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JH Justin Hageman
12
16 18 20 22
24 2826
8
4	 Block 51
8	 Small Box
12	 Spancrete
16	 Comprehensive
18	 Chicago Studio
20	 Grailville
22	 Site Studio
24	 Gensler-Houston
26	 Professional Work
28	 Photography
4
About Me
	 My name is Justin Hageman; I recently graduated with my Master
of Architecture degree from the University of Wisconsin-Milwaukee. I
graduated as an honor scholar in 2014 from the University of Cincinnati with
a B.S. in Architecture. I am originally from DeForest, Wisconsin.
	 In high school I was involved in several organizations including
track and cross country, in which I was a captain and earned awards
including Most Dedicated and Coach’s Award. I was a member of DECA,
qualifying twice for the national competition. In addition I was a member
of the National Honor Society, holding positions such as Vice-President
and Chairperson of our school blood drive. I also showed dairy cattle as a
member of 4-H, exhibiting in shows as large as the Wisconsin State Fair.
	 At the University of Cincinnati I was a member of the honors program
and was involved with the University Honors Association. During my time
at Cincinnati I worked at firms in California, Tennessee, and Texas for my
Co-ops. I also volunteered in activities such as Relay for Life, Habitat for
Humanity, and the Cincinnati Dance Marathon.
	 At Milwaukee I received a concentration in real estate
development, and was a finalist for the Norman G. Gill Civil Engagement
Fellowship.
	 In my free time I enjoy running, biking and playing golf. I like to draw
and sketch, and I enjoy traveling and sightseeing. I consider myself a hard
working, goal orientated, dedicated individual and an asset to whatever
organization I am a part of.
Education
University of Wisconsin-Milwaukee
Master of Architecture 2016
University of Cincinnati
Cincinnati, Ohio
B.S. Architecture 2014
DeForest Area High School
DeForest, Wisconsin
2006-2010
Skills	
Schematic Design, Design
Development, Construction
Documents, Programming, Master
Planning, Material Selection
Programs
AutoCAD, Revit, Sketchup,
Photoshop, Illustrator, InDesign,
3DS MAX, Google Layout,
Microsoft Office
Contact Info
2727 N. Maryland Avenue, #316
Milwaukee, WI, 53211
T:(608) 333-6944
E:jhageman62@gmail.com
jhageman@uwm.edu
LinkedIn: Justin Hageman
Flickr: justin_hageman
Resume
JH
Block 51:
Thesis - Spring 2016 (Milwaukee)
Gil Synder, Jim Wasley, Matt Jarosz
	 The site of project is the historic Milwaukee Journal-Sentinel building. Located on a key
intersecction in the Westown area of downtown, the site is currently under-utilized. To take full advantage
of the potential of the site my project is a proposed mixed use development. The project would act as
a key linkage between the urban fabric of downtown and the future development surrounding the new
arena. The development would retain key historic buildings on the site and combine them with a new
sustainable development that would provide round-the-clock activity with a mixture of office, hotel, and
residential units.
Above: Site Plan
Right: 4th Street
Bottom: 3rd Street Elevation
The project consists of two towers on the eastern side of the block. The south tower contains the
hotel rooms and the residential componant of the project. The tower offers views of the Milwaukee
skyline, Piere Marquette Park, the Milwaukee River and views to Lake Michigan for the upper units. The
north tower is an office building, deisgned for a single tenant, such as a fortune 500 company. The tower
has a series of winter-gardens that are designed to provide a number of benefits to users of the tower.
For more information on this project see the project booklet here
Above: Solar Garden Sections
Right: Office Lobby
Bottom: 4th Street Elevation
Small Box Studio
Fall 2015 (Milwaukee)
Kyle Reynold
	 The goal of the small box studio was to develop a new typology for a small box company and to
represent it in the style of an iconic architect. My assigned architect was Eero Saarinen. My company
for the studio was Panera Bread, a relatively young company that markets itself as providing authentic,
healthy food. As they have expanded, new services such as online ordering and in store pick-up have
made the restaurants designed for sit down meals more complicated and confusing for users. In my new
design for Panera Bread I split the building into two distinct program groups and rotated the seating
area to differentiate the two areas. As part of the design I investigated new types of seating for Panera
to employ. In the restaurant I added new lounge areas for the casual users to relax and possibly read
or use a computer. The restaurant also uses wood throughout the dining room to promote warmth and
authenticity of the restaurant.
Above: Floor Plan
Right: Reflected Ceiling Plan
Opposite Bottom: Building Elevation
After completing the first design the next
portion of the studio looked at designing in two
different locations and types of stores. The two
locations I chose to design were an interior location
and an infill location. Each location keeps the core
of services with the rotated areas of seating around
it. The interior location was located inside New
York’s JFK Airport and the seating was designed to
cater to travelers. The restaurant includes a long
bench that has small private sections as well as
space below the seat to store luggage. The final
location is on the ground floor of an office building
and features a flexible layout that can change
from private rooms to a large open space that can
be connected to the street.
Top Left: Floor Plan-Open
Bottom Left: Floor Plan-Closed
Top: Office Location Perspective
Bottom: Office Location Perspective
Top: Interior Location
Middle: Interior Core
Bottom: Interior Bench Elevation
Spancrete Studio
Spring 2015 (Milwaukee)
Gil Synder
The main focus of the studio was a new arena in downtown Milwaukee, as well as redeveloping the area
around the new arena. As a member of a four-person team we worked with engineers from Spancrete
to learn about pre-cast concrete construction. Our design for the arena was centered around a series
of arcing atriums that funneled fans into the arena and into a central bowl. These large atriums were
supported by pre-cast columns. In the largest atrium the upper concourses are suspended from above
and separated from the central core to allow natural light to wash down the core walls. The core is
covered with concrete panels that are tilted and angled to contrast the arcing atriums. The project also
included an elevated plaza over a major road next to the arena allowing pedestrians to move without
crossing traffic. The plaza, also constructed with pre-cast concrete, includes several elevator towers that
act as waypoints for people moving through the entertainment district.
Top: Arena Atrium
Left: Arena Details
Opposite Top Left: Elevated Walkway
Opp. Top Right: Plaza Elevator Tower
Opp. Bottom: Plaza Bench
-
---
-
---
ARENA SEATING BOWL
CLUB ZONE
CLUB ZONE
SUPPORT SUPPORT
CIRCULATION
& SUPPORT
TEAM STORE
OPEN TO BELOW
CIRCULATION
& SUPPORT
SUPPORT
SUPPORTSUPPORT
SUITE SPRT
SPRT
SPRT
SPRT
SPRT SUPPORT
SUITE SPRTSUITE SPRT
SUITE SPRTSUITE SPRTSUITE SPRT
SPRT
SPRT
SPRT
SPRT
ARENA BOWL SEATING
SUITE SUPPORT
SUITE SUPPORT
OPEN TO BELOW
OPEN TO BELOW
MEDIA CENTER
CIRCULATION
CIRCULATION
& SUPPORT
SKY BAR LOUNGEOPEN TO BELOW
1/32" = 1'-0"
1
3.0 Suite Level
Right: Panel Details
Bottom: Elevated Walkways
Opp. Top: Concourse Plan
Opp. Middle: Plaza Tower
Opp. Bottom: PLaza Level
Comprehensive Studio
Fall 2014 (Milwaukee)
Jim Wasley
The program for the studio was an addition
to the UW-Milwaukee School of Freshwater
Studies, adding several pulbic elements
including a lecture hall, student lounge, and
library. The studio focused on creating a Living
Building Challenge building. The building used
a timber structure and Cross Laminated Timber
construction. My design focused on creating
an object that would act as a focal point
in the Inner Harbor. The circular shape also
creates a definitive end to the existing linear
school building. To tie the building together,
two screens cover the buildings, each acting
as a sun shade to limit solar gain in the
building.
Left: Building Section
Above: Lobby Section
Below: Lobby
Opposite Bottom: Building Section
Chicago Studio
Fall 2013 (Cincinnati)
Gerald Larson
This studio allowed us to choose
our own program to fit a site
located in downtown Chicago
at the Tribune Tower. The only
requirements for the studio
were that we keep the existing
entryway, and that we connect
to the lower level of Chicago.
Additionally we were required
to have several sidewalk
cafes. I began this project by
looking at a facade system that
would change depending on
environmental conditions. I chose
to apply this system to a high rise
hotel, to take advantage of its
location along Michigan Avenue.
The hotel was designed around
the main lobby, a large four story
space located in the base of the
tower, to lift the tower above the
ground.
Opposite Middle: Michigan Avenue Elevation
Opposite Bottom: Model Atrium
Above: Building Floor Plans
Above Right: Michigan Avenue Entrance
Right: Scale Model
Capstone Studio
Spring 2014 (Cincinnati)
Tom Bible
For this studio I worked as a member of a four
person team to develop a renovation to an existing
retreat center. Working with an actual client we
were asked to develop a plan to renovate a
current retreat center that was losing money. As
part of our project our client asked us to pursue
Living Building Challenge Certification. As part
of the investigation we researched renewable
energy and water strategies for our project. Our
project renovated the existing living quarters,
adding a large sun-space. In addition we added
a new dining hall which would be Living Building
Challenge certified, using techniques such as solar
panels, trombe walls and heat rock storage.
Above Left: Living Quarters
Right: Dining Hall Section
Right: Site Plan
Top: Dining Hall
Above Left: Solar Pavilions
Above Right: Dining Hall Section
Left: Courtyard
Site Studio
Spring 2013 (Cincinnati)
Elizabeth Riorden
The program for this studio consisted of a culinary
school and a dinner theatre, which would occupy
a site located in the Mount Adams neighborhood
of Cincinnati. We were asked to link the two
buildings on the site without physically connecting
them. The site featured significant topographic
change adding a challenge to the project. The
school was designed around a linear open space
that faced north to take advantage of the large
views and northern light. To link the two buildings
together a similar exterior stone material was used
as well as a series of screens on both buildings to
create a similar feel between the two.
Above Left: School Open Space
Above Right: School Courtyard
Left: Theater Section
Below: School Elevation
Above: Section Model
Above Right: Theatre Floor Plan
Left: Theater Entrance
Below: School Floor Plan
Gensler-Houston
Summer 2013
As part of the Gensler summer
internship program the team
of interns had the opportunity
to design a master plan for a
section of Houston’s Memorial
Park which had been isolated
from the main park and
remained under utilized. As part
of this project we developed
three alternative proposals for
the area. My team focused our
project on creating a connection
across the Buffalo Bayou that ran
along the site. This connection
would allow for residents
across the river from the park
to access the park more easily.
Once on our site users would
have the opportunity to use
several different paths, as well
as interacting with several small
structures on the site, and have
the opportunity to continue on
to the main section of Memorial
Park
Professional Work
2012-2015
Through my internships I have
had the opportunity to work on
a wide variety of project types
and phases of development.
I have experience working on
single family homes submittal
sets, commerical interior
projects including construction
documents as well as material
samples and drawings for client
approval. I have worked on
large, complex healthcare
projects which included piecing
together multiple sets of existing
drawings into one working
model. Finally I have experience
in a design build firm, working on
multiple phases of a project from
design to casework drawings
N
PROJECTNO.12-001
REVISIONDATEDESCRIPTION
SITEDEVELOPMENTSUBMITTAL02.29.2012
STUDIO S SQUARED ARCHITECTURE, INC.C
C27,719
12-31-13
19 N. 2nd St., Ste. 205
San Jose, CA 95113
P : (408) 998 - 0983
F : (408) 998 - 0982
FANN-LINRESIDENCE
REMODEL/ADDITION
18570DECATURRD,MONTESERENO,CA
DR.KARINFANN,M.D.,&LOUISLIN
"FORPLANNINGAPPROVALONLY--NOTFORCONSTRUCTION"
3D MODEL
PERSPECTIVES
A0.4
3-FRONT ENTRY FROM DRIVEWAY
1-EAST PERSPECTIVE VIEW (FRONT) AT PARKING COURT
6-POOL HOUSE AND BACK PATIO
5-SOUTHEAST VIEW FROM DRIVEWAY
4-NORTHEAST PERSPECTIVE VIEW FROM FRONTYARD
2-SOUTHWEST PERSPECTIVE VIEW FROM BACKYARD
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     
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
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
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   

 
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
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 
 




















 
 
 

 
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  
Photography
2010-2017
The following pictures are a
small sample of some of my
many photos. To see more of my
pictures visit my
Flickr: justin_hageman
JH Justin Hageman's Resume and Portfolio

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JH Justin Hageman's Resume and Portfolio

  • 2. 12 16 18 20 22 24 2826 8 4 Block 51 8 Small Box 12 Spancrete 16 Comprehensive 18 Chicago Studio 20 Grailville 22 Site Studio 24 Gensler-Houston 26 Professional Work 28 Photography 4
  • 3. About Me My name is Justin Hageman; I recently graduated with my Master of Architecture degree from the University of Wisconsin-Milwaukee. I graduated as an honor scholar in 2014 from the University of Cincinnati with a B.S. in Architecture. I am originally from DeForest, Wisconsin. In high school I was involved in several organizations including track and cross country, in which I was a captain and earned awards including Most Dedicated and Coach’s Award. I was a member of DECA, qualifying twice for the national competition. In addition I was a member of the National Honor Society, holding positions such as Vice-President and Chairperson of our school blood drive. I also showed dairy cattle as a member of 4-H, exhibiting in shows as large as the Wisconsin State Fair. At the University of Cincinnati I was a member of the honors program and was involved with the University Honors Association. During my time at Cincinnati I worked at firms in California, Tennessee, and Texas for my Co-ops. I also volunteered in activities such as Relay for Life, Habitat for Humanity, and the Cincinnati Dance Marathon. At Milwaukee I received a concentration in real estate development, and was a finalist for the Norman G. Gill Civil Engagement Fellowship. In my free time I enjoy running, biking and playing golf. I like to draw and sketch, and I enjoy traveling and sightseeing. I consider myself a hard working, goal orientated, dedicated individual and an asset to whatever organization I am a part of. Education University of Wisconsin-Milwaukee Master of Architecture 2016 University of Cincinnati Cincinnati, Ohio B.S. Architecture 2014 DeForest Area High School DeForest, Wisconsin 2006-2010 Skills Schematic Design, Design Development, Construction Documents, Programming, Master Planning, Material Selection Programs AutoCAD, Revit, Sketchup, Photoshop, Illustrator, InDesign, 3DS MAX, Google Layout, Microsoft Office Contact Info 2727 N. Maryland Avenue, #316 Milwaukee, WI, 53211 T:(608) 333-6944 E:jhageman62@gmail.com jhageman@uwm.edu LinkedIn: Justin Hageman Flickr: justin_hageman Resume JH
  • 4. Block 51: Thesis - Spring 2016 (Milwaukee) Gil Synder, Jim Wasley, Matt Jarosz The site of project is the historic Milwaukee Journal-Sentinel building. Located on a key intersecction in the Westown area of downtown, the site is currently under-utilized. To take full advantage of the potential of the site my project is a proposed mixed use development. The project would act as a key linkage between the urban fabric of downtown and the future development surrounding the new arena. The development would retain key historic buildings on the site and combine them with a new sustainable development that would provide round-the-clock activity with a mixture of office, hotel, and residential units.
  • 5. Above: Site Plan Right: 4th Street Bottom: 3rd Street Elevation
  • 6. The project consists of two towers on the eastern side of the block. The south tower contains the hotel rooms and the residential componant of the project. The tower offers views of the Milwaukee skyline, Piere Marquette Park, the Milwaukee River and views to Lake Michigan for the upper units. The north tower is an office building, deisgned for a single tenant, such as a fortune 500 company. The tower has a series of winter-gardens that are designed to provide a number of benefits to users of the tower. For more information on this project see the project booklet here
  • 7. Above: Solar Garden Sections Right: Office Lobby Bottom: 4th Street Elevation
  • 8. Small Box Studio Fall 2015 (Milwaukee) Kyle Reynold The goal of the small box studio was to develop a new typology for a small box company and to represent it in the style of an iconic architect. My assigned architect was Eero Saarinen. My company for the studio was Panera Bread, a relatively young company that markets itself as providing authentic, healthy food. As they have expanded, new services such as online ordering and in store pick-up have made the restaurants designed for sit down meals more complicated and confusing for users. In my new design for Panera Bread I split the building into two distinct program groups and rotated the seating area to differentiate the two areas. As part of the design I investigated new types of seating for Panera to employ. In the restaurant I added new lounge areas for the casual users to relax and possibly read or use a computer. The restaurant also uses wood throughout the dining room to promote warmth and authenticity of the restaurant.
  • 9. Above: Floor Plan Right: Reflected Ceiling Plan Opposite Bottom: Building Elevation
  • 10. After completing the first design the next portion of the studio looked at designing in two different locations and types of stores. The two locations I chose to design were an interior location and an infill location. Each location keeps the core of services with the rotated areas of seating around it. The interior location was located inside New York’s JFK Airport and the seating was designed to cater to travelers. The restaurant includes a long bench that has small private sections as well as space below the seat to store luggage. The final location is on the ground floor of an office building and features a flexible layout that can change from private rooms to a large open space that can be connected to the street. Top Left: Floor Plan-Open Bottom Left: Floor Plan-Closed Top: Office Location Perspective Bottom: Office Location Perspective
  • 11. Top: Interior Location Middle: Interior Core Bottom: Interior Bench Elevation
  • 12. Spancrete Studio Spring 2015 (Milwaukee) Gil Synder The main focus of the studio was a new arena in downtown Milwaukee, as well as redeveloping the area around the new arena. As a member of a four-person team we worked with engineers from Spancrete to learn about pre-cast concrete construction. Our design for the arena was centered around a series of arcing atriums that funneled fans into the arena and into a central bowl. These large atriums were supported by pre-cast columns. In the largest atrium the upper concourses are suspended from above and separated from the central core to allow natural light to wash down the core walls. The core is covered with concrete panels that are tilted and angled to contrast the arcing atriums. The project also included an elevated plaza over a major road next to the arena allowing pedestrians to move without crossing traffic. The plaza, also constructed with pre-cast concrete, includes several elevator towers that act as waypoints for people moving through the entertainment district. Top: Arena Atrium Left: Arena Details Opposite Top Left: Elevated Walkway Opp. Top Right: Plaza Elevator Tower Opp. Bottom: Plaza Bench
  • 13.
  • 14. - --- - --- ARENA SEATING BOWL CLUB ZONE CLUB ZONE SUPPORT SUPPORT CIRCULATION & SUPPORT TEAM STORE OPEN TO BELOW CIRCULATION & SUPPORT SUPPORT SUPPORTSUPPORT SUITE SPRT SPRT SPRT SPRT SPRT SUPPORT SUITE SPRTSUITE SPRT SUITE SPRTSUITE SPRTSUITE SPRT SPRT SPRT SPRT SPRT ARENA BOWL SEATING SUITE SUPPORT SUITE SUPPORT OPEN TO BELOW OPEN TO BELOW MEDIA CENTER CIRCULATION CIRCULATION & SUPPORT SKY BAR LOUNGEOPEN TO BELOW 1/32" = 1'-0" 1 3.0 Suite Level
  • 15. Right: Panel Details Bottom: Elevated Walkways Opp. Top: Concourse Plan Opp. Middle: Plaza Tower Opp. Bottom: PLaza Level
  • 16. Comprehensive Studio Fall 2014 (Milwaukee) Jim Wasley The program for the studio was an addition to the UW-Milwaukee School of Freshwater Studies, adding several pulbic elements including a lecture hall, student lounge, and library. The studio focused on creating a Living Building Challenge building. The building used a timber structure and Cross Laminated Timber construction. My design focused on creating an object that would act as a focal point in the Inner Harbor. The circular shape also creates a definitive end to the existing linear school building. To tie the building together, two screens cover the buildings, each acting as a sun shade to limit solar gain in the building.
  • 17. Left: Building Section Above: Lobby Section Below: Lobby Opposite Bottom: Building Section
  • 18. Chicago Studio Fall 2013 (Cincinnati) Gerald Larson This studio allowed us to choose our own program to fit a site located in downtown Chicago at the Tribune Tower. The only requirements for the studio were that we keep the existing entryway, and that we connect to the lower level of Chicago. Additionally we were required to have several sidewalk cafes. I began this project by looking at a facade system that would change depending on environmental conditions. I chose to apply this system to a high rise hotel, to take advantage of its location along Michigan Avenue. The hotel was designed around the main lobby, a large four story space located in the base of the tower, to lift the tower above the ground.
  • 19. Opposite Middle: Michigan Avenue Elevation Opposite Bottom: Model Atrium Above: Building Floor Plans Above Right: Michigan Avenue Entrance Right: Scale Model
  • 20. Capstone Studio Spring 2014 (Cincinnati) Tom Bible For this studio I worked as a member of a four person team to develop a renovation to an existing retreat center. Working with an actual client we were asked to develop a plan to renovate a current retreat center that was losing money. As part of our project our client asked us to pursue Living Building Challenge Certification. As part of the investigation we researched renewable energy and water strategies for our project. Our project renovated the existing living quarters, adding a large sun-space. In addition we added a new dining hall which would be Living Building Challenge certified, using techniques such as solar panels, trombe walls and heat rock storage. Above Left: Living Quarters Right: Dining Hall Section Right: Site Plan
  • 21. Top: Dining Hall Above Left: Solar Pavilions Above Right: Dining Hall Section Left: Courtyard
  • 22. Site Studio Spring 2013 (Cincinnati) Elizabeth Riorden The program for this studio consisted of a culinary school and a dinner theatre, which would occupy a site located in the Mount Adams neighborhood of Cincinnati. We were asked to link the two buildings on the site without physically connecting them. The site featured significant topographic change adding a challenge to the project. The school was designed around a linear open space that faced north to take advantage of the large views and northern light. To link the two buildings together a similar exterior stone material was used as well as a series of screens on both buildings to create a similar feel between the two. Above Left: School Open Space Above Right: School Courtyard Left: Theater Section Below: School Elevation
  • 23. Above: Section Model Above Right: Theatre Floor Plan Left: Theater Entrance Below: School Floor Plan
  • 24. Gensler-Houston Summer 2013 As part of the Gensler summer internship program the team of interns had the opportunity to design a master plan for a section of Houston’s Memorial Park which had been isolated from the main park and remained under utilized. As part of this project we developed three alternative proposals for the area. My team focused our project on creating a connection across the Buffalo Bayou that ran along the site. This connection would allow for residents across the river from the park to access the park more easily. Once on our site users would have the opportunity to use several different paths, as well as interacting with several small structures on the site, and have the opportunity to continue on to the main section of Memorial Park
  • 25.
  • 26. Professional Work 2012-2015 Through my internships I have had the opportunity to work on a wide variety of project types and phases of development. I have experience working on single family homes submittal sets, commerical interior projects including construction documents as well as material samples and drawings for client approval. I have worked on large, complex healthcare projects which included piecing together multiple sets of existing drawings into one working model. Finally I have experience in a design build firm, working on multiple phases of a project from design to casework drawings N PROJECTNO.12-001 REVISIONDATEDESCRIPTION SITEDEVELOPMENTSUBMITTAL02.29.2012 STUDIO S SQUARED ARCHITECTURE, INC.C C27,719 12-31-13 19 N. 2nd St., Ste. 205 San Jose, CA 95113 P : (408) 998 - 0983 F : (408) 998 - 0982 FANN-LINRESIDENCE REMODEL/ADDITION 18570DECATURRD,MONTESERENO,CA DR.KARINFANN,M.D.,&LOUISLIN "FORPLANNINGAPPROVALONLY--NOTFORCONSTRUCTION" 3D MODEL PERSPECTIVES A0.4 3-FRONT ENTRY FROM DRIVEWAY 1-EAST PERSPECTIVE VIEW (FRONT) AT PARKING COURT 6-POOL HOUSE AND BACK PATIO 5-SOUTHEAST VIEW FROM DRIVEWAY 4-NORTHEAST PERSPECTIVE VIEW FROM FRONTYARD 2-SOUTHWEST PERSPECTIVE VIEW FROM BACKYARD                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                  
  • 27.
  • 28. Photography 2010-2017 The following pictures are a small sample of some of my many photos. To see more of my pictures visit my Flickr: justin_hageman