SlideShare a Scribd company logo
Lo cant del
valencià
(Pedro Sosa López)
El pasodoble Lo cant del Valencià del compositor requenense Pedro Sosa López (1885-
1953) se estrenó en 1914.
Pedro Sosa López, nacido en Requena en la Provincia de Valencia el día 30 de enero del año 1887, fue un
compositor, profesor de música y trombonista. En sus inicios en el mundo de la música estudió con los
músicos Amancio Amorós, Francisco Peñarroja y Baltasar Martínez. Posteriormente estudió en el
Conservatorio Superior de Música "Joaquín Rodrigo" de Valencia, con Salvador Giner y Vidal.
En 1920 se convirtió en catedrático siendo profesor auxiliar de armonía y solfeo en el mismo conservatorio,
así como de teoría de la música.
https://es.wikipedia.org
























Cl.1
Cl.2
Cl.3
Cl.4
Cl.5
Cl.6
Cl.7
Cl.B

 


 


 


 














 
 

 
 

 
 

 
 




  

 
 

 
 

 
 

 
 




  















 




  


  



 


 


 


 


 


 







  




  













6


 

 
 
    

 
6

 

 










 

 
       

 

 

 





   

3
   

3


 

 

 






 


  
 



 
 



 
 




 


 


 

 








 
 

 
 

 
 

 
 







 


      




  
©Gino Gonçals
(Cover of Clarinets, Aragón, S.XXI)
Pedro Sosa
Arr. by Gino Gonçals
Lo Cant del Valencià








11  
 

 
 

 
 

 
 



11



  
























 




 


  






 


 


 


 


 




 


 

 

  
  
  

 


 











 


 



 
     
 


 

 

 



 






   



    








16


 
  

3

 
  

3



 
16

 


 





  


  


  
  


 


 


 


 




 

 

 
 
    

 

 

 









 

 

 
       

 

 

 




   

3
   

3
   

3


 

 

 




  
     
2
LO CANT DEL VALENCIÀ








21

     


 


     


 



    


    


 
  
21


 
  


 

  

 
  

  
 
     
 

3

  
 
     
 

3


   


   



 
  































 
    
 
 

    
 
 


 
  




  

 
 
  




  



  

 
  


 
 
     
 

3


 
 
     
 

3


 



 




  


   

 




















 

   
 
  

   
 
  

   
  
  

   
  
  

   
 









 


  
  
  
  
  
     
  
  
  
  
  
   
   








26
   
    
   
    

 
      


 
      







26


















  

    

  

    


 

    





    


 


 


 

 

       

       

       

       
 
 
 
 

















     


 


     


 


   


 



 

 
 

 
 


 
 






 
 






 
 


 
  

  
 
     
 

3

  
 
     
 

3


   



  



 
 
 




































 
    
     
3
LO CANT DEL VALENCIÀ








31
    
 
 

    
 
 


 

 
 
 




 
 
 
 
 

 
 
 
31




 
 





 
 


 
  


 
 
     
 

3


 
 
     
 

3


 



 




   
 

 

 


 



















 




 
 
    

   
 
  

   
 

   
 

     
  










 



 






 
      

   
    

   








   
    

 
















    

     


    



   


 


 


 

 


   


 
  








36

       

       

       

       



 
 
36
















    
    
    
    
    
    
 
 
  

 
   
 
 
   
  
 

 

 






 
 
 
       
3

























 
 
 























 
    
    
    
    
    
    
    

 
 
 
 
 
 
 
   
4
LO CANT DEL VALENCIÀ








41 
    


    
       
3






41
















   

   























      
      
    
       
3






















    
    
    
     
 

 

















   

3
   

3
   

3
       
3
 

 

















 
 


   
   


    
    
    
 
    
    
    

  








46
   
   


 


 


 
46


 


 

 




 
 
 


 

 







 
 
 



 

 

 


 

 








  
 

   


3

   


3

   


3
 

 











 








   

   

 
  
 

 



















        




5
LO CANT DEL VALENCIÀ








51

 

  




  
  







51
















   
   
  
























  


  

  


 
 
 





















  


  


  

 
 

























 
 
 
       
3























         








56  

 
 

 
 
 
 

56
















 
   
 
   
 
   

    
   
3
 
 
 



 
















   

   

   


 
 
 
 




















 
     


 
     


 
     

    
 
 
 

















    
    
    
    
 

 

















 
       
6
LO CANT DEL VALENCIÀ








61
 



 



 



 




61




















   
3
   
3
   
3
   
3

















       
3 3
       
3 3
       
3
3









 
 
 


    


3
    


3
 

  













 
 
 


 
 
 


 
 
 

 

   
     
3







  
  
  
  
 
   
   
 


   
       








66 
 
 
 


 
 
 


 
 
 


    
     
3
66







 
 
 


 
 
 


 
 
 

    
     
3







 
 
 


 
 
 


 
 




 






    














 





 
 
 



 

 

 


 



 






  
 



 






  

 
 
 



 

 

 


   
3
   
3



  
   
3
   
3



  
   
 
 
 
 
  
  
  
   
  
  
   
   
   
   
   
   
   
7
LO CANT DEL VALENCIÀ








71 
    
   
3 3


    
   
3 3


   
   
3
3



 
71







 
 
 


 
 
 



   


3

  














 
 
 


 
 
 


 
 
 

     
3
 

   









 
 
 


 
 
 


 
 
 


 
  


  







 
 
 


 
 
 


 
 
 

   
  
3
 


   








        








76 
 
 
 


 
 
 


 
 
 

   
 
 
    






76
 




















 
 
 


  
 
 


 
 
 


 



 




 



 



  
 

 
 
 


 
 
 


 
 
 

  
 
3

   
3
  
 
3

   
3

 
  

 
 
 


   
  
 

3

 
 
 



  
  
 
3





   




  


  


  




 



 





 



 

 



 
 
 
 
  
  
  
  
   
 


   
   
   
   



    
8
LO CANT DEL VALENCIÀ








81
 
 
 
       
3






81
















 

 
 

 






















 
   
 
   
 
   

    
   
3


 





 












 




   

   

   


 


 
















 




 
     


 
     


 
     

    


 



















    
    








86
    
    
    
    
 

 

86
















 



 



 



 



 
























   
3
   
3
   
3
   
3
   
3


















  
  
  
 
3
3







 
 
 





 


 



















 
    

3



 
  









 



 
  



  
  
  
 
 
  
 
   
   
 


   
   
 
 
   
 
  

   
9
LO CANT DEL VALENCIÀ


















91 

  
    
 
3
3




 
  
91







 

 




 




     

3



 

 


 












  

    
3
    
3

   
3


 

 

 




 


  
3
 





  

   



  

   

 
  

   

 
  

   

 
  

   

 
  

   




  

   



  











 
 
 
 
 

3

 
 
 
 
 

3

 
 
 
 
 

3














 




 
 
   
 
  


      




















96 
 
 
 
 
 
 
 

3 3

 
 
 
 
 
 
 

3 3

 
 
 
 
 
 
 

3 3
  




96












 

 
 
 
 
 

3

 
 
 
 
 

3

 
 
 
 
 

3


 


 















 








 
 
 


 
 
 


 
 
 

 

   
    
 

   
    















 



 
 
 
 
 

3

 
 
 
 
 

3

 
 
 
 
 

3















 



 
 
 
 
 
 
 

3 3

 
 
 
 
 
 
 

3 3

 
 
 
 
 
 
 

3 3

















 







    
10
LO CANT DEL VALENCIÀ


















101 
 
 
 
 
 

3

 
 
 
 
 

3

 
 
 
 
 

3
  
  
101













 



 
 
 


 
 
 


 
 
 

        

        














 



 
 
 
 
 

3

 
 
 
 
 

3


 

 

 

 

 


3



















 
 
 
 
 
 
 

3 3

 
 
 
 
 
 
 

3 3


 

 

 

 

 

 

 


3 3
 
 

















 
 
 
 
 

3

 
 
 
 
 

3


 

 

 

 

 


3

 

 
















   
     





















106 
 
 
 


 
 
 



 

 

 


    
   
    
   
106

















 
 
 
 
 

3

 
 
 
 
 

3


 

 

 

 

 


3















 



 
 
 
 
 
 
 

3 3

 
 
 
 
 
 
 

3 3


 

 

 

 

 

 

 


3 3



















 



 
 
 
 
 

3

 
 
 
 
 

3


 

 

 

 

 


3
    
    













 



 
 
 


 
 
 



 

 

 


    
3
    
3













 


         
11
LO CANT DEL VALENCIÀ


















111 
 
 
 
 
 

3

 
 
 
 
 

3


 

 

 

 

 


3


111


















 
 
 
 
 
 
 

3 3

 
 
 
 
 
 
 

3 3


 

 

 

 

 

 

 


3 3


 


















 
 
 
 
 

3

 
 
 
 
 

3


 

 

 

 

 


3

 
 
 
 
 


 
 
 
 
 



















 
 
 


 
 
 



 

 

 


     
3
     
3


















 
 
 
 
 

3

 
 
 
 
 

3


 

 

 

 

 


3

















    
             



















116 
 
 
 


 
 
 



 

 

 






116












  

 
 
 


 
 
 


 
 
 




 


















 
 
 


 
 
 



 

 

 



    
  




















 
 
 


 
 
 



 

 

 



   
   





















 
 
 
 
 

3

 
 
 
 
 

3


 

 

 

 

 


3
     
3



    

3


















          
12
LO CANT DEL VALENCIÀ


















121 
 
 
 


 
 
 



  

 

 




  
    

121










 










 
 
 
 
 

3

 
 
 
 
 

3

 
 
 
 
 

3
     
3

    

3

















 
 
 


 
 
 



  

 

 




    
 
3










 







poco rit.

 
 
 
 
 

3

 
 
 
 
 

3

 
 
 
 
 

3


 


 


















 
 
 


 
 
 


 
 
 

 

 

 


 








 

     



 
 
 




















126 







  




126


 






 




 
a tempo =78















 







  






 






 




 


 


 




  

 



 






 




 


  
    
  
    


 
 

 



 






 









 
    
 
    


 






 






 




 



         
13
LO CANT DEL VALENCIÀ


















131

 

 
        
3
        
3
 
 

 

131


 






 








 
 


 
 



 
 

 



 






 







   
   

 

 
 
 

 



 






 




 


 
    
 
    
 
 

 



 






 




 




 
        
3
        
3
 
 

 



 






 




 
   
     



















136


 


 


 


 
 
 

 

136


 






 




 
   
 
   
 


 
 

 



 






 




 



 
    
 
    
 
 

 



 






 




 


 

 
   
    
 
3
   
    
 
3
 
 

 



 






 




 

    
    


 
 

 



 






 




 

  
      
14
LO CANT DEL VALENCIÀ


















141
  
  
  
  
 
 

 

141


 






 




 



    
3

    
3
 
 

 



 






 





 

 

 
    
    
 
 

 



 






 




    

 
    

 
    


 
 

 



 






 




 
     
3
     
3

 

 


 






 






 




 
        




















146


 

   
 

   
 
 

 

146


 






 







    

 

 
    
    
 
 

 



 






 




    


 


 




 






 






 




 
    
  

    
  


 

 


 






 






 




 



   
   

   
   


 






 






 




 
       
15
LO CANT DEL VALENCIÀ


















151
     

3
     

3
   
   


 




151


 






 




 




  
    


  
    


 






 






  




 
     

3
     

3
   
   


 






 






 




 

 
 
 

 
 
 

 
 
 





 






 






 




 
  
poco rit.
 
 



   
  


 






 






 




 

         




















156






 




156


 






 




 
 

 

 



  


 






 






 




 


  
 



  
 



 






 






 





  

  

  

  

  


 


 


 


 



 
 
 
 
 


   
16
LO CANT DEL VALENCIÀ
 


 



 
 

 
 


 

  




 


 
 

  

11  
 


 

 

  


  
   

3


21

     


 


  
 
     
 

3
 
    
 
 
 

 
 
     
 

3
 

   
 
  

26
   
     
  

     
        
     


 


  
 
     
 

3
 

31
    
 
 
 

 
 
     
 

3
 

 
 
    


 
      
 

    

36

       
        

    
        
            

43              

3
   

  
  
   


3
   

     

51




       
  
 

  

     
    
   

59 
 
     
      




   
3
     
3 3

 
 
 



 
 
 
 
 
 
 

      

67 
 
 
 
 
 
 
 


 
 
 
 
 
 
 
 
    
 
3 3

 
 
 



 
 
 
 
 
 
 

©Gino Gonçals
(Cover of Clarinets, Aragón, S.XXI)
Pedro Sosa
Arr. by Gino Gonçals
Lo Cant del Valencià
Clarinet 1º

75 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 

  

     
   

84 
    
 
     
       




   
3


  
      
 
93    
3



  

 
 
 
 
 
 
 

3

 
 
 
 
 
 
 

3 3

 
 
 
 
 

3


 
 
 
 
 
 
 
 
 

3
 
100 
 
 
 
 
 
 
 

3 3

 
 
 
 
 

3

 
 
 
 
 
 
 
 
 

3

 
 
 
 
 
 
 

3 3

 
 
 
 
 

3
 

106 
 
 
 
 
 
 
 
 
 

3

 
 
 
 
 
 
 

3 3

 
 
 
 
 

3

 
 
 
 
 
 
 
 
 

3

 
 
 
 
 
 
 

3 3
 
113 
 
 
 
 
 

3

 
 
 
 
 
 
 
 
 

3

 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 

3
 
121 
 
 
 
 
 
 
 
 
 

3

 
 
 



 
 
 
 
 

3
poco rit.

 
 
 
 

a tempo =78


 

 
 
129   
     
 

 
 
      
  

 
 
137    
   
           
  
 
    
 

145
    
3
 
  

      
  
       

3
 

152
   

3

 
 
   
poco rit.
  
  
  
   
2
Lo cant del Valencià
 


 



 
 

 
 


 

  


  
   

3
 
 
  
 


 
 
  
 


 



 



 
 
 
 
 
  

3





  


  
     

3

    


 


  
 
     
 

3
 
    
 
 




 
 
    
 

3
 

   
 
      
     
  

     
        
    


 

 
  
 
   
 

3
 
    
 
 
 

 
 
     
 

3
 

   
 
  

   
     
     


       
      
 

            
           

      

3
   

  
  
   


3
   
 



  
   

    
  
 

  

  
 
 
    
    
 
     


      




   
3
     
3 3

 


3


 
 
 
 
 
 
 
 
 
 
 

      


 
 
 



 

 

 

 

 

 

 

 

    
 
3 3

 
 
 



 
 
 
 
 
 
 
 
 
 
 

©Gino Gonçals
(Cover of Clarinets, Aragón, S.XXI)
Pedro Sosa
Arr. by Gino Gonçals
Lo Cant del Valencià
Clarinet 2º


 
 
 
 
  
 
 
 
  
 
 
 
   
  
 

3


 
  

  
 
 
   


    
 
     
       




   
3

  
  
  
 
3
3


 
   

3
        
  
 


  
    
 
3
3


   

3    

3



  

 
 
 
 
 
 
 

3

 
 
 
 
 
 
 

3 3
 
  
 


 
 
 
 
 

3


 
 
 
 
 
 
 
 
 

3

 
 
 
 
 
 
 

3 3

 
 
 
 
 

3

 
 
 
 
 
 
 
 
 

3
 


 
 
 
 
 
 
 

3 3

 
 
 
 
 

3

 
 
 
 
 
 
 
 
 

3

 
 
 
 
 
 
 

3 3

 
 
 
 
 

3

 
 
 

 
 
 
 
 
 
 

3

 
 
 
 
 
 
 

3 3

 
 
 
 
 

3

 
 
 
 
 
 
 
 
 

3

 
 
 
 
 
 
 
 
 
 
 

 


 
 
 
 
 
 
 
 
 

3

 
 
 
 
 
 
 
 
 

3

 
 
 
 
 
 
 
 
 

3
 poco rit.

 
 
 

 
 
a tempo =78



 

    
     
 

 
 
      
 
  

     
   
           
  
 
    
 
   
3
 
  

      
  
     

3

 
      

3

 
 
 
poco rit.
    
 
  
 
 

 
  
2
Lo cant del Valencià
 
 
 



 
 

 
 


 

  


  
   

3
 
 

 
 


 
 

 
 


 
  






 
 
 

 
 
  

3
 
 


 


  
   

3


    


   
 



  
 

 

 
  
 
   
  
   
 
      
 

 

     
        
   


 
 

   
 
 
 

 
 
  

 

 

   
  
   




    


            
    
    

    
                
 
     
         
  

3
   

  
  
  


3


        
   

 

  

     
    
    
 
     

       




   
3

 
3
3
    


3


 
 
 
 
 
 
 

  
 




 
 
 
 
 
 





 


    
3



 
3
3





3

 
 
 


        


 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 

  

©Gino Gonçals
(Cover of Clarinets, Aragón, S.XXI)
Pedro Sosa
Arr. by Gino Gonçals
Lo Cant del Valencià
Clarinet 3º B
      
    
    
 
     
       




  
 

   
3






 
  
   
3

 
  

   

 


 
 
 
 
 
 
 

3

 
 
 
 
 
 
 

3 3

 
 
 
 
 

3


 
 
 
 
 
 
 
 
 

3

 
 
 
 
 
 
 

3 3
 
 
 
 
 
 
 

3

 
 
 
 

 

 

 

 

 


3


 

 

 

 

 

 

 


3 3


 

 

 

 

 


3


 

 

 

 

 

 

 

 

 


3
  

 

 

 

 

 

 

 


3 3


 

 

 

 

 


3


 

 

 

 

 

 

 

 

 


3


 

 

 

 

 

 

 


3 3


 

 

 

 

 


3
 
 

 

 

 

 

 

 

 

 

 


3


 

 

 

 
 
 
 
 

 

 

 

 

 

 

 

 

 

 

 

 

 


3
  

  

 

 

 
 
 
 
 
 

3


  

 

 




 
 
 
 
 

3
poco rit.

 
 
 
 


a tempo =78

 

 
  
    

     
3
 
   
             
3


 
 
   
       
    
 
3
    
    
3
    
   
   

          
 

  
       
  

  
         
 
 
 
poco rit.

   
  
  
   
2
Lo cant del Valencià
 


 



 
 
  
 
 
 

   
    

       
 
  



 



 
 

  
 



 

   

  
  

 
 
 
     
  
     
    

         

    
  
 

   
 



  
 

 

 

   
  
   
 
      
 




     
       
 



 

 
 




  



 

 
 
  

 

 

   
  








   

 
       
             
3

      
3

      
      
3
           
3


 

 

 


 

 

 













 


 
 
       
3


  
    
  
3
 

             




   
3
  
      
  

   


         






 


    
3


        
 
  

  
3

 
  
   
  
3
   
  
 


   
 
3
  
 


©Gino Gonçals
(Cover of Clarinets, Aragón, S.XXI) Pedro Sosa
Arr. by Gino Gonçals
Lo Cant del Valencià
Clarinet 4º


 



        
3

  
    
   
3


      

       




   
3


 
 

 
     
 

  
  

   
     

 

 

   
     
 

           
    
      
   
 

 


         
3
 


 
 
 
 
 

 

  
3
 

 
  
   

     
3


  
    
 

     
3




poco rit.
 
 


a tempo =78






  
   
    

     
3
 
   
             
3


 
    
       
    
 
3
    
    
3
    
   
   

          
  
  
       
 


  
         




  
 
poco rit.
 

   
  
 
 
  
2
Lo cant del Valencià
 
 


   

  
 


 

 



 


 
 

    



 
   

 
   


 
   

 
  



 
  
 
 
 
  
 


  

 
     
 
    







   
 
 
 
 
 


 
 




 
 
 



 
 

 
 
 
 


   
 
 

     
  

   
     

   
 
 
        

      
  

 



 

 



















 

 

 

 

 

 




   
 





 

 

  
 
 

 
 
 

 
 
 

 
 
 

 

 


 
  

   
3
  
3
     
3

    




   


   
 
       
   

   


    


   
  
    







 


 
   
3
        
   
  
 
3




  








 





 





 





 



©Gino Gonçals
(Cover of Clarinets, Aragón, S.XXI)
Pedro Sosa
Arr. by Gino Gonçals
Lo Cant del Valencià
Clarinet 5ºB
  

 
  




   
3


 
 




  
    

 

              
 


 


  
  

   











 

 

solo
 

   
    
 


           
    
      
    
 



      
3
 


 
 
 
 
 
   
3

 


 

 

    
  
 



    

3



    

3
 

    
 
3


poco rit.
 

 
  

 


a tempo =78
 
  

 

 
  

 

 
 

 

  
  

 






 






 






 




 
 

 

 
 

 

   
 

 

 
 

 



 






 






 






 




 
  
 

 

 
 

 

 
 

 



 




 
 

 

 
 

 

 
 

 






 






 






 






 






 




  

 




poco rit.


 






 






 






 



 

 
2
Lo Cant del Valencià
 
 

   
 

  
 


 

 

9


 


 
 

  
 


 

  

 

18

 


 

  

 
  







 



   
  

 
     

25
 



 






  










 
 










 




 
 


32

 




 







 






  




       

      

39











































46


   

 


 

 


























53


























 
















60

















  








 



    

70
   
3
 


 





 
 


   
 
3


             

80





  













 





















©Gino Gonçals
(Cover of Clarinets, Aragón, S.XXI)
Pedro Sosa
Arr. by Gino Gonçals
Lo Cant del Valencià
Clarinet 6ºB

87



















 
 
 




 






  
 




 
 



 
 

94
 
  

   
































 

100
















































 

108
















































 

116


























































 
124
 


 


poco rit.

 


 




 




a tempo =78



 






 






 




 

130


 






 






 






 






 






 




 

136


 






 






 






 






 






 




 

142


 






 






 






 






 






 




 

148


 






 






 






 






 






 




 

154


 




poco rit.


 






 






 






 



 

 
2
Lo Cant del Valencià
 
 

    

  
 


 

 



 
  
 

  

 


 


 



  
 


 

  

 

  







 



  
     
 
 


 













  










 
 










 
 



 
 
 
 




 




 









  




  
 
  
    

 
 




































 
 




 

  














 





 









 









































 






















  









  

 


    
3
 









  


 
   
3
               


 


  




































©Gino Gonçals
(Cover of Clarinets, Aragón, S.XXI)
Pedro Sosa
Arr. by Gino Gonçals
Lo Cant del Valencià
Clarinet 7ºB
 













 






 


 
  






 


 
 


  
3
 




  

   
 
 





























 
 









































  









































  









































  

 











 









 poco rit.








 





a tempo =78


 




  

 






 






 






 






 






 




  

 






 






 






 






 






 




  

 






 






 






 






 






 




  

 






 






 






 




  

 






 






  






 




poco rit.


 




 
 

 






 






 






 



 

 
2
Lo Cant del Valencià
 
 


  

  



 

 

 








     





   






 



 




 










 





  


 

      

 


 

 



 

 













 
  
 



 

      
 



 

 
   








 








 




     


 
    


 
   



 

 
   




 


 







 
         


 
  






  





















 
    



  
 








   
 
 


  
  

 





           




























 
 



           
 
 
 



























   

        















  


   


   



                  






















 
  
 
 

                 
©Gino Gonçals
(Cover of Clarinets, Aragón, S.XXI) Pedro Sosa
Arr. by Gino Gonçals
Lo Cant del Valencià
Clarinet Bass


   

 


























   

    
    
 


















 
  
  
 
  
  

             
    
 



 








































 






    
 
































   
         
 




































      







 




        



















                  
 










 poco rit.
 
  

a tempo =78
   



   
        
 
 

 
  
  

         

     
        

 

 
  
  
  


         
              
 




                     
             
 

 
  
poco rit.
      
   

 
     
     
2
Lo Cant del Valencià

More Related Content

More from kristal41

Agüero - José Franco - Set of Clarinets.pdf
 Agüero - José Franco - Set of Clarinets.pdf Agüero - José Franco - Set of Clarinets.pdf
Agüero - José Franco - Set of Clarinets.pdf
kristal41
 
La concha flamenca - P. Artola - Set of Clarinets
 La concha flamenca - P. Artola - Set of Clarinets La concha flamenca - P. Artola - Set of Clarinets
La concha flamenca - P. Artola - Set of Clarinets
kristal41
 
Paquito Chocolatero - Gustavo Pastor - Set of Clarinets
Paquito Chocolatero - Gustavo Pastor - Set of ClarinetsPaquito Chocolatero - Gustavo Pastor - Set of Clarinets
Paquito Chocolatero - Gustavo Pastor - Set of Clarinets
kristal41
 
Amparito Roca - Jaime Teixidor - Set of Clarinets
 Amparito Roca - Jaime Teixidor - Set of Clarinets Amparito Roca - Jaime Teixidor - Set of Clarinets
Amparito Roca - Jaime Teixidor - Set of Clarinets
kristal41
 
The Ghost Ship - José Alberto Pina - Set of Clarinets
The Ghost Ship - José Alberto Pina - Set of ClarinetsThe Ghost Ship - José Alberto Pina - Set of Clarinets
The Ghost Ship - José Alberto Pina - Set of Clarinets
kristal41
 
Carrascosa - Jaime Texidor Dalmau - Set of Clarinets.pdf
 Carrascosa - Jaime Texidor Dalmau - Set of Clarinets.pdf Carrascosa - Jaime Texidor Dalmau - Set of Clarinets.pdf
Carrascosa - Jaime Texidor Dalmau - Set of Clarinets.pdf
kristal41
 
Xabia - Salvador Salvá - Set of Clarinets.pdf
Xabia - Salvador Salvá - Set of Clarinets.pdfXabia - Salvador Salvá - Set of Clarinets.pdf
Xabia - Salvador Salvá - Set of Clarinets.pdf
kristal41
 
Santiano - Hans Joachim Rogol - Set of Clarinets.pdf
Santiano - Hans Joachim Rogol - Set of Clarinets.pdfSantiano - Hans Joachim Rogol - Set of Clarinets.pdf
Santiano - Hans Joachim Rogol - Set of Clarinets.pdf
kristal41
 
Perez Barcelo - Bernabe Sanchis - Set of Clarinets
 Perez Barcelo - Bernabe Sanchis - Set of Clarinets Perez Barcelo - Bernabe Sanchis - Set of Clarinets
Perez Barcelo - Bernabe Sanchis - Set of Clarinets
kristal41
 
Pepe Antón - A. Carrillos - Set of Clarinets.pdf
Pepe Antón - A. Carrillos - Set of Clarinets.pdfPepe Antón - A. Carrillos - Set of Clarinets.pdf
Pepe Antón - A. Carrillos - Set of Clarinets.pdf
kristal41
 
El arte de Cúchares - E. Pastor Celda - Set of Clarinets
El arte de Cúchares - E. Pastor Celda - Set of ClarinetsEl arte de Cúchares - E. Pastor Celda - Set of Clarinets
El arte de Cúchares - E. Pastor Celda - Set of Clarinets
kristal41
 
Si vas a Calatayud - R. Zarzoso - Set of Clarinets
Si vas a Calatayud - R. Zarzoso - Set of ClarinetsSi vas a Calatayud - R. Zarzoso - Set of Clarinets
Si vas a Calatayud - R. Zarzoso - Set of Clarinets
kristal41
 
Mi Amargura - Victor M. Ferrer - Set of Clarinets
Mi Amargura - Victor M. Ferrer - Set of ClarinetsMi Amargura - Victor M. Ferrer - Set of Clarinets
Mi Amargura - Victor M. Ferrer - Set of Clarinets
kristal41
 
Ateneo Musical - Mariano Puig - Set of Clarinets
Ateneo Musical - Mariano Puig - Set of ClarinetsAteneo Musical - Mariano Puig - Set of Clarinets
Ateneo Musical - Mariano Puig - Set of Clarinets
kristal41
 
Around the Whiskey Jar - Set of Clarinets
Around the Whiskey Jar - Set of ClarinetsAround the Whiskey Jar - Set of Clarinets
Around the Whiskey Jar - Set of Clarinets
kristal41
 
L'entrá de la murta- S. Giner - Set of Clarinets
L'entrá de la murta- S. Giner - Set of ClarinetsL'entrá de la murta- S. Giner - Set of Clarinets
L'entrá de la murta- S. Giner - Set of Clarinets
kristal41
 
Segrelles - José P. Vilaplana - Set of Clarinets
Segrelles - José P. Vilaplana - Set of ClarinetsSegrelles - José P. Vilaplana - Set of Clarinets
Segrelles - José P. Vilaplana - Set of Clarinets
kristal41
 
Cielo Andaluz - Pascual Marquina - Set of Clarinets
Cielo Andaluz - Pascual Marquina - Set of ClarinetsCielo Andaluz - Pascual Marquina - Set of Clarinets
Cielo Andaluz - Pascual Marquina - Set of Clarinets
kristal41
 
Caravana - Pedro J. Francés - Set of Clarinets
Caravana - Pedro J. Francés - Set of ClarinetsCaravana - Pedro J. Francés - Set of Clarinets
Caravana - Pedro J. Francés - Set of Clarinets
kristal41
 
Crocodile Rock - Elton Jhon - Set of Clarinets
Crocodile Rock - Elton Jhon - Set of ClarinetsCrocodile Rock - Elton Jhon - Set of Clarinets
Crocodile Rock - Elton Jhon - Set of Clarinets
kristal41
 

More from kristal41 (20)

Agüero - José Franco - Set of Clarinets.pdf
 Agüero - José Franco - Set of Clarinets.pdf Agüero - José Franco - Set of Clarinets.pdf
Agüero - José Franco - Set of Clarinets.pdf
 
La concha flamenca - P. Artola - Set of Clarinets
 La concha flamenca - P. Artola - Set of Clarinets La concha flamenca - P. Artola - Set of Clarinets
La concha flamenca - P. Artola - Set of Clarinets
 
Paquito Chocolatero - Gustavo Pastor - Set of Clarinets
Paquito Chocolatero - Gustavo Pastor - Set of ClarinetsPaquito Chocolatero - Gustavo Pastor - Set of Clarinets
Paquito Chocolatero - Gustavo Pastor - Set of Clarinets
 
Amparito Roca - Jaime Teixidor - Set of Clarinets
 Amparito Roca - Jaime Teixidor - Set of Clarinets Amparito Roca - Jaime Teixidor - Set of Clarinets
Amparito Roca - Jaime Teixidor - Set of Clarinets
 
The Ghost Ship - José Alberto Pina - Set of Clarinets
The Ghost Ship - José Alberto Pina - Set of ClarinetsThe Ghost Ship - José Alberto Pina - Set of Clarinets
The Ghost Ship - José Alberto Pina - Set of Clarinets
 
Carrascosa - Jaime Texidor Dalmau - Set of Clarinets.pdf
 Carrascosa - Jaime Texidor Dalmau - Set of Clarinets.pdf Carrascosa - Jaime Texidor Dalmau - Set of Clarinets.pdf
Carrascosa - Jaime Texidor Dalmau - Set of Clarinets.pdf
 
Xabia - Salvador Salvá - Set of Clarinets.pdf
Xabia - Salvador Salvá - Set of Clarinets.pdfXabia - Salvador Salvá - Set of Clarinets.pdf
Xabia - Salvador Salvá - Set of Clarinets.pdf
 
Santiano - Hans Joachim Rogol - Set of Clarinets.pdf
Santiano - Hans Joachim Rogol - Set of Clarinets.pdfSantiano - Hans Joachim Rogol - Set of Clarinets.pdf
Santiano - Hans Joachim Rogol - Set of Clarinets.pdf
 
Perez Barcelo - Bernabe Sanchis - Set of Clarinets
 Perez Barcelo - Bernabe Sanchis - Set of Clarinets Perez Barcelo - Bernabe Sanchis - Set of Clarinets
Perez Barcelo - Bernabe Sanchis - Set of Clarinets
 
Pepe Antón - A. Carrillos - Set of Clarinets.pdf
Pepe Antón - A. Carrillos - Set of Clarinets.pdfPepe Antón - A. Carrillos - Set of Clarinets.pdf
Pepe Antón - A. Carrillos - Set of Clarinets.pdf
 
El arte de Cúchares - E. Pastor Celda - Set of Clarinets
El arte de Cúchares - E. Pastor Celda - Set of ClarinetsEl arte de Cúchares - E. Pastor Celda - Set of Clarinets
El arte de Cúchares - E. Pastor Celda - Set of Clarinets
 
Si vas a Calatayud - R. Zarzoso - Set of Clarinets
Si vas a Calatayud - R. Zarzoso - Set of ClarinetsSi vas a Calatayud - R. Zarzoso - Set of Clarinets
Si vas a Calatayud - R. Zarzoso - Set of Clarinets
 
Mi Amargura - Victor M. Ferrer - Set of Clarinets
Mi Amargura - Victor M. Ferrer - Set of ClarinetsMi Amargura - Victor M. Ferrer - Set of Clarinets
Mi Amargura - Victor M. Ferrer - Set of Clarinets
 
Ateneo Musical - Mariano Puig - Set of Clarinets
Ateneo Musical - Mariano Puig - Set of ClarinetsAteneo Musical - Mariano Puig - Set of Clarinets
Ateneo Musical - Mariano Puig - Set of Clarinets
 
Around the Whiskey Jar - Set of Clarinets
Around the Whiskey Jar - Set of ClarinetsAround the Whiskey Jar - Set of Clarinets
Around the Whiskey Jar - Set of Clarinets
 
L'entrá de la murta- S. Giner - Set of Clarinets
L'entrá de la murta- S. Giner - Set of ClarinetsL'entrá de la murta- S. Giner - Set of Clarinets
L'entrá de la murta- S. Giner - Set of Clarinets
 
Segrelles - José P. Vilaplana - Set of Clarinets
Segrelles - José P. Vilaplana - Set of ClarinetsSegrelles - José P. Vilaplana - Set of Clarinets
Segrelles - José P. Vilaplana - Set of Clarinets
 
Cielo Andaluz - Pascual Marquina - Set of Clarinets
Cielo Andaluz - Pascual Marquina - Set of ClarinetsCielo Andaluz - Pascual Marquina - Set of Clarinets
Cielo Andaluz - Pascual Marquina - Set of Clarinets
 
Caravana - Pedro J. Francés - Set of Clarinets
Caravana - Pedro J. Francés - Set of ClarinetsCaravana - Pedro J. Francés - Set of Clarinets
Caravana - Pedro J. Francés - Set of Clarinets
 
Crocodile Rock - Elton Jhon - Set of Clarinets
Crocodile Rock - Elton Jhon - Set of ClarinetsCrocodile Rock - Elton Jhon - Set of Clarinets
Crocodile Rock - Elton Jhon - Set of Clarinets
 

Recently uploaded

The History of Stoke Newington Street Names
The History of Stoke Newington Street NamesThe History of Stoke Newington Street Names
The History of Stoke Newington Street Names
History of Stoke Newington
 
MARY JANE WILSON, A “BOA MÃE” .
MARY JANE WILSON, A “BOA MÃE”           .MARY JANE WILSON, A “BOA MÃE”           .
MARY JANE WILSON, A “BOA MÃE” .
Colégio Santa Teresinha
 
Life upper-Intermediate B2 Workbook for student
Life upper-Intermediate B2 Workbook for studentLife upper-Intermediate B2 Workbook for student
Life upper-Intermediate B2 Workbook for student
NgcHiNguyn25
 
The basics of sentences session 6pptx.pptx
The basics of sentences session 6pptx.pptxThe basics of sentences session 6pptx.pptx
The basics of sentences session 6pptx.pptx
heathfieldcps1
 
Chapter 4 - Islamic Financial Institutions in Malaysia.pptx
Chapter 4 - Islamic Financial Institutions in Malaysia.pptxChapter 4 - Islamic Financial Institutions in Malaysia.pptx
Chapter 4 - Islamic Financial Institutions in Malaysia.pptx
Mohd Adib Abd Muin, Senior Lecturer at Universiti Utara Malaysia
 
Natural birth techniques - Mrs.Akanksha Trivedi Rama University
Natural birth techniques - Mrs.Akanksha Trivedi Rama UniversityNatural birth techniques - Mrs.Akanksha Trivedi Rama University
Natural birth techniques - Mrs.Akanksha Trivedi Rama University
Akanksha trivedi rama nursing college kanpur.
 
C1 Rubenstein AP HuG xxxxxxxxxxxxxx.pptx
C1 Rubenstein AP HuG xxxxxxxxxxxxxx.pptxC1 Rubenstein AP HuG xxxxxxxxxxxxxx.pptx
C1 Rubenstein AP HuG xxxxxxxxxxxxxx.pptx
mulvey2
 
Walmart Business+ and Spark Good for Nonprofits.pdf
Walmart Business+ and Spark Good for Nonprofits.pdfWalmart Business+ and Spark Good for Nonprofits.pdf
Walmart Business+ and Spark Good for Nonprofits.pdf
TechSoup
 
DRUGS AND ITS classification slide share
DRUGS AND ITS classification slide shareDRUGS AND ITS classification slide share
DRUGS AND ITS classification slide share
taiba qazi
 
বাংলাদেশ অর্থনৈতিক সমীক্ষা (Economic Review) ২০২৪ UJS App.pdf
বাংলাদেশ অর্থনৈতিক সমীক্ষা (Economic Review) ২০২৪ UJS App.pdfবাংলাদেশ অর্থনৈতিক সমীক্ষা (Economic Review) ২০২৪ UJS App.pdf
বাংলাদেশ অর্থনৈতিক সমীক্ষা (Economic Review) ২০২৪ UJS App.pdf
eBook.com.bd (প্রয়োজনীয় বাংলা বই)
 
writing about opinions about Australia the movie
writing about opinions about Australia the moviewriting about opinions about Australia the movie
writing about opinions about Australia the movie
Nicholas Montgomery
 
How to Build a Module in Odoo 17 Using the Scaffold Method
How to Build a Module in Odoo 17 Using the Scaffold MethodHow to Build a Module in Odoo 17 Using the Scaffold Method
How to Build a Module in Odoo 17 Using the Scaffold Method
Celine George
 
What is Digital Literacy? A guest blog from Andy McLaughlin, University of Ab...
What is Digital Literacy? A guest blog from Andy McLaughlin, University of Ab...What is Digital Literacy? A guest blog from Andy McLaughlin, University of Ab...
What is Digital Literacy? A guest blog from Andy McLaughlin, University of Ab...
GeorgeMilliken2
 
Community pharmacy- Social and preventive pharmacy UNIT 5
Community pharmacy- Social and preventive pharmacy UNIT 5Community pharmacy- Social and preventive pharmacy UNIT 5
Community pharmacy- Social and preventive pharmacy UNIT 5
sayalidalavi006
 
Hindi varnamala | hindi alphabet PPT.pdf
Hindi varnamala | hindi alphabet PPT.pdfHindi varnamala | hindi alphabet PPT.pdf
Hindi varnamala | hindi alphabet PPT.pdf
Dr. Mulla Adam Ali
 
How to Fix the Import Error in the Odoo 17
How to Fix the Import Error in the Odoo 17How to Fix the Import Error in the Odoo 17
How to Fix the Import Error in the Odoo 17
Celine George
 
Film vocab for eal 3 students: Australia the movie
Film vocab for eal 3 students: Australia the movieFilm vocab for eal 3 students: Australia the movie
Film vocab for eal 3 students: Australia the movie
Nicholas Montgomery
 
ANATOMY AND BIOMECHANICS OF HIP JOINT.pdf
ANATOMY AND BIOMECHANICS OF HIP JOINT.pdfANATOMY AND BIOMECHANICS OF HIP JOINT.pdf
ANATOMY AND BIOMECHANICS OF HIP JOINT.pdf
Priyankaranawat4
 
Your Skill Boost Masterclass: Strategies for Effective Upskilling
Your Skill Boost Masterclass: Strategies for Effective UpskillingYour Skill Boost Masterclass: Strategies for Effective Upskilling
Your Skill Boost Masterclass: Strategies for Effective Upskilling
Excellence Foundation for South Sudan
 
Digital Artifact 1 - 10VCD Environments Unit
Digital Artifact 1 - 10VCD Environments UnitDigital Artifact 1 - 10VCD Environments Unit
Digital Artifact 1 - 10VCD Environments Unit
chanes7
 

Recently uploaded (20)

The History of Stoke Newington Street Names
The History of Stoke Newington Street NamesThe History of Stoke Newington Street Names
The History of Stoke Newington Street Names
 
MARY JANE WILSON, A “BOA MÃE” .
MARY JANE WILSON, A “BOA MÃE”           .MARY JANE WILSON, A “BOA MÃE”           .
MARY JANE WILSON, A “BOA MÃE” .
 
Life upper-Intermediate B2 Workbook for student
Life upper-Intermediate B2 Workbook for studentLife upper-Intermediate B2 Workbook for student
Life upper-Intermediate B2 Workbook for student
 
The basics of sentences session 6pptx.pptx
The basics of sentences session 6pptx.pptxThe basics of sentences session 6pptx.pptx
The basics of sentences session 6pptx.pptx
 
Chapter 4 - Islamic Financial Institutions in Malaysia.pptx
Chapter 4 - Islamic Financial Institutions in Malaysia.pptxChapter 4 - Islamic Financial Institutions in Malaysia.pptx
Chapter 4 - Islamic Financial Institutions in Malaysia.pptx
 
Natural birth techniques - Mrs.Akanksha Trivedi Rama University
Natural birth techniques - Mrs.Akanksha Trivedi Rama UniversityNatural birth techniques - Mrs.Akanksha Trivedi Rama University
Natural birth techniques - Mrs.Akanksha Trivedi Rama University
 
C1 Rubenstein AP HuG xxxxxxxxxxxxxx.pptx
C1 Rubenstein AP HuG xxxxxxxxxxxxxx.pptxC1 Rubenstein AP HuG xxxxxxxxxxxxxx.pptx
C1 Rubenstein AP HuG xxxxxxxxxxxxxx.pptx
 
Walmart Business+ and Spark Good for Nonprofits.pdf
Walmart Business+ and Spark Good for Nonprofits.pdfWalmart Business+ and Spark Good for Nonprofits.pdf
Walmart Business+ and Spark Good for Nonprofits.pdf
 
DRUGS AND ITS classification slide share
DRUGS AND ITS classification slide shareDRUGS AND ITS classification slide share
DRUGS AND ITS classification slide share
 
বাংলাদেশ অর্থনৈতিক সমীক্ষা (Economic Review) ২০২৪ UJS App.pdf
বাংলাদেশ অর্থনৈতিক সমীক্ষা (Economic Review) ২০২৪ UJS App.pdfবাংলাদেশ অর্থনৈতিক সমীক্ষা (Economic Review) ২০২৪ UJS App.pdf
বাংলাদেশ অর্থনৈতিক সমীক্ষা (Economic Review) ২০২৪ UJS App.pdf
 
writing about opinions about Australia the movie
writing about opinions about Australia the moviewriting about opinions about Australia the movie
writing about opinions about Australia the movie
 
How to Build a Module in Odoo 17 Using the Scaffold Method
How to Build a Module in Odoo 17 Using the Scaffold MethodHow to Build a Module in Odoo 17 Using the Scaffold Method
How to Build a Module in Odoo 17 Using the Scaffold Method
 
What is Digital Literacy? A guest blog from Andy McLaughlin, University of Ab...
What is Digital Literacy? A guest blog from Andy McLaughlin, University of Ab...What is Digital Literacy? A guest blog from Andy McLaughlin, University of Ab...
What is Digital Literacy? A guest blog from Andy McLaughlin, University of Ab...
 
Community pharmacy- Social and preventive pharmacy UNIT 5
Community pharmacy- Social and preventive pharmacy UNIT 5Community pharmacy- Social and preventive pharmacy UNIT 5
Community pharmacy- Social and preventive pharmacy UNIT 5
 
Hindi varnamala | hindi alphabet PPT.pdf
Hindi varnamala | hindi alphabet PPT.pdfHindi varnamala | hindi alphabet PPT.pdf
Hindi varnamala | hindi alphabet PPT.pdf
 
How to Fix the Import Error in the Odoo 17
How to Fix the Import Error in the Odoo 17How to Fix the Import Error in the Odoo 17
How to Fix the Import Error in the Odoo 17
 
Film vocab for eal 3 students: Australia the movie
Film vocab for eal 3 students: Australia the movieFilm vocab for eal 3 students: Australia the movie
Film vocab for eal 3 students: Australia the movie
 
ANATOMY AND BIOMECHANICS OF HIP JOINT.pdf
ANATOMY AND BIOMECHANICS OF HIP JOINT.pdfANATOMY AND BIOMECHANICS OF HIP JOINT.pdf
ANATOMY AND BIOMECHANICS OF HIP JOINT.pdf
 
Your Skill Boost Masterclass: Strategies for Effective Upskilling
Your Skill Boost Masterclass: Strategies for Effective UpskillingYour Skill Boost Masterclass: Strategies for Effective Upskilling
Your Skill Boost Masterclass: Strategies for Effective Upskilling
 
Digital Artifact 1 - 10VCD Environments Unit
Digital Artifact 1 - 10VCD Environments UnitDigital Artifact 1 - 10VCD Environments Unit
Digital Artifact 1 - 10VCD Environments Unit
 

Lo cant del Valencià - Pedro Sosa - Set of Clarinets

  • 1. Lo cant del valencià (Pedro Sosa López) El pasodoble Lo cant del Valencià del compositor requenense Pedro Sosa López (1885- 1953) se estrenó en 1914. Pedro Sosa López, nacido en Requena en la Provincia de Valencia el día 30 de enero del año 1887, fue un compositor, profesor de música y trombonista. En sus inicios en el mundo de la música estudió con los músicos Amancio Amorós, Francisco Peñarroja y Baltasar Martínez. Posteriormente estudió en el Conservatorio Superior de Música "Joaquín Rodrigo" de Valencia, con Salvador Giner y Vidal. En 1920 se convirtió en catedrático siendo profesor auxiliar de armonía y solfeo en el mismo conservatorio, así como de teoría de la música. https://es.wikipedia.org
  • 2.                         Cl.1 Cl.2 Cl.3 Cl.4 Cl.5 Cl.6 Cl.7 Cl.B                                                                                                                                                                       6                  6                                                 3      3                                                                                                             ©Gino Gonçals (Cover of Clarinets, Aragón, S.XXI) Pedro Sosa Arr. by Gino Gonçals Lo Cant del Valencià
  • 3.         11                       11                                                                                                                                                                         16         3        3      16                                                                                                                    3      3      3                        2 LO CANT DEL VALENCIÀ
  • 4.         21                                              21                                     3                3                                                                                                                                 3                3                                                                                                                                                                  26                                               26                                                                                                                                                                                                                                     3                3                                                                       3 LO CANT DEL VALENCIÀ
  • 5.         31                                                    31                                        3                3                                                                                                                                                                                                                                                   36                                            36                                                                                                    3                                                                                                               4 LO CANT DEL VALENCIÀ
  • 6.         41                      3       41                                                                            3                                                                       3      3      3         3                                                                                   46                     46                                                                                3        3        3                                                                               5 LO CANT DEL VALENCIÀ
  • 7.         51                         51                                                                                                                                                      3                                          56                  56                                             3                                                                                                                                                                                     6 LO CANT DEL VALENCIÀ
  • 8.         61                      61                         3     3     3     3                          3 3         3 3         3 3                         3        3                                                        3                                                      66                                     3 66                                          3                                                                                                                                             3     3           3     3                                                                  7 LO CANT DEL VALENCIÀ
  • 9.         71           3 3            3 3           3 3      71                               3                                                3                                                                                        3                                  76                                            76                                                                                                       3      3      3      3                          3                   3                                                                                                            8 LO CANT DEL VALENCIÀ
  • 10.         81               3       81                                                                             3                                                                                                                                                     86                           86                                                                   3     3     3     3     3                              3 3                                                    3                                                                                       9 LO CANT DEL VALENCIÀ
  • 11.                   91             3 3          91                              3                                  3      3      3                      3                                                                                                               3             3             3                                                               96                 3 3                 3 3                 3 3        96                           3             3             3                                                                                                                3             3             3                                    3 3                 3 3                 3 3                                10 LO CANT DEL VALENCIÀ
  • 12.                   101             3             3             3       101                                                                                           3             3                   3                                   3 3                 3 3                         3 3                                 3             3                   3                                                      106                                               106                             3             3                   3                                    3 3                 3 3                         3 3                                    3             3                   3                                                             3      3                            11 LO CANT DEL VALENCIÀ
  • 13.                   111             3             3                   3   111                                  3 3                 3 3                         3 3                                  3             3                   3                                                                            3       3                              3             3                   3                                                        116                                 116                                                                                                                                                                                           3             3                   3       3          3                              12 LO CANT DEL VALENCIÀ
  • 14.                   121                                         121                                  3             3             3       3        3                                                       3                    poco rit.             3             3             3                                                                                                            126                126                   a tempo =78                                                                                                                                                                                             13 LO CANT DEL VALENCIÀ
  • 15.                   131                3          3         131                                                                                                                                                              3          3                                                        136                         136                                                                                                                        3            3                                                                             14 LO CANT DEL VALENCIÀ
  • 16.                   141                     141                           3       3                                                                                                                           3       3                                                              146                         146                                                                                                                                                                                                                  15 LO CANT DEL VALENCIÀ
  • 17.                   151        3        3                 151                                                                           3        3                                                                                        poco rit.                                                                        156             156                                                                                                                                                          16 LO CANT DEL VALENCIÀ
  • 18.                                            11                          3   21                            3                            3              26                                                        3    31                          3                                 36                                                43                3                  3             51                                       59                         3       3 3                                  67                                         3 3                          ©Gino Gonçals (Cover of Clarinets, Aragón, S.XXI) Pedro Sosa Arr. by Gino Gonçals Lo Cant del Valencià Clarinet 1º
  • 19.  75                                                          84                               3               93     3                       3                 3 3             3                      3   100                 3 3             3                     3                 3 3             3    106                     3                 3 3             3                     3                 3 3   113             3                     3                                             3   121                     3                      3 poco rit.           a tempo =78          129                                137                                  145      3                          3    152      3          poco rit.              2 Lo cant del Valencià
  • 20.                                     3                                               3                     3                           3                            3                                                                  3                            3                                                                                    3                  3                                                                           3       3 3      3                                                                           3 3                                  ©Gino Gonçals (Cover of Clarinets, Aragón, S.XXI) Pedro Sosa Arr. by Gino Gonçals Lo Cant del Valencià Clarinet 2º
  • 21.                                       3                                                   3             3 3          3                           3 3        3      3                       3                 3 3                     3                      3                 3 3             3                     3                    3 3             3                     3                 3 3             3                        3                 3 3             3                     3                                                3                     3                     3  poco rit.             a tempo =78                                                                            3                        3            3        poco rit.                     2 Lo cant del Valencià
  • 22.                                     3                                                 3                   3                                                                                                                                                                                                          3                 3                                                                 3    3 3        3                                                     3      3 3      3                                                                          ©Gino Gonçals (Cover of Clarinets, Aragón, S.XXI) Pedro Sosa Arr. by Gino Gonçals Lo Cant del Valencià Clarinet 3º B
  • 23.                                                3                3                                3                 3 3             3                      3                 3 3                3                           3                         3 3                   3                               3                           3 3                   3                               3                         3 3                   3                                  3                                                               3                            3                           3 poco rit.            a tempo =78                      3                     3                          3           3                                                               poco rit.                2 Lo cant del Valencià
  • 24.                                                                                                                                                                                                                                                                                    3         3                3             3                                                  3              3                          3                                              3                     3              3                  3        ©Gino Gonçals (Cover of Clarinets, Aragón, S.XXI) Pedro Sosa Arr. by Gino Gonçals Lo Cant del Valencià Clarinet 4º
  • 25.                 3              3                           3                                                                                                     3                      3                    3                    3     poco rit.       a tempo =78                          3                     3                         3           3                                                                  poco rit.                  2 Lo cant del Valencià
  • 26.                                                                                                                                                                                                                                                                                                                                                  3    3       3                                                                              3                   3                                          ©Gino Gonçals (Cover of Clarinets, Aragón, S.XXI) Pedro Sosa Arr. by Gino Gonçals Lo Cant del Valencià Clarinet 5ºB
  • 27.                  3                                                                          solo                                                          3                   3                               3          3           3   poco rit.              a tempo =78                                                                                                                                                                                                                                                  poco rit.                                     2 Lo Cant del Valencià
  • 28.                          9                             18                                               25                                                     32                                                 39                                            46                                           53                                             60                                        70     3                        3                  80                                             ©Gino Gonçals (Cover of Clarinets, Aragón, S.XXI) Pedro Sosa Arr. by Gino Gonçals Lo Cant del Valencià Clarinet 6ºB
  • 29.  87                                                           94                                              100                                                    108                                                    116                                                             124         poco rit.                  a tempo =78                             130                                                    136                                                    142                                                    148                                                    154         poco rit.                                     2 Lo Cant del Valencià
  • 30.                                                                                                                                                                                                                                                                                                                                                                                        3                       3                                                              ©Gino Gonçals (Cover of Clarinets, Aragón, S.XXI) Pedro Sosa Arr. by Gino Gonçals Lo Cant del Valencià Clarinet 7ºB
  • 31.                                                    3                                                                                                                                                                                                                  poco rit.                a tempo =78                                                                                                                                                                                                                                    poco rit.                                                2 Lo Cant del Valencià
  • 32.                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                ©Gino Gonçals (Cover of Clarinets, Aragón, S.XXI) Pedro Sosa Arr. by Gino Gonçals Lo Cant del Valencià Clarinet Bass
  • 33.                                                                                                                                                                                                                                                                                                                                             poco rit.       a tempo =78                                                                                                                                                         poco rit.                           2 Lo Cant del Valencià