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The Vasulka’s Dreams about the Second Life
MAPS 2020, Budapest
Vasulkas studio, Santa Fe, New Mexico
Sant Fe, studio
Art of Memory
work in process since 1987 to 2019
Woody and David Stout, Santa Fe
Buffalo Heads, ZKM, 2008
Art and Science Laboratory, Santa Fe
Steina and Woody Vasulka, David Dunn, James Crutchfield
Accommodation of Contemporary Media Archive through dynamic
format of Open Simulation
-an environment of dramatic confrontation between Data
structure, Images and finally 3-D Objects now with the full
ability of being manipulated and controlled on the WEB.
- The necessity of such a confrontation stems from the
content and context of more contemporary archival items,
mainly property acquired through the process of the
electronic origination.
- The artifacts of media, records of moving images,
music/sounds, instruction, scripts, scores and codes to
control choreography of the manipulated objects or navigate
through many other time based strategies involved,
deserve a place of a Media Archive to arrive to a
Chris Marker: Monsieur Guillame, cca 2009
from another world
 Chris Marker; “I’m writing you all this from another world, a world of
appearances. In a way the two worlds communicate with each other.
Memory is to one what history is to the other: an impossibility.”
Chris Marker: Monsieur Guillame
Chris Marker: Monsieur Guillame
2010
Second life, woody lecture document, 2010
andrew edwards presentation of the open media archive
https://vasulkakitchen.org/
Deep Learning from Vasulkas’ Video Archive
Jana Horáková (CZ), Jiří Schimmel (CZ) et al.

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Maps1

  • 1. The Vasulka’s Dreams about the Second Life MAPS 2020, Budapest
  • 2. Vasulkas studio, Santa Fe, New Mexico
  • 5. work in process since 1987 to 2019
  • 6.
  • 7.
  • 8. Woody and David Stout, Santa Fe
  • 9.
  • 11.
  • 12. Art and Science Laboratory, Santa Fe Steina and Woody Vasulka, David Dunn, James Crutchfield Accommodation of Contemporary Media Archive through dynamic format of Open Simulation -an environment of dramatic confrontation between Data structure, Images and finally 3-D Objects now with the full ability of being manipulated and controlled on the WEB. - The necessity of such a confrontation stems from the content and context of more contemporary archival items, mainly property acquired through the process of the electronic origination. - The artifacts of media, records of moving images, music/sounds, instruction, scripts, scores and codes to control choreography of the manipulated objects or navigate through many other time based strategies involved, deserve a place of a Media Archive to arrive to a
  • 13.
  • 14. Chris Marker: Monsieur Guillame, cca 2009
  • 15. from another world  Chris Marker; “I’m writing you all this from another world, a world of appearances. In a way the two worlds communicate with each other. Memory is to one what history is to the other: an impossibility.”
  • 18. 2010
  • 19.
  • 20. Second life, woody lecture document, 2010 andrew edwards presentation of the open media archive
  • 22. Deep Learning from Vasulkas’ Video Archive Jana Horáková (CZ), Jiří Schimmel (CZ) et al.