing design based on bounded cache-line-chaining. This design offers lock-free index operations and deletes that free slots instantly, (2) completes most requests with a single memory access, (3) utilizes software prefetching to hide memory latencies, and (4) employs a novel non-blocking and parallel resizing. In a commodity server and a memory-resident workload, DLHT surpasses 1.6B requests per second and provides 3.5x (12x) the throughput of the state-of-the-art closed-addressing (open-addressing) resizable hashtable on Gets (Deletes).
Programming Foundation Models with DSPy - Meetup SlidesZilliz
Prompting language models is hard, while programming language models is easy. In this talk, I will discuss the state-of-the-art framework DSPy for programming foundation models with its powerful optimizers and runtime constraint system.
Digital Marketing Trends in 2024 | Guide for Staying AheadWask
https://www.wask.co/ebooks/digital-marketing-trends-in-2024
Feeling lost in the digital marketing whirlwind of 2024? Technology is changing, consumer habits are evolving, and staying ahead of the curve feels like a never-ending pursuit. This e-book is your compass. Dive into actionable insights to handle the complexities of modern marketing. From hyper-personalization to the power of user-generated content, learn how to build long-term relationships with your audience and unlock the secrets to success in the ever-shifting digital landscape.
Taking AI to the Next Level in Manufacturing.pdfssuserfac0301
Read Taking AI to the Next Level in Manufacturing to gain insights on AI adoption in the manufacturing industry, such as:
1. How quickly AI is being implemented in manufacturing.
2. Which barriers stand in the way of AI adoption.
3. How data quality and governance form the backbone of AI.
4. Organizational processes and structures that may inhibit effective AI adoption.
6. Ideas and approaches to help build your organization's AI strategy.
Skybuffer SAM4U tool for SAP license adoptionTatiana Kojar
Manage and optimize your license adoption and consumption with SAM4U, an SAP free customer software asset management tool.
SAM4U, an SAP complimentary software asset management tool for customers, delivers a detailed and well-structured overview of license inventory and usage with a user-friendly interface. We offer a hosted, cost-effective, and performance-optimized SAM4U setup in the Skybuffer Cloud environment. You retain ownership of the system and data, while we manage the ABAP 7.58 infrastructure, ensuring fixed Total Cost of Ownership (TCO) and exceptional services through the SAP Fiori interface.
HCL Notes und Domino Lizenzkostenreduzierung in der Welt von DLAUpanagenda
Webinar Recording: https://www.panagenda.com/webinars/hcl-notes-und-domino-lizenzkostenreduzierung-in-der-welt-von-dlau/
DLAU und die Lizenzen nach dem CCB- und CCX-Modell sind für viele in der HCL-Community seit letztem Jahr ein heißes Thema. Als Notes- oder Domino-Kunde haben Sie vielleicht mit unerwartet hohen Benutzerzahlen und Lizenzgebühren zu kämpfen. Sie fragen sich vielleicht, wie diese neue Art der Lizenzierung funktioniert und welchen Nutzen sie Ihnen bringt. Vor allem wollen Sie sicherlich Ihr Budget einhalten und Kosten sparen, wo immer möglich. Das verstehen wir und wir möchten Ihnen dabei helfen!
Wir erklären Ihnen, wie Sie häufige Konfigurationsprobleme lösen können, die dazu führen können, dass mehr Benutzer gezählt werden als nötig, und wie Sie überflüssige oder ungenutzte Konten identifizieren und entfernen können, um Geld zu sparen. Es gibt auch einige Ansätze, die zu unnötigen Ausgaben führen können, z. B. wenn ein Personendokument anstelle eines Mail-Ins für geteilte Mailboxen verwendet wird. Wir zeigen Ihnen solche Fälle und deren Lösungen. Und natürlich erklären wir Ihnen das neue Lizenzmodell.
Nehmen Sie an diesem Webinar teil, bei dem HCL-Ambassador Marc Thomas und Gastredner Franz Walder Ihnen diese neue Welt näherbringen. Es vermittelt Ihnen die Tools und das Know-how, um den Überblick zu bewahren. Sie werden in der Lage sein, Ihre Kosten durch eine optimierte Domino-Konfiguration zu reduzieren und auch in Zukunft gering zu halten.
Diese Themen werden behandelt
- Reduzierung der Lizenzkosten durch Auffinden und Beheben von Fehlkonfigurationen und überflüssigen Konten
- Wie funktionieren CCB- und CCX-Lizenzen wirklich?
- Verstehen des DLAU-Tools und wie man es am besten nutzt
- Tipps für häufige Problembereiche, wie z. B. Team-Postfächer, Funktions-/Testbenutzer usw.
- Praxisbeispiele und Best Practices zum sofortigen Umsetzen
Your One-Stop Shop for Python Success: Top 10 US Python Development Providersakankshawande
Simplify your search for a reliable Python development partner! This list presents the top 10 trusted US providers offering comprehensive Python development services, ensuring your project's success from conception to completion.
zkStudyClub - LatticeFold: A Lattice-based Folding Scheme and its Application...Alex Pruden
Folding is a recent technique for building efficient recursive SNARKs. Several elegant folding protocols have been proposed, such as Nova, Supernova, Hypernova, Protostar, and others. However, all of them rely on an additively homomorphic commitment scheme based on discrete log, and are therefore not post-quantum secure. In this work we present LatticeFold, the first lattice-based folding protocol based on the Module SIS problem. This folding protocol naturally leads to an efficient recursive lattice-based SNARK and an efficient PCD scheme. LatticeFold supports folding low-degree relations, such as R1CS, as well as high-degree relations, such as CCS. The key challenge is to construct a secure folding protocol that works with the Ajtai commitment scheme. The difficulty, is ensuring that extracted witnesses are low norm through many rounds of folding. We present a novel technique using the sumcheck protocol to ensure that extracted witnesses are always low norm no matter how many rounds of folding are used. Our evaluation of the final proof system suggests that it is as performant as Hypernova, while providing post-quantum security.
Paper Link: https://eprint.iacr.org/2024/257
[OReilly Superstream] Occupy the Space: A grassroots guide to engineering (an...Jason Yip
The typical problem in product engineering is not bad strategy, so much as “no strategy”. This leads to confusion, lack of motivation, and incoherent action. The next time you look for a strategy and find an empty space, instead of waiting for it to be filled, I will show you how to fill it in yourself. If you’re wrong, it forces a correction. If you’re right, it helps create focus. I’ll share how I’ve approached this in the past, both what works and lessons for what didn’t work so well.
In the realm of cybersecurity, offensive security practices act as a critical shield. By simulating real-world attacks in a controlled environment, these techniques expose vulnerabilities before malicious actors can exploit them. This proactive approach allows manufacturers to identify and fix weaknesses, significantly enhancing system security.
This presentation delves into the development of a system designed to mimic Galileo's Open Service signal using software-defined radio (SDR) technology. We'll begin with a foundational overview of both Global Navigation Satellite Systems (GNSS) and the intricacies of digital signal processing.
The presentation culminates in a live demonstration. We'll showcase the manipulation of Galileo's Open Service pilot signal, simulating an attack on various software and hardware systems. This practical demonstration serves to highlight the potential consequences of unaddressed vulnerabilities, emphasizing the importance of offensive security practices in safeguarding critical infrastructure.
Culture: Ancient Greece\r\nTitle: MAP. The Aegean world and Ancient Greece\r\nWork Type: MAPS\r\nRepository: MAP. The Aegean world and Ancient Greece MAPS Ancient Greece\r\nID Number: 2009.01.2082\r\nSource: Stokstad, Art: A Brief History, 3rd. edition, map 4-1, p. 88\r\nRights: see publication
Minoan Hieroglyphics
Minoan Hieroglyphics
Title: Photograph of Arthur Evans at Knossos, 1900-1908\r\nLocation: Knossos (Extinct city)\r\nLocation: Archaeologists\r\nSubject: Evans, Arthur, Sir, 1851-1941\r\nSubject: Knossos (Extinct city)\r\nSubject: Archaeology--Crete--20th C. B.C\r\nSubject: Portraits--Archaeologists\r\nCollection: ARTstor Slide Gallery\r\nSource: Data from: University of California, San Diego
Culture: Crete, Minoan\r\nTitle: "Palace of Minos," Knossos: N. Propylaea [view from SE.], orig. ca. 16th century B.C. [20th century reconstruction by Sir Arthur Evans]\r\nLocation: Herakleion, Crete\r\nRelated Item: Adams AAT: 5.7\r\nRelated Item: Adams 2: 6.5 [alt.]\r\nRelated Item: H&F 4: 2.43 [alt.]\r\nRelated Item: Trachtenberg: 58 [det.]\r\nCollection: Art History Survey Collection\r\nSource: Catalogued by: Art Images for College Teaching
Culture: Crete, Minoan\r\nTitle: "Palace of Minos," Knossos: N. Propylaea [view from SE.], orig. ca. 16th century B.C. [20th century reconstruction by Sir Arthur Evans]\r\nLocation: Herakleion, Crete\r\nRelated Item: Adams AAT: 5.7\r\nRelated Item: Adams 2: 6.5 [alt.]\r\nRelated Item: H&F 4: 2.43 [alt.]\r\nRelated Item: Trachtenberg: 58 [det.]\r\nCollection: Art History Survey Collection\r\nSource: Catalogued by: Art Images for College Teaching
Culture: Minoan\r\nTitle: Figure of snake goddess\r\nDate: 1700-1400 BCE\r\nMaterial: earthenware\r\nRepository: Archaeological Museum of Herakleion\r\nCollection: Art, Archaeology and Architecture (Erich Lessing Culture and Fine Arts Archives)\r\nID Number: 10-02-01/11\r\nSource: Image and original data provided by Erich Lessing Culture and Fine Arts Archives/ART RESOURCE, N.Y.\r\nSource: http://www.artres.com/c/htm/Home.aspx\r\nSource: http://www.artres.com/c/htm/TreePfLight.aspx?ID=LES\r\nRights: Photo Credit: Erich Lessing/ART RESOURCE, N.Y.\r\nRights: Please note that if this image is under copyright, you may need to contact one or more copyright owners for any use that is not permitted under the ARTstor Terms and Conditions of Use or not otherwise permitted by law. While ARTstor tries to update contact information, it cannot guarantee that such information is always accurate. Determining whether those permissions are necessary, and obtaining such permissions, is your sole responsibility.
Title: Ivory Figure: Bull Leaper (found Palace at Knossos)\r\nDate: c.1600-1500 B.C\r\nMaterial: ivory\r\nSubject: Sculpture--Late Minoan--B.C\r\nCollection: ARTstor Slide Gallery\r\nSource: Data from: University of California, San Diego
Culture: Minoan\r\nTitle: Figure of snake goddess\r\nDate: 1700-1400 BCE\r\nMaterial: earthenware\r\nRepository: Archaeological Museum of Herakleion\r\nCollection: Art, Archaeology and Architecture (Erich Lessing Culture and Fine Arts Archives)\r\nID Number: 10-02-01/11\r\nSource: Image and original data provided by Erich Lessing Culture and Fine Arts Archives/ART RESOURCE, N.Y.\r\nSource: http://www.artres.com/c/htm/Home.aspx\r\nSource: http://www.artres.com/c/htm/TreePfLight.aspx?ID=LES\r\nRights: Photo Credit: Erich Lessing/ART RESOURCE, N.Y.\r\nRights: Please note that if this image is under copyright, you may need to contact one or more copyright owners for any use that is not permitted under the ARTstor Terms and Conditions of Use or not otherwise permitted by law. While ARTstor tries to update contact information, it cannot guarantee that such information is always accurate. Determining whether those permissions are necessary, and obtaining such permissions, is your sole responsibility.
Culture: Minoan\r\nTitle: Palace at Knossos\r\nTitle: View: Domestic Quarter, east wing; view of the Queen's Megaron showing the Dolphin Fresco and doorway\r\nDate: c. 1700 - 1380 BCE\r\nLocation: Knossós, Crete, Greece\r\nStyle Period: Middle Minoan I - Middle Minoan II\r\nDescription: Photographer: Susan S. Pierce\r\nCollection: Art, Archaeology, and Architecture (Canyonlights World Art Image Bank)\r\nID Number: canyon_036_017\r\nSource: Image and original data provided by Canyonlights World Art Slides and Image Bank.\r\nRights: For more information about rights and reproduction, please contact Susan Silberberg-Peirce, Canyonlights, 1127 Eagle Way, Lyons, CO 80540, Phone/Fax: 330-823-5913, Email: info@canyonlights.com, Web: www.canyonlights.com\r\nRights: Please note that if this image is under copyright, you may need to contact one or more copyright owners for any use that is not permitted under the ARTstor Terms and Conditions of Use or not otherwise permitted by law. While ARTstor tries to update contact information, it cannot guarantee that such information is always accurate. Determining whether those permissions are necessary, and obtaining such permissions, is your sole responsibility.
Culture: Minoan\r\nTitle: Bull Jumping, from the palace complex at Knossos, Crete\r\nDate: 1500 BCE\r\nMaterial: fresco\r\nMeasurements: height 62.3 cm\r\nRepository: Archaeological Museum of Herakleion\r\nCollection: Art, Archaeology and Architecture (Erich Lessing Culture and Fine Arts Archives)\r\nID Number: 10-02-01/ 7\r\nSource: Image and original data provided by Erich Lessing Culture and Fine Arts Archives/ART RESOURCE, N.Y.\r\nSource: http://www.artres.com/c/htm/Home.aspx\r\nSource: http://www.artres.com/c/htm/TreePfLight.aspx?ID=LES\r\nRights: Photo Credit: Erich Lessing/ART RESOURCE, N.Y.\r\nRights: Please note that if this image is under copyright, you may need to contact one or more copyright owners for any use that is not permitted under the ARTstor Terms and Conditions of Use or not otherwise permitted by law. While ARTstor tries to update contact information, it cannot guarantee that such information is always accurate. Determining whether those permissions are necessary, and obtaining such permissions, is your sole responsibility.
Title: Rhyton in Shape of Bull's Head\r\nDate: c.1500 B.C\r\nSubject: Rhyta\r\nSubject: Sculpture--Late Minoan--1550-1450 B.C\r\nCollection: ARTstor Slide Gallery\r\nSource: Data from: University of California, San Diego
Title: Amphora: Theseus & the Minotaur Black Figure\r\nDate: c.550 B.C\r\nLocation: Athens (Greece)\r\nDescription: From Athens\r\nSubject: Athens (Greece)\r\nSubject: Amphorae\r\nSubject: Vase Paintings--Greek: Archaic--550-520 B.C\r\nCollection: ARTstor Slide Gallery\r\nSource: Data from: University of California, San Diego
Creator: Picasso, Pablo (1881-1973)\r\nTitle: Guernica (1937)\r\nWork Type: Art: Painting\r\nPeriod: 20th - 21st centuries\r\nStyle Period: European painting, Spanish (20th c)\r\nRepository: Madrid, Reina Sofia Art Center.\r\nCollection: MegaRom Art History Survey\r\nID Number: 2286\r\nID Number: 5083\r\nSource: Arnason. Hist. Mod. Art, 4th ed. 381fig\r\nSource: Data From: American Library Color Slide Co., Inc. and/or California College of the Arts\r\nRights: (c) 2003 American Library Color Slide Co., Inc.\r\nRights: Please note that if this image is under copyright, you may need to contact one or more copyright owners for any use that is not permitted under the ARTstor Terms and Conditions of Use or not otherwise permitted by law.\r\nRights: This image has been selected and made available by an institutional user of the ARTstor Digital Library using ARTstor's software tools. ARTstor has not pre-screened or selected this image, and therefore disclaims any liability for any use of this image. Should you have any legal objection to the use of this image, please notify ARTstor's Contact for Legal Notices.
Title: Flask: Octopus design (clay, paint). Late Minoan (1580-1100 B.C.). From Palaikastro.\r\nWork Type: Art: Artistic artifacts\r\nPeriod: Early Mediterranean\r\nStyle Period: Aegean art and architecture\r\nRepository: Herakleion, Mus.\r\nCollection: MegaRom Art History Survey\r\nID Number: 154\r\nID Number: 17661\r\nSource: Data From: American Library Color Slide Co., Inc. and/or California College of the Arts\r\nRights: (c) 2003 American Library Color Slide Co., Inc.\r\nRights: Please note that if this image is under copyright, you may need to contact one or more copyright owners for any use that is not permitted under the ARTstor Terms and Conditions of Use or not otherwise permitted by law.\r\nRights: This image has been selected and made available by an institutional user of the ARTstor Digital Library using ARTstor's software tools. ARTstor has not pre-screened or selected this image, and therefore disclaims any liability for any use of this image. Should you have any legal objection to the use of this image, please notify ARTstor's Contact for Legal Notices.
Title: Flask: Octopus design (clay, paint). Late Minoan (1580-1100 B.C.). From Palaikastro.\r\nWork Type: Art: Artistic artifacts\r\nPeriod: Early Mediterranean\r\nStyle Period: Aegean art and architecture\r\nRepository: Herakleion, Mus.\r\nCollection: MegaRom Art History Survey\r\nID Number: 154\r\nID Number: 17661\r\nSource: Data From: American Library Color Slide Co., Inc. and/or California College of the Arts\r\nRights: (c) 2003 American Library Color Slide Co., Inc.\r\nRights: Please note that if this image is under copyright, you may need to contact one or more copyright owners for any use that is not permitted under the ARTstor Terms and Conditions of Use or not otherwise permitted by law.\r\nRights: This image has been selected and made available by an institutional user of the ARTstor Digital Library using ARTstor's software tools. ARTstor has not pre-screened or selected this image, and therefore disclaims any liability for any use of this image. Should you have any legal objection to the use of this image, please notify ARTstor's Contact for Legal Notices.
Title: MAP. Greece in Early Mediterranean times\r\nSubject: MAP. Greece in Early Mediterranean times\r\nID Number: 2009.01.2032\r\nSource: Stokstad, Art History, p. 151.\r\nRights: see publication
Culture: Mycenaean (Helladic)\r\nTitle: Citadel at Mycenae [aerial view of site]\r\nDate: ca. 1600-1200 B.C.E.\r\nLocation: Mycenae, Argolis, Greece\r\nRelated Item: Adams AAT: 5.28\r\nRelated Item: Adams AAT: 5.29\r\nRelated Item: Kostof: 5.12\r\nRelated Item: Stokstad R: 4-19\r\nCollection: Art History Survey Collection\r\nSource: Catalogued by: Digital Library Federation Academic Image Cooperative
Culture: Greek, Helladic (Mycenaean)\r\nTitle: Tholos ("beehive") tomb (called the "Treasury of Atreus"): dromos and entrance, view from E., ca. 1300 B.C.\r\nLocation: Mycenae, Argolis, Greece\r\nRelated Item: Adams AAT: 5.26 [cont.]\r\nRelated Item: Gardner 10: 4-22 [cont.]\r\nRelated Item: Adams 2: 6.17 [cont.]\r\nRelated Item: Hartt 4: 6-17 [cont.]\r\nRelated Item: H&F 4: 2.55 [full]\r\nRelated Item: Stokstad R: 4-21 [cont.]\r\nRelated Item: Kostof R: 5.18 [cont.]\r\nRelated Item: Kostof: 5.18 [cont.]\r\nRelated Item: Stokstad 2: 4-20 [cont.]\r\nRelated Item: Janson 5 R: 130 [cont.]\r\nRelated Item: Janson 5: 133 [cont.]\r\nRelated Item: Stokstad: 4-21 [cont.]\r\nRelated Item: Trachtenberg: 65 [alt.]\r\nRelated Item: W&S 3: 3-37 [cont.]\r\nCollection: Art History Survey Collection\r\nSource: Catalogued by: Art Images for College Teaching
Culture: Greek, Helladic (Mycenaean)\r\nTitle: Tholos ("beehive") tomb (called the "Treasury of Atreus"): dromos and entrance, view from E., ca. 1300 B.C.\r\nLocation: Mycenae, Argolis, Greece\r\nRelated Item: Adams AAT: 5.26 [cont.]\r\nRelated Item: Gardner 10: 4-22 [cont.]\r\nRelated Item: Adams 2: 6.17 [cont.]\r\nRelated Item: Hartt 4: 6-17 [cont.]\r\nRelated Item: H&F 4: 2.55 [full]\r\nRelated Item: Stokstad R: 4-21 [cont.]\r\nRelated Item: Kostof R: 5.18 [cont.]\r\nRelated Item: Kostof: 5.18 [cont.]\r\nRelated Item: Stokstad 2: 4-20 [cont.]\r\nRelated Item: Janson 5 R: 130 [cont.]\r\nRelated Item: Janson 5: 133 [cont.]\r\nRelated Item: Stokstad: 4-21 [cont.]\r\nRelated Item: Trachtenberg: 65 [alt.]\r\nRelated Item: W&S 3: 3-37 [cont.]\r\nCollection: Art History Survey Collection\r\nSource: Catalogued by: Art Images for College Teaching
Culture: Greek, Helladic (Mycenaean)\r\nTitle: Tholos ("beehive") tomb (called the "Treasury of Atreus"): dromos and entrance, view from E., ca. 1300 B.C.\r\nLocation: Mycenae, Argolis, Greece\r\nRelated Item: Adams AAT: 5.26 [cont.]\r\nRelated Item: Gardner 10: 4-22 [cont.]\r\nRelated Item: Adams 2: 6.17 [cont.]\r\nRelated Item: Hartt 4: 6-17 [cont.]\r\nRelated Item: H&F 4: 2.55 [full]\r\nRelated Item: Stokstad R: 4-21 [cont.]\r\nRelated Item: Kostof R: 5.18 [cont.]\r\nRelated Item: Kostof: 5.18 [cont.]\r\nRelated Item: Stokstad 2: 4-20 [cont.]\r\nRelated Item: Janson 5 R: 130 [cont.]\r\nRelated Item: Janson 5: 133 [cont.]\r\nRelated Item: Stokstad: 4-21 [cont.]\r\nRelated Item: Trachtenberg: 65 [alt.]\r\nRelated Item: W&S 3: 3-37 [cont.]\r\nCollection: Art History Survey Collection\r\nSource: Catalogued by: Art Images for College Teaching
Title: Mycenae: Treasury of Atreus Int:\r\nDate: c.1330 B.C\r\nLocation: Mycenae (Extinct city)\r\nSubject: Mycenae (Extinct city)--Treasury of Atreus\r\nSubject: Architecture:Site--Mycenaean--B.C\r\nCollection: ARTstor Slide Gallery\r\nSource: Data from: University of California, San Diego
Culture: Greek, Helladic (Mycenaean)\r\nTitle: Tholos ("beehive") tomb (called the "Treasury of Atreus"): interior, detail of corbelled vault, ca. 1300 B.C.\r\nLocation: Mycenae, Argolis, Greece\r\nRelated Item: Adams AAT: 5.26, 5.27\r\nRelated Item: Gardner 10: 4-23\r\nRelated Item: Hartt 4: 6-18 [alt.]\r\nRelated Item: Gardner 11: 4-22\r\nRelated Item: Stokstad R: 4-22\r\nRelated Item: Kostof R: 5.18 [det.]\r\nRelated Item: Kostof: 5.18 [det.]\r\nRelated Item: Stokstad 2: 4-20\r\nRelated Item: Janson 5 R: 130\r\nRelated Item: Janson 5: 132 [alt.]\r\nRelated Item: Stokstad: 4-22\r\nRelated Item: Trachtenberg: 65\r\nCollection: Art History Survey Collection\r\nSource: Catalogued by: Art Images for College Teaching
Culture: Mycenaean\r\nTitle: So-called Mask of Agamemnon\r\nWork Type: metalwork\r\nDate: 16th century BCE\r\nMaterial: gold\r\nDescription: Named by Schliemann in 1876. Found in Tomb V, Grave Circle A.\r\nRepository: National Archaeological Museum (Greece)\r\nCollection: Art, Archaeology and Architecture (Erich Lessing Culture and Fine Arts Archives)\r\nID Number: 10-02-01/16\r\nSource: Image and original data provided by Erich Lessing Culture and Fine Arts Archives/ART RESOURCE, N.Y.\r\nSource: http://www.artres.com/c/htm/Home.aspx\r\nSource: http://www.artres.com/c/htm/TreePfLight.aspx?ID=LES\r\nRights: Photo Credit: Erich Lessing/ART RESOURCE, N.Y.\r\nRights: Please note that if this image is under copyright, you may need to contact one or more copyright owners for any use that is not permitted under the ARTstor Terms and Conditions of Use or not otherwise permitted by law. While ARTstor tries to update contact information, it cannot guarantee that such information is always accurate. Determining whether those permissions are necessary, and obtaining such permissions, is your sole responsibility.
Culture: Egyptian\r\nTitle: Funerary Mask of Tutankhamun\r\nWork Type: metalwork\r\nDate: Reign of Tutankhamun; 1333-1323 BCE\r\nMaterial: gold, lapis lazuli, carnelian, quartz, obsidian, turquoise, colored glass\r\nMeasurements: height: 54 cm; width: 39.3 cm; weight: 11 kg\r\nStyle Period: New Kingdom, Eighteenth Dynasty\r\nDescription: Tomb of Tutankhamun, Valley of the Kings, Thebes\r\nRepository: Egyptian Museum, Cairo, Egypt\r\nCollection: Italian and other European Art (Scala Archives)\r\nSource: Image and original data provided by SCALA, Florence/ART RESOURCE, N.Y.\r\nSource: http://www.artres.com/c/htm/Home.aspx\r\nSource: http://www.scalarchives.com\r\nRights: (c) 2006, SCALA, Florence / ART RESOURCE, N.Y.\r\nRights: Please note that if this image is under copyright, you may need to contact one or more copyright owners for any use that is not permitted under the ARTstor Terms and Conditions of Use or not otherwise permitted by law. While ARTstor tries to update contact information, it cannot guarantee that such information is always accurate. Determining whether those permissions are necessary, and obtaining such permissions, is your sole responsibility.
Title: Inlaid Dagger: Lion Hunt found Tombs IV in Mycenae\r\nDate: c.16th C. B.C\r\nMaterial: bronze, gold, silver, niello\r\nSubject: Metalwork--Minoan--5000-1100 B.C\r\nCollection: ARTstor Slide Gallery\r\nSource: Data from: University of California, San Diego
Title: Inlaid Dagger found Tombs IV in Mycenae: det.\r\nDate: c.16th C. B.C\r\nMaterial: bronze, gold, silver, niello\r\nSubject: Metalwork--Minoan--5000-1100 B.C\r\nCollection: ARTstor Slide Gallery\r\nSource: Data from: University of California, San Diego
Title: Head of Cyclops\r\nWork Type: sculpture\r\nDate: 4th century BCE\r\nMaterial: terracotta\r\nMeasurements: height 6 cm\r\nDescription: From Izmir (Smyrna).\r\nRepository: Musée du Louvre, inv. CA 1003.\r\nCollection: Art, Archaeology and Architecture (Erich Lessing Culture and Fine Arts Archives)\r\nID Number: 10-01-02/21\r\nSource: Image and original data provided by Erich Lessing Culture and Fine Arts Archives/ART RESOURCE, N.Y.\r\nSource: http://www.artres.com/c/htm/Home.aspx\r\nSource: http://www.artres.com/c/htm/TreePfLight.aspx?ID=LES\r\nRights: Photo Credit: Erich Lessing/ART RESOURCE, N.Y.\r\nRights: Please note that if this image is under copyright, you may need to contact one or more copyright owners for any use that is not permitted under the ARTstor Terms and Conditions of Use or not otherwise permitted by law. While ARTstor tries to update contact information, it cannot guarantee that such information is always accurate. Determining whether those permissions are necessary, and obtaining such permissions, is your sole responsibility.
Creator: Siren Painter (active c. 500-c. 480 BCE)\r\nCulture: Greek\r\nTitle: Stamnos with Odysseus and the Sirens\r\nWork Type: vessel\r\nDate: c. 500-480 BCE\r\nMaterial: terracotta\r\nStyle Period: Attic Red-Figure\r\nDescription: name-piece of this painter\r\nRepository: British Museum, London, United Kingdom\r\nCollection: Art, Archaeology and Architecture (Erich Lessing Culture and Fine Arts Archives)\r\nID Number: 03-05-01/39\r\nSource: Image and original data provided by Erich Lessing Culture and Fine Arts Archives/ART RESOURCE, N.Y.\r\nSource: http://www.artres.com/c/htm/Home.aspx\r\nSource: http://www.artres.com/c/htm/TreePfLight.aspx?ID=LES\r\nRights: Photo Credit: Erich Lessing/ART RESOURCE, N.Y.\r\nRights: Please note that if this image is under copyright, you may need to contact one or more copyright owners for any use that is not permitted under the ARTstor Terms and Conditions of Use or not otherwise permitted by law. While ARTstor tries to update contact information, it cannot guarantee that such information is always accurate. Determining whether those permissions are necessary, and obtaining such permissions, is your sole responsibility.
Creator: Siren Painter (active c. 500-c. 480 BCE)\r\nCulture: Greek\r\nTitle: Stamnos with Odysseus and the Sirens\r\nWork Type: vessel\r\nDate: c. 500-480 BCE\r\nMaterial: terracotta\r\nStyle Period: Attic Red-Figure\r\nDescription: name-piece of this painter\r\nRepository: British Museum, London, United Kingdom\r\nCollection: Art, Archaeology and Architecture (Erich Lessing Culture and Fine Arts Archives)\r\nID Number: 03-05-01/39\r\nSource: Image and original data provided by Erich Lessing Culture and Fine Arts Archives/ART RESOURCE, N.Y.\r\nSource: http://www.artres.com/c/htm/Home.aspx\r\nSource: http://www.artres.com/c/htm/TreePfLight.aspx?ID=LES\r\nRights: Photo Credit: Erich Lessing/ART RESOURCE, N.Y.\r\nRights: Please note that if this image is under copyright, you may need to contact one or more copyright owners for any use that is not permitted under the ARTstor Terms and Conditions of Use or not otherwise permitted by law. While ARTstor tries to update contact information, it cannot guarantee that such information is always accurate. Determining whether those permissions are necessary, and obtaining such permissions, is your sole responsibility.
Culture: Greek, Geometric period\r\nTitle: Centaur from Lefkandi, Euboea\r\nDate: late 10th century B.C.E.\r\nLocation: Archeological Museum, Eretria\r\nMaterial: terracotta\r\nMeasurements: h. 36cm.\r\nRelated Item: Stokstad R: 5-4\r\nCollection: Art History Survey Collection\r\nSource: Catalogued by: Digital Library Federation Academic Image Cooperative
Culture: Greek, Geometric period\r\nTitle: Scenes of ritual mourning (prothesis) and funeral procession of chariots, detail from large funerary krater ("Dipylon Vase"), ca. 750 B.C.E.\r\nLocation: Metropolitan Museum of Art, New York [14.130.14]\r\nMaterial: ceramic\r\nRelated Item: Stokstad: 159-160; Janson 5r: 111-112\r\nRelated Item: [5-6]\r\nCollection: Art History Survey Collection\r\nSource: Data from: Digital Library Federation Academic Image Cooperative
Creator: Exekias\r\nCulture: Greek\r\nTitle: Black-figure amphora with Achilles and Ajax playing dice\r\nWork Type: ceramic\r\nDate: c. 550-525 BCE\r\nRepository: Museo gregoriano etrusco\r\nCollection: Italian and other European Art (Scala Archives)\r\nSource: Image and original data provided by SCALA, Florence/ART RESOURCE, N.Y.\r\nSource: http://www.artres.com/c/htm/Home.aspx\r\nSource: http://www.scalarchives.com\r\nRights: (c) 2006, SCALA, Florence / ART RESOURCE, N.Y.\r\nRights: Please note that if this image is under copyright, you may need to contact one or more copyright owners for any use that is not permitted under the ARTstor Terms and Conditions of Use or not otherwise permitted by law. While ARTstor tries to update contact information, it cannot guarantee that such information is always accurate. Determining whether those permissions are necessary, and obtaining such permissions, is your sole responsibility.
Creator: Exekias, 6th cent. B.C\r\nTitle: Neck-Handled Amphora: Ajax prepares to kill himself\r\nTitle: Ajax prepares to kill himself\r\nDate: c.540 B.C\r\nLocation: Attike (Greece)\r\nLocation: Greek\r\nDescription: Vase from Attica\r\nSubject: Attike (Greece)\r\nSubject: Ajax (Greek mythology)\r\nSubject: Amphorae--Black-figure\r\nSubject: Amphorae--Neck-handled\r\nSubject: Armor\r\nSubject: Mythology--Greek\r\nSubject: Palm trees\r\nSubject: Swords\r\nSubject: Vase Paintings--Greek: Archaic--550-520 B.C\r\nCollection: ARTstor Slide Gallery\r\nSource: Data from: University of California, San Diego
Creator: The A.D. Painter\r\nTitle: Attic Black-Figured Hydria: Women at a Fountain House\r\nDate: c.510 B.C\r\nMeasurements: h.20.5"\r\nSubject: Black-figure--Hydriae\r\nSubject: Vase Paintings--Greek: Archaic--520-480 B.C\r\nSubject: hydriae\r\nCollection: ARTstor Slide Gallery\r\nSource: Data from: University of California, San Diego
Title: The Moschophoros (calf bearer), detail\r\nWork Type: sculpture\r\nDate: c. 570 BCE\r\nMaterial: marble\r\nStyle Period: Archaic\r\nDescription: Found on the Athenian Acropolis in 1864.\r\nRepository: Acropolis Museum, inv. 624.\r\nCollection: Art, Archaeology and Architecture (Erich Lessing Culture and Fine Arts Archives)\r\nID Number: 10-01-01/28\r\nSource: Image and original data provided by Erich Lessing Culture and Fine Arts Archives/ART RESOURCE, N.Y.\r\nSource: http://www.artres.com/c/htm/Home.aspx\r\nSource: http://www.artres.com/c/htm/TreePfLight.aspx?ID=LES\r\nRights: Photo Credit: Erich Lessing/ART RESOURCE, N.Y.\r\nRights: Please note that if this image is under copyright, you may need to contact one or more copyright owners for any use that is not permitted under the ARTstor Terms and Conditions of Use or not otherwise permitted by law. While ARTstor tries to update contact information, it cannot guarantee that such information is always accurate. Determining whether those permissions are necessary, and obtaining such permissions, is your sole responsibility.
Culture: Greek\r\nTitle: Kouros from Anavyssos\r\nWork Type: sculpture\r\nDate: c. 540-500 BCE\r\nMaterial: marble\r\nStyle Period: Archaic\r\nRepository: National Museum of Archaeology (Greece)\r\nCollection: Italian and other European Art (Scala Archives)\r\nSource: Image and original data provided by SCALA, Florence/ART RESOURCE, N.Y.\r\nSource: http://www.artres.com/c/htm/Home.aspx\r\nSource: http://www.scalarchives.com\r\nRights: (c) 2006, SCALA, Florence / ART RESOURCE, N.Y.\r\nRights: Please note that if this image is under copyright, you may need to contact one or more copyright owners for any use that is not permitted under the ARTstor Terms and Conditions of Use or not otherwise permitted by law. While ARTstor tries to update contact information, it cannot guarantee that such information is always accurate. Determining whether those permissions are necessary, and obtaining such permissions, is your sole responsibility.
Culture: Greek\r\nTitle: Kouros from Anavyssos\r\nWork Type: sculpture\r\nDate: c. 540-500 BCE\r\nMaterial: marble\r\nStyle Period: Archaic\r\nRepository: National Museum of Archaeology (Greece)\r\nCollection: Italian and other European Art (Scala Archives)\r\nSource: Image and original data provided by SCALA, Florence/ART RESOURCE, N.Y.\r\nSource: http://www.artres.com/c/htm/Home.aspx\r\nSource: http://www.scalarchives.com\r\nRights: (c) 2006, SCALA, Florence / ART RESOURCE, N.Y.\r\nRights: Please note that if this image is under copyright, you may need to contact one or more copyright owners for any use that is not permitted under the ARTstor Terms and Conditions of Use or not otherwise permitted by law. While ARTstor tries to update contact information, it cannot guarantee that such information is always accurate. Determining whether those permissions are necessary, and obtaining such permissions, is your sole responsibility.
Culture: Greek, Archaic\r\nTitle: Peplos Kore\r\nDate: ca. 530 B.C.E.\r\nLocation: Acropolis Museum, Athens [#679]\r\nMaterial: marble with polychromy\r\nMeasurements: h. 48"\r\nRelated Item: Adams AAT: 6.21\r\nRelated Item: Hartt 4: 7-11\r\nRelated Item: Gardner 10: 5-12\r\nRelated Item: Janson 5R: 152\r\nRelated Item: Stokstad R: 5-23\r\nCollection: Art History Survey Collection\r\nSource: Catalogued by: Digital Library Federation Academic Image Cooperative
Title: Peplos Kore rear view\r\nDate: c.530 B.C\r\nMaterial: marble\r\nSubject: Sculpture--Greek: Archaic--535-480 B.C\r\nCollection: ARTstor Slide Gallery\r\nSource: Data from: University of California, San Diego
Title: Peplos Kore: det.: bust\r\nDate: c.530 B.C\r\nMaterial: marble\r\nSubject: Sculpture--Greek: Archaic--535-480 B.C\r\nCollection: ARTstor Slide Gallery\r\nSource: Data from: University of California, San Diego
Title: Peplos Kore: det.: head\r\nDate: c.530 B.C\r\nMaterial: marble\r\nSubject: Ex-votos\r\nSubject: Korai (statue)\r\nSubject: Sculpture--Greek: Archaic--535-480 B.C\r\nCollection: ARTstor Slide Gallery\r\nSource: Data from: University of California, San Diego
Title: Peplos Kore: reconstruction: side view\r\nDate: dedicated 530 B.C\r\nMaterial: polychromed marble\r\nDescription: Museum of Classical Archeology, Cambridge\r\nDescription: Reconstructed and painted cast of the original\r\nSubject: Ex-votos\r\nSubject: Korai (statue)\r\nSubject: Reconstruction (Hypothetical)\r\nSubject: Sculpture--Greek: Archaic--535-480 B.C\r\nCollection: ARTstor Slide Gallery\r\nSource: Data from: University of California, San Diego
Culture: Greek\r\nTitle: Votive Kore from Chios (Votive Kore)\r\nWork Type: sculpture\r\nDate: c. 520 BCE\r\nStyle Period: Archaic\r\nRepository: Acropolis Museum\r\nCollection: Italian and other European Art (Scala Archives)\r\nSource: Image and original data provided by SCALA, Florence/ART RESOURCE, N.Y.\r\nSource: http://www.artres.com/c/htm/Home.aspx\r\nSource: http://www.scalarchives.com\r\nRights: (c) 2006, SCALA, Florence / ART RESOURCE, N.Y.\r\nRights: Please note that if this image is under copyright, you may need to contact one or more copyright owners for any use that is not permitted under the ARTstor Terms and Conditions of Use or not otherwise permitted by law. While ARTstor tries to update contact information, it cannot guarantee that such information is always accurate. Determining whether those permissions are necessary, and obtaining such permissions, is your sole responsibility.
Culture: Greek\r\nTitle: Temple of Hera I, oblique view from the northwest\r\nWork Type: architecture\r\nDate: c. 550-525 BCE\r\nLocation: Paestum, Italy\r\nDescription: Photographer: Susan Silberberg-Pierce\r\nCollection: Art, Archaeology, and Architecture (Canyonlights World Art Image Bank)\r\nID Number: canyon_058_005\r\nSource: For more information about rights and reproduction, please contact Susan Silberberg-Peirce, Canyonlights, 1127 Eagle Way, Lyons, CO 80540, Phone/Fax: 330-823-5913, Email: info@canyonlights.com, Web: www.canyonlights.com\r\nRights: Please note that if this image is under copyright, you may need to contact one or more copyright owners for any use that is not permitted under the ARTstor Terms and Conditions of Use or not otherwise permitted by law. While ARTstor tries to update contact information, it cannot guarantee that such information is always accurate. Determining whether those permissions are necessary, and obtaining such permissions, is your sole responsibility.
Title: Doric Order: elevation\r\nSubject: Architectural orders\r\nSubject: Architecture Reference: General\r\nSubject: Doric order\r\nSubject: Reference\r\nCollection: ARTstor Slide Gallery\r\nSource: Data from: University of California, San Diego
Title: Doric Order: elevation\r\nSubject: Architectural orders\r\nSubject: Architecture Reference: General\r\nSubject: Doric order\r\nSubject: Reference\r\nCollection: ARTstor Slide Gallery\r\nSource: Data from: University of California, San Diego
Culture: Ancient Rome : Imperial\r\nTitle: The painted replica (right) of the head of Caligula (left) was the product of work done by Vinzenz Brinkmann\r\nWork Type: Sculpture\r\nDate: A.D. 39-49\r\nMaterial: marble\r\nDescription: statues, men, political leaders, rulers, Gaius Julius Caesar Augustus Germanicus, 31 August AD 12 – 24 January AD 41, conservation, archaeology, color study, pigment, remnants, UV light
Culture: Ancient Greece\r\nTitle: The painted replica of an archer testifies to German archaeologist Vinzenz Brinkmann's painstaking research into the ancient sculpture's colors. The original statue came from the temple of Aphaia on the Greek island of Aegina\r\nWork Type: Sculpture\r\nDate: circa 490 B.C.E.\r\nLocation: Parthenon, Athens\r\nDescription: statues, men, warriors, soldiers, kneeling, bow and arrow, costume, bright, loud, color, pattern, primary, red, yellow, blue, green, conservation, archaeology, color study, pigment, remnants, UV light
Title: MAP. Persian Empire & empire of Alexander the Great\r\nDate: c. 500 - 323 BC\r\nSubject: MAP. Persian Empire & empire of Alexander the Great c. 500 - 323 BC\r\nID Number: 2009.01.2033\r\nSource: Hammond Historical Atlas, p. H-8 top\r\nRights: see publication
Creator: Attributed to the Euphiletos Painter, European; Southern European; Greek\r\nTitle: Panathenaic prize amphora\r\nWork Type: Decorative Arts and Utilitarian Objects\r\nDate: ca. 530?520 B.C.\r\nMaterial: Terracotta\r\nMeasurements: H. 24 1/2 in. (62.2 cm)\r\nStyle Period: Black-figure\r\nDescription: All major festivals in ancient Greece were dedicated to the gods. One of the best known is the Panathenaia, the annual celebration held in Athens to honor Athena in the first month of the Attic year, the summer month of Hekatombaion. In 566 B.C., festival officials reorganized the celebration to include athletic events. At about this time, potters created a special type of vase to hold the valuable olive oil awarded to the victor in each contest. A canonical example is this Panathenaic prize amphora by the Euphiletos Painter. The amphora holds a standard liquid measure of 38 to 39 liters (about 40 to 41 quarts). The decoration of all Panathenaic amphorae is always in the Attic black-figure technique, even long after that method was superseded, in the late sixth century B.C., by the more expressive red-figure technique. The figural decoration is set in panels. Above the panel on the obverse of this vase is the typical frieze of alternating red and black tongues. On this side, Athena strides to the left between two columns surmounted by cocks, and an inscription alongside the left column informs the viewer that the vase was awarded as a prize ("from the Games at Athens"). On the reverse is a representation of the footrace, one of the earliest known events in the Panathenaic games, and the game for which this vase was awarded.\r\nDescription: Principal view\r\nRepository: The Metropolitan Museum of Art\r\nRepository: New York, New York\r\nRepository: Rogers Fund, 1914\r\nRepository: 14.130.12\r\nRepository: http://www.metmuseum.org\r\nCollection: The Metropolitan Museum of Art Collection\r\nCollection: Formerly in The AMICO Library\r\nID Number: MMA_.14.130.12\r\nSource: Data From: The Metropolitan Museum of Art\r\nRights: This image was provided by The Metropolitan Museum of Art. Contact information: Photograph and Slide Library, The Metropolitan Museum of Art, 1000 Fifth Avenue, New York, NY 10028, (212) 396-5050 (fax).\r\nRights: Please note that if this image is under copyright, you may need to contact one or more copyright owners for any use that is not permitted under the ARTstor Terms and Conditions of Use or not otherwise permitted by law. While ARTstor tries to update contact information, it cannot guarantee that such information is always accurate. Determining whether those permissions are necessary, and obtaining such permissions, is your sole responsibility.
Creator: Kleophrades Painter, Greek, Attic, ca. 500-475 BC\r\nTitle: Panathenaic Prize Amphora: Four-horse chariot\r\nWork Type: Containers\r\nPeriod: Late Archaic\r\nDate: ca. 490 B.C.\r\nMaterial: Terracotta. black-figure with applied red and white\r\nMeasurements: 65.2 x 40 cm (25 11/16 x 15 3/4 in.)\r\nDescription: From about 530 B.C. onward, this special type of amphora was given by the city of Athens to the winners of competitions at the Panathenaic Games, held every four years. The shape of the Panathenaic prize vase as well as its black-figure decoration were canonical, and changed very little for centuries. On one side, Athena, patron of Athens and honoree of the games, is shown striding to the left between two columns, while on the other side, the event for which the prize was won is depicted: in this case, a four-horse chariot race. This particular vase was painted by the Kleophrades Painter, one of the most important artists in the first generation of red-figure painters. His personal drawing style is apparent despite the deliberately archaizing rendering that went along with these traditional prizes.\r\nRepository: Yale University Art Gallery, Ancient Art\r\nRepository: http://artgallery.yale.edu/\r\nRepository: Gift of Frederic W. Stevens, B.A. 1858\r\nAccession Number: 1909.13\r\nCollection: Yale University Art Gallery\r\nID Number: 643\r\nSource: Image and original data provided by Yale University\r\nRights: For uses outside of the ARTstor terms and conditions of use, contact: John ffrench; Assoc. Director, Visual Resources; P.O. Box 208271; New Haven, CT 06520; Tel: 203-432-0630; Fax: 203-432-9274; Email: yuagrights@yale.edu\r\nRights: Please note that if this image is under copyright, you may need to contact one or more copyright owners for any use that is not permitted under the ARTstor Terms and Conditions of Use or not otherwise permitted by law. While ARTstor tries to update contact information, it cannot guarantee that such information is always accurate. Determining whether those permissions are necessary, and obtaining such permissions, is your sole responsibility.
Creator: Kleophrades Painter, Greek, Attic, ca. 500-475 BC\r\nTitle: Panathenaic Prize Amphora: Four-horse chariot\r\nWork Type: Containers\r\nPeriod: Late Archaic\r\nDate: ca. 490 B.C.\r\nMaterial: Terracotta. black-figure with applied red and white\r\nMeasurements: 65.2 x 40 cm (25 11/16 x 15 3/4 in.)\r\nDescription: From about 530 B.C. onward, this special type of amphora was given by the city of Athens to the winners of competitions at the Panathenaic Games, held every four years. The shape of the Panathenaic prize vase as well as its black-figure decoration were canonical, and changed very little for centuries. On one side, Athena, patron of Athens and honoree of the games, is shown striding to the left between two columns, while on the other side, the event for which the prize was won is depicted: in this case, a four-horse chariot race. This particular vase was painted by the Kleophrades Painter, one of the most important artists in the first generation of red-figure painters. His personal drawing style is apparent despite the deliberately archaizing rendering that went along with these traditional prizes.\r\nRepository: Yale University Art Gallery, Ancient Art\r\nRepository: http://artgallery.yale.edu/\r\nRepository: Gift of Frederic W. Stevens, B.A. 1858\r\nAccession Number: 1909.13\r\nCollection: Yale University Art Gallery\r\nID Number: 643\r\nSource: Image and original data provided by Yale University\r\nRights: For uses outside of the ARTstor terms and conditions of use, contact: John ffrench; Assoc. Director, Visual Resources; P.O. Box 208271; New Haven, CT 06520; Tel: 203-432-0630; Fax: 203-432-9274; Email: yuagrights@yale.edu\r\nRights: Please note that if this image is under copyright, you may need to contact one or more copyright owners for any use that is not permitted under the ARTstor Terms and Conditions of Use or not otherwise permitted by law. While ARTstor tries to update contact information, it cannot guarantee that such information is always accurate. Determining whether those permissions are necessary, and obtaining such permissions, is your sole responsibility.
Creator: Kleophrades Painter, Greek, Attic, ca. 500-475 BC\r\nTitle: Panathenaic Prize Amphora: Four-horse chariot\r\nWork Type: Containers\r\nPeriod: Late Archaic\r\nDate: ca. 490 B.C.\r\nMaterial: Terracotta. black-figure with applied red and white\r\nMeasurements: 65.2 x 40 cm (25 11/16 x 15 3/4 in.)\r\nDescription: From about 530 B.C. onward, this special type of amphora was given by the city of Athens to the winners of competitions at the Panathenaic Games, held every four years. The shape of the Panathenaic prize vase as well as its black-figure decoration were canonical, and changed very little for centuries. On one side, Athena, patron of Athens and honoree of the games, is shown striding to the left between two columns, while on the other side, the event for which the prize was won is depicted: in this case, a four-horse chariot race. This particular vase was painted by the Kleophrades Painter, one of the most important artists in the first generation of red-figure painters. His personal drawing style is apparent despite the deliberately archaizing rendering that went along with these traditional prizes.\r\nRepository: Yale University Art Gallery, Ancient Art\r\nRepository: http://artgallery.yale.edu/\r\nRepository: Gift of Frederic W. Stevens, B.A. 1858\r\nAccession Number: 1909.13\r\nCollection: Yale University Art Gallery\r\nID Number: 643\r\nSource: Image and original data provided by Yale University\r\nRights: For uses outside of the ARTstor terms and conditions of use, contact: John ffrench; Assoc. Director, Visual Resources; P.O. Box 208271; New Haven, CT 06520; Tel: 203-432-0630; Fax: 203-432-9274; Email: yuagrights@yale.edu\r\nRights: Please note that if this image is under copyright, you may need to contact one or more copyright owners for any use that is not permitted under the ARTstor Terms and Conditions of Use or not otherwise permitted by law. While ARTstor tries to update contact information, it cannot guarantee that such information is always accurate. Determining whether those permissions are necessary, and obtaining such permissions, is your sole responsibility.
Creator: Kleophrades Painter, Greek, Attic, ca. 500-475 BC\r\nTitle: Panathenaic Prize Amphora: Four-horse chariot\r\nWork Type: Containers\r\nPeriod: Late Archaic\r\nDate: ca. 490 B.C.\r\nMaterial: Terracotta. black-figure with applied red and white\r\nMeasurements: 65.2 x 40 cm (25 11/16 x 15 3/4 in.)\r\nDescription: From about 530 B.C. onward, this special type of amphora was given by the city of Athens to the winners of competitions at the Panathenaic Games, held every four years. The shape of the Panathenaic prize vase as well as its black-figure decoration were canonical, and changed very little for centuries. On one side, Athena, patron of Athens and honoree of the games, is shown striding to the left between two columns, while on the other side, the event for which the prize was won is depicted: in this case, a four-horse chariot race. This particular vase was painted by the Kleophrades Painter, one of the most important artists in the first generation of red-figure painters. His personal drawing style is apparent despite the deliberately archaizing rendering that went along with these traditional prizes.\r\nRepository: Yale University Art Gallery, Ancient Art\r\nRepository: http://artgallery.yale.edu/\r\nRepository: Gift of Frederic W. Stevens, B.A. 1858\r\nAccession Number: 1909.13\r\nCollection: Yale University Art Gallery\r\nID Number: 643\r\nSource: Image and original data provided by Yale University\r\nRights: For uses outside of the ARTstor terms and conditions of use, contact: John ffrench; Assoc. Director, Visual Resources; P.O. Box 208271; New Haven, CT 06520; Tel: 203-432-0630; Fax: 203-432-9274; Email: yuagrights@yale.edu\r\nRights: Please note that if this image is under copyright, you may need to contact one or more copyright owners for any use that is not permitted under the ARTstor Terms and Conditions of Use or not otherwise permitted by law. While ARTstor tries to update contact information, it cannot guarantee that such information is always accurate. Determining whether those permissions are necessary, and obtaining such permissions, is your sole responsibility.
Creator: Kleophrades Painter, Greek, Attic, ca. 500-475 BC\r\nTitle: Panathenaic Prize Amphora: Four-horse chariot\r\nWork Type: Containers\r\nPeriod: Late Archaic\r\nDate: ca. 490 B.C.\r\nMaterial: Terracotta. black-figure with applied red and white\r\nMeasurements: 65.2 x 40 cm (25 11/16 x 15 3/4 in.)\r\nDescription: From about 530 B.C. onward, this special type of amphora was given by the city of Athens to the winners of competitions at the Panathenaic Games, held every four years. The shape of the Panathenaic prize vase as well as its black-figure decoration were canonical, and changed very little for centuries. On one side, Athena, patron of Athens and honoree of the games, is shown striding to the left between two columns, while on the other side, the event for which the prize was won is depicted: in this case, a four-horse chariot race. This particular vase was painted by the Kleophrades Painter, one of the most important artists in the first generation of red-figure painters. His personal drawing style is apparent despite the deliberately archaizing rendering that went along with these traditional prizes.\r\nRepository: Yale University Art Gallery, Ancient Art\r\nRepository: http://artgallery.yale.edu/\r\nRepository: Gift of Frederic W. Stevens, B.A. 1858\r\nAccession Number: 1909.13\r\nCollection: Yale University Art Gallery\r\nID Number: 643\r\nSource: Image and original data provided by Yale University\r\nRights: For uses outside of the ARTstor terms and conditions of use, contact: John ffrench; Assoc. Director, Visual Resources; P.O. Box 208271; New Haven, CT 06520; Tel: 203-432-0630; Fax: 203-432-9274; Email: yuagrights@yale.edu\r\nRights: Please note that if this image is under copyright, you may need to contact one or more copyright owners for any use that is not permitted under the ARTstor Terms and Conditions of Use or not otherwise permitted by law. While ARTstor tries to update contact information, it cannot guarantee that such information is always accurate. Determining whether those permissions are necessary, and obtaining such permissions, is your sole responsibility.
Creator: Kleophrades Painter, Greek, Attic, ca. 500-475 BC\r\nTitle: Panathenaic Prize Amphora: Four-horse chariot\r\nWork Type: Containers\r\nPeriod: Late Archaic\r\nDate: ca. 490 B.C.\r\nMaterial: Terracotta. black-figure with applied red and white\r\nMeasurements: 65.2 x 40 cm (25 11/16 x 15 3/4 in.)\r\nDescription: From about 530 B.C. onward, this special type of amphora was given by the city of Athens to the winners of competitions at the Panathenaic Games, held every four years. The shape of the Panathenaic prize vase as well as its black-figure decoration were canonical, and changed very little for centuries. On one side, Athena, patron of Athens and honoree of the games, is shown striding to the left between two columns, while on the other side, the event for which the prize was won is depicted: in this case, a four-horse chariot race. This particular vase was painted by the Kleophrades Painter, one of the most important artists in the first generation of red-figure painters. His personal drawing style is apparent despite the deliberately archaizing rendering that went along with these traditional prizes.\r\nRepository: Yale University Art Gallery, Ancient Art\r\nRepository: http://artgallery.yale.edu/\r\nRepository: Gift of Frederic W. Stevens, B.A. 1858\r\nAccession Number: 1909.13\r\nCollection: Yale University Art Gallery\r\nID Number: 643\r\nSource: Image and original data provided by Yale University\r\nRights: For uses outside of the ARTstor terms and conditions of use, contact: John ffrench; Assoc. Director, Visual Resources; P.O. Box 208271; New Haven, CT 06520; Tel: 203-432-0630; Fax: 203-432-9274; Email: yuagrights@yale.edu\r\nRights: Please note that if this image is under copyright, you may need to contact one or more copyright owners for any use that is not permitted under the ARTstor Terms and Conditions of Use or not otherwise permitted by law. While ARTstor tries to update contact information, it cannot guarantee that such information is always accurate. Determining whether those permissions are necessary, and obtaining such permissions, is your sole responsibility.