Locations for Horror Photos
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The document discusses the benefits of exercise for mental health. Regular physical activity can help reduce anxiety and depression and improve mood and cognitive functioning. Exercise causes chemical changes in the brain that may help protect against mental illness and improve symptoms.
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Horror Film Forms and Conventions
The document discusses various forms and conventions commonly found in horror films. It outlines common themes such as revenge, hauntings, demons, gore, and serial killers. It also describes subgenres like gothic horror, slasher films, and psychological horror. Narratives in horror films typically involve a protagonist confronting a monster or villain. Character archetypes include the heroine, sex appeal character, irritating character, unlikely hero, and antagonist. The document also discusses camera work techniques, found footage style, iconography, and common settings used to establish mood and tension in horror movies.
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The document discusses narrative conventions and structures that are common in horror genres. It explains that horror narratives typically follow a three-act structure of an onset phase where a disorder is introduced, a discovery phase where characters learn of the disorder, and a disruption phase where characters work to restore order by defeating the source of the disorder. The document also summarizes some key narrative theories that are relevant for analyzing horror films, such as those proposed by Todorov, Propp, Barthes, and Levi-Strauss.
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Filming Risk Assessment Form
Risk assessment form on certain dangers that could happen to my crew whilst filming my opening sequence.
Production Risk Asessment Form
Risk Assessment form tells of any risks or danger I may be putting crew in whilst filming my opening sequence.
Blog
Day 1 of filming focused on Richard Bolter's scenes, including stationary shots, moving the camera horizontally opposite his running direction, and asking him to look in different directions. Day 2 involved filming environmental elements like wind moving trees and grass to add to the cut sequence. Day 3 centered on filming Grace wearing a denim jacket, including stationary and pan shots as well as using camera straps and a lanyard to create spinning footage while she laid down. Day 4 was dedicated to filming Ellie for the opening sequence, including takes of her falling to her knees and running through an alley.
Final storyboard
The document is a final storyboard for the opening sequence of a horror film the creator is producing. It also mentions that sounds and music have been found that would be suitable for the horror film.
FLICKER Screenplay
This document provides the script and direction for the short film "Flicker". It describes a series of shots involving three characters - two young women and a young man - that are intercut with chopping sounds. The shots show the characters in various states of distress and panic on a field. As the film progresses, the "constant cut" sequence speeds up, with the shots growing more chaotic and distorted. These sequences are punctuated by tolling bells and slicing sounds. The film ends with an axe chopping a bloodied piece of wood, then cutting to black with the title "The End".
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The document discusses various forms and conventions commonly found in horror films. It outlines common themes such as revenge, hauntings, demons, gore, and serial killers. It also describes subgenres like gothic horror, slasher films, and psychological horror. Narratives in horror films typically involve a protagonist confronting a monster or villain. Character archetypes include the heroine, sex appeal character, irritating character, unlikely hero, and antagonist. The document also discusses camera work techniques, found footage style, iconography, and common settings used to establish mood and tension in horror movies.
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The document discusses narrative conventions and structures that are common in horror genres. It explains that horror narratives typically follow a three-act structure of an onset phase where a disorder is introduced, a discovery phase where characters learn of the disorder, and a disruption phase where characters work to restore order by defeating the source of the disorder. The document also summarizes some key narrative theories that are relevant for analyzing horror films, such as those proposed by Todorov, Propp, Barthes, and Levi-Strauss.
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Risk assessment form on certain dangers that could happen to my crew whilst filming my opening sequence.
Production Risk Asessment Form
Risk Assessment form tells of any risks or danger I may be putting crew in whilst filming my opening sequence.
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This document provides the script and direction for the short film "Flicker". It describes a series of shots involving three characters - two young women and a young man - that are intercut with chopping sounds. The shots show the characters in various states of distress and panic on a field. As the film progresses, the "constant cut" sequence speeds up, with the shots growing more chaotic and distorted. These sequences are punctuated by tolling bells and slicing sounds. The film ends with an axe chopping a bloodied piece of wood, then cutting to black with the title "The End".
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Match on match action
Match on match editing involves cutting between two shots of the same scene from different angles to create a continuous narrative. The cuts are made at key matching points in the action, such as a person opening a door in one shot and exiting through it in another. This allows the scene to flow seamlessly between perspectives while maintaining continuity of movement and events. The document provides an example of match on match editing between three shots of a person walking out of a room through a door and down a corridor. The cuts are made precisely at the points where her hands contact the door and when she begins turning after exiting.
Preliminary task 1
Continuity task involving filming and editing a character opening a door, crossing a room and sitting down in a chair opposite another character, with whom she/he then exchanges a couple of lines of dialogue. This task should demonstrate match on action, shot/reverse shot and the 180-degree rule.
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This document summarizes and provides video links to scenes from various horror movies. It examines how different films use techniques like editing, music, and camerawork to unsettle and frighten audiences. Examples discussed include the transforming grin of a man in A Field in England, a disturbing mother-son scene in Insidious 2, and unexpected attacks in Night of the Living Dead and The Conjuring. Analysis also covers classics like Psycho, Nosferatu, The Exorcist, and The Shining. The document concludes by comparing unsettling opening scenes and hallucinatory sequences in The Babadook and A Field in England respectively.
Match on match action
Match on match editing involves cutting between two shots of the same scene from different angles to create a continuous shot. The cuts are made at key matching points in the action, such as a person opening a door. This allows different perspectives while maintaining continuity of movement. An example describes cutting between three shots of a person walking out a door - when they touch the door, walk through, and begin turning in the hallway. Ensuring the cuts occur at the same point in the action makes it appear as a single long shot, rather than separate clips.
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Media Draft
My first draft of a written script and and a list of significant shots to be filmed. I have also included films and horror scenes that i have been inspired by.
Match on match action
Match on match editing involves cutting between two shots of the same scene from different angles to create a continuous narrative. The cuts are made at key matching points in the action, such as a person opening a door in one shot and exiting through it in another. This allows the scene to flow seamlessly between perspectives while maintaining continuity of movement and events. The document provides an example of match on match editing between three shots of a person walking out of a room through a door and down a corridor. The cuts are made precisely at the points where her hands contact the door and when she begins turning after exiting.
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Continuity task involving filming and editing a character opening a door, crossing a room and sitting down in a chair opposite another character, with whom she/he then exchanges a couple of lines of dialogue. This task should demonstrate match on action, shot/reverse shot and the 180-degree rule.
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This document summarizes and analyzes horror film scenes from 12 movies: A Field in England, Insidious 2, Night of the Living Dead, Psycho, Nosferatu, The Conjuring, The Exorcist, The Shining, The Babadook, and A Field in England again. It examines how each clip uses techniques like editing, music, shadows, gestures, and jumps to unsettle and frighten audiences. Particular attention is paid to the transformations of characters in A Field in England and The Shining that show the psychological impacts of horror.
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This document summarizes and analyzes horror film scenes and techniques from 12 famous horror movies: A Field in England, Insidious 2, Night of the Living Dead, Psycho, Nosferatu, The Conjuring, The Exorcist, The Shining, The Babadook, and A Field in England again. It examines how each clip builds tension, shocks audiences, or depicts unsettling transformations through the use of lighting, editing, music, performances and other cinematic techniques. Highlighted scenes include a character screaming in a tent in A Field in England, a disturbing mother-son interaction in Insidious 2, and a priest's failed exorcism of a demonic child in The
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