James Nachtwey had a successful 30+ year career as a photojournalist, working to document human rights violations, conflicts, and injustices around the world through photographs for TIME magazine. His motivation was to convey concern for human dignity and inspire future generations through his images. While facing many dangers, Nachtwey used technology like SLR cameras to capture photos that helped spread awareness of important issues. He was dedicated to ethics and not accepting unacceptable situations, though some saw bias in his focus on the powerless. Overall, Nachtwey had a significant impact and was respected for his photography skills and commitment to revealing truths.
James Nachtwey is famous for his war photography and documenting social issues in over 30 countries. He shoots primarily in black and white focusing on portraits that show human suffering from conflicts and crises. While some of his work is in color, his style and focus on war and social problems has remained consistent throughout his career. Nachtwey aims to bear witness and raise awareness of struggles in hopes of inspiring action. His 2008 TED Talk on drug-resistant tuberculosis helped publicize that disease. He is admired for risking himself to document important issues and give voice to the voiceless.
Lynsey Addario is an American photojournalist born in 1973 who has worked for major publications like the New York Times documenting cultures around the world. She graduated from the University of Wisconsin in 1995 and started her career in 1996, freelancing before working for the New York Times in 2001. Addario is known for covering conflicts and raising awareness of issues through her impactful photography. She has received awards and inspired many with her dedication to using photography to motivate change.
David Guttenfelder is an award-winning photojournalist who has spent decades capturing news around the world. He graduated with degrees in cultural anthropology, African studies, and journalism and spent his career freelancing and working for National Geographic and the Associated Press, covering over 75 countries. Guttenfelder's photos document human experiences during times of conflict, crisis, and hardship in a direct, unposed style through dramatic exposures that allow viewers to witness the truth. After decades working overseas, he now covers stories in the United States.
Steve McCurry is an American photographer known for his portraits and coverage of international conflicts. He studied film at Penn State before traveling the world with just clothes and film. McCurry is renowned for his iconic "Afghan Girl" photo from National Geographic and has photographed wars in Cambodia, Afghanistan, and elsewhere. Inspired by Henri Cartier-Bresson's everyday scenes, McCurry captures people's lives with empathy and without alteration. His evocative photos have great impact in symbolizing human hardship and survival.
Steve McCurry is a renowned photographer with over 30 years of experience taking photos for magazines, books, and exhibitions around the world. Born in Pennsylvania, he studied film and worked for a local newspaper before pursuing freelance photography. One of his first international trips was to India, where he traveled lightly and explored the country with his camera. His most famous work is the 1985 National Geographic cover photo "Afghan Girl" showing a young refugee woman, which he successfully tracked down and rephotographed years later.
James Nachtwey is an American photojournalist noted for documenting wars, conflicts, and social issues around the world in an unflinching manner. He became interested in photography after being impressed by photos from the Vietnam War. He graduated from Dartmouth College and got his start in newspaper photography in New Mexico from 1976-1980 before moving to New York City to work as a freelance photographer for Black Star agency. Nachtwey has worked in many conflicts globally and was a member of photography cooperatives Magnum Photos and VII Photo Agency. He is a highly decorated photographer who has risked injury to document important events and bring awareness to human rights issues.
Complete research on photographer annie leibovitz #2forestmad1
Annie Leibovitz is an American photographer born in 1949 in Waterbury, Connecticut. She studied at the San Francisco Art Institute. Her first major job was at Rolling Stone magazine. In 1983, she began working for Vanity Fair magazine, photographing subjects ranging from presidents to celebrities. During the 1980s, she also did high-profile advertising campaigns. Leibovitz is considered one of America's best portrait photographers and has published books of her work.
Dorothea Lange was a pioneering female photojournalist who documented the Great Depression and Dust Bowl through her work with the Farm Security Administration. After studying art and photography, she opened her own portrait studio in San Francisco in 1918. Notable projects included documenting families affected by the Dust Bowl who were forced to relocate west in search of work. Her most famous photo "Migrant Mother" captured the struggles of the time. Throughout her career, Lange advocated for the voiceless through impactful imagery that brought awareness of hardship and injustice.
James Nachtwey is famous for his war photography and documenting social issues in over 30 countries. He shoots primarily in black and white focusing on portraits that show human suffering from conflicts and crises. While some of his work is in color, his style and focus on war and social problems has remained consistent throughout his career. Nachtwey aims to bear witness and raise awareness of struggles in hopes of inspiring action. His 2008 TED Talk on drug-resistant tuberculosis helped publicize that disease. He is admired for risking himself to document important issues and give voice to the voiceless.
Lynsey Addario is an American photojournalist born in 1973 who has worked for major publications like the New York Times documenting cultures around the world. She graduated from the University of Wisconsin in 1995 and started her career in 1996, freelancing before working for the New York Times in 2001. Addario is known for covering conflicts and raising awareness of issues through her impactful photography. She has received awards and inspired many with her dedication to using photography to motivate change.
David Guttenfelder is an award-winning photojournalist who has spent decades capturing news around the world. He graduated with degrees in cultural anthropology, African studies, and journalism and spent his career freelancing and working for National Geographic and the Associated Press, covering over 75 countries. Guttenfelder's photos document human experiences during times of conflict, crisis, and hardship in a direct, unposed style through dramatic exposures that allow viewers to witness the truth. After decades working overseas, he now covers stories in the United States.
Steve McCurry is an American photographer known for his portraits and coverage of international conflicts. He studied film at Penn State before traveling the world with just clothes and film. McCurry is renowned for his iconic "Afghan Girl" photo from National Geographic and has photographed wars in Cambodia, Afghanistan, and elsewhere. Inspired by Henri Cartier-Bresson's everyday scenes, McCurry captures people's lives with empathy and without alteration. His evocative photos have great impact in symbolizing human hardship and survival.
Steve McCurry is a renowned photographer with over 30 years of experience taking photos for magazines, books, and exhibitions around the world. Born in Pennsylvania, he studied film and worked for a local newspaper before pursuing freelance photography. One of his first international trips was to India, where he traveled lightly and explored the country with his camera. His most famous work is the 1985 National Geographic cover photo "Afghan Girl" showing a young refugee woman, which he successfully tracked down and rephotographed years later.
James Nachtwey is an American photojournalist noted for documenting wars, conflicts, and social issues around the world in an unflinching manner. He became interested in photography after being impressed by photos from the Vietnam War. He graduated from Dartmouth College and got his start in newspaper photography in New Mexico from 1976-1980 before moving to New York City to work as a freelance photographer for Black Star agency. Nachtwey has worked in many conflicts globally and was a member of photography cooperatives Magnum Photos and VII Photo Agency. He is a highly decorated photographer who has risked injury to document important events and bring awareness to human rights issues.
Complete research on photographer annie leibovitz #2forestmad1
Annie Leibovitz is an American photographer born in 1949 in Waterbury, Connecticut. She studied at the San Francisco Art Institute. Her first major job was at Rolling Stone magazine. In 1983, she began working for Vanity Fair magazine, photographing subjects ranging from presidents to celebrities. During the 1980s, she also did high-profile advertising campaigns. Leibovitz is considered one of America's best portrait photographers and has published books of her work.
Dorothea Lange was a pioneering female photojournalist who documented the Great Depression and Dust Bowl through her work with the Farm Security Administration. After studying art and photography, she opened her own portrait studio in San Francisco in 1918. Notable projects included documenting families affected by the Dust Bowl who were forced to relocate west in search of work. Her most famous photo "Migrant Mother" captured the struggles of the time. Throughout her career, Lange advocated for the voiceless through impactful imagery that brought awareness of hardship and injustice.
Giles Duley is a British photojournalist known for documenting humanitarian crises. He lost both legs and an arm while photographing the war in Afghanistan. This motivated him to give voice to vulnerable people through his photography. He focuses on portraits of individuals who are sick or injured to raise awareness of their plights. Though his work is difficult, Duley continues documenting humanitarian issues around the world to advocate for those without a voice.
Photojournalism involves visually documenting current events in an unedited way to tell stories through images. Photojournalists work locally or abroad, sometimes in dangerous areas like war zones. Their photos are published in newspapers and used by television news without needing to send their own photographers. Famous photojournalists like Don McCullin captured impactful images that still influence people today. An example is the "Terror of War" photo documenting civilian casualties amidst American forces in Vietnam, though it was initially censored. Modern photojournalism still aims to impact viewers through high quality digital images. Important techniques include timing shots to capture emotions and adjusting exposure for different lighting effects.
The document discusses the work of four photographers - Jürgen Schadeberg known for photographing Nelson Mandela from 1952 onwards capturing his innocence while imprisoned for fighting apartheid; Nick Ut who won a Pulitzer Prize for his photo of Vietnamese children fleeing the Vietnam War showing the horror of war; Charlie Waite whose landscape photo of a lavender field in France leads the eye to an isolated tree using color contrast; and Katerina Plotnikova whose surreal photos juxtapose powerful animals with delicate models using shallow depth of field to controversial yet sensual effect.
W. Eugene Smith was an influential American photojournalist born in 1918 in Wichita, Kansas. He began his career taking photographs for local newspapers at age 15. Smith went on to work as a war correspondent during World War II and for Life magazine, where he was known for his immersive style of photography. Smith was dedicated to using photography to shed light on important social issues and believed photographs could evoke emotion and thought in viewers. He is remembered as one of the greatest photojournalists for his ability to capture the human experience through compelling photo essays.
This photograph was taken by Nick Ut to depict the horror of the Vietnam War. It shows children fleeing their bombed homes in black and white, highlighting their terror. The photo aimed to show how the war endangered innocent lives and the devastating tactics used by American forces. It generated income through magazine publications and helped raise awareness of the human costs of the conflict.
Photojournalism& Visual Storytelling AAU Part 1idaimages
This photo essay documents the community of Santa Anita La Union in Guatemala. Former guerrilla soldiers who fought in the country's civil war now work cooperatively with international organizations to sustainably farm coffee and achieve self-sufficiency. The photographic style uses portraits and scenes of daily life to show how community members have transitioned from soldiers to agricultural workers while maintaining aspects of their revolutionary ideals and memories of the war. Captions provide additional context on individuals and activities. The photographer had close access to subjects and aims to portray their efforts to build a dignified livelihood through equality and environmental stewardship. The intended audience seems to be those interested in post-conflict communities and sustainable development issues.
W. Eugene Smith was an American photojournalist active from the late 1930s through the 1970s. He is known for his documentary photography covering topics such as American football, boxing, World War II battles in the Pacific, and industrial pollution's effects on fishing communities in Minamata Bay, Japan. Smith sought to use emotionally powerful photography as an indictment of war and its brutal effects on human bodies and minds.
Group 6 consists of Spencer, Alyssa, and Kayla. The document provides biographical information about freelance photojournalist and blogger Zoriah Miller, including that he was born in 1976, focuses on war photography, and has been photographing in areas of conflict for 14 years.
Documentary photography[use this one for as]Simon Gummer
Documentary photography aims to chronicle significant historical events through truthful, objective, and candid photos of people and subjects. It is typically practiced by professional photojournalists but can also be an amateur, artistic, or academic pursuit. Early photography like daguerreotypes was a form of documentary photography as it recorded the surrounding world.
Mary Ellen Mark is an American photographer known for her photojournalism and portraits addressing social issues. She has a BFA in painting and art history and a masters in photojournalism. Mark began her career shooting production stills for films in the 1960s-70s. Her black and white photography focuses on issues like homelessness, addiction, and prostitution. This photo from 1987 shows a homeless girl named Chrissy who appears upset. Mark develops relationships with subjects, photographing them over years to capture emotions and document change.
This document discusses various examples of photo manipulation and when it crosses ethical lines. It presents cases where composite photos mislead viewers, photos are altered by adding or removing objects, and color adjustments significantly change the original scene. While some manipulation like color correction is acceptable, editors must consider if changes would deceive viewers or misrepresent the original situation. Even unedited photos may present ethical dilemmas, like situations where privacy is sacrificed to convey critical information. The goal is for photos to accurately represent what the photographer originally captured.
Lori Nix is an American artist known for her dystopian miniature dioramas depicting humanity's demise that she constructs herself in her Brooklyn apartment. She credits her interest in natural disasters and destroyed societies to growing up in Kansas in the 1970s and watching related disaster films. Nix uses film and foam to recreate scenarios from her imagination, spending up to seven months on a single photo shoot, from initial concept to final print. Her work is inspired by 19th century American landscape paintings like the Hudson River School and aims to make viewers question what they are seeing and feel the failing future of humanity.
The document discusses several urban stories portrayed in films that deal with issues of power, poverty, and conflict arising from social and cultural environments. It analyzes two films - City of God, set in Rio de Janeiro about gang violence among poor youth, and La Haine, set in the outskirts of Paris about ethnic minority groups living with limited opportunities. Both films depict societies lacking identity due to Western globalization, and characters descending into violence, crime, or lethargy due to their social conditions and upbringings in unequal, discriminatory environments dominated by more powerful ideologies.
Experimental Film & Spectatorship Revisionbrettmax
The document discusses experimental and expanded film/video, providing information on key characteristics and filmmakers in the genre. Experimental films reject mainstream conventions and explore the possibilities of the film medium itself. They often manipulate audiovisual elements in unconventional ways and do not follow traditional narratives. Viewing experimental films can provoke responses like confusion, boredom, shock or laughter as they challenge expectations of what a film should be. Spectatorship of experimental films requires an openness to different experiences and ways of seeing the world.
This double page magazine spread features rock artist Jenna McDougall. The fonts, images, and colors used signal that the genre is rock. Jenna is photographed from the waist up in a medium shot, appearing relaxed yet still maintaining her fierce side. The colors like dirty white reflect the rock genre, while black and red are used to draw attention to key text elements. Jenna's stripped back orange top and accessories along with her green hair hint and nose piercing help portray her rock artist image.
Dorothea Lange was a pioneering female photojournalist who documented the Great Depression. She launched her career in 1913 after being hired by photographer Arnold Genthe. Lange went on to document the struggles of people during the Great Depression and the internment of Japanese Americans during WWII. Her photos aimed to showcase the strength of people during hardship and influence social change. Lange's photos had a large impact and she is now recognized as one of the most influential photojournalists of the 20th century.
Photojournalism & Visual Storytelling AAU Part 2idaimages
The document discusses various techniques for visual storytelling and documentary photography. It covers topics like photo editing, using words and captions to enhance photographs, presenting photos in non-traditional formats like installations and sequences, and issues around ethics, politics and perspectives in photographic work.
Dorothea Lange was a pioneering female photojournalist who documented the Great Depression. She launched her career in 1913 after being hired by photographer Arnold Genthe. Lange went on to document the struggles of people during the Great Depression and the internment of Japanese Americans during WWII. Her photos aimed to showcase the strength of people during hardship and influence social change. Lange's photos had a large impact and she is now recognized as one of the most influential photojournalists of the 20th century.
The document discusses Martha Rosler's perspective on documentary photography. Rosler notes that documentary photography originated in the early 20th century with Lewis Hine and Jacob Riis using images to reflect social conscience. She describes two paths for documentary photos - as immediate evidence to support social arguments, and as aesthetic-historical images with less defined boundaries open to subjective evaluation. However, Rosler argues that as photography became a commodity, its value in galleries was determined by price, widening the gap between this type of photography and photos exposing social issues that people were less willing to accept.
Daniel ria photojournalist profile james nachtwey finalRia Daniel
James Nachtwey is a renowned war photographer known for documenting conflicts around the world since the 1980s. Some of his most profound work was in the early 1990s, including unexpectedly impactful photos from 9/11. His motivation is to use photography to end human behaviors like war that have existed throughout history. He uses high-end professional cameras and lenses to capture moments that should not be forgotten. Though some criticize exploiting human suffering, Nachtwey's photos have raised significant awareness of issues like tuberculosis and poverty and have had a major impact on society through numerous awards.
The document discusses how photography has been used for social reform movements. Specifically, it talks about Jacob Riis and Lewis Hines, who in the late 19th/early 20th century used photography to document poor living and working conditions and bring attention to issues like inadequate housing, child labor, and the struggles of immigrants. Their photos provided visual evidence to raise public awareness and push for policy changes to address these social problems. While some of their photos were posed, many were presented as candid shots to powerfully portray real-life situations. Their work was influential in spurring social reforms around labor laws, immigration, and public health issues.
Giles Duley is a British photojournalist known for documenting humanitarian crises. He lost both legs and an arm while photographing the war in Afghanistan. This motivated him to give voice to vulnerable people through his photography. He focuses on portraits of individuals who are sick or injured to raise awareness of their plights. Though his work is difficult, Duley continues documenting humanitarian issues around the world to advocate for those without a voice.
Photojournalism involves visually documenting current events in an unedited way to tell stories through images. Photojournalists work locally or abroad, sometimes in dangerous areas like war zones. Their photos are published in newspapers and used by television news without needing to send their own photographers. Famous photojournalists like Don McCullin captured impactful images that still influence people today. An example is the "Terror of War" photo documenting civilian casualties amidst American forces in Vietnam, though it was initially censored. Modern photojournalism still aims to impact viewers through high quality digital images. Important techniques include timing shots to capture emotions and adjusting exposure for different lighting effects.
The document discusses the work of four photographers - Jürgen Schadeberg known for photographing Nelson Mandela from 1952 onwards capturing his innocence while imprisoned for fighting apartheid; Nick Ut who won a Pulitzer Prize for his photo of Vietnamese children fleeing the Vietnam War showing the horror of war; Charlie Waite whose landscape photo of a lavender field in France leads the eye to an isolated tree using color contrast; and Katerina Plotnikova whose surreal photos juxtapose powerful animals with delicate models using shallow depth of field to controversial yet sensual effect.
W. Eugene Smith was an influential American photojournalist born in 1918 in Wichita, Kansas. He began his career taking photographs for local newspapers at age 15. Smith went on to work as a war correspondent during World War II and for Life magazine, where he was known for his immersive style of photography. Smith was dedicated to using photography to shed light on important social issues and believed photographs could evoke emotion and thought in viewers. He is remembered as one of the greatest photojournalists for his ability to capture the human experience through compelling photo essays.
This photograph was taken by Nick Ut to depict the horror of the Vietnam War. It shows children fleeing their bombed homes in black and white, highlighting their terror. The photo aimed to show how the war endangered innocent lives and the devastating tactics used by American forces. It generated income through magazine publications and helped raise awareness of the human costs of the conflict.
Photojournalism& Visual Storytelling AAU Part 1idaimages
This photo essay documents the community of Santa Anita La Union in Guatemala. Former guerrilla soldiers who fought in the country's civil war now work cooperatively with international organizations to sustainably farm coffee and achieve self-sufficiency. The photographic style uses portraits and scenes of daily life to show how community members have transitioned from soldiers to agricultural workers while maintaining aspects of their revolutionary ideals and memories of the war. Captions provide additional context on individuals and activities. The photographer had close access to subjects and aims to portray their efforts to build a dignified livelihood through equality and environmental stewardship. The intended audience seems to be those interested in post-conflict communities and sustainable development issues.
W. Eugene Smith was an American photojournalist active from the late 1930s through the 1970s. He is known for his documentary photography covering topics such as American football, boxing, World War II battles in the Pacific, and industrial pollution's effects on fishing communities in Minamata Bay, Japan. Smith sought to use emotionally powerful photography as an indictment of war and its brutal effects on human bodies and minds.
Group 6 consists of Spencer, Alyssa, and Kayla. The document provides biographical information about freelance photojournalist and blogger Zoriah Miller, including that he was born in 1976, focuses on war photography, and has been photographing in areas of conflict for 14 years.
Documentary photography[use this one for as]Simon Gummer
Documentary photography aims to chronicle significant historical events through truthful, objective, and candid photos of people and subjects. It is typically practiced by professional photojournalists but can also be an amateur, artistic, or academic pursuit. Early photography like daguerreotypes was a form of documentary photography as it recorded the surrounding world.
Mary Ellen Mark is an American photographer known for her photojournalism and portraits addressing social issues. She has a BFA in painting and art history and a masters in photojournalism. Mark began her career shooting production stills for films in the 1960s-70s. Her black and white photography focuses on issues like homelessness, addiction, and prostitution. This photo from 1987 shows a homeless girl named Chrissy who appears upset. Mark develops relationships with subjects, photographing them over years to capture emotions and document change.
This document discusses various examples of photo manipulation and when it crosses ethical lines. It presents cases where composite photos mislead viewers, photos are altered by adding or removing objects, and color adjustments significantly change the original scene. While some manipulation like color correction is acceptable, editors must consider if changes would deceive viewers or misrepresent the original situation. Even unedited photos may present ethical dilemmas, like situations where privacy is sacrificed to convey critical information. The goal is for photos to accurately represent what the photographer originally captured.
Lori Nix is an American artist known for her dystopian miniature dioramas depicting humanity's demise that she constructs herself in her Brooklyn apartment. She credits her interest in natural disasters and destroyed societies to growing up in Kansas in the 1970s and watching related disaster films. Nix uses film and foam to recreate scenarios from her imagination, spending up to seven months on a single photo shoot, from initial concept to final print. Her work is inspired by 19th century American landscape paintings like the Hudson River School and aims to make viewers question what they are seeing and feel the failing future of humanity.
The document discusses several urban stories portrayed in films that deal with issues of power, poverty, and conflict arising from social and cultural environments. It analyzes two films - City of God, set in Rio de Janeiro about gang violence among poor youth, and La Haine, set in the outskirts of Paris about ethnic minority groups living with limited opportunities. Both films depict societies lacking identity due to Western globalization, and characters descending into violence, crime, or lethargy due to their social conditions and upbringings in unequal, discriminatory environments dominated by more powerful ideologies.
Experimental Film & Spectatorship Revisionbrettmax
The document discusses experimental and expanded film/video, providing information on key characteristics and filmmakers in the genre. Experimental films reject mainstream conventions and explore the possibilities of the film medium itself. They often manipulate audiovisual elements in unconventional ways and do not follow traditional narratives. Viewing experimental films can provoke responses like confusion, boredom, shock or laughter as they challenge expectations of what a film should be. Spectatorship of experimental films requires an openness to different experiences and ways of seeing the world.
This double page magazine spread features rock artist Jenna McDougall. The fonts, images, and colors used signal that the genre is rock. Jenna is photographed from the waist up in a medium shot, appearing relaxed yet still maintaining her fierce side. The colors like dirty white reflect the rock genre, while black and red are used to draw attention to key text elements. Jenna's stripped back orange top and accessories along with her green hair hint and nose piercing help portray her rock artist image.
Dorothea Lange was a pioneering female photojournalist who documented the Great Depression. She launched her career in 1913 after being hired by photographer Arnold Genthe. Lange went on to document the struggles of people during the Great Depression and the internment of Japanese Americans during WWII. Her photos aimed to showcase the strength of people during hardship and influence social change. Lange's photos had a large impact and she is now recognized as one of the most influential photojournalists of the 20th century.
Photojournalism & Visual Storytelling AAU Part 2idaimages
The document discusses various techniques for visual storytelling and documentary photography. It covers topics like photo editing, using words and captions to enhance photographs, presenting photos in non-traditional formats like installations and sequences, and issues around ethics, politics and perspectives in photographic work.
Dorothea Lange was a pioneering female photojournalist who documented the Great Depression. She launched her career in 1913 after being hired by photographer Arnold Genthe. Lange went on to document the struggles of people during the Great Depression and the internment of Japanese Americans during WWII. Her photos aimed to showcase the strength of people during hardship and influence social change. Lange's photos had a large impact and she is now recognized as one of the most influential photojournalists of the 20th century.
The document discusses Martha Rosler's perspective on documentary photography. Rosler notes that documentary photography originated in the early 20th century with Lewis Hine and Jacob Riis using images to reflect social conscience. She describes two paths for documentary photos - as immediate evidence to support social arguments, and as aesthetic-historical images with less defined boundaries open to subjective evaluation. However, Rosler argues that as photography became a commodity, its value in galleries was determined by price, widening the gap between this type of photography and photos exposing social issues that people were less willing to accept.
Daniel ria photojournalist profile james nachtwey finalRia Daniel
James Nachtwey is a renowned war photographer known for documenting conflicts around the world since the 1980s. Some of his most profound work was in the early 1990s, including unexpectedly impactful photos from 9/11. His motivation is to use photography to end human behaviors like war that have existed throughout history. He uses high-end professional cameras and lenses to capture moments that should not be forgotten. Though some criticize exploiting human suffering, Nachtwey's photos have raised significant awareness of issues like tuberculosis and poverty and have had a major impact on society through numerous awards.
The document discusses how photography has been used for social reform movements. Specifically, it talks about Jacob Riis and Lewis Hines, who in the late 19th/early 20th century used photography to document poor living and working conditions and bring attention to issues like inadequate housing, child labor, and the struggles of immigrants. Their photos provided visual evidence to raise public awareness and push for policy changes to address these social problems. While some of their photos were posed, many were presented as candid shots to powerfully portray real-life situations. Their work was influential in spurring social reforms around labor laws, immigration, and public health issues.
The document discusses representation and stereotypes in media. It defines representation as how media constructs reality through selective presentation. Representations encode certain ideologies and paradigms while excluding others to shape a preferred view. Stereotypes are shortcuts used to understand media that define characters as either belonging or not belonging in a society. While stereotypes can enhance a text's realism, they also risk oversimplifying groups and misrepresenting reality. The document analyzes how various theories like the male gaze approach stereotypes and representation in media production and reception.
Mario Testino is a renowned fashion and portrait photographer born in 1954 in Peru. He studied photography in London in 1976 and his career took off when his work was featured in Vogue in 1983. Since then, Testino has photographed major campaigns for luxury brands like Calvin Klein and Chanel. He is also known for his portraits of British royals, including iconic photos of Princess Diana and announcing photos of Prince William and Kate. This photo captures the happiness of William and Kate as they announce their engagement, shown through their close positioning, glowing natural lighting, and smiling facial expressions.
Film Analysis Worksheet” For your Film Analysis, you wilChereCheek752
“Film Analysis Worksheet”
“For your Film Analysis, you will need you screen your assigned film. Likely, you will
need to screen the film more than once and pause at significant moments in order to fully assess
the elements you analyze.
The worksheet below will need to be completed in full and submitted on Canvas. Be sure
to write in complete sentences. Provide precise details from the film using specific film and
music terminology to support your answers.
DO NOT do any outside research. Use only your own assessment based on what you
have learned in the course.
Include the required selfie of you with the film on your device and you in the photo.
“Part One: Film Details”
Film: Agora
Year Released: 2009
Director: Alejandro Amenábar
“Part Two: Cinematic Elements”
“Pay close attention to the technical cinematic elements of the film you watch. Refer to
the Film section on Canvas to review terms. Be sure to use specific terminology and description
from the film when addressing each section.”
“Framing, Angles, and Camera Movement: Describe a significant element and explain its
effect.”
1. One of the most significant camera movements used in the film was in the first half of the
film. During this section of the film, the Christians have gained control of Alexandria and
force their way into the Library of the Serapeum, destroying its contents. Towards the
end of the rampage, the camera begins to turn upside-down, revealing the Christians
hoards rampaging through the Library. This camera angle depicts religious
fundamentalism dominating intellectual inquiry, symbolizing the world being turned on
its head. Throughout the film’s start, the focus is on Hypatia and her teachings to her
students, the library’s importance, and how Hypatia preaches mutual respect to all
parties. Therefore, when the religious fundamentalist takes over the symbol of
knowledge, which was the pride and joy of Alexandria, it signifies a dramatic flip in the
community’s collective focus, which is the opposite of what Hypatia practiced. So, by
flipping the camera upside down, the director was highlighting this tragic turn of focus.
2. Throughout the film, the camera zooms out from Alexandria and focuses on Earth. This
functions as an establishing shot, which symbolizes that the film’s themes not only
applies to Alexandria but all of Earth. The religious and political turmoil that persists
throughout the film in Alexandria is also occurring throughout the world. Furthermore,
Earth’s view also looks the same as it does now, suggesting that the director was
attempting to state that the themes continue to play out in our world today. Furthermore,
the director chooses to use the view from space during moments of the battle, zooming
out of the struggle to frame the Earth. The sounds of the battle can still be heard, but only
Earth is visible. It gave me a sense of insignificance that whether someon ...
Photography has come a long way from its early beginnings using pinhole cameras and camera obscuras. Over time, technological advancements have allowed photography to evolve from capturing images on film to digital photography. Photography has had a huge impact on society by providing a way to document and share information visually. It is now used everywhere in media, art, science, and everyday life to capture memories and convey images of people, places, and events.
Here are the steps to find the axis of symmetry and vertex of a quadratic function:
1. To find the axis of symmetry (x=h), put the quadratic function in standard form: y=ax^2 + bx + c. Then the axis of symmetry is x= -b/2a.
2. To find the vertex (h, k), again put the function in standard form. Then the x-coordinate of the vertex (h) is -b/2a. The y-coordinate of the vertex (k) is the value of the function at that point, or f(-b/2a).
3. You can also put the function in vertex form: y=a(x
Heart Touching Romantic Love Shayari In English with ImagesShort Good Quotes
Explore our beautiful collection of Romantic Love Shayari in English to express your love. These heartfelt shayaris are perfect for sharing with your loved one. Get the best words to show your love and care.
Tanjore Painting: Rich Heritage and Intricate Craftsmanship | Cottage9Cottage9 Enterprises
Explore the exquisite art of Tanjore Painting, known for its vibrant colors, gold foil work, and traditional themes. Discover its cultural significance today!
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KALYAN MATKA | MATKA RESULT | KALYAN MATKA TIPS | SATTA MATKA | MATKA.COM | MATKA PANA JODI TODAY | BATTA SATKA | MATKA PATTI JODI NUMBER | MATKA RESULTS | MATKA CHART | MATKA JODI | SATTA COM | FULL RATE GAME | MATKA GAME | MATKA WAPKA | ALL MATKA RESULT LIVE ONLINE | MATKA RESULT | KALYAN MATKA RESULT | DPBOSS MATKA 143 | MAIN MATKA
3. Image by : James Nachtwey
Image source : http://www.jamesnachtwey.com/
4. Career Path
James Nachtwey had a very successful career as a photojournalist. He had worked at TIME for over 30
years. One of his colleagues, Kira Pollack had said “At the heart of his work are the world’s injustices :
Famine. Poverty. Disease. Human rights violations.” This phrase best describes the kind of photography
James Nachtwey had captured. His photographs were focused on war images and conflicts in those areas.
But it all started with the images of Vietnam War that interested James and his interest in photography. In
1976, James had started working as a newspaper photographer in New Mexico. In 1980, he would move to
New York to pursue his career as a freelance magazine photojournalist. In 1981, James was sent for his first
foreign assignment covering civil strife in Northern Ireland during the IRA hunger strike. James was able to
travel to many countries, devoting himself to war conflicts in countries such as Lebanon, Rwanda, and
more. In 1984, James was able to become a contract photographer for TIME. In 2001, he had become a
founding member of photo agency VII. With many accomplishments in his career, James resume allowed
for him to excel as a photojournalist wherever he had went. His photos were mostly spread out through
TIME. Since TIME is a big time magazine, more than likely, most have came across a James Nachtwey
image.
5. Era
James Nachtwey had begun his career as a photojournalist beginning in the mid 70’s up until the 2000’s.
During his time as a photojournalist, James had dealt with many dangerous and serious situations that
could’ve went the other way. James had recalled “covering the civil war in Sri Lanka. He was embedded
with one of five rebel groups, but the Tamil Tigers, the main insurgent group, were taking out their
opposition one by one. He was on an island off the Jaffna peninsula, hiding out. He found a Catholic
Monastery, and hid. In a church in outer Sri Lanka, he found a copy of Shakespeare’s Romeo and Juliet,
and he read it. He stayed there for three weeks, trying to focus on Shakespeare, until he found the chance
to escape back to mainland and to safety. “ Photojournalism as a profession at this time had dealt with
many conflicts. These conflicts had put photojournalist in dangerous situation and unaware of what the
outcome will be. It was these types of conflicts that drove photojournalist to really pursue their image and
help the world have a better understanding of the dilemmas around them.
6. Motivation
James Nachtwey’s biggest motivation came from the people he had photographed. In a discussion with his
alma mater Dartmouth College, he had said “I hope that my archive will inspire future generations - in all
fields, as well as future photographers - to approach the world with the same global perspective and
concern for human dignity and social justice that I have sought to convey through my work.” His motivation
was the result of the many conflicts in the world during his era as a photojournalist. He was seeking to find
the injustices that many had to deal with in the society that they were living in. Through his work, he had
believed he was able to convey his concern for human dignity and social justice, hoping to inspire the
many generation of photojournalist ahead of him. It is for that reason James Nachtwey was presented in
2012 an award known as the Dresden Prize which was awarded to individuals who have devoted their work
in helping prevent violence.
7. Technology
James Nachtwey had used the Single Lens Reflex (SLR) camera during his time as a photojournalist. This
was an interesting technique used in his film War Photographer when the micro cam video camera was
mounted on his SLR, giving the viewer a “photographer eye”. This technology had affected the manner of
James as he carried out his craft. SLR camera allowed for him to travel easily on foot. SLR camera was
lightweight compared to prior cameras. When James used the micro cam video camera mounted on his
SLR, he would give viewer a photographer eye. Although mounting an image provides some trouble
regarding having to move fast because the weight of the stand. Mounting makes the device as a whole
quite large.
8. Ethics
James Nachtwey found it deep in his morals that he was looking to better the world. James had said in his
speech after his 30 years at TIME that “ we question the powerful. We hold decision - makers accountable.
The chain we help forge links the people we encounter in the fields to millions of other individual minds
and sensibilities. And once mass consciousness evolves into a shared sense of conscience, change
becomes not only possible; it becomes inevitable.” He found it necessary to help those who needed help
the most. In his moral compass, during that speech, he was asking others to look within and help fight for
change for those who need it the most. It’s when all of us realize the situation that change is possible. He
found that his moral compass asked of him to use his gift. His gift as a photographer allowed for him to
spread his knowledge on the inhuman situations humans are going through. The images he photographs
have came to life and showed the audience the proof that they needed to understand his reasoning. We
found that in his moral compass, that we has humans need to hold individuals accountable for their actions
and the situations they have put many in.
9. Bias
In that same speech that James Nachtwey was recognized for his 30 years at Time, he had said “It’s a
continuous struggle, never-ending, and we must always remain in the fight. The people whose stories we
tell have not given up hope, even in the most dire circumstances. Why should anyone else give up hope for
them?” Some may say James was biased against those who put the individuals in a situation where they
had their backs to the wall. The ones with higher power in a society who have no worry on those affected
by their destruction. Those who were unable to defend themselves because the situation they were put in
doesn’t allow them to fight back. He had asked the audience not to give up hope for these individuals. He
understood that hope is what keeps many of these individuals with uncertainty in their futures alive. Hope
is what gives them the desire to keep fighting.
11. Photographic Style - Afghanistan
In the principles of assessing photographs, the subject’s expression looks mournful. When looking at the main subject in this
photograph, he doesn’t look as if he were prepared for this photo. The subject seems to be in deep thought as they are
trying to make a connection or memory with the deceased one. In the texture principle, the texture is evident. You can see
the texture of the dirt behind the individual. You can see the texture of the robe of the individual. You can also see the
texture of the tomb stones. The land looks as if it were cracking. The picture makes it seem that if you were to rub your hand
you would feel each crack. The robe looks as if you can feel each piece of cloth and feel it overlapping each other. Lastly,
the tombstones have a variety of textures. Some of the tombstones look as if they were smooth while others look like they
are jagged. In Background Compliments, the tombstones help complete the picture. The tombstones show the viewer of the
image where the individual is. As the main subject is in focus, the tombstones in the background are more out of focus but
are still clearly represented.
13. Photographic Style - Death Of War
In the principle of assessing photographs in the rule of thirds,the photographer placed both of the main subjects on the first
third and the last third of the photograph. On the first of thirds, the truck is on fire with smoke covering most of the image. On
the last third, you see an individual pouring water onto the vehicle. But if you were to divide the photo between the truck and
the water and the individual, it looks as if it were a good versus evil image. In the exposure time principle, a fast
shutter speed was used to create the image. This shutter of speed allowed for a clearer photo. Because of the fast shutter
speed, you are able to see the water as if it were frozen in time, the shape of the clouds, and the fire on the tire more vivid. The
quality of light in the photo is dramatic. The light making this photo dramatic comes from the clouds. Because of the smoke
covering a lot of the photo, it provides the light to shine through the clouds which creates this obvious dilemma.
15. Photographic Style - Indonesia
In the principles of assessing the photographs, this image is black and white.I believe that this image was chosen to be
presented in black and white because of the impact it would have on the viewers. It shows more emotion in the subjects. I
say this because when you see the mouths on some of these individuals you can see the expression better.
With color, you have a variety of colors that you can focus on opposed to a set of teeth for example.For feelings, you can see
this sort of outcry carried throughout the photo on these individuals. What had captured my attention in particular of this
photo were the individuals in the middle and to the right of him. They look as if there hysteric. Overall, it looks as if they all
are pouring their emotions in their stance. In the keep it simple principle, this photo some may say looks clustered. This
photo looks clustered because of how many individuals are actually spread out the photo. It still is clear image in the sense
that you can see each individual clearly.
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17. Photographic Style - 9/11/01
In the principles of assessing photographs use of lines, the clouds show this curved shaped surrounding the cross which is a
bunch of straight lines together. Since the clouds are moving in such a fashion, it brings your attention the cross which I
believe is the main subject. The lines from the clouds work with the rule of thirds because the shape of the clouds places the
main subject more towards the outer third of the photograph. The main subject in this photograph is the cross. The main
subject is very small compared to the whole photograph. If the clouds were left out of the photo, I don’t think that the image
would come across the same. With the cross and the clouds, it feel as if it’s the last call for something. The last principle
involving the photograph is in or out of focus. This photo is indeed in focused. Everything about this image is
very sharp. The viewer is able to see the cross very clearly. In the clouds in the background you can see the different
directions it is headed. The buildings all around can be see clearly as well. Almost as if you can see each individual brick.
18. Impact
After 30 years of working at TIME, James Nachtwey was recognized for his work. During his speech, he
had said “ I’m only one among many journalist who’ve committed themselves to covering conflicts and
revealing social injustices, that have been hidden or ignored, but that are crying out to be corrected. It’s
the combined work of all of us, together, that builds the critical mass of information and insight that creates
change and helps make the world a better place. And I want to dedicate this award to those who have only
been silenced by imprisonment or by giving their lives.” James Nachtwey’s speech spread awareness to
those who felt silent by imprisonment or by giving their lives. His speech not only had impacted those who
had a tough time to voice their say, but his images made it clearer for the world to understand. James
Nachtwey’s photographs was the mass information that provided proof on what was going around in the
world that some may not see. His real-life pictures allowed for this image to form in people’s head seeing
what real issues were being dealt with across the world, which made an impact to those going through
these problems. This impact overall, helped these individuals for the better.
19. My Major At AIC
Here at AIC, my major is Physical Therapy. I was able to relate this to the career of my photojournalist
because of his desire to help people. I had chosen Physical Therapy because of a personal experience in
the rehabilitation process. I was able to witness someone give it their all in order for me to be at my best.
It’s that kind of determination that I believe James Nachtwey and I can relate. James had said “ Our work is
aimed at our readers’ best instincts - generosity, compassion, a sense of right-and-wrong, a sense of
identification with others - on a human level, across cultures, beyond the borders of nationality - and
perhaps most importantly, the refusal to accept the unacceptable.” James Nachtwey and I and relate to
one another because not only do we refuse the unacceptable but are passionate about something. No
matter what field you are pursuing, the passion you should have for your occupation comes from a drive to
do better, not only for yourself but for others as well.
20. Viewpoints
Many viewed James Nachtwey in a positive light. They admired his devotion to photography and how he
pushed his limits to get the image he was striving for. Some of James’ colleagues had said “ When you see
one of Jim’s photographs, the first thing you see are the people. He always puts the people first, he wants
you to feel their humanity.” , “ Jim has the mind of a political scientist and he has the visual instincts of an
artist” , “ it’s at just the moment when you want to look away that Jim makes you pay attention.” Here are
some but most certainly not the least of what they had said about James. James Nachtwey was looked up
to by many in photojournalism. His images revealed a clear message that he was trying to get across. It was
his mind that many liked about James. They found that the creativity and his timing made him unique as a
photojournalist and artist. From an outsider's perspectives, it seems to be that James Nachtwey had an act
for photography and was very well respected by many in the profession.