Juno analysis
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The document is a shot log from the film Juno. It describes various shots of the character Juno walking through a neighborhood and drinking orange juice over the course of 2 minutes. With each shot description, credits for the film are displayed such as the director, producers, cast, and crew.
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2) Sound effects, like when Jerry closes the veto box to emphasize the fate being sealed.
3) Dialogue that is presented in first person for Jerry speaking and Dan providing feedback.
4) Silence in some moments like before the ceremony, though background music continues.
5) Noise throughout that is adjusted in level to create effects for the audience.
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The document provides a thesis and analysis of the film Juno through a semiotic and psychoanalytic lens. It explores how the characters and relationships symbolize modern ideologies around youth sexuality, gender roles, and parenthood. Specifically, it examines how Juno represents a new generation that challenges traditional femininity and how the film shifts depictions of female sexuality from passive to dominant. It also analyzes how Paulie Bleeker and Mark represent changing ideas of masculinity and dominance-submission patterns between genders.
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This document defines and describes different types of sound that can be used in films, including direct sound recorded at the same time as images, sound bridges that provide continuity between shots, parallel sound that matches images, contrapuntal sound that jars with images, diagetic sound that comes from within the world of the film, and non-diagetic sound that exists outside the world of the film for the viewer.
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Camera angle analysis on
The document analyzes different camera angles used in a music video for the artist Lana Del Ray. It discusses how long shots are used to set the scene and tone at the beginning. High angle shots portray Lana as vulnerable, while zoom shots focus on her face to show her emotions and highlight her as the center of attention. Long shots of the choir emphasize its large size and presence in the video. A low angle shot of the conductor portrays him as powerful by looking up at him from below.
Lithium music video analysis
The music video is filmed entirely within a wintery forest setting, with the exception of some underwater shots of the lead singer. It focuses mainly on the lead singer performing the song and miming the lyrics, while also including brief shots of the other band members playing their instruments. Though it shows the singer in different parts of the forest, there is no storyline connected to the lyrics. The video has a dark color scheme of blue, black, and white to match the cold winter theme. The lead singer is presented in a gothic style that complements the genre and setting.
Types of audio used in tv
There are several types of audio used in TV scenes like the one described from Big Brother US Season 10. These include:
1) Music that sets the tense mood during the veto ceremony and changes based on the outcome.
2) Sound effects, like when Jerry closes the veto box to emphasize the fate being sealed.
3) Dialogue that is presented in first person for Jerry speaking and Dan providing feedback.
4) Silence in some moments like before the ceremony, though background music continues.
5) Noise throughout that is adjusted in level to create effects for the audience.
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This document summarizes different types of sounds used in films. It divides film sounds into diegetic and non-diegetic categories. Diegetic sounds are part of the film's world, while non-diegetic sounds come from the film's soundtrack. It also discusses synchronous and asynchronous sound effects, and how the three components of a film soundtrack - dialogue, sound effects, and music - must be carefully balanced. Parallel and contrapuntal music are described based on whether the music's tone matches or contrasts the on-screen mood. Sound bridges are also summarized as connecting scenes through continuing sound across frames.
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Film sound is carefully designed and added in post-production to emphasize important sounds and create the proper atmosphere for scenes. Sound can be either diegetic, coming from visible or implied sources within the story, or non-diegetic, coming from outside the story. Transitions between scenes are aided by sound bridges, while effects and music are used to add realism, psychological impact, or inform the audience. Careful use of sound ensures the viewer has the intended emotional experience of the film.
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This document discusses different types of sound used in media, including diegetic sound that exists within the story world and non-diegetic sound that does not. It provides examples of crescendo sound that builds tension, diminuendo sound that releases tension, and forzando sound that emphasizes shock. The document stresses the significance of using appropriate sound to manipulate scenarios and change moods. It also lists some sounds that could be used in an opening sequence, such as sad music, the sound of a baseball bat, and heartbeats to build anxiety.
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This document discusses different types of sound used in media, including diegetic sound that exists within the story world and non-diegetic sound that does not. It provides examples of crescendo sound that builds tension, diminuendo sound that releases tension, and forzando sound that emphasizes shock. The document stresses the significance of using appropriate sound to manipulate scenarios and change moods. It also lists some sounds that could be used in an opening sequence, such as sad music, the sound of a baseball bat, and heartbeats to build anxiety.
Sound
This document defines and provides examples of different types of sounds that can be used in films, including the soundscape, ambient sounds, diegetic and non-diegetic sounds, sound bridging, sound effects, voiceovers, dialogue, and direct address. Specifically, it explains that a soundscape includes all ambient sounds in a scene, ambient sounds provide background noise relevant to the setting, diegetic sounds can be heard by characters while non-diegetic sounds are only for the audience, and sound bridging uses music across scenes to maintain mood.
Sound notes sheet
Film sound is carefully designed and mixed in post-production to emphasize important sounds and set the atmosphere. There are two main types of sound: diegetic sounds that exist within the film's world, and non-diegetic sounds from outside it, like music and effects. Sound can also be synchronous, matching visuals, or asynchronous like musical scores. Elements of sound design include selective sounds, ambient atmosphere, sound bridges between scenes, effects, voiceovers, theme music, and silence to build tension. In Sherlock Holmes, the asynchronous musical score plays for most scenes, and characters have distinct music - Sherlock's is heroic while his nemesis Lord Blackwood's is menacing.
Call me maybe
The video tells a story through its editing of a singer, Jepsen, trying to get the attention of a male character. It cuts between her watching him from afar and performing with her band in a garage. Various shots and editing techniques are used to convey her attraction and attempts to get his notice as she sings, including close-ups, cross-cutting, and focus pulls. In the end, it is revealed that the male is actually interested in one of the band members, not Jepsen, leaving her disappointed.
Sound terminology
This document defines and describes various types of sound that can be used in films, including diegetic sound whose source is visible or implied to be present in the story, and non-diegetic sound whose source is outside the story world. It also discusses synchronous and asynchronous sound, sound effects, motifs, bridges, dialogue, voiceovers, perspective, incidental music, themes, stings, and ambient sound. Each term is concisely defined.
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The document defines and describes various types of sounds that can be used in films, including dialogue between characters, diegetic sounds that characters can hear within the film's world, non-diegetic incidental music and sound effects added in post-production to set mood or reinforce action, sound bridges that carry sound between scenes, and voiceovers where a character speaks their thoughts over a scene. It also mentions that the soundtrack incorporates all audio, and background music adds atmosphere.
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This document contains initial plans and ideas for music videos for various songs by different artists. It discusses 5 potential ideas before settling on "Angels" by Tom Walker as the final idea. For this song, it provides biographical information on the artist, describes the genre as indie pop/rock, and summarizes the meaning and tone of the song based on an interview with Walker. It then outlines plans for shooting the music video, including using different transitions between clips timed to the beat and incorporating various scenarios to tell a story reflecting the genre. Techniques like varying camera angles and shot lengths are discussed, as well as conventions like consistent lighting across locations.
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The document outlines the production timeline for a film, including editing that took place on the 30th of February, discussions between the producer and director on the 1st of January about the plot and demands of the project, the editor Zahra resigning on the 31st of January to pursue other opportunities, placing an extra burden on the remaining group members, and various dates for scene shooting, music introduction and perfection, and other production milestones between February and March.
Lesson 3 sound
This document discusses sound techniques in film. It defines diegetic and non-diegetic sound and provides examples. Non-diegetic sound, like music, can establish mood, atmosphere, and meaning without being part of the film's world. Diegetic sound belongs to the film's world and can reveal characters' states of mind. The document analyzes the non-diegetic score in Jaws, which builds tension without showing the shark. It also discusses how diegetic sounds in Rear Window establish the setting and protagonist's detached frame of mind. Sound can create meaning by enhancing emotion, setting mood, and identifying characters.
Artist research & music video analysis
Drake is a popular R&B and hip-hop artist who released his first single in 2006 and has since collaborated with many top artists, producing several successful music videos featuring rich, glamorous settings with mansions and pools along with dark, bleak settings in alleys and clubs; as a group, they think some of Drake's songs could work well for their music video if chosen.
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Juno Commentary
This document provides commentary from the director and writer of the film Juno. Some key details discussed include how the director chose to add season titles to make an important point, how they wanted rooms and environments to feel authentic, and how they shot challenging scenes like the ultrasound appointment. The director also discusses symbolism like the use of chairs and capturing different perspectives. Specific scenes are broken down such as the adoption meeting, flirtation scene, labor scene, and closing performance to highlight directorial choices.
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Movies use visual patterns like parallel editing and motifs to tell stories through manipulating light, movement, space and time. Viewers experience films through the camera lens which provides illusions of these elements to immerse viewers in the narrative.
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UEFA Euro 2024 Tickets | Euro 2024 Tickets | Euro Cup Germany Tickets | Belgium vs Romania Tickets
"Of course, you prefer to take players who are fully fit, but that's okay. We want to wait and be patient for some players even if they cannot play in those first matches," he told a press conference. The 37-year-old Vertonghen, Belgium’s Euro Cup 2024 most-capped international with 154 appearances, is struggling to shake off a groin injury.
"He will be there normally. This also applies to Youri Tielemans and Arthur Theate. The latter's position is very sensitive. We don't have many choices at left back. "It will only change if it turns out that they will only be available when, say, the final of the Euro 2024 Championship comes around. That's too long to wait. "However, I am confident that the injured boys are on track for the Euros.
Belgium vs Romania: Radu Dragusin Prepares for Crucial Role in Euro Cup Germany
Some of them have taken not one but two steps forward in their rehabilitation," he said. None of the injured players will feature in this week’s warm-up friendlies against Montenegro and Luxembourg. Romania centre-back Radu Dragusin found chances limited at Tottenham Hotspur in the second half of the 2023-24 season.
But is crucial to his country's cause at UEFA Euro 2024 where his aerial ability, physicality and hard graft make him a standout player. The 22-year-old moved to North London from Italian side Genoa in January but was kept on the sidelines by the form of another new arrival for the season, Mickey van de Ven, something Romania coach Edward Iordanescu admitted was a concern.
It will mean limited game-time going into the finals, but Dragusin, who cites Netherlands defender Virgil van Dijk as a role model, started every Euro Cup Germany qualifier as Romania went through the campaign unbeaten in their 10 games. He will be among their most important players in their first game in Germany against Ukraine in Munich on June 17, taking the right centre-back role in what is likely to be a back four.
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Juno analysis
- 1. JUNO Seconds Content Shot 0.5 Character “Juno” drinks orange juice Close up 0.15 Juno walking behind a tree with sketched scene Long shot of Juno walking, ahead Lyrics as background music Juno emerges as a sketched animation with the Instruments are now rest of the scene. included in the background CREDIT : Fox searchlight pictures present music 0.23 Transition right to left Close up of Juno’s lower leg CREDIT: A Mandate Pictures / Mr. Mudd production. 0.27 Juno continuing to walk with a passing van Mid Shot CREDIT: A Jason Reitman Film 0.32 Juno walking down street Long shot CREDITS: Title “JUNO” 0.42 Setting of a neighbourhood, Juno continues to mid shot walk down a high street CREDIT: Ellen page, main actress followed by other actors names 1.18 Close up of Juno opening her drink. Mid shot& close up CREDIT: Casting by / Costume by / 1.29 Juno walking down a path Birds eye view CREDITS: Music by / songs by 1.36 Juno continues to walk showing side on, then a view from behind CREDITS: Music supervisors/ co-producers 1.45 View of feet, then view of Juno walking from Close up of feet/ long shot behind of walking CREDITS: Film editor / Production designer/ director of photography 2.00 Side view of junos face Close up CREDIT: Executive Producers