This document discusses various digital and computational aesthetics including glitch art, pixel art, algorithms, code, and datamoshing. It mentions artists and works that utilize these aesthetics like Anthony Discenza's vinyl works from 2009, Nam June Paik's "Magnet TV" from 1965, and Laura Bifano's 2012 "Animal Pixel Series". The document also references concepts like computer vision, low resolution, rendering glitches, and spambots that relate to these machine-influenced aesthetic styles.