The document discusses a textile and color designer's process from concept to production. In 3 sentences:
The designer loves creating color patterns for fashion, textiles, and hospitality. Their design process involves trend analysis, mood boards, sketches, color palettes, and translating designs into samples and final products. Several projects are highlighted showing the designer's work in textiles, jacquard fabrics, carpets, and bringing inspirations from travel into new color trends and designs.
Color fastness is one of the important factors in case of buyers demand. The outstandingly important property of a dyed material is the fastness of the shade of color. Color fastness refers to the resistance of color to fade or bleed of a dyed or printed textile materials to various types of influences e.g. water, light, rubbing, washing, perspiration etc. to which they are normally exposed in textile manufacturing and in daily use. We have written a lot of articles on color fastness.
The document discusses the color wheel and how it shows relationships between colors. It explains that the primary colors are red, blue, and yellow, which cannot be made by mixing other colors. Secondary colors like orange, green, and purple are made by mixing two primary colors. Tertiary colors such as red-violet and blue-green are created by mixing a primary color with a secondary color. The color wheel helps artists understand how to mix colors to create new shades.
For my color theory class, we had to put together a "book" that we could use to show clients the various color families and how colors can work together in various combinations.
This document discusses how different colors can affect mood. It presents surveys showing most people prefer light colors over dark, and how colors like red, yellow, green and blue make people feel. Red may increase heart rate while yellow enhances concentration. Green is calming and blue is peaceful. Black can feel overpowering or sad. The document hypothesizes that color wavelengths interact with hormones to change mood, and colors evoke memories from past experiences. While reactions vary between individuals, colors generally have subtle effects on human psychology and emotion.
The document discusses color theory and different aspects of color including:
- The color wheel which shows the primary, secondary, and tertiary colors. Primary colors are red, yellow, and blue.
- Color values which are the lights and darks of colors created by mixing colors with black or white. Tints are lightened colors mixed with white, and shades are darkened colors mixed with black.
- Warm colors are found on the right side of the color wheel like reds, oranges, and yellows. Cool colors are on the left side like greens, blues, and purples.
- Different color schemes including monochromatic using one color, complementary using opposite colors, analogous using adjacent colors, and
The document discusses the psychology and cultural associations of different colors. It explains that colors can have different meanings and symbolism across world cultures. Marketing materials using color should take these cultural differences into account to avoid unintentionally offending audiences from other regions.
This document discusses color psychology and the effects of different colors. It begins by defining color psychology as the science explaining the connection between colors and human psychology. Various colors are then examined, including how they can impact mood, stress levels, and behavior. For example, the document notes that the color red can increase appetite and heart rate, while blue is generally calming. It also explores how brands use color symbolism in their logos. The document concludes by mentioning scientific research showing that colors can have physiological impacts through their energetic vibrations.
The document discusses color theory and its application in design. It defines key color terminology like hue, value, saturation and describes different color schemes including monochromatic, complementary, analogous, split complementary, triadic and tetradic. It also covers color perception principles such as simultaneous contrast, advancing/receding colors, vibration and weight.
Color fastness is one of the important factors in case of buyers demand. The outstandingly important property of a dyed material is the fastness of the shade of color. Color fastness refers to the resistance of color to fade or bleed of a dyed or printed textile materials to various types of influences e.g. water, light, rubbing, washing, perspiration etc. to which they are normally exposed in textile manufacturing and in daily use. We have written a lot of articles on color fastness.
The document discusses the color wheel and how it shows relationships between colors. It explains that the primary colors are red, blue, and yellow, which cannot be made by mixing other colors. Secondary colors like orange, green, and purple are made by mixing two primary colors. Tertiary colors such as red-violet and blue-green are created by mixing a primary color with a secondary color. The color wheel helps artists understand how to mix colors to create new shades.
For my color theory class, we had to put together a "book" that we could use to show clients the various color families and how colors can work together in various combinations.
This document discusses how different colors can affect mood. It presents surveys showing most people prefer light colors over dark, and how colors like red, yellow, green and blue make people feel. Red may increase heart rate while yellow enhances concentration. Green is calming and blue is peaceful. Black can feel overpowering or sad. The document hypothesizes that color wavelengths interact with hormones to change mood, and colors evoke memories from past experiences. While reactions vary between individuals, colors generally have subtle effects on human psychology and emotion.
The document discusses color theory and different aspects of color including:
- The color wheel which shows the primary, secondary, and tertiary colors. Primary colors are red, yellow, and blue.
- Color values which are the lights and darks of colors created by mixing colors with black or white. Tints are lightened colors mixed with white, and shades are darkened colors mixed with black.
- Warm colors are found on the right side of the color wheel like reds, oranges, and yellows. Cool colors are on the left side like greens, blues, and purples.
- Different color schemes including monochromatic using one color, complementary using opposite colors, analogous using adjacent colors, and
The document discusses the psychology and cultural associations of different colors. It explains that colors can have different meanings and symbolism across world cultures. Marketing materials using color should take these cultural differences into account to avoid unintentionally offending audiences from other regions.
This document discusses color psychology and the effects of different colors. It begins by defining color psychology as the science explaining the connection between colors and human psychology. Various colors are then examined, including how they can impact mood, stress levels, and behavior. For example, the document notes that the color red can increase appetite and heart rate, while blue is generally calming. It also explores how brands use color symbolism in their logos. The document concludes by mentioning scientific research showing that colors can have physiological impacts through their energetic vibrations.
The document discusses color theory and its application in design. It defines key color terminology like hue, value, saturation and describes different color schemes including monochromatic, complementary, analogous, split complementary, triadic and tetradic. It also covers color perception principles such as simultaneous contrast, advancing/receding colors, vibration and weight.
Basics Fashion Design 02: Textiles and FashionNaheed Karimi
All fashion designers must have an understanding of fabrics and what their properties are to allow them to choose the right fabric for their designs. Basics Fashion Design 02- Textiles and Fashion by Jenny Udale is a guide to the use of textiles within fashion design.
This document provides an overview of fashion design and the design process. It discusses key topics such as:
- The definition of fashion and what constitutes good design.
- The different fashion markets including haute couture, prêt-à-porter, and mass market.
- The stages of the design process from research and inspiration boards to prototyping and production.
- Elements of design like color, illustration, technical specifications, and materials.
- Fashion is a creative field that follows consistent design principles but explores new ideas with each collection to keep the industry fresh and evolving over time.
Enhancing design skills of artisans for creating lifestylesumita sikka
The document discusses how NGOs and self-help groups in Chandigarh create handicraft products using local skills like embroidery, weaving, and stitching. However, many of these artisans are not aware of color forecasting trends and psychology and rely only on personal experience when selecting colors. Designers working with one group helped significantly increase their earnings. The document advocates educating artisans on color trends and psychology through references from fashion magazines and color forecast reports to help make their products more attractive and commercially successful.
Rishita Paharya, a student of fashion design, completed a project designing a summer clothing collection for a 20-year-old girl. She was inspired by traditional Indian art and crafts and designed pieces combining these influences with modern styles. Her collection includes a tent dress with applique flowers and kantha embroidery depicting relationships. She presented her designs, influences, and specifications to fulfill her diploma requirements.
Ayushi khilani B.Sc -fashion Design + One Year Womens Wear Portfoliodezyneecole
Ayushi Khilani ,Student of Degree Programme in Fashion Design From Dezyne E'cole College ,This project is a showcase of her work after her one year of diploma programme opted along with the Degree Studies .The study programme course contents are Industry aligned and Endorsed by the ministry of Skill NSDC.
www.dezyneecole.com
Sandhya Laxkar, Diploma Fashion Design Second Year, (How to Design for Fashio...dezyneecole
Portfolio Of Student Of Dezyne E'cole College , Sandhya Laxkar, Second Year Fashion Design.This Is The Portfolio Of Her Work From Second Year .For More Details Visit www.dezyneecole.com
Fabric Construction and Design Process.pptxNehaSingh1787
This PPT is about how fabric is constructed and what is the procedure followed to develop any fashion products. Here the detailed description is given about the design development methods
Varsha karadia,B.Sc-Fashion Design + one year Fashion Design Womens wear dipl...dezyneecole
Student of Dezyne E'cole College ,the student is updating her industry required skills of Fashion Design through the Diploma Programme.This is a work showcase of student after one year of her study of Fashion Design Programme in Womens Wear. www.dezyneecole.com
Interview with Ryota matsumoto ARTiculAction Art Review March20 2015.pdfJohnMecco
Ryota Matsumoto is an artist, educator, cultural programmer, urban planner, and architect based in New York and Tokyo. As a media theorist, he is highly recognized as the godfather of the postdigital art and architecture. His sociological insights into new media discourses, which include epidigital theory, hybrid objects, and posthumanism, draw inspiration from philosophers of technology, Bernard Stiegler, Michel Serres, and Gilbert Simondon.
Born in Tokyo, he was raised in Hong Kong and Japan. He received a Master of Architecture degree from the University of Pennsylvania in 2007 after his studies at the Architectural Association in London and Mackintosh School of Architecture, the Glasgow School of Art in the early 90s. He collaborated with a cofounder of the Metabolist Movement, Kisho Kurokawa, and with Arata Isozaki, Peter Christopherson, and MIT Media Lab.
He has taught architecture, art, and interdisciplinary design as a lecturer and visiting critic in the United States, Europe, and Japan.
This document announces a worldwide call for multidisciplinary thinkers and designers to submit concepts for portable workspaces of the future. It provides context on changing work styles and the desire for flexibility and mobility. Entrants are asked to envision lightweight, easily transportable objects, tools, or systems to enable work anywhere. A jury of design experts will select 15 finalists and award prizes in art, design, and culture categories. The goal is to support ecological health, craftsmanship, and a vision for new models of flexible, mobile work.
Design Thinking: Finding Problems Worth Solving In HealthAdam Connor
Ideas for new devices and services can come from anywhere. But great ideas come from aligning solutions with real value and desirability for people. Design thinking provides a set of principles and structure that can act as scaffolding for teams to find and understand challenges and opportunities to focus on fan find solutions for.
Unlocking Creativity: How to Harness the Powers of Design, Art Direction & Cr...Digital Surgeons
Using gaming's concept of Progression, this presentation takes viewers on a journey that demystifies the roles and disciplines of Design, Art Direction, and Creative Direction – demonstrating how they can be mastered to take your creative work to the next level.
This document is Monika Mehra's project report submitted to fulfill requirements for her 2nd year diploma in fashion design from Dezyne E'cole College. It includes an acknowledgement, introduction, content sections on foundational design concepts like principles and elements of design, and samples of her work including patterns, motifs, shapes, and designs. She expresses gratitude to those who supported and contributed to her project.
Visual Communications Design - a methadologyPaul Vickers
This document provides an overview of visual communication design methodology. It discusses key aspects of the design process like research, concept development, refinement, and presentation. It also explores different forms of visual communication like pictograms, branding, typography, and dynamic/interactive identities. Designers must balance logic and creativity when solving problems. The goal is to develop innovative solutions through thorough research and an iterative process of ideation, testing, and refinement.
This document is Meena Goklani's project report and portfolio for her one year diploma in Fashion Designing from Meridian Academy of Design. It includes an acknowledgements section thanking various mentors, parents, and classmates for their support and guidance. The portfolio then covers various topics related to her coursework like color theory, design concepts, pattern drafting, garment construction, fashion illustration, traditional Indian embroidery, fabric study, and examples of her own creations.
The document provides guidance for students completing a major project for their GCSE ICT course. It outlines the four stages of the project: finding out and generating ideas, deciding on project ideas, creating the project, and presenting the finished project. It includes examples of potential project topics, questions to consider, and tools to use at each stage.
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Mastaneh Merten Materiel & Color design Portfolio - Copy
1. Statement
I love designing color & patterns for the
fashion & textile & hospitality industry.
The energy and excitement of new
trends and all color & fashion inspires
me. I’ve poured my experience, insight,
and passion for the color & textile
Industry into my new trend forecasting
& color design, this presentation is a
sample of my design thinking research,
to production process and I’m very
excited to share it with you
I love turning my material and color designs In to
Profit I believe design and color sells Right
Design and right color sells better
2. HowAm I thinking as color and material textile creative designer
(Design thinking )
conceptual thinking
ColorTrend Analysis Key Notes
My Design process & Research to production
Activities that I apply during the process of my research & design. The
notion of design as a "way of thinking“ are included
Conceptual thinking I have ability to understand a situation or problem by
identifying patterns or connections, and addressing key underlying issues.
And I include the integration of issues and factors into a conceptual
framework
Project & Purpose of design
Functionality, Sustainability, Inspiration, Concept, Research,
Color trend Analysis,
Sketches , Rendering, Color Mood board, Color palette, Design
Bring them to translation, Ordering
3.
4. Concept . Mood .Research . What if? TurnYour Clothesand car seat material IntoA
Touch Screen
What if? Making possible to weave touch of gesture interacting in to any textile (car seat &
interior material)
Using standard industrial looms and transform to interactive surfaces
weave touch controls into textiles right
on the loom.
7. Trend Analysis- Trend spotting
How do I think Design ? Global
Many factors effect a color staying in power or dismiss, for me to analyze
trend and spot them I observe and research environmental issues,
elections, wars, natural disasters, economies Technology innovation All
these impact the consumer mood
Data-driven
Healthcare
Cheaper more
widespread solar
power
Renewables will
power mobile
networks
8. Trend Analysis mood board
High Energy
People use technology to boost their feelings of well-being. The borders between being
online and offline are becoming blurred. And the digital world is encroaching on our
physical world.
In this process, light is becoming a new way of creating intangible shapes and
highlighting dynamic contours. The color spectrum pulsates between strong and weak
contrasts. At the same time, bright and virtually fluorescent colors vibrate in comparison
with darker electric-blue shades. This high-energy trend livens up the aesthetic with
intensive brilliance and gloss, kaleidoscopic patterns and humorous, athletic designs.
Touch the fabric, make the graphics
dance.
9. Translating to..
Breaking through production-line restrictions by using pearl, metal, and
mineral textures allows me to create colors that are beyond the scope
of most mass-market
16. ResearchProject jacquardTextile Home design Inspiration My trip to
Claude House Monet GIVERNY MUSEUM OF IMPRESSIONISMS
COLORS GARDEN
France “Impressionism”
21. My ColorAnalysis Textile Jacquard Materiel with Pantone color tool
My Research for Jacquard project was in Paris France concept streetArt for retail import
My trip to Paris and my inspiration for Eiffel tower Paris France
22.
23. COLOR SELECTION PROCESS
Colors and textures
Color gloss
Color has a huge effect. It controls Moods,
signals danger, grants permission - and acts as a
refreshing drink for the eyes.
I bring out and maximize a Designs character
how I can use depth and clarity to accentuate
the color & shape and size of a design
The color development process routinely takes
between two and three years Detailed input
comes not just from the team of designers, but
also from engineers, salespeople, and customers
24. My Sketches & Paintings Paris Project color trend
Fashion Print & color design
Project jacquard& Chenille (woven Fabric) Reversible
Project Area Rug & Carpet
Project Interior design
Project Jacquards Interactive fabric that can be used to control lights, music or more: what exactly does it do, and why? my design thinking and process are included Research, Color Analysis, Design , Sampling Rendering, Scratches sample correction working closely with manufactures sample correction sample ready order for import.
My Research for Jacquard project was in Paris France concept “street Art” for fashion Retail import
My trip to Paris and my inspiration for Ifle tower and street Art
Project (1) I am inspired by Cloud Monet French Artist Oscar-Claude Monet founder of French Impressionist painting by visiting his house in Giverny. Researching his life style paintings Concept, color pallets for Color & Apparel design trend Fashion line
My trip to Heim Textile 2016 Germany
Project (2) Textile maternal color design interior design.
Interior design including color and fabric (material) design project Loft in Los Angeles California
This project is included
Color and design Jacquards, Wall design, Furniture and covering
Research, Color Mood Board, Color Analysis color trend state Bring it to translation
Including sketches, rendering pencil drawing scrap book sample making & my Cad work
Project (3) Carpet& color & Area Rug design
What if? Making possible to weave touch of gesture interacting in to any textile (car seat material)
Using standard industrial looms and transform to interactive surfaces
Concept Future Cars
Heim Textile 2016 Germany I am working on a Fashion and Textiles Material and color project these is included Research, Color Analysis, Design , Sampling Rendering, Scratches sample correction working close with manufactures sample ready order
People use technology to boost their feelings of well-being. The borders between being online and offline are becoming blurred. And the digital world is encroaching on our physical world.
In this process, light is becoming a new way of creating intangible shapes and highlighting dynamic contours. The color spectrum pulsates between strong and weak contrasts. At the same time, bright and virtually fluorescent colors vibrate in comparison with darker electric-blue shades. This high-energy trend livens up the aesthetic with intensive brilliance and gloss, kaleidoscopic patterns and humorous, athletic designs
Textile patterns
Mood Board
Color Palette
Color Palette
Loft LA
My Color Analysis Textile Jacquard Materiel with Pantone color tool My Research for Jacquard project was in Paris France concept street Art for retail import My trip to Paris and my inspiration for Eiffel tower Paris France
Color has a huge effect. It controls Moods, signals danger, grants permission - and acts as a refreshing drink for the eyes.
I bring out and maximize a Designs character how I can use depth and clarity to accentuate the color & shape and size of a design
The color development process routinely takes between two and three years Detailed input comes not just from the team of designers, but also from engineers, salespeople, and customers
Translating to reality
Color Trend State
The focus is placed on opulent and highly decorative elements which blend cultural references with the past and futureshimmering, classy materials are eye-catching. Superb, rich colours like plum and crimson abound with metallic gold, brass and bronze elements. A hint of the Orient is blended with iconic patterns which reinterpret classicism with splendour to perfection.
create and develop designs of the highest possible quality Translate ideas into productProcess My CAD work Carpet Hospitality
Color palettes and image information Color ways and repeats