Media studies
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The document discusses and analyzes several films that portray representations of youth: Pretty in Pink, The Breakfast Club, A Clockwork Orange, and Super 8. Pretty in Pink and The Breakfast Club both focus on teenage love and the social hierarchies of high school. A Clockwork Orange and Super 8 address themes of teenagers facing peer pressure and social problems while trying to have fun, though they differ in their depictions of violence. Overall, the films explore various issues and hardships that teenagers experience.
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Evaluation Question 1
This document discusses the media product's use of crime genre conventions. It explores why the author chose to focus on crime, common crime genre themes, and how the audience is often positioned to sympathize with criminal anti-heroes. Research into typical crime genre demographics found it primarily targets males ages 15+. As such, the opening sequence features young, white, working-class male protagonists engaging in carefree criminal acts to escape pressures of fitting in. This character portrayal adheres to the crime genre convention of positioning the protagonist as an anti-hero to elicit audience sympathy and relateability.
Hannahkelly
This document provides a summary of the plot of the film "Blockbuster" and discusses some key aspects of blockbuster films and film theory. The plot involves a cursed teddy monkey toy that murders the girlfriend of the boy who bought it for Valentine's Day. It then repeats this cycle annually. The document also outlines characteristics of blockbuster films, such as large budgets and wide release, and discusses several narrative and audience theories that are relevant to the film's marketing strategy, including the two-step flow theory.
Rom com n2
This document discusses the typical themes and target audience of romantic comedy films like Bridget Jones's Diary. It notes that these films mostly appeal to young women and focus on the female protagonist's emotional journey and search for the right romantic partner. The films often use color schemes and stereotypes that portray women as pure, innocent, emotional, and define their happiness by their relationship status. Most romantic comedies follow a predictable "boy meets girl" plot where the two fall in love after an initial conflict.
Generic Conventions - Coming Of Age films
This document outlines some common generic conventions found in teenage coming of age drama films. It discusses typical settings like high schools, bedrooms, and modes of transportation. It also examines character archetypes such as the "dumb blonde", "problem" teen, and "outcasts". The document provides examples of iconography involving alcohol/drugs, technology, and other items. It concludes with narrative elements like fragmented storytelling and themes involving isolation, identity crises, and rebellion against parents.
Question 4
The document identifies two target audiences for a new media product: Tom, a 17-year-old who enjoys sports, cars, comedy and films like Step Brothers; and Lelia, a 22-year-old who likes romance, light comedy and films like Juno. It argues that Tom would be likely to watch the film due to his age and interests in comedy and females, while Lelia could also be targeted as the film is a romantic comedy.
Bridget Jones: Edge of Reason & EXPENDABLES 3: (E . Eniola O)
The document discusses romantic comedy films and their target audiences. It notes that romantic comedies often use the colors pink, red, and white in their marketing and focus on the emotional journey of the female protagonist finding love. The document also analyzes specific movie posters, pointing out how colors like purple, pink, and white are meant to portray female characters as pure and innocent in their pursuit of the right male partner. Additionally, it examines how action movie posters tend to use darker colors like metallic and dark blue to portray male characters as strong, tough, and fearless.
BRIDGET JONES & EXPENDABLES 3 - (E . ENIOLA O)
The document discusses romantic comedy films and their target audiences. It notes that romantic comedies often use the colors pink, red, and white in their marketing and focus on the emotions and romantic pursuits of female protagonists. The document also analyzes specific movie posters, observing that the colors purple, pink, and white in the poster for "Bridget Jones: The Edge of Reason" are meant to portray women as pure, innocent, and beautiful in their search for love. Additionally, it states that action movies tend to feature darker colors and portray male characters as strong, tough, and fearless to appeal to a male audience.
rom com & action (E . Enio
The document discusses romantic comedy films and their target audiences. It notes that romantic comedies often use the colors pink, red, and white in their marketing and focus on the emotional journey of the female protagonist finding love. The document also analyzes specific movie posters, pointing out how colors like purple, pink, and white are meant to portray female characters as pure and innocent in their pursuit of the right male partner. Additionally, it examines how action movie posters tend to use darker colors like metallic and dark blue to portray male characters as strong, tough, and fearless.
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Evaluation Question 1
This document discusses the media product's use of crime genre conventions. It explores why the author chose to focus on crime, common crime genre themes, and how the audience is often positioned to sympathize with criminal anti-heroes. Research into typical crime genre demographics found it primarily targets males ages 15+. As such, the opening sequence features young, white, working-class male protagonists engaging in carefree criminal acts to escape pressures of fitting in. This character portrayal adheres to the crime genre convention of positioning the protagonist as an anti-hero to elicit audience sympathy and relateability.
Hannahkelly
This document provides a summary of the plot of the film "Blockbuster" and discusses some key aspects of blockbuster films and film theory. The plot involves a cursed teddy monkey toy that murders the girlfriend of the boy who bought it for Valentine's Day. It then repeats this cycle annually. The document also outlines characteristics of blockbuster films, such as large budgets and wide release, and discusses several narrative and audience theories that are relevant to the film's marketing strategy, including the two-step flow theory.
Rom com n2
This document discusses the typical themes and target audience of romantic comedy films like Bridget Jones's Diary. It notes that these films mostly appeal to young women and focus on the female protagonist's emotional journey and search for the right romantic partner. The films often use color schemes and stereotypes that portray women as pure, innocent, emotional, and define their happiness by their relationship status. Most romantic comedies follow a predictable "boy meets girl" plot where the two fall in love after an initial conflict.
Generic Conventions - Coming Of Age films
This document outlines some common generic conventions found in teenage coming of age drama films. It discusses typical settings like high schools, bedrooms, and modes of transportation. It also examines character archetypes such as the "dumb blonde", "problem" teen, and "outcasts". The document provides examples of iconography involving alcohol/drugs, technology, and other items. It concludes with narrative elements like fragmented storytelling and themes involving isolation, identity crises, and rebellion against parents.
Question 4
The document identifies two target audiences for a new media product: Tom, a 17-year-old who enjoys sports, cars, comedy and films like Step Brothers; and Lelia, a 22-year-old who likes romance, light comedy and films like Juno. It argues that Tom would be likely to watch the film due to his age and interests in comedy and females, while Lelia could also be targeted as the film is a romantic comedy.
Bridget Jones: Edge of Reason & EXPENDABLES 3: (E . Eniola O)
The document discusses romantic comedy films and their target audiences. It notes that romantic comedies often use the colors pink, red, and white in their marketing and focus on the emotional journey of the female protagonist finding love. The document also analyzes specific movie posters, pointing out how colors like purple, pink, and white are meant to portray female characters as pure and innocent in their pursuit of the right male partner. Additionally, it examines how action movie posters tend to use darker colors like metallic and dark blue to portray male characters as strong, tough, and fearless.
BRIDGET JONES & EXPENDABLES 3 - (E . ENIOLA O)
The document discusses romantic comedy films and their target audiences. It notes that romantic comedies often use the colors pink, red, and white in their marketing and focus on the emotions and romantic pursuits of female protagonists. The document also analyzes specific movie posters, observing that the colors purple, pink, and white in the poster for "Bridget Jones: The Edge of Reason" are meant to portray women as pure, innocent, and beautiful in their search for love. Additionally, it states that action movies tend to feature darker colors and portray male characters as strong, tough, and fearless to appeal to a male audience.
rom com & action (E . Enio
The document discusses romantic comedy films and their target audiences. It notes that romantic comedies often use the colors pink, red, and white in their marketing and focus on the emotional journey of the female protagonist finding love. The document also analyzes specific movie posters, pointing out how colors like purple, pink, and white are meant to portray female characters as pure and innocent in their pursuit of the right male partner. Additionally, it examines how action movie posters tend to use darker colors like metallic and dark blue to portray male characters as strong, tough, and fearless.
333333rom com n2 (1) (E . Eniola O)
The document discusses romantic comedy films and their target audiences. It notes that romantic comedies often use the colors pink, red, and white in their marketing and focus on the emotional journey of the female protagonist finding love. The document also analyzes specific movie posters, observing that the colors purple, pink, and white in the poster for "Bridget Jones: The Edge of Reason" are meant to portray women as pure, innocent, and beautiful in their search for the right man. Additionally, it states that action movies tend to feature darker colors like metallic and dark blue in their marketing to portray male characters as strong, tough, and fearless.
Thriller openings ideas pitch (group)
1. The document describes a thriller film opening involving a teenage boy fantasizing about a gangster lifestyle while walking home from school.
2. He finds himself in his brother's room looking at gangster possessions and reading a letter from his imprisoned brother.
3. The story climaxes with men coming to break into the house, culminating in a loud knock at the door as the boy is sweating and nervous.
Pitch
The document discusses initial ideas for three different film genres:
1) A horror/thriller film told from the murderer's point of view with a potential supernatural twist. It would target teenagers/young adults.
2) A drama/thriller about a teenager coping with a parent's suicide that turns out not to be suicide and leads them into trouble. It would target audiences from teenagers to adults.
3) A social realism film about an underground rave resembling 1970s/80s raves with something going wrong at the end. It would target teenagers/young adults and adults familiar with original raves.
The Neds Product Research
1) The documentary analyzes the film "The Neds" which portrays the lives of working class youth in Scotland in the 1960s-1970s.
2) It focuses on narrative elements like character development and relationships as well as technical aspects like camera work, editing, lighting and sound design.
3) Key themes examined include gang violence, drug and alcohol use, class differences, and negative stereotypes faced by working class youth.
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Johnny depp
Johnny Depp had early success as a musician before turning to acting. He rose to fame playing the lead role in the 1980s TV series 21 Jump Street, becoming a teen idol. Throughout his career, Depp has chosen unconventional and challenging roles, often playing eccentric characters. He has had a long and successful collaboration with director Tim Burton, appearing in many of Burton's films. Depp is renowned for his acting abilities and has won awards including the Golden Globe for Best Actor.
How does your media product represent particular social groups?
This document discusses how different social groups are represented in a media product. It notes that the target audience is the middle class, as shown through the mise-en-scene of a suburban house, electronic goods, and comfortable lifestyle. It also represents a white, heterosexual male gender and casts a teenage boy in a lead role to subvert typical horror film tropes of weak females being the first to die. The intended viewing age is also noted as 18-28 years old.
Juno audience research
Juno is a 2007 coming-of-age film that follows a teenage girl who decides to give her baby up for adoption after becoming pregnant. The film targets 12-18 year olds as the themes of teen pregnancy and adoption are directly relevant. It also appeals to a wide age range as the important questions it tackles are suitable for many viewers. While the primary target is young females, males and older audiences can also find the film engaging and educational. The film was both a critical and commercial success, becoming Fox Searchlight's highest grossing film at the time with worldwide earnings of over $231 million.
American pie audience research
American Pie (1999) is a sex comedy film directed by Paul and Chris Weltz about a group of male high school friends struggling to lose their virginity. It uses stereotypes like the nerdy costumes of the main characters and messy bedrooms to make the characters and their quest relatable to its target demographic of 15-20 year old males. The film heavily employs the male gaze and focuses on the male experience, which may turn off some female viewers. It was financially successful, launching a franchise of four additional films, and established the careers of several actors.
Media audience research
The document summarizes the target demographic of the 1985 film "The Breakfast Club" directed by John Hughes. It analyzes that the main demographic is 13-18 year olds as the film is set in a school, deals with themes relevant to teenagers, and features a popular soundtrack from that era. While the primary audience is students, it may also appeal to older audiences of class D who want to feel nostalgia. The gender breakdown of the audience is considered balanced as the film explores themes like romance that appeal to both males and females. The film was both a critical and box office success, cementing its status as a classic 1980s teen film.
Media product
The document discusses how the media product Bird Call was influenced by and references the horror film Friday the 13th. Some key similarities discussed include:
1) Both films feature groups of teenagers entering woods for illegal reasons like underage drinking or drug use.
2) The establishing shots in both films depict isolated, deserted wooded areas to set the tone of danger.
3) The films include bonding scenes between friends at their campsites as well as the use of diegetic sounds like birds or crickets.
4) Elements like a splash of red in the title reference the expected brutal and bloody deaths that are a convention of the slasher film genre.
Our film pitch
Our film Rendezvous is a 1950s romantic drama with elements of film noir. It follows the affairs between four main characters - Bridget, her husband Raymond, a detective, and Vivienne. Bridget has an affair with the detective, who is also seeing Vivienne. Vivienne then seduces Bridget's husband Raymond, twisting the relationships. The film explores the secret meetings and deception between the characters against the backdrop of 1950s England. It aims to subvert film noir conventions by focusing on the female characters and their relationships.
Question 4 for Evaluation
The target audience for a romantic comedy media product would primarily be women ages 13-25. While some men may watch romantic comedies, research shows they make up a small minority of the audience. Exit polls found that 70% of those who saw the film "No Strings Attached", which was marketed as a non-romantic comedy focusing more on sex, were still women. The genre appeals most to women due to its happy endings and focus on relationships that women of different ages can relate to.
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El documento muestra la evolución mensual del paro registrado en España entre 2013 y 2014, distribuido por sexo. Se observa que el número de mujeres y hombres desempleados disminuyó paulatinamente a lo largo de 2014, siendo mayor el descenso en el caso de las mujeres. Los datos indican que la tasa de desempleo en España ha ido reduciéndose en los últimos años.
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Films
This document summarizes and provides statistics about four films that portray messages about youth: Pretty in Pink, The Breakfast Club, Clockwork Orange, and Super 8. Pretty in Pink shows class differences and responsibilities of youth. The Breakfast Club depicts different social groups and peer pressure. Clockwork Orange portrays youth as violent and rebellious. Super 8 shows youth as independent and wanting parental support. The document also shares the author's personal reactions to the realism and messages of each film.
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333333rom com n2 (1) (E . Eniola O)
The document discusses romantic comedy films and their target audiences. It notes that romantic comedies often use the colors pink, red, and white in their marketing and focus on the emotional journey of the female protagonist finding love. The document also analyzes specific movie posters, observing that the colors purple, pink, and white in the poster for "Bridget Jones: The Edge of Reason" are meant to portray women as pure, innocent, and beautiful in their search for the right man. Additionally, it states that action movies tend to feature darker colors like metallic and dark blue in their marketing to portray male characters as strong, tough, and fearless.
Thriller openings ideas pitch (group)
1. The document describes a thriller film opening involving a teenage boy fantasizing about a gangster lifestyle while walking home from school.
2. He finds himself in his brother's room looking at gangster possessions and reading a letter from his imprisoned brother.
3. The story climaxes with men coming to break into the house, culminating in a loud knock at the door as the boy is sweating and nervous.
Pitch
The document discusses initial ideas for three different film genres:
1) A horror/thriller film told from the murderer's point of view with a potential supernatural twist. It would target teenagers/young adults.
2) A drama/thriller about a teenager coping with a parent's suicide that turns out not to be suicide and leads them into trouble. It would target audiences from teenagers to adults.
3) A social realism film about an underground rave resembling 1970s/80s raves with something going wrong at the end. It would target teenagers/young adults and adults familiar with original raves.
The Neds Product Research
1) The documentary analyzes the film "The Neds" which portrays the lives of working class youth in Scotland in the 1960s-1970s.
2) It focuses on narrative elements like character development and relationships as well as technical aspects like camera work, editing, lighting and sound design.
3) Key themes examined include gang violence, drug and alcohol use, class differences, and negative stereotypes faced by working class youth.
Taylor lautner )
Taylor Lautner is an American actor and model born in 1992 in Michigan. He is best known for playing Jacob Black in the Twilight Saga films, which brought him international fame. While he has appeared in other films and TV shows, the Twilight series remains his most notable work. Lautner has also gained attention for his high paychecks from Hollywood as well as his dating history, which has included Taylor Swift and Selena Gomez.
Johnny depp
Johnny Depp had early success as a musician before turning to acting. He rose to fame playing the lead role in the 1980s TV series 21 Jump Street, becoming a teen idol. Throughout his career, Depp has chosen unconventional and challenging roles, often playing eccentric characters. He has had a long and successful collaboration with director Tim Burton, appearing in many of Burton's films. Depp is renowned for his acting abilities and has won awards including the Golden Globe for Best Actor.
How does your media product represent particular social groups?
This document discusses how different social groups are represented in a media product. It notes that the target audience is the middle class, as shown through the mise-en-scene of a suburban house, electronic goods, and comfortable lifestyle. It also represents a white, heterosexual male gender and casts a teenage boy in a lead role to subvert typical horror film tropes of weak females being the first to die. The intended viewing age is also noted as 18-28 years old.
Juno audience research
Juno is a 2007 coming-of-age film that follows a teenage girl who decides to give her baby up for adoption after becoming pregnant. The film targets 12-18 year olds as the themes of teen pregnancy and adoption are directly relevant. It also appeals to a wide age range as the important questions it tackles are suitable for many viewers. While the primary target is young females, males and older audiences can also find the film engaging and educational. The film was both a critical and commercial success, becoming Fox Searchlight's highest grossing film at the time with worldwide earnings of over $231 million.
American pie audience research
American Pie (1999) is a sex comedy film directed by Paul and Chris Weltz about a group of male high school friends struggling to lose their virginity. It uses stereotypes like the nerdy costumes of the main characters and messy bedrooms to make the characters and their quest relatable to its target demographic of 15-20 year old males. The film heavily employs the male gaze and focuses on the male experience, which may turn off some female viewers. It was financially successful, launching a franchise of four additional films, and established the careers of several actors.
Media audience research
The document summarizes the target demographic of the 1985 film "The Breakfast Club" directed by John Hughes. It analyzes that the main demographic is 13-18 year olds as the film is set in a school, deals with themes relevant to teenagers, and features a popular soundtrack from that era. While the primary audience is students, it may also appeal to older audiences of class D who want to feel nostalgia. The gender breakdown of the audience is considered balanced as the film explores themes like romance that appeal to both males and females. The film was both a critical and box office success, cementing its status as a classic 1980s teen film.
Media product
The document discusses how the media product Bird Call was influenced by and references the horror film Friday the 13th. Some key similarities discussed include:
1) Both films feature groups of teenagers entering woods for illegal reasons like underage drinking or drug use.
2) The establishing shots in both films depict isolated, deserted wooded areas to set the tone of danger.
3) The films include bonding scenes between friends at their campsites as well as the use of diegetic sounds like birds or crickets.
4) Elements like a splash of red in the title reference the expected brutal and bloody deaths that are a convention of the slasher film genre.
Our film pitch
Our film Rendezvous is a 1950s romantic drama with elements of film noir. It follows the affairs between four main characters - Bridget, her husband Raymond, a detective, and Vivienne. Bridget has an affair with the detective, who is also seeing Vivienne. Vivienne then seduces Bridget's husband Raymond, twisting the relationships. The film explores the secret meetings and deception between the characters against the backdrop of 1950s England. It aims to subvert film noir conventions by focusing on the female characters and their relationships.
Question 4 for Evaluation
The target audience for a romantic comedy media product would primarily be women ages 13-25. While some men may watch romantic comedies, research shows they make up a small minority of the audience. Exit polls found that 70% of those who saw the film "No Strings Attached", which was marketed as a non-romantic comedy focusing more on sex, were still women. The genre appeals most to women due to its happy endings and focus on relationships that women of different ages can relate to.
What's hot (13)
How does your media product represent particular social groups?
How does your media product represent particular social groups?
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El documento trata sobre el problema del trabajo infantil en Ecuador. Explica algunas de las causas como la pobreza extrema, falta de educación y oportunidades laborales para los padres. También menciona algunos de los efectos negativos como la pérdida de la niñez, deserción escolar y explotación. La solución propuesta es combatir la pobreza a través de estilos de desarrollo inclusivos que generen oportunidades.
Reglamento de evaluaciòn
Este documento establece las disposiciones sobre la evaluación, calificación y promoción de estudiantes en un colegio. Describe que los estudiantes serán evaluados en todos los subsectores del plan de estudios excepto en orientación, consejo de curso, formación valórica y talleres. Establece las calificaciones mínimas, los procedimientos para la inasistencia a evaluaciones, y que se aplicarán evaluaciones diferenciadas para estudiantes con necesidades educativas especiales.
Fabulares Animalia: Chapter 1
Starr Reisenden, a Polli-Tech scientist, arrives in Veronaville to study local cultures. She encounters Oberon, who is married, but pursues Chester Gieke instead. Ani-Mei, the town goddess, approves of Chester and makes him a townie. Starr proposes to Chester to further her research. They marry and have children, continuing Starr's scientific mission.
Taller de huertos'posoltega
El documento presenta un taller sobre la implementación de huertos escolares en Posoltega, Nicaragua. Los objetivos son capacitar a 15 maestros en la creación y mantenimiento de huertos para promover la seguridad alimentaria, nutrición y aprendizaje ambiental de los estudiantes. Se detallan los pasos para seleccionar un sitio, obtener materiales, preparar la tierra, formar eras y sembrar diferentes cultivos. El cuidado diario incluye regar, mantener limpio y proteger el huerto.
Evolucion paro por sexo
El documento muestra la evolución mensual del paro registrado en España entre 2013 y 2014, distribuido por sexo. Se observa que el número de mujeres y hombres desempleados disminuyó paulatinamente a lo largo de 2014, siendo mayor el descenso en el caso de las mujeres. Los datos indican que la tasa de desempleo en España ha ido reduciéndose en los últimos años.
The Colorado CAtholic Herald
Why would a company want to advertise in The Colorado Catholic Herald. This presentation will show the strength of the Catholic market in the Diocese of Colorado Springs. Contact Christopher Reynolds 719-866-6519 or creynolds@coloradocatholicheral.com for rates.
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This document summarizes and provides statistics about four films that portray messages about youth: Pretty in Pink, The Breakfast Club, Clockwork Orange, and Super 8. Pretty in Pink shows class differences and responsibilities of youth. The Breakfast Club depicts different social groups and peer pressure. Clockwork Orange portrays youth as violent and rebellious. Super 8 shows youth as independent and wanting parental support. The document also shares the author's personal reactions to the realism and messages of each film.
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The document provides an analysis of the coming of age film genre. It discusses how the genre focuses on the psychological and moral growth of protagonists from youth to adulthood. Classic films like Stand By Me and modern films like Booksmart are examined. While older films tended to focus on male protagonists, recent films increasingly feature female leads. The document also analyzes and compares the 1993 film Dazed and Confused and the 2019 film Booksmart as examples of the genre. Finally, it discusses how coming of age films do not always fit Vladimir Propp's theories of character types and story structure due to differences in scale and character development.
Pitchef
The short film tells the story of two young girls, Miko and Sarah, who fall in love in 1980s Japan but are separated when Miko is forced to get married. In the present day, Sarah receives a phone call from Miko and they agree to meet up after a fight over the phone. At their meeting, Miko gives Sarah a special gift and they agree to try moving on, though Sarah says she will never stop loving Miko. The film is intended to promote LGBTQ relationships and showcase the challenges of being in a same-sex relationship in 1980s Japan. It will be entered into film festivals and distributed on YouTube.
Catalogue
This document provides a catalogue of films, books, journals, images and videos used for a report analyzing the portrayal of social stereotypes in teen drama films from the 1970s to modern day. It summarizes four classic teen films - Grease, The Breakfast Club, 10 Things I Hate About You, and The DUFF - that challenge and reference social stereotypes of their eras. It also lists academic sources analyzing themes of violence, gender roles and stereotypes in teen films over time. Unused materials considered but not used are also noted.
Fan 2Weiding FanDISC 1312 Prof. Treat9 May 2019 Co.docx
Fan 2
Weiding Fan
DISC 1312
Prof. Treat
9 May 2019
Coming of Age in the Sixteen Candles
"Understand that one day you will have the power to make a difference to use it well" the words of Mindy Kaling are a true reflection of the concept of coming of age as seen in most teenage films. Most of these film focus on the growth of an individual from the growth of the person to the maturity where the individual can make proper decisions. Most parts of the film resonate around the regions where an individual is developing challenging behavior as the person reaches young age. In the movie, sixteen Candles, for instance, the protagonist is visibly experiencing a coming of age, and this can be noticed in most parts of the film. These parts of the film focus on the transition in terms of the psychological and moral growth of a character in the movie. The director of the film, John Hughes, artistically integrates the aspects of the plot, themes and literary elements that constitute the character build of the protagonist to reinforce her role. Typically, coming of age looks into the issues physiological as well as emotional transitioning of an individual from one period to another.
The protagonist Samantha is portrayed as coming of age as can be seen in the film. Samantha has to go to school on her birthday after her whole family forgets that she is turning sixteen on this day (Hughes 0:22). The audience of this film notice that an instance of coming to age can be seen through the character Sam, who makes a note that if she is given a chance to make love to someone, she will prefer Jake Ryan, who, the audience learns is her crash. In the reading A&P, her day is spoilt by a customer who picks a quarrel with her while she sells. From this incident, it is evident that she is easily irritable. In this instance, the protagonist as depicted in this film is at the puberty stage. She has made familiar friends, whom she can share with some intimate conversations such as the person she desires to be with sexually. Ariantzi informs that they experience a “gradual integration into society and social identity formation of adolescents." In this case, the character Sam wants to identify with some of her classmates who are having mutual feelings about sex. At the teenage, most adolescents find attraction in members of the opposite sex that they might have grown up with as friends. During this time, the perception of the adolescent towards the other individual is different since he or she begins to feel sexual attraction towards the partner.
Moreover, at the age of sixteen, Samantha feels that she has acquired a legally significant period. In the united states, the legal age for one to become an adult is the age of sixteen. Following this, many people value their sixteenth birthday, and Sam is not an option. Through this, the viewers of the film get to learn that on this day of her birthday, she is transitioning from childhood to adulthood. With this in her mind, s.
Media
Our film represents late teens (16+), particularly females, as it focuses on peer pressure and where that can lead. The protagonist, Rosie, is a middle-class 17-25 year old girl who gets involved with the wrong social group and her life spirals out of control without her family's knowledge. Scenes in a cafe show Rosie being judged by her peers, particularly her selfish and bullying friend Imogen. The film portrays stereotypical teenagers as rebellious and irresponsible through scenes where Rosie ignores her mother's advice and acts recklessly at a party due to peer pressure. Props and music were chosen to appeal to a younger audience and portray the social group Rosie has become involved in
F631 kel new
The document provides an analysis of how teenage protagonists are portrayed in the films Adulthood (2008) and Dangerous Minds (1995). In both films, teenagers are initially portrayed as reinforcing stereotypes through rebellious or criminal behavior. However, in Dangerous Minds the film shows progression where teenagers demonstrate academic potential and intelligence. In contrast, Adulthood portrays teenagers in a consistently negative light and does not show significant character development away from stereotypical behaviors of drugs, gangs and crime. Overall, the analysis finds the films provide contrasting representations of teenage protagonists.
John tucker must die media sta
John Tucker Must Die is a 2006 teen romantic comedy film that follows three girls from different social groups who discover they are all dating the same guy, John Tucker. The girls hatch a plan to use a new girl at school to get revenge on John. The trailer establishes the high school setting and introduces the main characters. It shows the turning point where the girls realize they are dating the same guy and fight, before uniting to plot their revenge with the help of the new girl. The trailer highlights the humorous elements and popular music to appeal to its teenage target audience.
Catalogue
This document catalogs films, TV shows, books, journals, and an image that will be used to analyze stereotypes in teen dramas from the 1970s to modern day. It provides descriptions of how Grease, The Breakfast Club, 10 Things I Hate About You, and Mean Girls portray and sometimes challenge social stereotypes. References such as journal articles and books are included to further discuss the evolution of stereotypes over time and their impact on perceptions of teenagers. The image depicted shows the iconic stereotypes represented by the characters in The Breakfast Club.
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Fan 2Weiding FanDISC 1312 Prof. Treat9 May 2019 Co.docx
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3:国家专业人才认证中心颁发入库证书
4:这个认证书并且可以归档倒地方
5:凡事获得留信网入网的信息将会逐步更新到个人身份内，将在公安局网内查询个人身份证信息后，同步读取人才网入库信息
6:个人职称评审加20分
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Modern Radio Frequency Access Control Systems: The Key to Efficiency and Safety
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2:同时对留学生所学专业登记给予评定
3:国家专业人才认证中心颁发入库证书
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5:凡事获得留信网入网的信息将会逐步更新到个人身份内，将在公安局网内查询个人身份证信息后，同步读取人才网入库信息
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留信网认证的作用:
1:该专业认证可证明留学生真实身份
2:同时对留学生所学专业登记给予评定
3:国家专业人才认证中心颁发入库证书
4:这个认证书并且可以归档倒地方
5:凡事获得留信网入网的信息将会逐步更新到个人身份内，将在公安局网内查询个人身份证信息后，同步读取人才网入库信息
6:个人职称评审加20分
7:个人信誉贷款加10分
8:在国家人才网主办的国家网络招聘大会中纳入资料，供国家高端企业选择人才
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Introduction
The notion of Dwayne Johnson kidnapping seems straight out of a Hollywood thriller. Dwayne "The Rock" Johnson, known for his larger-than-life persona, immense popularity. and action-packed filmography, is the last person anyone would envision being a victim of kidnapping. Yet, the bizarre and riveting tale of such an incident, filled with twists and turns. has captured the imagination of many. In this article, we delve into the intricate details of this astonishing event. exploring every aspect, from the dramatic rescue operation to the aftermath and the lessons learned.
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The Origins of the Dwayne Johnson Kidnapping Saga
Dwayne Johnson: A Brief Background
Before discussing the specifics of the kidnapping. it is crucial to understand who Dwayne Johnson is and why his kidnapping would be so significant. Born May 2, 1972, Dwayne Douglas Johnson is an American actor, producer, businessman. and former professional wrestler. Known by his ring name, "The Rock," he gained fame in the World Wrestling Federation (WWF, now WWE) before transitioning to a successful career in Hollywood.
Johnson's filmography includes blockbuster hits such as "The Fast and the Furious" series, "Jumanji," "Moana," and "San Andreas." His charismatic personality, impressive physique. and action-star status have made him a beloved figure worldwide. Thus, the news of his kidnapping would send shockwaves across the globe.
Setting the Scene: The Day of the Kidnapping
The incident of Dwayne Johnson's kidnapping began on an ordinary day. Johnson was filming his latest high-octane action film set to break box office records. The location was a remote yet scenic area. chosen for its rugged terrain and breathtaking vistas. perfect for the film's climactic scenes.
But, beneath the veneer of normalcy, a sinister plot was unfolding. Unbeknownst to Johnson and his team, a group of criminals had planned his abduction. hoping to leverage his celebrity status for a hefty ransom. The stage was set for an event that would soon dominate worldwide headlines and social media feeds.
The Abduction: Unfolding the Dwayne Johnson Kidnapping
The Moment of Capture
On the day of the kidnapping, everything seemed to be proceeding as usual on set. Johnson and his co-stars and crew were engrossed in shooting a particularly demanding scene. As the day wore on, the production team took a short break. providing the kidnappers with the perfect opportunity to strike.
The abduction was executed with military precision. A group of masked men, armed and organized, infiltrated the set. They created chaos, taking advantage of the confusion to isolate Johnson. Johnson was outnumbered and caught off guard despite his formidable strength and fighting skills. The kidnappers overpowered him, bundled him into a waiting vehicle. and sped away, leaving everyone on set in a state of shock and disbelief.
The Immediate Aftermath
The immediate aftermath of the Dwayne Johnson kidnappin
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Introduction
In the realm of entertainment, few names resonate as Orpah Winfrey Dwayne Johnson. Both figures have carved unique paths in the industry. achieving unparalleled success and becoming iconic symbols of perseverance, resilience, and inspiration. This article delves into the lives, careers. and enduring legacies of Orpah Winfrey Dwayne Johnson. exploring how their journeys intersect and what we can learn from their remarkable stories.
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Early Life and Backgrounds
Orpah Winfrey: From Humble Beginnings to Media Mogul
Orpah Winfrey, often known as Oprah due to a misspelling on her birth certificate. was born on January 29, 1954, in Kosciusko, Mississippi. Raised in poverty by her grandmother, Winfrey's early life was marked by hardship and adversity. Despite these challenges. she demonstrated a keen intellect and an early talent for public speaking.
Winfrey's journey to success began with a scholarship to Tennessee State University. where she studied communication. Her first job in media was as a co-anchor for the local evening news in Nashville. This role paved the way for her eventual transition to talk show hosting. where she found her true calling.
Dwayne Johnson: From Wrestling Royalty to Hollywood Superstar
Dwayne Johnson, also known by his ring name "The Rock," was born on May 2, 1972, in Hayward, California. He comes from a family of professional wrestlers, with both his father, Rocky Johnson. and his grandfather, Peter Maivia, being notable figures in the wrestling world. Johnson's early life was spent moving between New Zealand and the United States. experiencing a variety of cultural influences.
Before entering the world of professional wrestling. Johnson had aspirations of becoming a professional football player. He played college football at the University of Miami. where he was part of a national championship team. But, injuries curtailed his football career, leading him to follow in his family's footsteps and enter the wrestling ring.
Career Milestones
Orpah Winfrey: The Queen of All Media
Winfrey's career breakthrough came in 1986 when she launched "The Oprah Winfrey Show." The show became a cultural phenomenon. drawing millions of viewers daily and earning many awards. Winfrey's empathetic and candid interviewing style resonated with audiences. helping her tackle diverse and often challenging topics.
Beyond her talk show, Winfrey expanded her empire to include the creation of Harpo Productions. a multimedia production company. She also launched "O, The Oprah Magazine" and OWN: Oprah Winfrey Network, further solidifying her status as a media mogul.
Dwayne Johnson: From The Ring to The Big Screen
Dwayne Johnson's wrestling career took off in the late 1990s. when he became one of the most charismatic and popular figures in WWE. His larger-than-life persona and catchphrases endeared him to fans. making him a household name. But, Johnson had ambitions beyond the wrestling ring.
In the early 20
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本公司拥有海外各大学样板无数，能完美还原海外各大学 Bachelor Diploma degree, Master Degree Diploma
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留信网认证的作用:
1:该专业认证可证明留学生真实身份
2:同时对留学生所学专业登记给予评定
3:国家专业人才认证中心颁发入库证书
4:这个认证书并且可以归档倒地方
5:凡事获得留信网入网的信息将会逐步更新到个人身份内，将在公安局网内查询个人身份证信息后，同步读取人才网入库信息
6:个人职称评审加20分
7:个人信誉贷款加10分
8:在国家人才网主办的国家网络招聘大会中纳入资料，供国家高端企业选择人才
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From Swing Music to Big Band Fame_ 5 Iconic Artists.pptx
Everything You Need to Know About IPTV Ireland.pdf
Everything You Need to Know About IPTV Ireland.pdf
Media studies
- 1. MEDIA STUDIES REPRESENTATION OF THE YOUTH Stallone Gurung
- 2. PRETTY IN PINK Pretty in Pink is a 1986 American teen romantic comedy-drama film about teenage love and social cliques in 1980s American high schools. This film gives an indication by telling the viewers the message of being true to oneself.
- 3. BREAKFAST CLUB The Breakfast Club is a 1985 American coming of age comedy-drama film written and directed by John Hughes. The storyline follows five teenagers as they spend a Saturday in detention together and come to realize that they are all deeper than their respective stereotypes. This movie in my opinion gives a message to all teens that you shouldn’t care about what your friends think if they talk to someone out f their status. This movie teaches teens how to overcome this peer pressure and learn how to make friends with anyone.
- 4. A CLOCKWORK ORANGE A Clockwork Orange is a 1971 film adaptation of Anthony Burgess's 1962 novel A Clockwork Orange. Alex the main character, is a charismatic, sociopathic delinquent whose interests include classical music, rape and what is termed "ultra-violence". He leads a small gang of thugs (Pete, Georgie, and Dim), whom he calls his droogs. This movie gives a message that a person shouldn’t be judged from their past life, but they should be given a second chance.
- 5. SUPER 8 The film tells the story of a group of young teenagers who are filming their own Super 8 movie in a small town in 1979 when a train derails, releasing a dangerous presence into their town. The movie was filmed in Weirton, West Virginia and surrounding areas. This movie gives a message that even children can be reliable as adults, therefore parents can learn from this movie that children should be treated like an adult.
- 6. PRETTY IN PINK AND BREAKFAST CLUB About High School life Teenagers stereotype from adults Teen Love and Romance Problems and Hardships teens face Controlled by Adults Peer Pressure Family Problems Social Status
- 7. A ORANGE CLOCKWORK & SUPER 8 Friends Falling out Teens trying to have fun Peer Pressure AOC – violence, S8- Not that much AOC- Adult Scenes, S8- No Adult Scenes