Film 4 produces films that are funded by Universal. When a film is completed, Film 4 sends it to Universal, who distributes the film by selling it to movie download websites, as DVDs, Blu-rays, and showing it in cinemas.
The document discusses film distribution and recommends Relativity Media as a potential distributor. It notes that Relativity is an independent distributor that specializes in thriller films. Relativity may be interested in distributing the author's new thriller film because they have had success distributing similar thriller genres in the past. If chosen, Relativity would offer services like theatrical release, marketing with trailers, and potential television adaptations to help promote the film.
'71 is a 2014 British historical action film set during the Troubles in 1971 Northern Ireland. It tells the story of a British soldier separated from his unit during a riot in Belfast. The film was funded by several organizations and had its premiere at the Berlin Film Festival in 2014. It had a budget of £8.1 million. The filmmakers worked to distribute the film in the US by leveraging the star power of actor Jack O'Connell, who had a role in the film Unbroken, to bring attention to '71 and the actor in the US market.
This document discusses film distribution options. It explains that a distributor purchases rights to a film and shows it to buyers to get it in front of audiences. Major distributors like Warner Bros. and Universal typically distribute big-budget films they produce themselves. Independent distributors like IFC Films and Revolver handle more niche films, often discovered at festivals. The document suggests an independently produced LGBTQ film about a transgender girl would likely be picked up by an independent distributor like IFC Films, which has a section for LGBTQ films, or potentially a streaming service going forward as they expand into distribution. It would aim to be shown at festivals to attract distributors seeking such independent niche films.
This document discusses film distribution options for an independent, low-budget film about a transgender girl. It identifies that independent distributors like IFC Films and Revolver often pick up niche films from the film festival circuit. The film's inspirations and subject matter suggest it would fit well within IFC Film's LGBTQ section. Streaming services are also presented as a promising distribution avenue. In conclusion, the filmmakers would pursue the festival and independent distributor route given their film's independent production and niche genre.
This document discusses film distribution options for an independent, low-budget film about a transgender girl. It identifies that independent distributors like IFC Films and Revolver often pick up niche films from the film festival circuit. The document suggests IFC Films would be a good fit given they distribute LGBTQ-themed films. It also notes how streaming services are becoming more involved in distribution. In conclusion, the filmmaker believes an independent distributor is the best pathway after attempting to showcase the film at festivals.
Mainstream films are released widely in theaters and cinemas, with blockbuster examples like Skyfall targeting broad audiences interested in action or classic franchises. Independent films are produced outside major studios and distributed differently, such as the drama Boyhood which was released on DVD rather than in theaters, aiming for audiences interested in independent cinema as well as drama genres.
This document compares mainstream and independent horror films and their target audiences. Mainstream horror films are widely distributed in theaters and target audiences interested in technologically advanced films featuring demons and spirits. Independent horror films are produced outside of major studios and target audiences willing to watch low-budget films about haunted houses and possession, though some independent films can achieve wider release after recognition at film festivals.
The document discusses the evolution of film editing from early pioneers to modern directors. It describes how the Lumiere Brothers created the first public film screening in 1895 using their cinématographe camera. D.W. Griffith brought narrative and intertitles to films. Sergei Eisenstein developed montage techniques. David Fincher is known for his distinctive modern editing styles, as shown in a clip from Fight Club. The document concludes that editing styles have dramatically changed from early single-clip films due to advances in technology and software.
The document discusses film distribution and recommends Relativity Media as a potential distributor. It notes that Relativity is an independent distributor that specializes in thriller films. Relativity may be interested in distributing the author's new thriller film because they have had success distributing similar thriller genres in the past. If chosen, Relativity would offer services like theatrical release, marketing with trailers, and potential television adaptations to help promote the film.
'71 is a 2014 British historical action film set during the Troubles in 1971 Northern Ireland. It tells the story of a British soldier separated from his unit during a riot in Belfast. The film was funded by several organizations and had its premiere at the Berlin Film Festival in 2014. It had a budget of £8.1 million. The filmmakers worked to distribute the film in the US by leveraging the star power of actor Jack O'Connell, who had a role in the film Unbroken, to bring attention to '71 and the actor in the US market.
This document discusses film distribution options. It explains that a distributor purchases rights to a film and shows it to buyers to get it in front of audiences. Major distributors like Warner Bros. and Universal typically distribute big-budget films they produce themselves. Independent distributors like IFC Films and Revolver handle more niche films, often discovered at festivals. The document suggests an independently produced LGBTQ film about a transgender girl would likely be picked up by an independent distributor like IFC Films, which has a section for LGBTQ films, or potentially a streaming service going forward as they expand into distribution. It would aim to be shown at festivals to attract distributors seeking such independent niche films.
This document discusses film distribution options for an independent, low-budget film about a transgender girl. It identifies that independent distributors like IFC Films and Revolver often pick up niche films from the film festival circuit. The film's inspirations and subject matter suggest it would fit well within IFC Film's LGBTQ section. Streaming services are also presented as a promising distribution avenue. In conclusion, the filmmakers would pursue the festival and independent distributor route given their film's independent production and niche genre.
This document discusses film distribution options for an independent, low-budget film about a transgender girl. It identifies that independent distributors like IFC Films and Revolver often pick up niche films from the film festival circuit. The document suggests IFC Films would be a good fit given they distribute LGBTQ-themed films. It also notes how streaming services are becoming more involved in distribution. In conclusion, the filmmaker believes an independent distributor is the best pathway after attempting to showcase the film at festivals.
Mainstream films are released widely in theaters and cinemas, with blockbuster examples like Skyfall targeting broad audiences interested in action or classic franchises. Independent films are produced outside major studios and distributed differently, such as the drama Boyhood which was released on DVD rather than in theaters, aiming for audiences interested in independent cinema as well as drama genres.
This document compares mainstream and independent horror films and their target audiences. Mainstream horror films are widely distributed in theaters and target audiences interested in technologically advanced films featuring demons and spirits. Independent horror films are produced outside of major studios and target audiences willing to watch low-budget films about haunted houses and possession, though some independent films can achieve wider release after recognition at film festivals.
The document discusses the evolution of film editing from early pioneers to modern directors. It describes how the Lumiere Brothers created the first public film screening in 1895 using their cinématographe camera. D.W. Griffith brought narrative and intertitles to films. Sergei Eisenstein developed montage techniques. David Fincher is known for his distinctive modern editing styles, as shown in a clip from Fight Club. The document concludes that editing styles have dramatically changed from early single-clip films due to advances in technology and software.
The document discusses film distribution, including the different distribution windows (theatrical release, DVD/online release, subscription/pay TV, and free TV) and some example distribution companies like Warner Bros and 20th Century Fox. It also discusses options for distributing an independent film, including using a traditional distribution company like Warner Bros or self-distributing and having full control but taking on more work.
The document discusses potential film distribution institutions for the thriller film "Captured". It analyzes why larger studios like Walt Disney, Warner Brothers, and Universal would not be suitable given the nature and target audience of the film. It considers Columbia Pictures as one major studio that may distribute thrillers but feels the film is too small. The document concludes that a smaller institution like Film 4 would be best to distribute "Captured" as they work with lower budget and new films.
Hammer Film Productions is a UK-based film company established in 1934. They are best known for their Gothic horror films from the 1950s-1970s and have produced over 150 films. They would be well-suited to distribute the media product because they specialize in horror genres, which would blend well, and they are based in the UK, fitting the intended British market. Hammer Productions also publishes books and uploads videos to YouTube, allowing multiple avenues for publishing the media product and making them the top choice for distribution.
Universal was founded in the early 20th century by several individuals and is one of the oldest surviving film studios in the United States. It is a major film studio known for distributing action films and thrillers similar to the document's film, making it a potential fit to appeal to those audiences. Universal has also been creative with film marketing in the past, such as using social media platforms to promote Pitch Perfect 2. Film4 Productions is a British film company owned by Channel 4 that is known for producing small, low-budget films that go on to find great commercial success, making it a good potential fit for the document's small, first-time director film.
The document discusses several major film distribution companies and evaluates them as potential partners to distribute a new horror film. It analyzes MGM, Paramount, 20th Century Fox, Universal Studios, and Lionsgate based on the type of horror films they have previously distributed, whether their focus is local or global audiences, and if they typically handle big blockbuster films or smaller niche titles. Based on this analysis, Lionsgate and Universal Studios are identified as good options because they distribute a variety of film sizes, including smaller niche titles similar to the one being considered.
The document outlines an action movie plot where a successful CEO crashes into debt and is blamed for the company's downfall. He is left with nothing. He later saves a man from a bomb and the plot develops from there. It discusses casting major stars in lead roles and allocating large portions of the budget to effects and marketing, including advertising during the Super Bowl. Theories of film audiences and narratives are also examined, including uses and gratification theory, the hypodermic needle effect, and analyses from Propp, Levi, Barthes and others.
The document discusses a horror film called "Die-ary" about an author who can kill people by writing their deaths in his diary. It also mentions three young adults who will be the author's next victims. It discusses the film Cabin in the Woods as inspiration for including horror stereotypes. It then considers several potential film studios and distributors for the project, including Twisted Pictures, Universal Studios, and Hammer Film Productions, ultimately selecting Hammer as the best choice due to its UK-based horror focus and multiple publication platforms.
The document discusses potential film distributors for a paranormal horror film called "The Hellion". It analyzes several major distributors: Paramount Pictures, Warner Bros, Lionsgate, 20th Century Fox, Universal Pictures, and Netflix. Warner Bros is identified as the best choice since it has experience distributing similar successful paranormal horror films like "The Conjuring". Netflix is also considered a good option given its large audience reach and success distributing low-budget and horror films. In the end, the document concludes that Warner Bros would help the film attract the right viewers given their experience with the genre.
Christian is an author who can kill people by writing their deaths in his diary. His latest story involves three young adults on a holiday in the woods who will become his next victims. The film "Cabin in the Woods" inspired the film's use of horror tropes like the jock, geek, stoner and innocent characters. While Twisted Pictures and Universal Studios would be suitable due to their horror films, they are American companies, so Hammer Film Productions is the best choice as a UK-based company that specializes in horror.
Christian is the author of a horror film called "Die-ary" where he can kill people by writing their deaths in his diary. The film also follows three young adults on a holiday in the woods who will become Christian's next victims. The film takes inspiration from "Cabin in the Woods" for its use of horror tropes like the jock, geek, stoner and innocent characters. Hammer Film Productions is identified as the best potential media institution to distribute the film because it specializes in horror films for a UK audience and has multiple platforms for publishing content.
The document discusses film distribution and marketing strategies for a psychological thriller film. It notes that similar successful films like Gone Girl, Before I Go To Sleep, and Girl On The Train were distributed by major companies like 20th Century Fox, Universal Pictures, and others. Given the similarities between those films and their own, the authors believe their film could also be distributed by a major company to reach a wide international audience. They plan to build buzz around the film's release through teaser trailers and marketing across different platforms and demographics.
The document discusses a horror film called "Die-ary" about an author who can kill people by writing their deaths in his diary. It was inspired by "Cabin in the Woods" and its use of horror tropes. Twisted Pictures and Universal Studios were considered to distribute the film but rejected due to being American companies. Hammer Film Productions was selected as the preferred distribution partner because it specializes in horror films, is based in the UK for the intended British audience, and has multiple platforms to publish and distribute the film.
Warner Bros. Pictures and Legendary Pictures would be suitable distributors for the media product. A distributor is responsible for determining a film's release in theaters and home video, and handling its distribution through cinemas, sub-distributors, or directly if they own theaters. Warner Bros. and Legendary are famous for distributing a wide range of genres, especially action films similar to the media product, and their credit clips are included in the film's opening sequence to showcase them as the distributors.
How did you attract/address your audience? Tyrone321
The document discusses how the creator attracted and addressed their audience for a film project in 5 sections. They targeted specific social groups like age and ethnicity to appeal to a wide audience. Social media platforms were used to promote the film for free through sharing and likes. Psychological thriller codes and conventions were followed to attract fans of that genre while linking to horror. An original plot with a twist was aimed at drawing a large crowd. Shooting in London also attracted local audience interest similar to blockbuster movies filmed there.
The document discusses a horror film called "Die-ary" about an author who can kill people by writing their deaths in his diary. It was inspired by "Cabin in the Woods" and its use of horror tropes. Twisted Pictures and Universal Studios were considered to distribute the film but rejected due to being American companies. Hammer Film Productions was selected as the preferred media institution because it specializes in British horror films, books, and videos, making it well-suited for the film's target market.
The document discusses three potential media companies to distribute a new media product:
Twisted Pictures is an American horror film production company known for the Saw films, but they are based in the US which does not suit the target British market.
Universal Studios is one of the major Hollywood studios that has produced legendary horror films but is also American-based and not suitable for a British audience.
Hammer Film Productions is a well-known UK-based film brand responsible for Gothic horror films and The Woman in Black. They would be very suited to distribute the media product as they specialize in horror and are based in the UK, the intended market.
The document provides information about the production of the film The Dark Knight Rises, directed by Christopher Nolan. It details the main cast including Christian Bale as Batman, Tom Hardy as Bane, and Anne Hathaway as Catwoman. Information is given about filming locations in India, England, Scotland, Pennsylvania, and Italy. The overall budget for the film was $250 million. The film was distributed worldwide by Warner Bros. and heavily marketed using posters, TV spots, magazines, websites and social media.
Here are the answers to the activity questions:
- The Jazz Singer was the movie that developed the change from silent films to sound films.
- The first line of dialogue in film history was "Wait a minute: you haven’t heard anything." uttered by the protagonist, Al Jolson, looking at the camera in The Jazz Singer.
- Light is the essential element in the Black and White films.
- Before actual methods, frames were painted frame by frame or films were turned into monochrome tones through a dye bath.
- Digital Cinematography is the process of capturing motion picture images digitally rather than on film, such as to video, hard disks, flash memory or other media that
The document provides a history of the development of cinema from its origins in the camera obscura to modern times. It traces key developments like the introduction of film by Kodak, the work of the Lumiere brothers who held the first public film screening, and the introduction of sound in films with the 1927 film The Jazz Singer. Important figures that advanced cinematic techniques include D.W. Griffith, Charlie Chaplin, V. Shantaram, and directors from the parallel cinema movement in India like Satyajit Ray, Mrinal Sen, and Ritwik Ghatak. The document covers the growth of the industry in India and the establishment of major film studios there.
Walter Disney was a pioneer in animation who created some of the most famous animated films of the 1930s and 1940s. Some of his most significant early works included Steamboat Willie, the first film to have synchronized sound, and Silly Symphonies, a series of 75 animated short films produced between 1929-1939. Disney later produced pioneering full-length animated films such as Snow White in 1937, the first animated feature film in color, and Fantasia in 1940, which was the first film to use stereophonic sound.
This presentation was designed for a high school film production class - it provides a visual accompaniment to a lecture on Film History. This module covers the period from the beginnings of photography through the early days of exhibition. Projectors and projection techniques are featured.
In 2020 as a result of the Coronavirus Pandemic, I recorded a video of this presentation. Here is the link:https://youtu.be/GQuJJ8QkHQE Please feel free to use it in your classrooms.
The document discusses film distribution, including the different distribution windows (theatrical release, DVD/online release, subscription/pay TV, and free TV) and some example distribution companies like Warner Bros and 20th Century Fox. It also discusses options for distributing an independent film, including using a traditional distribution company like Warner Bros or self-distributing and having full control but taking on more work.
The document discusses potential film distribution institutions for the thriller film "Captured". It analyzes why larger studios like Walt Disney, Warner Brothers, and Universal would not be suitable given the nature and target audience of the film. It considers Columbia Pictures as one major studio that may distribute thrillers but feels the film is too small. The document concludes that a smaller institution like Film 4 would be best to distribute "Captured" as they work with lower budget and new films.
Hammer Film Productions is a UK-based film company established in 1934. They are best known for their Gothic horror films from the 1950s-1970s and have produced over 150 films. They would be well-suited to distribute the media product because they specialize in horror genres, which would blend well, and they are based in the UK, fitting the intended British market. Hammer Productions also publishes books and uploads videos to YouTube, allowing multiple avenues for publishing the media product and making them the top choice for distribution.
Universal was founded in the early 20th century by several individuals and is one of the oldest surviving film studios in the United States. It is a major film studio known for distributing action films and thrillers similar to the document's film, making it a potential fit to appeal to those audiences. Universal has also been creative with film marketing in the past, such as using social media platforms to promote Pitch Perfect 2. Film4 Productions is a British film company owned by Channel 4 that is known for producing small, low-budget films that go on to find great commercial success, making it a good potential fit for the document's small, first-time director film.
The document discusses several major film distribution companies and evaluates them as potential partners to distribute a new horror film. It analyzes MGM, Paramount, 20th Century Fox, Universal Studios, and Lionsgate based on the type of horror films they have previously distributed, whether their focus is local or global audiences, and if they typically handle big blockbuster films or smaller niche titles. Based on this analysis, Lionsgate and Universal Studios are identified as good options because they distribute a variety of film sizes, including smaller niche titles similar to the one being considered.
The document outlines an action movie plot where a successful CEO crashes into debt and is blamed for the company's downfall. He is left with nothing. He later saves a man from a bomb and the plot develops from there. It discusses casting major stars in lead roles and allocating large portions of the budget to effects and marketing, including advertising during the Super Bowl. Theories of film audiences and narratives are also examined, including uses and gratification theory, the hypodermic needle effect, and analyses from Propp, Levi, Barthes and others.
The document discusses a horror film called "Die-ary" about an author who can kill people by writing their deaths in his diary. It also mentions three young adults who will be the author's next victims. It discusses the film Cabin in the Woods as inspiration for including horror stereotypes. It then considers several potential film studios and distributors for the project, including Twisted Pictures, Universal Studios, and Hammer Film Productions, ultimately selecting Hammer as the best choice due to its UK-based horror focus and multiple publication platforms.
The document discusses potential film distributors for a paranormal horror film called "The Hellion". It analyzes several major distributors: Paramount Pictures, Warner Bros, Lionsgate, 20th Century Fox, Universal Pictures, and Netflix. Warner Bros is identified as the best choice since it has experience distributing similar successful paranormal horror films like "The Conjuring". Netflix is also considered a good option given its large audience reach and success distributing low-budget and horror films. In the end, the document concludes that Warner Bros would help the film attract the right viewers given their experience with the genre.
Christian is an author who can kill people by writing their deaths in his diary. His latest story involves three young adults on a holiday in the woods who will become his next victims. The film "Cabin in the Woods" inspired the film's use of horror tropes like the jock, geek, stoner and innocent characters. While Twisted Pictures and Universal Studios would be suitable due to their horror films, they are American companies, so Hammer Film Productions is the best choice as a UK-based company that specializes in horror.
Christian is the author of a horror film called "Die-ary" where he can kill people by writing their deaths in his diary. The film also follows three young adults on a holiday in the woods who will become Christian's next victims. The film takes inspiration from "Cabin in the Woods" for its use of horror tropes like the jock, geek, stoner and innocent characters. Hammer Film Productions is identified as the best potential media institution to distribute the film because it specializes in horror films for a UK audience and has multiple platforms for publishing content.
The document discusses film distribution and marketing strategies for a psychological thriller film. It notes that similar successful films like Gone Girl, Before I Go To Sleep, and Girl On The Train were distributed by major companies like 20th Century Fox, Universal Pictures, and others. Given the similarities between those films and their own, the authors believe their film could also be distributed by a major company to reach a wide international audience. They plan to build buzz around the film's release through teaser trailers and marketing across different platforms and demographics.
The document discusses a horror film called "Die-ary" about an author who can kill people by writing their deaths in his diary. It was inspired by "Cabin in the Woods" and its use of horror tropes. Twisted Pictures and Universal Studios were considered to distribute the film but rejected due to being American companies. Hammer Film Productions was selected as the preferred distribution partner because it specializes in horror films, is based in the UK for the intended British audience, and has multiple platforms to publish and distribute the film.
Warner Bros. Pictures and Legendary Pictures would be suitable distributors for the media product. A distributor is responsible for determining a film's release in theaters and home video, and handling its distribution through cinemas, sub-distributors, or directly if they own theaters. Warner Bros. and Legendary are famous for distributing a wide range of genres, especially action films similar to the media product, and their credit clips are included in the film's opening sequence to showcase them as the distributors.
How did you attract/address your audience? Tyrone321
The document discusses how the creator attracted and addressed their audience for a film project in 5 sections. They targeted specific social groups like age and ethnicity to appeal to a wide audience. Social media platforms were used to promote the film for free through sharing and likes. Psychological thriller codes and conventions were followed to attract fans of that genre while linking to horror. An original plot with a twist was aimed at drawing a large crowd. Shooting in London also attracted local audience interest similar to blockbuster movies filmed there.
The document discusses a horror film called "Die-ary" about an author who can kill people by writing their deaths in his diary. It was inspired by "Cabin in the Woods" and its use of horror tropes. Twisted Pictures and Universal Studios were considered to distribute the film but rejected due to being American companies. Hammer Film Productions was selected as the preferred media institution because it specializes in British horror films, books, and videos, making it well-suited for the film's target market.
The document discusses three potential media companies to distribute a new media product:
Twisted Pictures is an American horror film production company known for the Saw films, but they are based in the US which does not suit the target British market.
Universal Studios is one of the major Hollywood studios that has produced legendary horror films but is also American-based and not suitable for a British audience.
Hammer Film Productions is a well-known UK-based film brand responsible for Gothic horror films and The Woman in Black. They would be very suited to distribute the media product as they specialize in horror and are based in the UK, the intended market.
The document provides information about the production of the film The Dark Knight Rises, directed by Christopher Nolan. It details the main cast including Christian Bale as Batman, Tom Hardy as Bane, and Anne Hathaway as Catwoman. Information is given about filming locations in India, England, Scotland, Pennsylvania, and Italy. The overall budget for the film was $250 million. The film was distributed worldwide by Warner Bros. and heavily marketed using posters, TV spots, magazines, websites and social media.
Here are the answers to the activity questions:
- The Jazz Singer was the movie that developed the change from silent films to sound films.
- The first line of dialogue in film history was "Wait a minute: you haven’t heard anything." uttered by the protagonist, Al Jolson, looking at the camera in The Jazz Singer.
- Light is the essential element in the Black and White films.
- Before actual methods, frames were painted frame by frame or films were turned into monochrome tones through a dye bath.
- Digital Cinematography is the process of capturing motion picture images digitally rather than on film, such as to video, hard disks, flash memory or other media that
The document provides a history of the development of cinema from its origins in the camera obscura to modern times. It traces key developments like the introduction of film by Kodak, the work of the Lumiere brothers who held the first public film screening, and the introduction of sound in films with the 1927 film The Jazz Singer. Important figures that advanced cinematic techniques include D.W. Griffith, Charlie Chaplin, V. Shantaram, and directors from the parallel cinema movement in India like Satyajit Ray, Mrinal Sen, and Ritwik Ghatak. The document covers the growth of the industry in India and the establishment of major film studios there.
Walter Disney was a pioneer in animation who created some of the most famous animated films of the 1930s and 1940s. Some of his most significant early works included Steamboat Willie, the first film to have synchronized sound, and Silly Symphonies, a series of 75 animated short films produced between 1929-1939. Disney later produced pioneering full-length animated films such as Snow White in 1937, the first animated feature film in color, and Fantasia in 1940, which was the first film to use stereophonic sound.
This presentation was designed for a high school film production class - it provides a visual accompaniment to a lecture on Film History. This module covers the period from the beginnings of photography through the early days of exhibition. Projectors and projection techniques are featured.
In 2020 as a result of the Coronavirus Pandemic, I recorded a video of this presentation. Here is the link:https://youtu.be/GQuJJ8QkHQE Please feel free to use it in your classrooms.
The document discusses the history of film from its earliest beginnings in the 1880s to developments in the 1930s-1940s. It notes that the first film was created in the late 1880s with the movie camera. The oldest surviving film is from 1888. Color film was not seen until 1932 starting with Disney's Flowers and Trees cartoon. The 1930s-1940s saw the rise of major Hollywood studios like 20th Century Fox and Warner Bros and was considered the Golden Age of film. The first film with sound was The Jazz Singer in 1927.
The history of cinema can be broken down into seven ages:
1) The Pioneering Age from 1896-1912 saw the development of early motion picture technology and short films without narratives.
2) The Silent Age from 1913-1927 featured the emergence of Hollywood and use of techniques like camera movement to develop stories.
3) The Transition Age from 1928-1932 was when films moved from silent to adding synchronized sound.
4) The Hollywood Studio Age from 1932-1946 was dominated by major studios producing genre films.
5) The Internationalist Age from 1947-1959 saw the decline of studios and rise of challenges from foreign films and television.
6) The New Wave Age from 1960-1980 was defined
Cosa hanno in comune un mattoncino Lego e la backdoor XZ?Speck&Tech
ABSTRACT: A prima vista, un mattoncino Lego e la backdoor XZ potrebbero avere in comune il fatto di essere entrambi blocchi di costruzione, o dipendenze di progetti creativi e software. La realtà è che un mattoncino Lego e il caso della backdoor XZ hanno molto di più di tutto ciò in comune.
Partecipate alla presentazione per immergervi in una storia di interoperabilità, standard e formati aperti, per poi discutere del ruolo importante che i contributori hanno in una comunità open source sostenibile.
BIO: Sostenitrice del software libero e dei formati standard e aperti. È stata un membro attivo dei progetti Fedora e openSUSE e ha co-fondato l'Associazione LibreItalia dove è stata coinvolta in diversi eventi, migrazioni e formazione relativi a LibreOffice. In precedenza ha lavorato a migrazioni e corsi di formazione su LibreOffice per diverse amministrazioni pubbliche e privati. Da gennaio 2020 lavora in SUSE come Software Release Engineer per Uyuni e SUSE Manager e quando non segue la sua passione per i computer e per Geeko coltiva la sua curiosità per l'astronomia (da cui deriva il suo nickname deneb_alpha).
5th LF Energy Power Grid Model Meet-up SlidesDanBrown980551
5th Power Grid Model Meet-up
It is with great pleasure that we extend to you an invitation to the 5th Power Grid Model Meet-up, scheduled for 6th June 2024. This event will adopt a hybrid format, allowing participants to join us either through an online Mircosoft Teams session or in person at TU/e located at Den Dolech 2, Eindhoven, Netherlands. The meet-up will be hosted by Eindhoven University of Technology (TU/e), a research university specializing in engineering science & technology.
Power Grid Model
The global energy transition is placing new and unprecedented demands on Distribution System Operators (DSOs). Alongside upgrades to grid capacity, processes such as digitization, capacity optimization, and congestion management are becoming vital for delivering reliable services.
Power Grid Model is an open source project from Linux Foundation Energy and provides a calculation engine that is increasingly essential for DSOs. It offers a standards-based foundation enabling real-time power systems analysis, simulations of electrical power grids, and sophisticated what-if analysis. In addition, it enables in-depth studies and analysis of the electrical power grid’s behavior and performance. This comprehensive model incorporates essential factors such as power generation capacity, electrical losses, voltage levels, power flows, and system stability.
Power Grid Model is currently being applied in a wide variety of use cases, including grid planning, expansion, reliability, and congestion studies. It can also help in analyzing the impact of renewable energy integration, assessing the effects of disturbances or faults, and developing strategies for grid control and optimization.
What to expect
For the upcoming meetup we are organizing, we have an exciting lineup of activities planned:
-Insightful presentations covering two practical applications of the Power Grid Model.
-An update on the latest advancements in Power Grid -Model technology during the first and second quarters of 2024.
-An interactive brainstorming session to discuss and propose new feature requests.
-An opportunity to connect with fellow Power Grid Model enthusiasts and users.
Have you ever been confused by the myriad of choices offered by AWS for hosting a website or an API?
Lambda, Elastic Beanstalk, Lightsail, Amplify, S3 (and more!) can each host websites + APIs. But which one should we choose?
Which one is cheapest? Which one is fastest? Which one will scale to meet our needs?
Join me in this session as we dive into each AWS hosting service to determine which one is best for your scenario and explain why!
Ivanti’s Patch Tuesday breakdown goes beyond patching your applications and brings you the intelligence and guidance needed to prioritize where to focus your attention first. Catch early analysis on our Ivanti blog, then join industry expert Chris Goettl for the Patch Tuesday Webinar Event. There we’ll do a deep dive into each of the bulletins and give guidance on the risks associated with the newly-identified vulnerabilities.
Unlock the Future of Search with MongoDB Atlas_ Vector Search Unleashed.pdfMalak Abu Hammad
Discover how MongoDB Atlas and vector search technology can revolutionize your application's search capabilities. This comprehensive presentation covers:
* What is Vector Search?
* Importance and benefits of vector search
* Practical use cases across various industries
* Step-by-step implementation guide
* Live demos with code snippets
* Enhancing LLM capabilities with vector search
* Best practices and optimization strategies
Perfect for developers, AI enthusiasts, and tech leaders. Learn how to leverage MongoDB Atlas to deliver highly relevant, context-aware search results, transforming your data retrieval process. Stay ahead in tech innovation and maximize the potential of your applications.
#MongoDB #VectorSearch #AI #SemanticSearch #TechInnovation #DataScience #LLM #MachineLearning #SearchTechnology
Generating privacy-protected synthetic data using Secludy and MilvusZilliz
During this demo, the founders of Secludy will demonstrate how their system utilizes Milvus to store and manipulate embeddings for generating privacy-protected synthetic data. Their approach not only maintains the confidentiality of the original data but also enhances the utility and scalability of LLMs under privacy constraints. Attendees, including machine learning engineers, data scientists, and data managers, will witness first-hand how Secludy's integration with Milvus empowers organizations to harness the power of LLMs securely and efficiently.
Taking AI to the Next Level in Manufacturing.pdfssuserfac0301
Read Taking AI to the Next Level in Manufacturing to gain insights on AI adoption in the manufacturing industry, such as:
1. How quickly AI is being implemented in manufacturing.
2. Which barriers stand in the way of AI adoption.
3. How data quality and governance form the backbone of AI.
4. Organizational processes and structures that may inhibit effective AI adoption.
6. Ideas and approaches to help build your organization's AI strategy.
Programming Foundation Models with DSPy - Meetup SlidesZilliz
Prompting language models is hard, while programming language models is easy. In this talk, I will discuss the state-of-the-art framework DSPy for programming foundation models with its powerful optimizers and runtime constraint system.
Driving Business Innovation: Latest Generative AI Advancements & Success StorySafe Software
Are you ready to revolutionize how you handle data? Join us for a webinar where we’ll bring you up to speed with the latest advancements in Generative AI technology and discover how leveraging FME with tools from giants like Google Gemini, Amazon, and Microsoft OpenAI can supercharge your workflow efficiency.
During the hour, we’ll take you through:
Guest Speaker Segment with Hannah Barrington: Dive into the world of dynamic real estate marketing with Hannah, the Marketing Manager at Workspace Group. Hear firsthand how their team generates engaging descriptions for thousands of office units by integrating diverse data sources—from PDF floorplans to web pages—using FME transformers, like OpenAIVisionConnector and AnthropicVisionConnector. This use case will show you how GenAI can streamline content creation for marketing across the board.
Ollama Use Case: Learn how Scenario Specialist Dmitri Bagh has utilized Ollama within FME to input data, create custom models, and enhance security protocols. This segment will include demos to illustrate the full capabilities of FME in AI-driven processes.
Custom AI Models: Discover how to leverage FME to build personalized AI models using your data. Whether it’s populating a model with local data for added security or integrating public AI tools, find out how FME facilitates a versatile and secure approach to AI.
We’ll wrap up with a live Q&A session where you can engage with our experts on your specific use cases, and learn more about optimizing your data workflows with AI.
This webinar is ideal for professionals seeking to harness the power of AI within their data management systems while ensuring high levels of customization and security. Whether you're a novice or an expert, gain actionable insights and strategies to elevate your data processes. Join us to see how FME and AI can revolutionize how you work with data!
Fueling AI with Great Data with Airbyte WebinarZilliz
This talk will focus on how to collect data from a variety of sources, leveraging this data for RAG and other GenAI use cases, and finally charting your course to productionalization.