Ralph Magwood has been performing music since he was 6 years old. He was born in Baltimore but feels a strong connection to his family's hometown of Summerton, South Carolina. He was influenced by his mother, a gospel singer, and his uncle, a guitarist who played with Muddy Waters. Magwood has performed in many groups since the 1950s and studied percussion in the 1970s. He joined a jazz group called the Fuzzy Kane Trio and had the opportunity to perform with many major artists. Magwood's skills as a singer and percussionist grew over time. He produced his first album in 1981 and spent time with the reggae/fusion group Joe Cooper Project in the 1990s before releasing his own
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Primer
PRIMER
A beginner’s guide to hip-hop collective
Native Tongues
Eric Thurm
7/05/13 12:00am
Primer is The A.V. Club’s ongoing series of beginner’s guides to pop culture’s most
notable subjects: filmmakers, music styles, literary genres, and whatever else
interests us—and hopefully you.
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4/7/2019 A beginner’s guide to hip-hop collective Native Tongues
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Native Tongues 101
In the summer of 1988, two albums with eerily similar titles presented
radically different visions for the future of hip-hop. In August, NWA’s bomb
of a gangsta masterpiece, Straight Outta Compton, blew up the hip-hop
landscape, forever changing the posture, politics, and attitude of rap music
and rappers trying to be hardcore. But Straight Outta Compton was released just
a month after Straight Out The Jungle, the debut album from New York trio
Jungle Brothers and the first release from a future member of the Native
Tongues collective. Looking back, each album seems like a stylistic roadmap
for a different philosophy on the future of hip-hop: Where Straight Outta
Compton is aggressive and harsh and presents the members of NWA clad in
black Raiders Starter jackets, Straight Out The Jungle is as mellow and playful
as the ridiculous, endearing khaki safari gear Jungle Brothers wear on the
cover.
The image of Jungle Brothers looking unabashedly goofy while rhyming about
Afrocentric medallions and the difficulties of urban life in the late ’80s is
characteristic of the movement they spawned: Native Tongues. A loosely
affiliated crew composed of three founding groups (Jungle Brothers, De La
Soul, and A Tribe Called Quest) and a who’s who of innovative hip-hop at the
time, the members of Native Tongues were idealistic teenagers, hanging out
both in and out of the studio while making groundbreaking music. The
individual Tongues may have made better records as they matured, but the
core Native Tongues style can be traced back to the debut albums of its
founding members: Straight Out The Jungle, De La’s 3 Feet High And Rising, and
Tribe’s People’s Instinctive Travels And The Paths Of Rhythm.
Straight Out The Jungle is still very much a product of the boom-bap percussion
that was characteristic of East Coast hip-hop at the time, but Jungle Brothers
Mike G (Michael Small), Afrika Baby Bam (Nathaniel Hall), and DJ Sammy B
(Sa ...
1. BIOGRAPHY
RALPH MAGWOOD
Ralph Magwood has been performing on stage since the early age of six, as a vocalist and
percussionist. Although he was born in Baltimore, he strongly holds Summerton, South
Carolina, close to his heart as his home, this is the place from which his parents migrated
and much family was left behind.
Influenced by his mother (a gospel singer) and his uncle (a guitarist who had played with
the world renowned blues singer Muddy Waters), Ralph naturally began performing gospel
and rhythm and blues. From 1957 to 1975, he performed in school plays, sang on church
choirs and performed with several well-known groups.
In 1975 he attended the Peabody Preparatory and studied percussion. There he was
compelled to play jazz. Ralph joined one of Baltimore's hottest jazz international recording
groups, the Fuzzy Kane Trio, which afforded him the opportunity to perform in major
concerts as the opening act for George Benson, Roy Ayers, Sir Walter Jackson, Billy
Taylor, Lonnie Liston Smith, Joe Williams and many other major artist.
As years progressed, his ability to sing and play percussion grew, which increased his
popularity enabling him to perform with some the finest musicians in the country. His
style, technique and character brought a change in how Baltimore's musical community
viewed the percussionist.
After experiencing a recording session with Verdine White of "Earth, Wind and Fire," he
developed an interest in record production. In 1981 this experience would lead him to
produce his first record album with The Original Little Ark Male Chorus. Singing lead and
background vocals Ralph performed with the male chorus at churches and in concerts
throughout the East Coast.
In 1990, after approximately nine years of performing with the male chorus, Ralph was
called to join a nationally known jazz, reggae, fusion recording group called the "Joe
Cooper Project". He performed percussion and vocals on the group's album "Journey."
Ralph spent close to four years with the Joe Cooper Project studying reggae and world
music and was able to perform in concerts with international acts such as the Whalers,
Dennis Brown, Yellow Man and various other world beat and reggae artist. Being driven by
a desire and thirst to create his own music and sound, He left the Project and went back to
school.
While studying at Essex Community College in 1994, he began composing and writing
songs reflecting his life experiences which led to the production and 1996 release of his
first solo gospel record album "Just Passing By". Spiritually motivated to express to
everyone the need to understand the value of the precious gift of life, Ralph's "Just Passing
By" musical compilation can only be described by words such as expressive, glorifying,
sincere and inspirational.
2. For the past few years Ralph has been working on his upcoming jazz release entitled
"Vintage" soon to hit the market. He has also been working with The Original Little Ark
Male Chorus, his beloved group, as producer, vocalist and percussionist on their new CD
releases “A Closer Walk, He Is Born, and Old Time Religion”. Also, in 2011 Ralph
produced “Favor” the first solo CD by Minister Craig L. Johnson of the Flint Cavaliers.
Most importantly, Ralph loves to produce and develop artist and proclaims that the more
artist and musicians understand about the business the better off the industry will be. His
background as a musician and vocalist enabled him to completely understand the problems
artist go through trying to make it in the music industry. Therefore, he was lead to develop
his on record label Doowgam Records. Having been in the music business for many years,
Ralph determined that Doowgam Records would be dedicated to the education of artist
about all aspects of the industry. Therefore, enabling them to be successful.