Jane Eyre is a novel by Charlotte Bronte that follows the life and experiences of the title character Jane Eyre. It describes Jane's childhood as an orphan and her journey to find independence. The novel provides insights into the social mores and circumstances for women in the 19th century through its portrayal of Jane's struggles and personal growth.

3. Jane Eyre
Charlotte Bronte

4. Jane Eyre
Charlotte Bronte

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6. a ckno wl edgme n ts
First of all, I would like to say Alhamdulillah, for giving me
the strength and health to do this project work until it done
Not forgotten to my family for providing everything, such as
money, to buy anything that are related to this project work
and their advise, which is the most needed for this project.
Internet, books, computers and all that as my source to
complete this project. They also supported me and encouraged
me to complete this task so that I will not procrastinate in
doing it.
Then I would like to thank my teacher, Madam Seak Mea
Nyet for guiding me and my friends throughout this project.
We had some difficulties in doing this task, but she taught
us patiently until we knew what to do. She tried and tried to
teach us until we understand what we supposed to do with the
project work.
Last but not least, my friends who were doing this project with
me and sharing our ideas. They were helpful that when we
combined and discussed together, we had this task done.

7. t ab le o f c o nt e nt s
Chapter 1 . . . . . . . . . . . . . . . . . . . . 7 Chapter 17 . . . . . . . . . . . . . . . . . . 307
Chapter 2 . . . . . . . . . . . . . . . . . 16 Chapter 18 . . . . . . . . . . . . . . . 344
Chapter 3 . . . . . . . . . . . . . . . . . 29 Chapter 19 . . . . . . . . . . . . . . . . . . 7
Chapter 4 . . . . . . . . . . . . . . . . 44 Chapter 20 . . . . . . . . . . . . . . . . . 16
Chapter 5 . . . . . . . . . . . . . . . . . . . 71 Chapter 21 . . . . . . . . . . . . . . . . . 29
Chapter 6 . . . . . . . . . . . . . . . . . 95 Chapter 22 . . . . . . . . . . . . . . 44
Chapter 7 . . . . . . . . . . . . . . . . 109 Chapter 23 . . . . . . . . . . . . . . . . 71
Chapter 8 . . . . . . . . . . . . . . . . 126 Chapter 24 . . . . . . . . . . . . . . . . . 95
Chapter 9 . . . . . . . . . . . . . . . . . 140 Chapter 25 . . . . . . . . . . . . . . . . 109
Chapter 10 . . . . . . . . . . . . . . . . . 155 Chapter 26 . . . . . . . . . . . . . . . . 126
Chapter 11 . . . . . . . . . . . . . . . . . 175 Chapter 27 . . . . . . . . . . . . . . . . 140
Chapter 12 . . . . . . . . . . . . . . . . 204 Chapter 28 . . . . . . . . . . . . . . . 155
Chapter 13 . . . . . . . . . . . . . . . . 223 Chapter 29 . . . . . . . . . . . . . . . . 175
Chapter 14 . . . . . . . . . . . . . . . . 243 Chapter 30 . . . . . . . . . . . . . . . 204
Chapter 15 . . . . . . . . . . . . . . . 266 Chapter 31 . . . . . . . . . . . . . . 223
Chapter 16 . . . . . . . . . . . . . . . . 289 Chapter 32 . . . . . . . . . . . . . 243

8. introduction
First of all, I would like to say Alhamdulillah, for giving me
the strength and health to do this project work until it done
Not forgotten to my family for providing everything, such as
money, to buy anything that are related to this project work
and their advise, which is the most needed for this project.
Internet, books, computers and all that as my source to
complete this project. They also supported me and encouraged
me to complete this task so that I will not procrastinate in
doing it.
Then I would like to thank my teacher, Madam Seak Mea
Nyet for guiding me and my friends throughout this project.
We had some difficulties in doing this task, but she taught
us patiently until we knew what to do. She tried and tried to
teach us until we understand what we supposed to do with the
project work.
Somene Introduced
July 7, 1878

9. foreword
First of all, I would like to say Alhamdulillah, for giving me
the strength and health to do this project work until it done
Not forgotten to my family for providing everything, such as
money, to buy anything that are related to this project work
and their advise, which is the most needed for this project.
Internet, books, computers and all that as my source to
complete this project. They also supported me and encouraged
me to complete this task so that I will not procrastinate in
doing it.
Then I would like to thank my teacher, Madam Seak Mea
Nyet for guiding me and my friends throughout this project.
We had some difficulties in doing this task, but she taught
us patiently until we knew what to do. She tried and tried to
teach us until we understand what we supposed to do with the
project work.
Last but not least, my friends who were doing this project with
me and sharing our ideas. They were helpful that when we
combined and discussed together, we had this task done.

10. preface
First of all, I would like to say Alhamdulillah, for giving me
the strength and health to do this project work until it done
Not forgotten to my family for providing everything, such as
money, to buy anything that are related to this project work
and their advise, which is the most needed for this project.
Internet, books, computers and all that as my source to
complete this project. They also supported me and encouraged
me to complete this task so that I will not procrastinate in
doing it.
Then I would like to thank my teacher, Madam Seak Mea
Nyet for guiding me and my friends throughout this project.
We had some difficulties in doing this task, but she taught
us patiently until we knew what to do. She tried and tried to
teach us until we understand what we supposed to do with the
project work.
Last but not least, my friends who were doing this project with
me and sharing our ideas. They were helpful that when we
combined and discussed together, we had this task done.

11. prologue
First of all, I would like to say Alhamdulillah, for giving me
the strength and health to do this project work until it done
Not forgotten to my family for providing everything, such as
money, to buy anything that are related to this project work
and their advise, which is the most needed for this project.
Internet, books, computers and all that as my source to
complete this project. They also supported me and encouraged
me to complete this task so that I will not procrastinate in
doing it.
Then I would like to thank my teacher, Madam Seak Mea
Nyet for guiding me and my friends throughout this project.
We had some difficulties in doing this task, but she taught
us patiently until we knew what to do. She tried and tried to
teach us until we understand what we supposed to do with the
project work.
Last but not least, my friends who were doing this project with
me and sharing our ideas. They were helpful that when we
combined and discussed together, we had this task done.

12. Jane Eyre
chapter 1
There was no possibility of taking a walk that day. We had been
!"#$%&'#()*'#$%%$)*'#*+,%*-%".%//*/,&011%&2*"#*,30&*'#*+,%*43&#'#(5*
but since dinner (Mrs. Reed, when there was no company, dined
early) the cold winter wind had brought with it clouds so sombre, and
a rain so penetrating, that further out­door exercise was now out of
the question.
I was glad of it: I never liked long walks, especially on chilly
afternoons: dreadful to me was the coming home in the raw twilight,
!'+,*#'66%$*7#(%&/*"#$*+3%/)*"#$*"*,%"&+*/"$$%#%$*12*+,%*8,'$'#(/*
of Bessie, the nurse, and humbled by the consciousness of my physical
inferiority to Eliza, John, and Georgiana Reed.
The said Eliza, John, and Georgiana were now clustered round
their mama in the drawing­room: she lay reclined on a sofa by
+,%*7&%/'$%)*"#$*!'+,*,%&*$"&-'#(/*"130+*,%&*9:3&*+,%*+'4%*#%'+,%&*
quarrelling nor crying) looked perfectly happy. Me, she had
$'/6%#/%$*:&34*;3'#'#(*+,%*(&3065*/"2'#()*<=,%*&%(&%++%$*+3*1%*0#$%&*
+,%*#%8%//'+2*3:*>%%6'#(*4%*"+*"*$'/+"#8%5*10+*+,"+*0#+'-*/,%*,%"&$*
from Bessie, and could discover by her own observation, that I was
1

13. Charlotte Bronte Jane Eyre
endeavouring in good earnest to acquire a more sociable and childlike
disposition, a more attractive and sprightly manner – something
lighter, franker, more natural, as it were – she really must
exclude me from privileges intended only for contented, happy, little
8,'-$&%#?<*
<@,"+*$3%/*A%//'%*/"2*B*,"C%*$3#%D<*B*"/>%$?*
E"#%)*B*$3#F+*-'>%*8"C'--%&/*3&*G0%/+'3#%&/5*1%/'$%/)*+,%&%*'/*/34%+,'#(*
truly forbidding in a child taking up her elders in that manner.
A%*/%"+%$*/34%!,%&%5*"#$*0#+'-*230*8"#*/6%">*6-%"/"#+-2)*&%4"'#*
/'-%#+?<*
A breakfast­room adjoined the drawing­room, I slipped in there. It
contained a bookcase: I soon possessed myself of a volume, taking care
that it should be one stored with pictures. I mounted into the window­
/%"+H*("+,%&'#(*06*42*:%%+)*B*/"+*8&3//I-%((%$)*-'>%*"*J0&>5*"#$)*
having drawn the red moreen curtain nearly close, I was shrined
in double retirement. Folds of scarlet drapery shut in my view to the
&'(,+*,"#$5*+3*+,%*-%:+*!%&%*+,%*8-%"&*6"#%/*3:*(-"//)*6&3+%8+'#()*10+*
not separating me from the drear November day. At intervals, while
turning over the leaves of my book, I studied the aspect of that winter
1 1

14. Charlotte Bronte Jane Eyre
":+%&#33#?*K:"&)*'+*3%&%$*"*6"-%*1-"#>*3:*4'/+*"#$*8-30$5*#%"&*"* &'(30&/*3:*%R+&%4%*83-$?<*M:*+,%/%*$%"+,I!,'+%*&%"-4/*B*:3&4%$*"#*
scene of wet lawn and storm­beat shrub, with ceaseless rain sweeping idea of my own: shadowy, like all the half­comprehended notions
away wildly before a long and lamentable blast. +,"+*.3"+*$'4*+,&30(,*8,'-$&%#F/*1&"'#/)*10+*/+&"#(%-2*'46&%//'C%?*
The words in these introductory pages connected themselves with the
I returned to my book – Bewick’s History of British Birds: the /088%%$'#(*C'(#%++%/)*"#$*("C%*/'(#'78"#8%*+3*+,%*&38>*/+"#$'#(*06*
-%++%&6&%//*+,%&%3:*B*8"&%$*-'++-%*:3&)*(%#%&"--2*/6%">'#(5*"#$*2%+* "-3#%*'#*"*/%"*3:*1'--3!*"#$*/6&"25*+3*+,%*1&3>%#*13"+*/+&"#$%$*3#*"*
there were certain introductory pages that, child as I was, I could $%/3-"+%*83"/+5*+3*+,%*83-$*"#$*(,"/+-2*433#*(-"#8'#(*+,&30(,*1"&/*3:*
not pass quite as a blank. They were those which treat of the haunts cloud at a wreck just sinking.
3:*/%"I:3!-5*3:*<+,%*/3-'+"&2*&38>/*"#$*6&343#+3&'%/<*12*+,%4*
3#-2*'#,"1'+%$5*3:*+,%*83"/+*3:*L3&!"2)*/+0$$%$*!'+,*'/-%/*:&34*'+/* I cannot tell what sentiment haunted the quite solitary churchyard,
southern extremity, the Lindeness, or Naze, to the North Cape ­ !'+,*'+/*'#/8&'1%$*,%"$/+3#%5*'+/*("+%)*'+/*+!3*+&%%/)*'+/*-3!*,3&'S3#)*
girdled by a broken wall, and its newly­risen crescent, attesting the
Where the Northern Ocean, in vast whirls, Boils round the naked, hour of eventide.
4%-"#8,3-2*'/-%/*M:*:"&+,%/+*J,0-%5*"#$*+,%*K+-"#+'8*/0&(%*N30&/*'#*
"43#(*+,%*/+3&42*O%1&'$%/?<* The two ships becalmed on a torpid sea, I believed to be marine
6,"#+34/?*J,%*7%#$*6'##'#(*$3!#*+,%*+,'%:*F/*6"8>*1%,'#$*,'4)*B*
Nor could I pass unnoticed the suggestion of the bleak shores of passed over quickly: it was an ob ject of terror.
Lapland, Siberia, Spitzbergen, Nova Zembla, Iceland, Greenland, So was the black horned thing seated aloof on a rock, surveying a
!'+,*<+,%*C"/+*/!%%6*3:*+,%*K&8+'8*P3#%)*"#$*+,3/%*:3&-3&#*&%('3#/*3:* distant crowd surrounding a gallows.
$&%"&2*/6"8%)*Q*+,"+*&%/%&C3'&*3:*:&3/+*"#$*/#3!)*!,%&%*7&4*7%-$/*
of ice, the accumulation of centuries of winters, glazed in Alpine T"8,*6'8+0&%*+3-$*"*/+3&25*42/+%&'30/*3:+%#*+3*42*0#$%C%-36%$*
heights above heights, surround the pole, and concentre the multiplied understanding and imperfect feelings, yet ever profoundly interesting:
1 1

15. Jane Eyre
chapter 2
There was no possibility of taking a walk that day. We had been
!"#$%&'#()*'#$%%$)*'#*+,%*-%".%//*/,&011%&2*"#*,30&*'#*+,%*43&#'#(5*
but since dinner (Mrs. Reed, when there was no company, dined
early) the cold winter wind had brought with it clouds so sombre, and
a rain so penetrating, that further out­door exercise was now out of
the question.
I was glad of it: I never liked long walks, especially on chilly
afternoons: dreadful to me was the coming home in the raw twilight,
!'+,*#'66%$*7#(%&/*"#$*+3%/)*"#$*"*,%"&+*/"$$%#%$*12*+,%*8,'$'#(/*
of Bessie, the nurse, and humbled by the consciousness of my physical
inferiority to Eliza, John, and Georgiana Reed.
The said Eliza, John, and Georgiana were now clustered round
their mama in the drawing­room: she lay reclined on a sofa by
+,%*7&%/'$%)*"#$*!'+,*,%&*$"&-'#(/*"130+*,%&*9:3&*+,%*+'4%*#%'+,%&*
quarrelling nor crying) looked perfectly happy. Me, she had
$'/6%#/%$*:&34*;3'#'#(*+,%*(&3065*/"2'#()*<=,%*&%(&%++%$*+3*1%*0#$%&*
+,%*#%8%//'+2*3:*>%%6'#(*4%*"+*"*$'/+"#8%5*10+*+,"+*0#+'-*/,%*,%"&$*
from Bessie, and could discover by her own observation, that I was
1

16. Charlotte Bronte Jane Eyre
endeavouring in good earnest to acquire a more sociable and childlike
disposition, a more attractive and sprightly manner – something
lighter, franker, more natural, as it were – she really must
exclude me from privileges intended only for contented, happy, little
8,'-$&%#?<*
<@,"+*$3%/*A%//'%*/"2*B*,"C%*$3#%D<*B*"/>%$?*
E"#%)*B*$3#F+*-'>%*8"C'--%&/*3&*G0%/+'3#%&/5*1%/'$%/)*+,%&%*'/*/34%+,'#(*
truly forbidding in a child taking up her elders in that manner.
A%*/%"+%$*/34%!,%&%5*"#$*0#+'-*230*8"#*/6%">*6-%"/"#+-2)*&%4"'#*
/'-%#+?<*
A breakfast­room adjoined the drawing­room, I slipped in there. It
contained a bookcase: I soon possessed myself of a volume, taking care
that it should be one stored with pictures. I mounted into the window­
/%"+H*("+,%&'#(*06*42*:%%+)*B*/"+*8&3//I-%((%$)*-'>%*"*J0&>5*"#$)*
having drawn the red moreen curtain nearly close, I was shrined
in double retirement. Folds of scarlet drapery shut in my view to the
&'(,+*,"#$5*+3*+,%*-%:+*!%&%*+,%*8-%"&*6"#%/*3:*(-"//)*6&3+%8+'#()*10+*
not separating me from the drear November day. At intervals, while
turning over the leaves of my book, I studied the aspect of that winter
1 1

17. Charlotte Bronte Jane Eyre
":+%&#33#?*K:"&)*'+*3%&%$*"*6"-%*1-"#>*3:*4'/+*"#$*8-30$5*#%"&*"* &'(30&/*3:*%R+&%4%*83-$?<*M:*+,%/%*$%"+,I!,'+%*&%"-4/*B*:3&4%$*"#*
scene of wet lawn and storm­beat shrub, with ceaseless rain sweeping idea of my own: shadowy, like all the half­comprehended notions
away wildly before a long and lamentable blast. +,"+*.3"+*$'4*+,&30(,*8,'-$&%#F/*1&"'#/)*10+*/+&"#(%-2*'46&%//'C%?*
The words in these introductory pages connected themselves with the
I returned to my book – Bewick’s History of British Birds: the /088%%$'#(*C'(#%++%/)*"#$*("C%*/'(#'78"#8%*+3*+,%*&38>*/+"#$'#(*06*
-%++%&6&%//*+,%&%3:*B*8"&%$*-'++-%*:3&)*(%#%&"--2*/6%">'#(5*"#$*2%+* "-3#%*'#*"*/%"*3:*1'--3!*"#$*/6&"25*+3*+,%*1&3>%#*13"+*/+&"#$%$*3#*"*
there were certain introductory pages that, child as I was, I could $%/3-"+%*83"/+5*+3*+,%*83-$*"#$*(,"/+-2*433#*(-"#8'#(*+,&30(,*1"&/*3:*
not pass quite as a blank. They were those which treat of the haunts cloud at a wreck just sinking.
3:*/%"I:3!-5*3:*<+,%*/3-'+"&2*&38>/*"#$*6&343#+3&'%/<*12*+,%4*
3#-2*'#,"1'+%$5*3:*+,%*83"/+*3:*L3&!"2)*/+0$$%$*!'+,*'/-%/*:&34*'+/* I cannot tell what sentiment haunted the quite solitary churchyard,
southern extremity, the Lindeness, or Naze, to the North Cape ­ !'+,*'+/*'#/8&'1%$*,%"$/+3#%5*'+/*("+%)*'+/*+!3*+&%%/)*'+/*-3!*,3&'S3#)*
girdled by a broken wall, and its newly­risen crescent, attesting the
Where the Northern Ocean, in vast whirls, Boils round the naked, hour of eventide.
4%-"#8,3-2*'/-%/*M:*:"&+,%/+*J,0-%5*"#$*+,%*K+-"#+'8*/0&(%*N30&/*'#*
"43#(*+,%*/+3&42*O%1&'$%/?<* The two ships becalmed on a torpid sea, I believed to be marine
6,"#+34/?*J,%*7%#$*6'##'#(*$3!#*+,%*+,'%:*F/*6"8>*1%,'#$*,'4)*B*
Nor could I pass unnoticed the suggestion of the bleak shores of passed over quickly: it was an ob ject of terror.
Lapland, Siberia, Spitzbergen, Nova Zembla, Iceland, Greenland, So was the black horned thing seated aloof on a rock, surveying a
!'+,*<+,%*C"/+*/!%%6*3:*+,%*K&8+'8*P3#%)*"#$*+,3/%*:3&-3&#*&%('3#/*3:* distant crowd surrounding a gallows.
$&%"&2*/6"8%)*Q*+,"+*&%/%&C3'&*3:*:&3/+*"#$*/#3!)*!,%&%*7&4*7%-$/*
of ice, the accumulation of centuries of winters, glazed in Alpine T"8,*6'8+0&%*+3-$*"*/+3&25*42/+%&'30/*3:+%#*+3*42*0#$%C%-36%$*
heights above heights, surround the pole, and concentre the multiplied understanding and imperfect feelings, yet ever profoundly interesting:
1 1

18. Jane Eyre
chapter 2
There was no possibility of taking a walk that day. We had been
!"#$%&'#()*'#$%%$)*'#*+,%*-%".%//*/,&011%&2*"#*,30&*'#*+,%*43&#'#(5*
but since dinner (Mrs. Reed, when there was no company, dined
early) the cold winter wind had brought with it clouds so sombre, and
a rain so penetrating, that further out­door exercise was now out of
the question.
I was glad of it: I never liked long walks, especially on chilly
afternoons: dreadful to me was the coming home in the raw twilight,
!'+,*#'66%$*7#(%&/*"#$*+3%/)*"#$*"*,%"&+*/"$$%#%$*12*+,%*8,'$'#(/*
of Bessie, the nurse, and humbled by the consciousness of my physical
inferiority to Eliza, John, and Georgiana Reed.
The said Eliza, John, and Georgiana were now clustered round
their mama in the drawing­room: she lay reclined on a sofa by
+,%*7&%/'$%)*"#$*!'+,*,%&*$"&-'#(/*"130+*,%&*9:3&*+,%*+'4%*#%'+,%&*
quarrelling nor crying) looked perfectly happy. Me, she had
$'/6%#/%$*:&34*;3'#'#(*+,%*(&3065*/"2'#()*<=,%*&%(&%++%$*+3*1%*0#$%&*
+,%*#%8%//'+2*3:*>%%6'#(*4%*"+*"*$'/+"#8%5*10+*+,"+*0#+'-*/,%*,%"&$*
from Bessie, and could discover by her own observation, that I was
1

19. Charlotte Bronte Jane Eyre
endeavouring in good earnest to acquire a more sociable and childlike
disposition, a more attractive and sprightly manner – something
lighter, franker, more natural, as it were – she really must
exclude me from privileges intended only for contented, happy, little
8,'-$&%#?<*
<@,"+*$3%/*A%//'%*/"2*B*,"C%*$3#%D<*B*"/>%$?*
E"#%)*B*$3#F+*-'>%*8"C'--%&/*3&*G0%/+'3#%&/5*1%/'$%/)*+,%&%*'/*/34%+,'#(*
truly forbidding in a child taking up her elders in that manner.
A%*/%"+%$*/34%!,%&%5*"#$*0#+'-*230*8"#*/6%">*6-%"/"#+-2)*&%4"'#*
/'-%#+?<*
A breakfast­room adjoined the drawing­room, I slipped in there. It
contained a bookcase: I soon possessed myself of a volume, taking care
that it should be one stored with pictures. I mounted into the window­
/%"+H*("+,%&'#(*06*42*:%%+)*B*/"+*8&3//I-%((%$)*-'>%*"*J0&>5*"#$)*
having drawn the red moreen curtain nearly close, I was shrined
in double retirement. Folds of scarlet drapery shut in my view to the
&'(,+*,"#$5*+3*+,%*-%:+*!%&%*+,%*8-%"&*6"#%/*3:*(-"//)*6&3+%8+'#()*10+*
not separating me from the drear November day. At intervals, while
turning over the leaves of my book, I studied the aspect of that winter
1 1

20. Charlotte Bronte Jane Eyre
":+%&#33#?*K:"&)*'+*3%&%$*"*6"-%*1-"#>*3:*4'/+*"#$*8-30$5*#%"&*"* &'(30&/*3:*%R+&%4%*83-$?<*M:*+,%/%*$%"+,I!,'+%*&%"-4/*B*:3&4%$*"#*
scene of wet lawn and storm­beat shrub, with ceaseless rain sweeping idea of my own: shadowy, like all the half­comprehended notions
away wildly before a long and lamentable blast. +,"+*.3"+*$'4*+,&30(,*8,'-$&%#F/*1&"'#/)*10+*/+&"#(%-2*'46&%//'C%?*
The words in these introductory pages connected themselves with the
I returned to my book – Bewick’s History of British Birds: the /088%%$'#(*C'(#%++%/)*"#$*("C%*/'(#'78"#8%*+3*+,%*&38>*/+"#$'#(*06*
-%++%&6&%//*+,%&%3:*B*8"&%$*-'++-%*:3&)*(%#%&"--2*/6%">'#(5*"#$*2%+* "-3#%*'#*"*/%"*3:*1'--3!*"#$*/6&"25*+3*+,%*1&3>%#*13"+*/+&"#$%$*3#*"*
there were certain introductory pages that, child as I was, I could $%/3-"+%*83"/+5*+3*+,%*83-$*"#$*(,"/+-2*433#*(-"#8'#(*+,&30(,*1"&/*3:*
not pass quite as a blank. They were those which treat of the haunts cloud at a wreck just sinking.
3:*/%"I:3!-5*3:*<+,%*/3-'+"&2*&38>/*"#$*6&343#+3&'%/<*12*+,%4*
3#-2*'#,"1'+%$5*3:*+,%*83"/+*3:*L3&!"2)*/+0$$%$*!'+,*'/-%/*:&34*'+/* I cannot tell what sentiment haunted the quite solitary churchyard,
southern extremity, the Lindeness, or Naze, to the North Cape ­ !'+,*'+/*'#/8&'1%$*,%"$/+3#%5*'+/*("+%)*'+/*+!3*+&%%/)*'+/*-3!*,3&'S3#)*
girdled by a broken wall, and its newly­risen crescent, attesting the
Where the Northern Ocean, in vast whirls, Boils round the naked, hour of eventide.
4%-"#8,3-2*'/-%/*M:*:"&+,%/+*J,0-%5*"#$*+,%*K+-"#+'8*/0&(%*N30&/*'#*
"43#(*+,%*/+3&42*O%1&'$%/?<* The two ships becalmed on a torpid sea, I believed to be marine
6,"#+34/?*J,%*7%#$*6'##'#(*$3!#*+,%*+,'%:*F/*6"8>*1%,'#$*,'4)*B*
Nor could I pass unnoticed the suggestion of the bleak shores of passed over quickly: it was an ob ject of terror.
Lapland, Siberia, Spitzbergen, Nova Zembla, Iceland, Greenland, So was the black horned thing seated aloof on a rock, surveying a
!'+,*<+,%*C"/+*/!%%6*3:*+,%*K&8+'8*P3#%)*"#$*+,3/%*:3&-3&#*&%('3#/*3:* distant crowd surrounding a gallows.
$&%"&2*/6"8%)*Q*+,"+*&%/%&C3'&*3:*:&3/+*"#$*/#3!)*!,%&%*7&4*7%-$/*
of ice, the accumulation of centuries of winters, glazed in Alpine T"8,*6'8+0&%*+3-$*"*/+3&25*42/+%&'30/*3:+%#*+3*42*0#$%C%-36%$*
heights above heights, surround the pole, and concentre the multiplied understanding and imperfect feelings, yet ever profoundly interesting:
1 1

21. Jane Eyre
chapter 3
There was no possibility of taking a walk that day. We had been
!"#$%&'#()*'#$%%$)*'#*+,%*-%".%//*/,&011%&2*"#*,30&*'#*+,%*43&#'#(5*
but since dinner (Mrs. Reed, when there was no company, dined
early) the cold winter wind had brought with it clouds so sombre, and
a rain so penetrating, that further out­door exercise was now out of
the question.
I was glad of it: I never liked long walks, especially on chilly
afternoons: dreadful to me was the coming home in the raw twilight,
!'+,*#'66%$*7#(%&/*"#$*+3%/)*"#$*"*,%"&+*/"$$%#%$*12*+,%*8,'$'#(/*
of Bessie, the nurse, and humbled by the consciousness of my physical
inferiority to Eliza, John, and Georgiana Reed.
The said Eliza, John, and Georgiana were now clustered round
their mama in the drawing­room: she lay reclined on a sofa by
+,%*7&%/'$%)*"#$*!'+,*,%&*$"&-'#(/*"130+*,%&*9:3&*+,%*+'4%*#%'+,%&*
quarrelling nor crying) looked perfectly happy. Me, she had
$'/6%#/%$*:&34*;3'#'#(*+,%*(&3065*/"2'#()*<=,%*&%(&%++%$*+3*1%*0#$%&*
+,%*#%8%//'+2*3:*>%%6'#(*4%*"+*"*$'/+"#8%5*10+*+,"+*0#+'-*/,%*,%"&$*
from Bessie, and could discover by her own observation, that I was
1

22. Charlotte Bronte Jane Eyre
endeavouring in good earnest to acquire a more sociable and childlike
disposition, a more attractive and sprightly manner – something
lighter, franker, more natural, as it were – she really must
exclude me from privileges intended only for contented, happy, little
8,'-$&%#?<*
<@,"+*$3%/*A%//'%*/"2*B*,"C%*$3#%D<*B*"/>%$?*
E"#%)*B*$3#F+*-'>%*8"C'--%&/*3&*G0%/+'3#%&/5*1%/'$%/)*+,%&%*'/*/34%+,'#(*
truly forbidding in a child taking up her elders in that manner.
A%*/%"+%$*/34%!,%&%5*"#$*0#+'-*230*8"#*/6%">*6-%"/"#+-2)*&%4"'#*
/'-%#+?<*
A breakfast­room adjoined the drawing­room, I slipped in there. It
contained a bookcase: I soon possessed myself of a volume, taking care
that it should be one stored with pictures. I mounted into the window­
/%"+H*("+,%&'#(*06*42*:%%+)*B*/"+*8&3//I-%((%$)*-'>%*"*J0&>5*"#$)*
having drawn the red moreen curtain nearly close, I was shrined
in double retirement. Folds of scarlet drapery shut in my view to the
&'(,+*,"#$5*+3*+,%*-%:+*!%&%*+,%*8-%"&*6"#%/*3:*(-"//)*6&3+%8+'#()*10+*
not separating me from the drear November day. At intervals, while
turning over the leaves of my book, I studied the aspect of that winter
1 1

23. Charlotte Bronte Jane Eyre
":+%&#33#?*K:"&)*'+*3%&%$*"*6"-%*1-"#>*3:*4'/+*"#$*8-30$5*#%"&*"* &'(30&/*3:*%R+&%4%*83-$?<*M:*+,%/%*$%"+,I!,'+%*&%"-4/*B*:3&4%$*"#*
scene of wet lawn and storm­beat shrub, with ceaseless rain sweeping idea of my own: shadowy, like all the half­comprehended notions
away wildly before a long and lamentable blast. +,"+*.3"+*$'4*+,&30(,*8,'-$&%#F/*1&"'#/)*10+*/+&"#(%-2*'46&%//'C%?*
The words in these introductory pages connected themselves with the
I returned to my book – Bewick’s History of British Birds: the /088%%$'#(*C'(#%++%/)*"#$*("C%*/'(#'78"#8%*+3*+,%*&38>*/+"#$'#(*06*
-%++%&6&%//*+,%&%3:*B*8"&%$*-'++-%*:3&)*(%#%&"--2*/6%">'#(5*"#$*2%+* "-3#%*'#*"*/%"*3:*1'--3!*"#$*/6&"25*+3*+,%*1&3>%#*13"+*/+&"#$%$*3#*"*
there were certain introductory pages that, child as I was, I could $%/3-"+%*83"/+5*+3*+,%*83-$*"#$*(,"/+-2*433#*(-"#8'#(*+,&30(,*1"&/*3:*
not pass quite as a blank. They were those which treat of the haunts cloud at a wreck just sinking.
3:*/%"I:3!-5*3:*<+,%*/3-'+"&2*&38>/*"#$*6&343#+3&'%/<*12*+,%4*
3#-2*'#,"1'+%$5*3:*+,%*83"/+*3:*L3&!"2)*/+0$$%$*!'+,*'/-%/*:&34*'+/* I cannot tell what sentiment haunted the quite solitary churchyard,
southern extremity, the Lindeness, or Naze, to the North Cape ­ !'+,*'+/*'#/8&'1%$*,%"$/+3#%5*'+/*("+%)*'+/*+!3*+&%%/)*'+/*-3!*,3&'S3#)*
girdled by a broken wall, and its newly­risen crescent, attesting the
Where the Northern Ocean, in vast whirls, Boils round the naked, hour of eventide.
4%-"#8,3-2*'/-%/*M:*:"&+,%/+*J,0-%5*"#$*+,%*K+-"#+'8*/0&(%*N30&/*'#*
"43#(*+,%*/+3&42*O%1&'$%/?<* The two ships becalmed on a torpid sea, I believed to be marine
6,"#+34/?*J,%*7%#$*6'##'#(*$3!#*+,%*+,'%:*F/*6"8>*1%,'#$*,'4)*B*
Nor could I pass unnoticed the suggestion of the bleak shores of passed over quickly: it was an ob ject of terror.
Lapland, Siberia, Spitzbergen, Nova Zembla, Iceland, Greenland, So was the black horned thing seated aloof on a rock, surveying a
!'+,*<+,%*C"/+*/!%%6*3:*+,%*K&8+'8*P3#%)*"#$*+,3/%*:3&-3&#*&%('3#/*3:* distant crowd surrounding a gallows.
$&%"&2*/6"8%)*Q*+,"+*&%/%&C3'&*3:*:&3/+*"#$*/#3!)*!,%&%*7&4*7%-$/*
of ice, the accumulation of centuries of winters, glazed in Alpine T"8,*6'8+0&%*+3-$*"*/+3&25*42/+%&'30/*3:+%#*+3*42*0#$%C%-36%$*
heights above heights, surround the pole, and concentre the multiplied understanding and imperfect feelings, yet ever profoundly interesting:
1 1

24. Jane Eyre
chapter 3
There was no possibility of taking a walk that day. We had been
!"#$%&'#()*'#$%%$)*'#*+,%*-%".%//*/,&011%&2*"#*,30&*'#*+,%*43&#'#(5*
but since dinner (Mrs. Reed, when there was no company, dined
early) the cold winter wind had brought with it clouds so sombre, and
a rain so penetrating, that further out­door exercise was now out of
the question.
I was glad of it: I never liked long walks, especially on chilly
afternoons: dreadful to me was the coming home in the raw twilight,
!'+,*#'66%$*7#(%&/*"#$*+3%/)*"#$*"*,%"&+*/"$$%#%$*12*+,%*8,'$'#(/*
of Bessie, the nurse, and humbled by the consciousness of my physical
inferiority to Eliza, John, and Georgiana Reed.
The said Eliza, John, and Georgiana were now clustered round
their mama in the drawing­room: she lay reclined on a sofa by
+,%*7&%/'$%)*"#$*!'+,*,%&*$"&-'#(/*"130+*,%&*9:3&*+,%*+'4%*#%'+,%&*
quarrelling nor crying) looked perfectly happy. Me, she had
$'/6%#/%$*:&34*;3'#'#(*+,%*(&3065*/"2'#()*<=,%*&%(&%++%$*+3*1%*0#$%&*
+,%*#%8%//'+2*3:*>%%6'#(*4%*"+*"*$'/+"#8%5*10+*+,"+*0#+'-*/,%*,%"&$*
from Bessie, and could discover by her own observation, that I was
1

25. Charlotte Bronte Jane Eyre
endeavouring in good earnest to acquire a more sociable and childlike
disposition, a more attractive and sprightly manner – something
lighter, franker, more natural, as it were – she really must
exclude me from privileges intended only for contented, happy, little
8,'-$&%#?<*
<@,"+*$3%/*A%//'%*/"2*B*,"C%*$3#%D<*B*"/>%$?*
E"#%)*B*$3#F+*-'>%*8"C'--%&/*3&*G0%/+'3#%&/5*1%/'$%/)*+,%&%*'/*/34%+,'#(*
truly forbidding in a child taking up her elders in that manner.
A%*/%"+%$*/34%!,%&%5*"#$*0#+'-*230*8"#*/6%">*6-%"/"#+-2)*&%4"'#*
/'-%#+?<*
A breakfast­room adjoined the drawing­room, I slipped in there. It
contained a bookcase: I soon possessed myself of a volume, taking care
that it should be one stored with pictures. I mounted into the window­
/%"+H*("+,%&'#(*06*42*:%%+)*B*/"+*8&3//I-%((%$)*-'>%*"*J0&>5*"#$)*
having drawn the red moreen curtain nearly close, I was shrined
in double retirement. Folds of scarlet drapery shut in my view to the
&'(,+*,"#$5*+3*+,%*-%:+*!%&%*+,%*8-%"&*6"#%/*3:*(-"//)*6&3+%8+'#()*10+*
not separating me from the drear November day. At intervals, while
turning over the leaves of my book, I studied the aspect of that winter
1 1

26. Charlotte Bronte Jane Eyre
":+%&#33#?*K:"&)*'+*3%&%$*"*6"-%*1-"#>*3:*4'/+*"#$*8-30$5*#%"&*"* &'(30&/*3:*%R+&%4%*83-$?<*M:*+,%/%*$%"+,I!,'+%*&%"-4/*B*:3&4%$*"#*
scene of wet lawn and storm­beat shrub, with ceaseless rain sweeping idea of my own: shadowy, like all the half­comprehended notions
away wildly before a long and lamentable blast. +,"+*.3"+*$'4*+,&30(,*8,'-$&%#F/*1&"'#/)*10+*/+&"#(%-2*'46&%//'C%?*
The words in these introductory pages connected themselves with the
I returned to my book – Bewick’s History of British Birds: the /088%%$'#(*C'(#%++%/)*"#$*("C%*/'(#'78"#8%*+3*+,%*&38>*/+"#$'#(*06*
-%++%&6&%//*+,%&%3:*B*8"&%$*-'++-%*:3&)*(%#%&"--2*/6%">'#(5*"#$*2%+* "-3#%*'#*"*/%"*3:*1'--3!*"#$*/6&"25*+3*+,%*1&3>%#*13"+*/+&"#$%$*3#*"*
there were certain introductory pages that, child as I was, I could $%/3-"+%*83"/+5*+3*+,%*83-$*"#$*(,"/+-2*433#*(-"#8'#(*+,&30(,*1"&/*3:*
not pass quite as a blank. They were those which treat of the haunts cloud at a wreck just sinking.
3:*/%"I:3!-5*3:*<+,%*/3-'+"&2*&38>/*"#$*6&343#+3&'%/<*12*+,%4*
3#-2*'#,"1'+%$5*3:*+,%*83"/+*3:*L3&!"2)*/+0$$%$*!'+,*'/-%/*:&34*'+/* I cannot tell what sentiment haunted the quite solitary churchyard,
southern extremity, the Lindeness, or Naze, to the North Cape ­ !'+,*'+/*'#/8&'1%$*,%"$/+3#%5*'+/*("+%)*'+/*+!3*+&%%/)*'+/*-3!*,3&'S3#)*
girdled by a broken wall, and its newly­risen crescent, attesting the
Where the Northern Ocean, in vast whirls, Boils round the naked, hour of eventide.
4%-"#8,3-2*'/-%/*M:*:"&+,%/+*J,0-%5*"#$*+,%*K+-"#+'8*/0&(%*N30&/*'#*
"43#(*+,%*/+3&42*O%1&'$%/?<* The two ships becalmed on a torpid sea, I believed to be marine
6,"#+34/?*J,%*7%#$*6'##'#(*$3!#*+,%*+,'%:*F/*6"8>*1%,'#$*,'4)*B*
Nor could I pass unnoticed the suggestion of the bleak shores of passed over quickly: it was an ob ject of terror.
Lapland, Siberia, Spitzbergen, Nova Zembla, Iceland, Greenland, So was the black horned thing seated aloof on a rock, surveying a
!'+,*<+,%*C"/+*/!%%6*3:*+,%*K&8+'8*P3#%)*"#$*+,3/%*:3&-3&#*&%('3#/*3:* distant crowd surrounding a gallows.
$&%"&2*/6"8%)*Q*+,"+*&%/%&C3'&*3:*:&3/+*"#$*/#3!)*!,%&%*7&4*7%-$/*
of ice, the accumulation of centuries of winters, glazed in Alpine T"8,*6'8+0&%*+3-$*"*/+3&25*42/+%&'30/*3:+%#*+3*42*0#$%C%-36%$*
heights above heights, surround the pole, and concentre the multiplied understanding and imperfect feelings, yet ever profoundly interesting:
1 1

27. Jane Eyre
chapter 3
There was no possibility of taking a walk that day. We had been
!"#$%&'#()*'#$%%$)*'#*+,%*-%".%//*/,&011%&2*"#*,30&*'#*+,%*43&#'#(5*
but since dinner (Mrs. Reed, when there was no company, dined
early) the cold winter wind had brought with it clouds so sombre, and
a rain so penetrating, that further out­door exercise was now out of
the question.
I was glad of it: I never liked long walks, especially on chilly
afternoons: dreadful to me was the coming home in the raw twilight,
!'+,*#'66%$*7#(%&/*"#$*+3%/)*"#$*"*,%"&+*/"$$%#%$*12*+,%*8,'$'#(/*
of Bessie, the nurse, and humbled by the consciousness of my physical
inferiority to Eliza, John, and Georgiana Reed.
The said Eliza, John, and Georgiana were now clustered round
their mama in the drawing­room: she lay reclined on a sofa by
+,%*7&%/'$%)*"#$*!'+,*,%&*$"&-'#(/*"130+*,%&*9:3&*+,%*+'4%*#%'+,%&*
quarrelling nor crying) looked perfectly happy. Me, she had
$'/6%#/%$*:&34*;3'#'#(*+,%*(&3065*/"2'#()*<=,%*&%(&%++%$*+3*1%*0#$%&*
+,%*#%8%//'+2*3:*>%%6'#(*4%*"+*"*$'/+"#8%5*10+*+,"+*0#+'-*/,%*,%"&$*
from Bessie, and could discover by her own observation, that I was
1

28. Charlotte Bronte Jane Eyre
endeavouring in good earnest to acquire a more sociable and childlike
disposition, a more attractive and sprightly manner – something
lighter, franker, more natural, as it were – she really must
exclude me from privileges intended only for contented, happy, little
8,'-$&%#?<*
<@,"+*$3%/*A%//'%*/"2*B*,"C%*$3#%D<*B*"/>%$?*
E"#%)*B*$3#F+*-'>%*8"C'--%&/*3&*G0%/+'3#%&/5*1%/'$%/)*+,%&%*'/*/34%+,'#(*
truly forbidding in a child taking up her elders in that manner.
A%*/%"+%$*/34%!,%&%5*"#$*0#+'-*230*8"#*/6%">*6-%"/"#+-2)*&%4"'#*
/'-%#+?<*
A breakfast­room adjoined the drawing­room, I slipped in there. It
contained a bookcase: I soon possessed myself of a volume, taking care
that it should be one stored with pictures. I mounted into the window­
/%"+H*("+,%&'#(*06*42*:%%+)*B*/"+*8&3//I-%((%$)*-'>%*"*J0&>5*"#$)*
having drawn the red moreen curtain nearly close, I was shrined
in double retirement. Folds of scarlet drapery shut in my view to the
&'(,+*,"#$5*+3*+,%*-%:+*!%&%*+,%*8-%"&*6"#%/*3:*(-"//)*6&3+%8+'#()*10+*
not separating me from the drear November day. At intervals, while
turning over the leaves of my book, I studied the aspect of that winter
1 1

29. Charlotte Bronte Jane Eyre
":+%&#33#?*K:"&)*'+*3%&%$*"*6"-%*1-"#>*3:*4'/+*"#$*8-30$5*#%"&*"* &'(30&/*3:*%R+&%4%*83-$?<*M:*+,%/%*$%"+,I!,'+%*&%"-4/*B*:3&4%$*"#*
scene of wet lawn and storm­beat shrub, with ceaseless rain sweeping idea of my own: shadowy, like all the half­comprehended notions
away wildly before a long and lamentable blast. +,"+*.3"+*$'4*+,&30(,*8,'-$&%#F/*1&"'#/)*10+*/+&"#(%-2*'46&%//'C%?*
The words in these introductory pages connected themselves with the
I returned to my book – Bewick’s History of British Birds: the /088%%$'#(*C'(#%++%/)*"#$*("C%*/'(#'78"#8%*+3*+,%*&38>*/+"#$'#(*06*
-%++%&6&%//*+,%&%3:*B*8"&%$*-'++-%*:3&)*(%#%&"--2*/6%">'#(5*"#$*2%+* "-3#%*'#*"*/%"*3:*1'--3!*"#$*/6&"25*+3*+,%*1&3>%#*13"+*/+&"#$%$*3#*"*
there were certain introductory pages that, child as I was, I could $%/3-"+%*83"/+5*+3*+,%*83-$*"#$*(,"/+-2*433#*(-"#8'#(*+,&30(,*1"&/*3:*
not pass quite as a blank. They were those which treat of the haunts cloud at a wreck just sinking.
3:*/%"I:3!-5*3:*<+,%*/3-'+"&2*&38>/*"#$*6&343#+3&'%/<*12*+,%4*
3#-2*'#,"1'+%$5*3:*+,%*83"/+*3:*L3&!"2)*/+0$$%$*!'+,*'/-%/*:&34*'+/* I cannot tell what sentiment haunted the quite solitary churchyard,
southern extremity, the Lindeness, or Naze, to the North Cape ­ !'+,*'+/*'#/8&'1%$*,%"$/+3#%5*'+/*("+%)*'+/*+!3*+&%%/)*'+/*-3!*,3&'S3#)*
girdled by a broken wall, and its newly­risen crescent, attesting the
Where the Northern Ocean, in vast whirls, Boils round the naked, hour of eventide.
4%-"#8,3-2*'/-%/*M:*:"&+,%/+*J,0-%5*"#$*+,%*K+-"#+'8*/0&(%*N30&/*'#*
"43#(*+,%*/+3&42*O%1&'$%/?<* The two ships becalmed on a torpid sea, I believed to be marine
6,"#+34/?*J,%*7%#$*6'##'#(*$3!#*+,%*+,'%:*F/*6"8>*1%,'#$*,'4)*B*
Nor could I pass unnoticed the suggestion of the bleak shores of passed over quickly: it was an ob ject of terror.
Lapland, Siberia, Spitzbergen, Nova Zembla, Iceland, Greenland, So was the black horned thing seated aloof on a rock, surveying a
!'+,*<+,%*C"/+*/!%%6*3:*+,%*K&8+'8*P3#%)*"#$*+,3/%*:3&-3&#*&%('3#/*3:* distant crowd surrounding a gallows.
$&%"&2*/6"8%)*Q*+,"+*&%/%&C3'&*3:*:&3/+*"#$*/#3!)*!,%&%*7&4*7%-$/*
of ice, the accumulation of centuries of winters, glazed in Alpine T"8,*6'8+0&%*+3-$*"*/+3&25*42/+%&'30/*3:+%#*+3*42*0#$%C%-36%$*
heights above heights, surround the pole, and concentre the multiplied understanding and imperfect feelings, yet ever profoundly interesting:
1 1

30. Jane Eyre
appendix
!"4%Victorian era ',%6"4%]0#647%X#0;7'3%*)$%6"4%84+#'7%',%^9440%
Z#.6'+#):$%+4#;0%,+'3%_904%EQGP%90/<%"4+%74)6"%'0%6"4%FF07%',%
_)09)+=%EOHE1`Ea%!"4%+4#;0%*)$%)%<'0;%84+#'7%',%8+'$84+#6=%,'+%
6"4%A+#/$"%84'8<45%)$%8+'-6$%;)#047%,+'3%6"4%'?4+$4)$%A+#/$"%
Y38#+45%)$%*4<<%)$%,+'3%#079$6+#)<%#38+'?43406$%)6%"'345%)<<'*47%
)0%479.)647%3#77<4%.<)$$%6'%74?4<'81%B'34%$."'<)+$%4b6407%6"4%
&4;#00#0;%',%6"4%84+#'7c)$%74-047%&=%)%?)+#46=%',%$40$#&#<#/4$%
)07%8'<#/.)<%;)34$%6")6%")?4%.'34%6'%&4%)$$'.#)647%*#6"%6"4%
Z#.6'+#)0$c&).(%-?4%=4)+$%6'%6"4%8)$$);4%',%6"4%4,'+3%>.6%EQGF1
!"4%4+)%*)$%8+4.4747%&=%6"4%d4'+;#)0%84+#'7%)07%$9..44747%
&=%6"4%Y7*)+7#)0%84+#'71%!"4%<)e4+%")<,%',%6"4%Z#.6'+#)0%4+)%
+'9;"<=%.'#0.#747%*#6"%6"4%-+$6%8'+/'0%',%6"4%A4<<4%f8'g94%4+)%',%
.'0/0406)<%Y9+'84%)07%6"4%d#<747%>;4%',%6"4%]0#647%B6)64$1
!"4%4+)%#$%'h40%.")+).64+#$47%)$%)%<'0;%84+#'7%',%84).45%(0'*0%
)$%6"4%@)b%A+#6)00#.)5%)07%4.'0'3#.5%.'<'0#)<5%)07%#079$6+#)<%
.'0$'<#7)/'05%6438'+)+#<=%7#$+98647%&=%6"4%W+#34)0%i)+5%
)<6"'9;"%A+#6)#0%*)$%)6%*)+%4?4+=%=4)+%79+#0;%6"#$%/341%!'*)+7$%
6"4%407%',%6"4%.4069+=5%6"4%8'<#.#4$%',%24*%D384+#)<#$3%<47%6'%
#0.+4)$#0;%.'<'0#)<%.'0j#.6$%)07%4?4069)<<=%6"4%>0;<'Rk)0[#&)+%
i)+%)07%6"4%A'4+%i)+1%l'34$/.)<<=5%6"4%);407)%*)$%#0.+4)$#0;<=%
<#&4+)<%*#6"%)%093&4+%',%$"#h$%#0%6"4%7#+4./'0%',%;+)79)<%8'<#/.)<%
+4,'+3%)07%6"4%*#740#0;%',%6"4%?'/0;%,+)0."#$41
!"4%8'89<)/'0%',%Y0;<)07%")7%)<3'$6%7'9&<47%,+'3%ET1Q%3#<<#'0%
#0%EQLE%6'%GH1L%3#<<#'0%#0%EOHE1`Fa%D+4<)07:$%8'89<)/'0%74.+4)$47%
+)8#7<=5%,+'3%Q1F%3#<<#'0%#0%EQSE%6'%<4$$%6")0%S1L%3#<<#'0%#0%EOHE1
1

31. index bibliography
A France, 109, 205, 208
>."64+5%@1%_15%C%W'07#65%W1%U1%mFHHH5%U)=R_904n1%2'6%$'%&<).(%)07%
Jane Eyre, 23, 35‐38
*"#641%>34+#.)0%B.#40/$6%V0<#041%46+#4?47%_9<=%FL5%FHHL%,+'3%
France, 109, 205, 208 A
"e8Noo***1)34+#.)0$.#40/$61'+;o
Jane Eyre, 23, 35‐38
A France, 109, 205, 208
><<8'+65%d1%i1%mEOLSn1%!"4%0)69+4%',%8+4p97#.41%4)7#0;5%U>N%
Jane Eyre, 23, 35‐38
>77#$'0Ri4$<4=1
France, 109, 205, 208 A
Jane Eyre, 23, 35‐38
>34+#.)0%@$=."'<';#.)<%>$$'.#)/'01%mFHHFn1%d9#74<#04$%'0%
A France, 109, 205, 208
39</.9<69+)<%479.)/'05%6+)#0#0;5%+4$4)+."5%8+)./.45%)07%
Jane Eyre, 23, 35‐38
'+;)0#[)/'0)<%.")0;4%,'+%8$=."'<';#$6$1%46+#4?47%U)+."%GH5%FHHP%
France, 109, 205, 208 A
,+'3%"e8Noo***1)8)1'+;o8#o39</.9<69+)<;9#74<#04$187,
Jane Eyre, 23, 35‐38
A France, 109, 205, 208
>+&9.(<45%_1%q1%mEOOOn1%>UVB%S1H%]$4+$:%d9#741%W"#.);'5%DqN%
Jane Eyre, 23, 35‐38
B3)<<*)64+$1
France, 109, 205, 208 A
Jane Eyre, 23, 35‐38
>+&9.(<45%_1%q1%mFHHGn1%>UVB%L1H%987)64%6'%6"4%>UVB%]$4+:$%
A France, 109, 205, 208
d9#741%W"#.);'5%DqN%B3)<<*)64+$1
Jane Eyre, 23, 35‐38
France, 109, 205, 208 A
A)$/)05%A15%C%r)$<)35%21%mFHHTn1%@$=."'<';#.)<%4$$40/)<#$3%
Jane Eyre, 23, 35‐38
)07%$64+4'6=84%407'+$434061%_'9+0)<%',%Yb84+#3406)<%B'.#)<%
A France, 109, 205, 208
@$=."'<';=5%SF5%FFQRFGL1
Jane Eyre, 23, 35‐38
France, 109, 205, 208 A
A'&'5%q1%mFHHHn1%).4%)07%&4<#4,$%)&'96%)s+3)/?4%)./'0N%
Jane Eyre, 23, 35‐38
>$$4$$#0;%6"4%4t4.6$%',%#064+4$6$5%;+'98%6"+4)65%#74'<';=5%)07%
A France, 109, 205, 208
+).#$3%m881%EGPRETSn1%D0%l1%V1%B4)+$5%_1%B#7)0#9$5%C%q1%A'&'%mY7$1n5%
Jane Eyre, 23, 35‐38
).#)<#[47%8'<#/.$N%!"4%74&)64%)&'96%+).#$3%#0%>34+#.)1%W"#.);'N%
France, 109, 205, 208 A
]0#?4+$#6=%',%W"#.);'%@+4$$1
Jane Eyre, 23, 35‐38
A France, 109, 205, 208
A'&'5%q15%C%X<9;4<5%_1%1%mEOOPn1%B6)69$5%#74'<';=5%)07%7#340$#'0$%
Jane Eyre, 23, 35‐38
',%*"#64$:%+).#)<%&4<#4,$%)07%)u6974$%m881%OGREFHn1%D0%B1%>1%!9."%
1 1

32. Jane Eyre, *)$%8+'79.47%&=%6"4%=4)+&''(%$6)t%)6%r#<<6'8%
r#;"%B."''<%#0%U)e"4*$5%2W%)07%*)$%8+#0647%&=%r4+t%
_'04$5%D0.1%#0%W")+<'e45%2W1%!"4%)..'906%*)$%$4+?#.47%&=%
+48+4$406)/?4%!4++=%W)+$'0%)07%.9$6'34+%$4+?#.4%)7?#$4+%
q)9+#4%_'04$1%!"4%.'?4+%*)$%74$#;047%&=%U'<<=%A+'*0%
)07%B6)+%X407)<<%)07%#0.'+8'+)647%)%6"+44%.'<'+%74$#;0%
*"#."%*)$%$#<($.+44047%)07%43&'$$47%'06'%6"4%Z#&+)%
!4b%D+#74$.406%i#07%.'<'+%&).(;+'9071%>88<#47%.'<'+$o,'#<%
#0.<9747%FG%B#<?4+5%FO%@4)."5%EE%@9+8<4%)07%MRFL%d)<)b=%
,'#<1%>88<#47%;+)#0%*)$%d)<)b=1%!"4%407$"446$%)+4%8+#0647%
'0%M#&4+64b6%@)+."3406%B4+#4$%B(=%MW@RF5%QHv%W'?4+%*4#;"6%
8)84+%$6'.(%9$#0;%@9+8<4%#0(1%!"4%&''(:$%FFH%8);4$%)+4%
8+#0647%'0%A'+74)9b%EHH%8'907%8)84+%$6'.(1%!"4%FHHT%
?'<934%#0.<974$%QH%8);4$%#0%,9<<%.'<'+%)07%GF%#0%$8'6%.'<'+5%
*"#."%*4+4%8+#0647%#0%r_QEHH%U46)<<#.%>346"=$61%><<%&'7=%
.'8=%*)$%$46%#0%EF%861%>r_%d)+)3'075%)07%.)8/'0$%*4+4%EH%
861%>r_%d)+)3'071%r4)7<#04%,'06$%#0.<9747%>r_%><;4+#)05%
>r_%l9$/4%)07%>r_%U'74+0)+61%q)='96$%*4+4%$9&3#e47%
6'%6"4%8<)06%'0%Wl1%r#;"<#;"6$%*)$%8+'79.47%9$#0;%>7'&4w%
@);4U)(4+w%T1L%)07%>7'&4w%D0l4$#;0w%WB5%'0%>88<4w%
U).#06'$"w%dS%.'38964+$%*#6"%LEF%UA%>U%*#6"%QH%dA%
")+7%7+#?4$%)07%)%l9'B.)0%$.)004+1%l#;#6)<%8"'6'$%*4+4%
6)(40%*#6"%S%34;)8#b4<%7#;#6)<%.)34+)$1%@+'.4$$#0;%)07%
8+#0/0;%',%8"'6'$%*)$%7'04%&=%k#t%q)&$1%@+',4$$#'0)<%
8'+6+)#6$%*4+4%8+'?#747%&=%U)77'b%@"'6';+)8"=1%!"4%E5FHH%
.'8#4$%',%6"4%&''(%*4+4%$'<7%,'+%xTL1
1