Part 1: Metadata for Musicians workshop at University of the Arts, Philadelphia, PA on Feb 3, 3016. Hosted by the Corzo Center for the Creative Economy. http://corzocenter.uarts.edu/
Here's part 2:
http://www.slideshare.net/tsunamismr/metadata-for-musicians-discovery-attribution-and-payment
Metadata for Musicians workshop at the Future of Music Policy Summit, October 27-28, 2014 in Washington, DC. These are the slides from the first workshop on Monday, October 27, when we talked about the data-related steps for preparing music for release.
Metadata for musicians: discovery, attribution and paymentKristin Thomson
Part 2: Metadata for Musicians workshop at University of the Arts, Philadelphia, PA on Feb 3, 3016. Hosted by the Corzo Center for the Creative Economy. http://corzocenter.uarts.edu/
Slides from Metadata for Artists session at Music Business Conference in Nashville, TN, May 13, 2015. Panelists included Bill Wilson (Music Biz), Bryan Calhoun (Blueprint Music Group), Alison Booth (Sony Nashville) and Kristin Thomson (Future of Music Coalition. #musicbiz2015
Metadata for Musicians workshop at the Future of Music Policy Summit, October 27-28, 2014 in Washington, DC. These are the slides from the second workshop, where we focused on how metadata powers discovery, attribution, and compensation.
Metadata for Musicians workshop at the Future of Music Policy Summit, October 27-28, 2014 in Washington, DC. These are the slides from the first workshop on Monday, October 27, when we talked about the data-related steps for preparing music for release.
Metadata for musicians: discovery, attribution and paymentKristin Thomson
Part 2: Metadata for Musicians workshop at University of the Arts, Philadelphia, PA on Feb 3, 3016. Hosted by the Corzo Center for the Creative Economy. http://corzocenter.uarts.edu/
Slides from Metadata for Artists session at Music Business Conference in Nashville, TN, May 13, 2015. Panelists included Bill Wilson (Music Biz), Bryan Calhoun (Blueprint Music Group), Alison Booth (Sony Nashville) and Kristin Thomson (Future of Music Coalition. #musicbiz2015
Metadata for Musicians workshop at the Future of Music Policy Summit, October 27-28, 2014 in Washington, DC. These are the slides from the second workshop, where we focused on how metadata powers discovery, attribution, and compensation.
Copyright in music a lesson in heavy metalStephen Marvin
A mock course presentation to illustrate the difficulties and necessities of circumventing technology prevention measures and issues related specifically to music copyright. Perspective of challenges by publishers, and, promoting instruction by faculty, students, administrators and librarians. More specifically, a sample presentation of a course in music appreciation for Heavy Metal Music and the tools and techniques required to circumvent technologies for a program intended to be Fair Use. Music access is available from an ever expanding collection of technology breakthrough competing heavily with industrial barriers and fire walls. Music can be acquired via performance, radio, computer, mobile device with an audio via a media player such as Windows Media Player, a MP3, WMV, or other audio file or via a player such as an iPod, or listening to streaming music over the Internet, Internet radio stations or web pages. Music has expanded with technologies to include music videos, mastertones, ringback tones and audio tracks on mobile devices.
Heavy Metal is a perfect example for presenting the turn-around values of performers, advertisers, government officials, radio, Internet, and addresses a host of other future challenges regarding copyright. Recent cases and their significance to music and the performing arts.
Presented by James Atherton, Search Team Lead, 7digital
A usage/case study, describing our journey as we implemented Lucene/Solr, the lessons we learned along the way and where we hope to go in the future.How we implemented our instant search/search suggest. How we handle trying to index 400 million tracks and metadata for over 40 countries, comprising over 300GB of data, and about 70GB of indexes. Finally where we hope to go in the future.
Copyright in music a lesson in heavy metalStephen Marvin
A mock course presentation to illustrate the difficulties and necessities of circumventing technology prevention measures and issues related specifically to music copyright. Perspective of challenges by publishers, and, promoting instruction by faculty, students, administrators and librarians. More specifically, a sample presentation of a course in music appreciation for Heavy Metal Music and the tools and techniques required to circumvent technologies for a program intended to be Fair Use. Music access is available from an ever expanding collection of technology breakthrough competing heavily with industrial barriers and fire walls. Music can be acquired via performance, radio, computer, mobile device with an audio via a media player such as Windows Media Player, a MP3, WMV, or other audio file or via a player such as an iPod, or listening to streaming music over the Internet, Internet radio stations or web pages. Music has expanded with technologies to include music videos, mastertones, ringback tones and audio tracks on mobile devices.
Heavy Metal is a perfect example for presenting the turn-around values of performers, advertisers, government officials, radio, Internet, and addresses a host of other future challenges regarding copyright. Recent cases and their significance to music and the performing arts.
Presented by James Atherton, Search Team Lead, 7digital
A usage/case study, describing our journey as we implemented Lucene/Solr, the lessons we learned along the way and where we hope to go in the future.How we implemented our instant search/search suggest. How we handle trying to index 400 million tracks and metadata for over 40 countries, comprising over 300GB of data, and about 70GB of indexes. Finally where we hope to go in the future.
Serial Communication & Embedded System InterfaceKUET
Before using this presentation , one have to familiar with Embedded system , Various serial port for communication channel,basic knowledge of Matlab , Arduino ..
This a great opportunity for the searcher to get information of this topic .80% of the information provided in this slide was taken from the sparkfun , a very well known website for hardware project and tutorials . One can get more helpful information through this website .
Now, if you are looking for straight forward guideline for Serial Communication , well you are in the right place to have .So , get this if you want to , it's completely open source ( editable ) .
Farewell.
Slides from Metadata for Artists session at Music Business 2015 that took place in Nashville on May 13. Panelists included Bill Wilson (Music Biz), Bryan Calhoun (Blueprint Music Group), Alison Booth (Sony Nashville) and Kristin Thomson (Future of Music Coalition). #musicbiz2015
Hacking Music, The Habits of Headliners Mod 11: SYNC, SUPERVISION AND CLEARANCE John Pisciotta
Hacking Music Mod 11: SYNC, SUPERVISION AND CLEARANCE
- In This Module We Deep Dive Into The Sync Marketplace and how artists can be a benefit to supervisors in helping solving their problems. Whatever side of the transaction, Weather you are an Artist, Music Supervisor or Clearance Agent or Filmmaker, this is for you.
https://www.hacking-music.com/webinar
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The Newcastle Music Directory is a community based music website that covers the music scene in and around Newcastle, NSW. This covers a region roughly from the
Hawkesbury River in the South to Taree in the North, and West to Merriwa in the upper Hunter Valley. The site publishes over 1500 local events per month on its gig guide and lists details of over 4000 local bands and artists and over 650 venues from the region. The site has constantly had to be upgraded and updated to reflect the changing internet technology over its 10 year history.
Music Information Retrieval is about retrieving information from music entities.
The slides will introduce the basic concepts of the music language, passing through different kind of music representations and it will end up describing some low level features that are used when dealing with music entities.
Music Information Retrieval is about retrieving information from music entities.
The slides will introduce the basic concepts of the music language, passing through different kind of music representations and it will end up describing some low level features that are used when dealing with music entities.
This is a short presentation to give an overview of copyright law. At the end of the presentation there are details about the next class project along with some resources.
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Matt Rife Cancels Shows Due to Health Concerns, Reschedules Tour Dates.pdfAzura Everhart
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https://www.theurbancrews.com/celeb/matt-rife-cancels-bloomington-show/
Young Tom Selleck: A Journey Through His Early Years and Rise to Stardomgreendigital
Introduction
When one thinks of Hollywood legends, Tom Selleck is a name that comes to mind. Known for his charming smile, rugged good looks. and the iconic mustache that has become synonymous with his persona. Tom Selleck has had a prolific career spanning decades. But, the journey of young Tom Selleck, from his early years to becoming a household name. is a story filled with determination, talent, and a touch of luck. This article delves into young Tom Selleck's life, background, early struggles. and pivotal moments that led to his rise in Hollywood.
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Early Life and Background
Family Roots and Childhood
Thomas William Selleck was born in Detroit, Michigan, on January 29, 1945. He was the second of four children in a close-knit family. His father, Robert Dean Selleck, was a real estate investor and executive. while his mother, Martha Selleck, was a homemaker. The Selleck family relocated to Sherman Oaks, California. when Tom was a child, setting the stage for his future in the entertainment industry.
Education and Early Interests
Growing up, young Tom Selleck was an active and athletic child. He attended Grant High School in Van Nuys, California. where he excelled in sports, particularly basketball. His tall and athletic build made him a standout player, and he earned a basketball scholarship to the University of Southern California (U.S.C.). While at U.S.C., Selleck studied business administration. but his interests shifted toward acting.
Discovery of Acting Passion
Tom Selleck's journey into acting was serendipitous. During his time at U.S.C., a drama coach encouraged him to try acting. This nudge led him to join the Hills Playhouse, where he began honing his craft. Transitioning from an aspiring athlete to an actor took time. but young Tom Selleck became drawn to the performance world.
Early Career Struggles
Breaking Into the Industry
The path to stardom was a challenging one for young Tom Selleck. Like many aspiring actors, he faced many rejections and struggled to find steady work. A series of minor roles and guest appearances on television shows marked his early career. In 1965, he debuted on the syndicated show "The Dating Game." which gave him some exposure but did not lead to immediate success.
The Commercial Breakthrough
During the late 1960s and early 1970s, Selleck began appearing in television commercials. His rugged good looks and charismatic presence made him a popular brand choice. He starred in advertisements for Pepsi-Cola, Revlon, and Close-Up toothpaste. These commercials provided financial stability and helped him gain visibility in the industry.
Struggling Actor in Hollywood
Despite his success in commercials. breaking into large acting roles remained a challenge for young Tom Selleck. He auditioned and took on small parts in T.V. shows and movies. Some of his early television appearances included roles in popular series like Lancer, The F.B.I., and Bracken's World. But, it would take a
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Orpah Winfrey Dwayne Johnson: Titans of Influence and Inspirationgreendigital
Introduction
In the realm of entertainment, few names resonate as Orpah Winfrey Dwayne Johnson. Both figures have carved unique paths in the industry. achieving unparalleled success and becoming iconic symbols of perseverance, resilience, and inspiration. This article delves into the lives, careers. and enduring legacies of Orpah Winfrey Dwayne Johnson. exploring how their journeys intersect and what we can learn from their remarkable stories.
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Early Life and Backgrounds
Orpah Winfrey: From Humble Beginnings to Media Mogul
Orpah Winfrey, often known as Oprah due to a misspelling on her birth certificate. was born on January 29, 1954, in Kosciusko, Mississippi. Raised in poverty by her grandmother, Winfrey's early life was marked by hardship and adversity. Despite these challenges. she demonstrated a keen intellect and an early talent for public speaking.
Winfrey's journey to success began with a scholarship to Tennessee State University. where she studied communication. Her first job in media was as a co-anchor for the local evening news in Nashville. This role paved the way for her eventual transition to talk show hosting. where she found her true calling.
Dwayne Johnson: From Wrestling Royalty to Hollywood Superstar
Dwayne Johnson, also known by his ring name "The Rock," was born on May 2, 1972, in Hayward, California. He comes from a family of professional wrestlers, with both his father, Rocky Johnson. and his grandfather, Peter Maivia, being notable figures in the wrestling world. Johnson's early life was spent moving between New Zealand and the United States. experiencing a variety of cultural influences.
Before entering the world of professional wrestling. Johnson had aspirations of becoming a professional football player. He played college football at the University of Miami. where he was part of a national championship team. But, injuries curtailed his football career, leading him to follow in his family's footsteps and enter the wrestling ring.
Career Milestones
Orpah Winfrey: The Queen of All Media
Winfrey's career breakthrough came in 1986 when she launched "The Oprah Winfrey Show." The show became a cultural phenomenon. drawing millions of viewers daily and earning many awards. Winfrey's empathetic and candid interviewing style resonated with audiences. helping her tackle diverse and often challenging topics.
Beyond her talk show, Winfrey expanded her empire to include the creation of Harpo Productions. a multimedia production company. She also launched "O, The Oprah Magazine" and OWN: Oprah Winfrey Network, further solidifying her status as a media mogul.
Dwayne Johnson: From The Ring to The Big Screen
Dwayne Johnson's wrestling career took off in the late 1990s. when he became one of the most charismatic and popular figures in WWE. His larger-than-life persona and catchphrases endeared him to fans. making him a household name. But, Johnson had ambitions beyond the wrestling ring.
In the early 20
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Tom Selleck Net Worth: A Comprehensive Analysisgreendigital
Over several decades, Tom Selleck, a name synonymous with charisma. From his iconic role as Thomas Magnum in the television series "Magnum, P.I." to his enduring presence in "Blue Bloods," Selleck has captivated audiences with his versatility and charm. As a result, "Tom Selleck net worth" has become a topic of great interest among fans. and financial enthusiasts alike. This article delves deep into Tom Selleck's wealth, exploring his career, assets, endorsements. and business ventures that contribute to his impressive economic standing.
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Early Life and Career Beginnings
The Foundation of Tom Selleck's Wealth
Born on January 29, 1945, in Detroit, Michigan, Tom Selleck grew up in Sherman Oaks, California. His journey towards building a large net worth began with humble origins. , Selleck pursued a business administration degree at the University of Southern California (USC) on a basketball scholarship. But, his interest shifted towards acting. leading him to study at the Hills Playhouse under Milton Katselas.
Minor roles in television and films marked Selleck's early career. He appeared in commercials and took on small parts in T.V. series such as "The Dating Game" and "Lancer." These initial steps, although modest. laid the groundwork for his future success and the growth of Tom Selleck net worth. Breakthrough with "Magnum, P.I."
The Role that Defined Tom Selleck's Career
Tom Selleck's breakthrough came with the role of Thomas Magnum in the CBS television series "Magnum, P.I." (1980-1988). This role made him a household name and boosted his net worth. The series' popularity resulted in Selleck earning large salaries. leading to financial stability and increased recognition in Hollywood.
"Magnum P.I." garnered high ratings and critical acclaim during its run. Selleck's portrayal of the charming and resourceful private investigator resonated with audiences. making him one of the most beloved television actors of the 1980s. The success of "Magnum P.I." played a pivotal role in shaping Tom Selleck net worth, establishing him as a major star.
Film Career and Diversification
Expanding Tom Selleck's Financial Portfolio
While "Magnum, P.I." was a cornerstone of Selleck's career, he did not limit himself to television. He ventured into films, further enhancing Tom Selleck net worth. His filmography includes notable movies such as "Three Men and a Baby" (1987). which became the highest-grossing film of the year, and its sequel, "Three Men and a Little Lady" (1990). These box office successes contributed to his wealth.
Selleck's versatility allowed him to transition between genres. from comedies like "Mr. Baseball" (1992) to westerns such as "Quigley Down Under" (1990). This diversification showcased his acting range. and provided many income streams, reinforcing Tom Selleck net worth.
Television Resurgence with "Blue Bloods"
Sustaining Wealth through Consistent Success
In 2010, Tom Selleck began starring as Frank Reagan i
1. Metadata for musicians
Click here for
Table of contents
Presented at
University of the Arts
February 3, 2016 | Philadelphia, PA
Setting up a release
2. In the studio
Prepare for mastering
Production work
8. Submit musical works info to your PRO
6. Type out lyrics
7. Design artwork, including all credits
10. Submit new release info to SoundScan
9. Submit sound recordings to SoundExchange
12. Submit bio/info to Rovi
13. Register with US Copyright Office
14. Data, artwork, music to aggregator
*15. Other sites/platforms
Music Biz Metadata Style Guide
1. Credits: keep track of everyone’s
roles & contributions
2. Song titles, album titles, credits,
properly spelled
3. Acquire ISRC codes for each track
11. New release info to Mediabase and BDS
Databases for recognition
Prepare for release
4. UPC barcode for the assembled product
ISWC codes assigned
5. ISNI number for author/individual
Definition The “Trinity”
ISRC and UPC now required
3. Metadata
All that information that describes and identifies your music.
• Text: composer and musicians’ names, dates, genre
• Numeric identifiers: UPC barcodes, ISRC codes
As music landscape becomes more digital and global,
proper metadata is an increasingly important part of your
release workflow.
Table of contents
6. In the studio
STUDIO AND RECORDING SESSION DETAILS
Studio name(s)
Date(s) of recording session
Location (city, country) of recording studio(s)
Personnel working on the session
Executive producer
Producer
Engineer(s)
Arranger
Conductor
Remixer
Mixing
Mastering
Do any producers have deal points?
Table of contents
7. In the studio
COMPOSER/SONGWRITER DETAILS FOR EACH TRACK
Names of songwriters/composers
What they wrote (music, beats, lyrics)
What % of credit they get for their contribution (aka splits)
Name of each songwriter’s publishing company
Which PRO they belong to (ASCAP, BMI, SESAC, other)
Table of contents
Each songwriters’ ISNI number (if they have one)
8. In the studio
RECORDING ARTIST DETAILS FOR EACH TRACK
Names of featured artists/performers
What they performed or instrument they played
What % of credit they get for their contribution (aka splits)
Table of contents
Each artists’ ISNI number (if they have one)
9. In the studio
SESSION PLAYER/FREELANCERS FOR EACH TRACK
Names of any session players/session vocalists/freelancers
What they performed or instrument they played
Whether they belong to a union (AFM or SAG-AFTRA),
and their local number
Whether this recording session is a union session
Table of contents
10. In the studio
LICENSES, PERMISSIONS and AGREEMENTS
Did you record any covers? Secure mechanical licenses
Did you use any samples? Get clearances
Various agreements
• Intra-band agreement that spells out creator splits
• Producer agreement
• Side artists’ agreements
Table of contents
12. Song data tracking workbook
from Music Business Toolbox
This template and related
pre-release checklists will be
available in March 2016
Table of contents
13. Preparation for mastering
ISRC codes for each track
UPC barcode for the assembled product
Mastering engineer will need text-based data:
Album title
Song titles
Artist name
Mastering engineer would also like to have:
Table of contents
15. ISRC codes
Set of numbers that identify a unique sound recording
Become a registrant at US ISRC http://usisrc.org.
$80 to become a registrant with your own prefix.
Get ISRCs assigned for free/nominal cost from your aggregator.
US Z10 16 12345
Country Company
prefix
Year Unique digits
- or -
If you are on an indie label, your label will generate
the ISRC codes using their prefix number.
Table of contents
18. How to get ISRCs from CD Baby (video tutorial) Table of contents
19. UPC barcodes
Set of numbers that identify a packaged collection of music
71875 188282-9
Become a registrant at GS1 http://www.gs1us.org/
Get UPC barcode assigned for free/nominal cost from your
aggregator (CD Baby, TuneCore, Ditto, DistroKid, etc).
- or -
If you are on an indie label, your label will generate
the barcode.
Table of contents
21. ISRC and UPC
Mastering engineer can embed the ISRC on each track.
Write down your tracks’ ISRCs. You’ll need to enter
them in other places.
Mastering engineer can also embed UPC barcode.
Both ISRC and UPC are now required for iTunes store,
and many other digital platforms.
Write down your UPC barcode. You’ll reference it again
Table of contents
22. ISNI
Set of 16 numbers that identify an individual creative entity
Helps to match works to proper person
John Williams composer vs. John Williams guitarist
0000 0001 2347 9198
ISNI for John Williams the composer for Star Wars and many other movie soundtracks
Table of contents
International Standard Name Identifier
Helps with creators who work in more than one field
Brian May: composer, guitarist, scientist, author
25. PRO submissions
Composers/songwriters: submit information about your
musical compositions to your PRO
• Register your new titles with ASCAP, BMI or SESAC
• Free to do if you are already a PRO writer/publisher
member
• Your PRO will automatically assign ISWC codes to
your new titles
Table of contents
27. ISWC codes
Set of numbers that identify a composition
T-070.076.790-3
Assigned by your PRO (ASCAP, BMI or SESAC) when
you submit information about your works
Keep track of your ISWCs with your other data
“Hotel California” by Don Felder, Glenn Frey, Don Henley
Table of contents
29. SoundExchange
Submit information about your sound recordings to
SoundExchange
• Free to join
• SoundExchange has an online interface and
a repertoire template to make it easy to
submit info
• Tracks digital performances on Sirius XM,
Pandora, any webcast stations
Table of contentsSoundExchange
31. SoundExchange data
What SoundExchange needs
• Artist
• Track title
• Album title
• Record label
• % of the Featured Artist
Performance Royalty that you
claim (aka, your split)
• Do you own the master sound
recording of this track? Y/N
Improve music identification
by also including:
• ISRC for each track
• Album UPC
• Release date
• Recording location
• Distributor
(if different from label name)
• Publisher
Alternate spellings? Different languages? Talk to SoundExchange
Table of contents
32. SoundScan/BDS/Mediabase
Submit your release information to Nielsen SoundScan
• Free to do
• Online form at SoundScan
• SoundScan tracks retail sales, including downloads from iTunes,
Amazon, CD Baby, Bandcamp, and streams on major sites
Submit your release information to Mediabase
(owned by Clear Channel) and Nielsen BDS
• Free to do
• Online forms available for both Mediabase and BDS
• Both services track commercial radio airplay
Table of contents
36. Rovi/AMG
Submit your bio and data to Rovi for All Music Guide
• Free to do
• Need to mail a CD + bio
• Powers the bios you see on iTunes, Pandora.
• AMG is very selective. Acceptance by Rovi/AMG is
not guaranteed
Table of contents
38. US Copyright Office
Register your works with the US Copyright Office
• Under US law, copyright is automatically granted when
you create the original work or “fix” it to a medium, like
tape or hard drive
• Use Form SR or Form PA to establish a public record of
creation
• Official registration provides creators with more legal
protections in event of infringement
Table of contents
40. Deliveries to aggregator
Data, artwork and music delivered to your aggregator
• Give yourself enough time to do this right
• Fill in as many descriptive fields as possible to increase
searchability and proper attribution
• Spellcheck everything!
• Use consistent spelling, capitalizations
(see Music Biz's Music Metadata Style Guide)
Your aggregator will deliver to dozens of digital retail
stores, streaming services, and discovery platforms.
Table of contents
41. Deliveries to aggregator
What data aggregators need
• Artist name
• Album title
• Song titles
• Are any of the songs
covers?
• Names of songwriters
• Label name (even if it’s your
name)
• Catalog number (if applicable)
• ISRC for each track, or have
them assigned by aggregator
• UPC barcode for album, or
purchase one from aggregator
• Release date
• Primary genre, secondary
genre
• Artist location
Table of contents
43. Other sites
• Populate your other platforms with the same data,
artwork and music
• Give yourself enough time to do this right
• Fill in as many descriptive fields as possible to increase
searchability and proper attribution
• Spellcheck everything!
• Use consistent spelling, capitalizations
(see Music Biz's Music Metadata Style Guide)
Bandcamp + your own website + social media
Table of contents
44. Takeaways
Ultimately, it is the artists’ responsibility to document
creators and contributions
Be consistent with spelling, diligent with data entry
Metadata is the text and numbers that uniquely
describe and identify your music
Metadata is increasingly important. It underlies
discoverability, proper attribution and payment across
an increasing number of platforms
Presented at
University of the Arts
February 3, 2016 | Philadelphia, PA Table of contents