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Jeff	Oster	
Biography	
	
Often	described	as	Miles	Davis	meets	Pink	Floyd,	trumpet/flugelhorn	artist	Jeff	
Oster	is	set	to	release	his	fourth	album	next	spring.	Jeff’s	sound	is	a	unique	
combination	of	his	parents’	influences	of	30s	and	40s	lyrical	standards	and	his	own	
passion	for	progressive	rock,	with	some	jazz/funk	thrown	in	for	good	measure.	
		
As	a	child,	his	father	would	sing	the	standards	as	Jeff	would	play	his	trumpet.	His	
horn	became	his	voice,	singing	the	lyrics.	And	as	his	taste	in	music	developed,	Jeff	
began	to	add	his	love	of	progressive	and	jazz/funk	music	into	his	own	songs	–	
mixing	the	groove	and	the	haunting	sound	of	his	horn	with	people	walking	or	
talking,	the	sounds	of	nature,	and	more.		
		
After	years	of	playing	jazz	and	funk	music	in	Los	Angeles	clubs	in	the	evenings	and	
driving	a	limo	during	the	day	to	make	ends	meet,	Jeff	chose	an	unusual	path	for	a	
musician	–	he	became	a	financial	planner	at	the	urging	of	a	friend.	As	his	business	
career	grew,	this	lifestyle	afforded	him	the	luxury	to	approach	his	music	with	a	
comfort	that	other	musicians	may	not	have.	“I	have	the	freedom	to	play	music	
exactly	the	way	I	want	to	play	it,”	explains	Jeff.	“And	I	get	to	play	with	the	people	I	
always	dreamed	of	playing	it	with.”		
		
In	2002,	Jeff’s	music	transformed	into	what	it	is	today	with	the	simple	purchase	of	a	
Sony	Vaio	computer.	Creating	a	combination	of	electronic	synth	loops,	ambient	
sounds,	and	his	own	flugelhorn,	Jeff	developed	the	unique	sound	that	he	has	become	
famous	for:	layered	soundscapes	with	a	lead	melody	and	horn	arrangements	that	
perfectly	harmonize	with	the	rest	of	the	song.	When	Jeff	uploaded	his	new	ambient-
style	sounds	to	mp3.com,	he	quickly	topped	the	ambient	charts	there,	and	knew	he	
was	on	to	something	fresh	and	different.	
		
Encouraged	by	his	online	success,	Jeff	decided	to	create	his	first	album,	and	followed	
his	dreams	by	reaching	out	to	one	of	his	heroes,	Grammy-winning	guitarist	and	
producer	Will	Ackerman,	founder	of	Windham	Hill	Records.		Jeff	has	now	recorded	
three	albums	with	Will:	Released	(2005),	True	(2007),	and	now	next	(2015).	He	
also	released	Surrender	(2011)	(co-produced	by	Jeff	and	Bryan	Carrigan).	
		
His	albums	have	featured	well-known	contributors	such	as	Bruce	Swedien,	mixing	
engineer	for	Michael	Jackson’s	Thriller,	guitarist	Nile	Rodgers,	iconic	bassist	Chuck	
Rainey,	legendary	drummers	Bernard	Purdie	and	Keith	Carlock,	and	Grammy-
nominated	artists	such	as	pianist	Philip	Aaberg	and	bassist	Michael	Manring.
Jeff’s	music	has	earned	numerous	awards	–	such	as	ZMR	Album	of	the	Year	(3x	
winner),	multiple	#1	albums	on	NPR’s	Echoes,	and	2x	winner	of	Best	New	Age	Song	
in	the	Independent	Music	Awards.	His	music	receives	steady	airplay	on	Sirius/XM,	
Music	Choice,	and	a	variety	of	other	programs	worldwide.		
		
With	his	newest	album,	next,	Jeff	brings	his	horn	front	and	center	–	you'll	hear	his	
unmistakable	tone	floating	over	these	12	new	tracks	like	never	before.	For	Jeff,	this	
album	is	about	rebirth	and	change,	and	tells	the	story	of	what’s	next	for	him,	both	as	
a	musician	and	in	his	life.	
		
“next	is	about	claiming	who	I	am,	and	who	I've	always	wanted	to	be,”	says	Jeff.	“It’s	
why	I	live.	It	takes	strength	and	power	to	step	out	into	the	unknown.	Not	everyone	
opens	the	door	and	takes	the	risk	to	try	something	new,	something	you've	dreamed	
of	for	years.	And	with	uncertainty	comes	the	joy	of	freedom.	This	album	represents	
my	moment	to	truly	make	a	statement…to	claim	my	place	as	a	musician	with	
something	important	to	share.”	
		
With	next,	Jeff	creates	a	new	genre	–	New	Age	Ambient	Funk	–	and	along	for	the	ride	
are	guitarist	Nile	Rodgers	(Chic,	Daft	Punk,	David	Bowie,	Madonna)	on	the	title	
track,	and	five	songs	created	during	a	legendary	session	with	the	duo	of	drummer	
Bernard	“Pretty”	Purdie	and	bassist	Chuck	Rainey	–	musicians	that	he	has	adored	
for	generations.	Bernard	and	Chuck	are	featured	on	five	tracks,	including	Jeff’s	first	
cover	song,	I	Can’t	Make	You	Love	Me,	sung	by	Bonnie	Raitt	–	a	song	that	has	
always	resonated	with	him,	expressing	the	deep	feelings	of	pain	and	joy,	as	well	as	
the	openness	and	vulnerability	that	occur	when	you	open	your	heart	to	love.	You	
can	almost	hear	Jeff’s	horn	singing	the	words…	
	
“Bonnie	poured	her	heart	and	soul	into	this	song,	and	I	did	the	same	with	my	horn.	If	
she	could	sing	like	a	horn	player	plays,	to	me,	this	is	what	it	would	sound	like,”	
describes	Jeff.	“My	performance	embodies	the	voice	of	my	heart,	without	words,	and	
that	is	what	my	horn	playing	is	all	about.	If	you	want	to	know	who	I	truly	am	inside,	
listen	to	my	horn.”
	
	
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Jeff Oster final