Inventory of the drama studio
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The document is an inventory checklist for a drama studio, listing equipment such as a laptop, projector, speakers, CD player, dimmer pack, and stage lights that should be present. Staff are instructed to check off each item on the list when inspecting the room and note any missing equipment, reporting issues to the performing arts technician located in the back office.
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Equipment inventory
The Drama Studio equipment inventory lists various audiovisual equipment including a Toshiba laptop, projector, powered speakers, CD player, iPod lead, dimmer pack, lighting desk, and 10 CCT Minuette Fresnel lights with gel frames. It provides the quantity of each item and instructions to seek advice from the performing arts technician if any items are missing.
Equipment inventory
This document lists equipment in the drama studio including a Toshiba laptop, projector with power speakers, CD player, iPod connector, Zero 88 dimmer pack, Strand lighting desk, and 10 CCT Minuette Fresnel lights with gel frames stored in a drawer next to the lighting rack. Additional Fresnel lights are kept on the lighting rack at the back of the hall if needed.
Production schedule
The production schedule outlines 17 shots to be filmed between 8pm and midnight. It begins with establishing shots of a boy in his bedroom on the phone and includes close-ups of him looking confused and anxious in response to prompts from his Alexa device. The schedule culminates with a wide shot zooming out from the house at night and a medium shot revealing a figure behind the boy.
Completed storyboard
The document is a storyboard containing 42 shots for a film or video. It details each shot number, type of shot, camera movement, timing, any dialogue, and additional information. The shots progress from establishing shots, to close-ups of the character Jonah with dialogue, to following shots of characters moving. It appears to tell a complete story and the storyboard ends with closing credits.
Floor plan
This document provides a floor plan and shot list for a film or video production with 13 scenes, listing locations like the stairs, hallway, investigation room, lounge and outside the front door along with props and actors. Camera shots are planned from perspectives like the tops of stairs, in front of the sofa, and outside the front door.
Five Nights at Foxys 1 Demo
This document appears to be a menu screen for a demo of a game called "Five Nights at Foxy's". The menu lists a demo option to play, credits to a creator in Portugal, and descriptions of various animatronic characters that will be encountered in the game including Foxy, Mangle, Toy Chica, and others. It also includes buttons to access camera monitors to view different areas, and warns that there is no mask provided in the demo version of the game.
Lighting plan
The lighting plan shows where the lighting designer has positioned lights. This particular lighting plan shows the positions of lights for an AS Drama exam. It provides the essential information of lighting positions in a concise 3 sentence summary.
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Equipment inventory
The Drama Studio equipment inventory lists various audiovisual equipment including a Toshiba laptop, projector, powered speakers, CD player, iPod lead, dimmer pack, lighting desk, and 10 CCT Minuette Fresnel lights with gel frames. It provides the quantity of each item and instructions to seek advice from the performing arts technician if any items are missing.
Equipment inventory
This document lists equipment in the drama studio including a Toshiba laptop, projector with power speakers, CD player, iPod connector, Zero 88 dimmer pack, Strand lighting desk, and 10 CCT Minuette Fresnel lights with gel frames stored in a drawer next to the lighting rack. Additional Fresnel lights are kept on the lighting rack at the back of the hall if needed.
Production schedule
The production schedule outlines 17 shots to be filmed between 8pm and midnight. It begins with establishing shots of a boy in his bedroom on the phone and includes close-ups of him looking confused and anxious in response to prompts from his Alexa device. The schedule culminates with a wide shot zooming out from the house at night and a medium shot revealing a figure behind the boy.
Completed storyboard
The document is a storyboard containing 42 shots for a film or video. It details each shot number, type of shot, camera movement, timing, any dialogue, and additional information. The shots progress from establishing shots, to close-ups of the character Jonah with dialogue, to following shots of characters moving. It appears to tell a complete story and the storyboard ends with closing credits.
Floor plan
This document provides a floor plan and shot list for a film or video production with 13 scenes, listing locations like the stairs, hallway, investigation room, lounge and outside the front door along with props and actors. Camera shots are planned from perspectives like the tops of stairs, in front of the sofa, and outside the front door.
Five Nights at Foxys 1 Demo
This document appears to be a menu screen for a demo of a game called "Five Nights at Foxy's". The menu lists a demo option to play, credits to a creator in Portugal, and descriptions of various animatronic characters that will be encountered in the game including Foxy, Mangle, Toy Chica, and others. It also includes buttons to access camera monitors to view different areas, and warns that there is no mask provided in the demo version of the game.
Lighting plan
The lighting plan shows where the lighting designer has positioned lights. This particular lighting plan shows the positions of lights for an AS Drama exam. It provides the essential information of lighting positions in a concise 3 sentence summary.
Focus notes
Focus Notes list the position of every light in the rig to provide instructions on how to manipulate the lights to suit the space and show. Without focus notes, it would be difficult to fix the lights into positions that work for the performance. Focus Notes are essential as they record the lighting designer's vision for how each light should be positioned.
Colour call
The document discusses the importance of a colour call, which lists the colours of lights available in a rig. A colour call allows one to check if a specific colour light is available for use. This particular colour call relates to drama exams that were produced.
Focusing a fresnel
Focusing a light is an important production skill that involves adjusting the position of a rigged light using a tallescope to ensure it illuminates the stage space as desired by the lighting designer.
On the lighting desk
The lighting desk allows the operator to program and operate lights for cues by entering a 'Program' mode where lights can be turned on as needed for each cue. The desk also allows the operator to set lights to a specific percentage, such as entering '001-100@65ENTER' which would set lights 1-100 to 65% brightness.
Rigging a fresnel
Rigging lights is important for proper stage lighting and requires attention to health and safety. Lights must be rigged to hang in designated positions around the stage. It is crucial to ensure clamps are tight and safety chains are always attached to prevent lights from falling in the event of a clamp failure and endangering performers below, as well as preventing light damage from falls.
Unit 65 lighting powerpoint
1. The document discusses different types of lighting equipment used in stage productions, including Parcans, LED Parcans, Pc lights, CCT Fresnels, Selecons, Scena 1Ks, Floodlights, Birdies, Pinspots, Source 4s, and Minuette profiles.
2. For each type of light, it describes the accessories, beam angle, wattage, and common uses. Scenarios are provided explaining which lights would be best suited for different lighting effects and purposes.
3. The key lights discussed are Parcans for wide coverage, LED Parcans for color changing, Pcs and Selecons for washes, 1Ks for backlighting
Cutting a gel frame
Cutting gel frames is important to get the right color for lighting needs, as gels come in one standard size and may need trimming to fit larger lights. The color call, or specification, helps determine which gel is required and if it will need cutting to ensure it is not too small for the light.
Check list 1
This document contains a checklist for inspecting lighting, sound, and projection equipment before an event. It lists items to check such as ensuring safety chains are attached to lights, lights are assembled properly, the correct number of lights are set up, the lighting desk and dimmers are connected and powered on, G-clamps are securely fastened, all necessary sound equipment and leads are present and connected to the sound desk, and the projector and required cables are available and properly connected. For each item, the checklist specifies what to check and provides a yes/no field to record the results.
Step by step guide on how to use
This document provides a checklist for inspecting equipment in a drama studio before use. It lists items to check for lights, sound, and projection including ensuring the correct number of lights, safety chains on lights, lights rigged correctly, lighting desk connected and powered properly, all sound equipment plugged in correctly including the sound desk, and projection equipment and connections checked including laptop, projector, and cables. It advises notifying technicians if any equipment is missing or issues are found.
Cue sheets
Cue sheets are used in rehearsals to plan lighting routines for shows, allowing operators during performances to simply press "Go" and minimize the chances of activating the wrong lights. This particular cue sheet specifically relates to drama exams for the AS level.
Rigging and focusing lighting evaluation
The lighting evaluation summarizes rigging and focusing lights for a drama examination. It found that lights were rigged on time according to the design plan, and each section was equally focused, but the design had problems with some areas not illuminated and lights spilling over edges. For next time, it recommends better focus notes since actors were partially lit, and allowing room for more lights to fully illuminate the stage edges.
GC4: Colour call
Colour calls provide information to lighting technicians about the gels needed for a rig, including the gel number, name, intended light source, purpose of the light, and total number of gels required. The gel code column matches gel numbers to specific colours. The name column identifies gel names and colours. The light column specifies what type of light fixture a gel frame is for. The aim column outlines what lights will be used for, helping with programming and focusing. The total number column indicates how many gels of a certain type are needed.
Focus notes
Focus notes are used during rigging and focusing for performances to organize the order and placement of lights. The notes include the channel, socket, lantern, and focus for each light to help riggers install lights efficiently and focusers know where to direct each light. However, the initial focusing notes proved too basic, still requiring input from acts and designers on light placement.
Step by step guide
This document provides a 14-step guide for ensuring that lighting equipment in a drama studio is properly set up and functioning correctly. It outlines steps for checking that fixtures have safety chains, clamps, gel frames, and barn doors installed. It also includes steps for ensuring the dimmer control box and lighting desk are powered on and connected. The final steps cover troubleshooting non-functioning lights by checking connections and taking non-working lights to a technician.
Unit 66 stage lighting operations rigging and focusing evaluation
The document summarizes the speaker's experience helping to rig and focus stage lighting for a drama performance. They had to take detailed notes on the lighting plan, ensure each light was properly secured and facing the right direction during rigging. While focusing, the speaker had to adjust each light to match the lighting designer's notes and instructions. They also helped test lights by standing in the spotlights. Overall, the rigging and focusing went smoothly due to teamwork, though timings could have been better and lights checked more thoroughly before rigging.
Stage lighting powerpoint
The document summarizes different types of stage lighting equipment used in production arts, including par cans, LED par cans, source four spotlights, minuette profiles, pebble convex fresnels, CCT fresnels, selecon fresnels, 1K fresnels, flood lights, birdie lights, and pin spots. For each light, it describes accessories, beam angle, function, a comparison to another light, and an example scenario where it would be used.
Lighting portfolio
The document describes different types of lighting equipment used in stage productions, including their accessories, purposes, and beam angles. It provides examples of when each type of lighting equipment would be preferred over another for specific applications, such as using a Par can for general coverage at a music gig, an LED Par can for changing colors, a PC for soft-edged spot lighting, a Selecon for general washes due to its wide beam angle, and a Source Four for isolating an actor with its focused, defined beam.
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Focus notes
Focus Notes list the position of every light in the rig to provide instructions on how to manipulate the lights to suit the space and show. Without focus notes, it would be difficult to fix the lights into positions that work for the performance. Focus Notes are essential as they record the lighting designer's vision for how each light should be positioned.
Colour call
The document discusses the importance of a colour call, which lists the colours of lights available in a rig. A colour call allows one to check if a specific colour light is available for use. This particular colour call relates to drama exams that were produced.
Focusing a fresnel
Focusing a light is an important production skill that involves adjusting the position of a rigged light using a tallescope to ensure it illuminates the stage space as desired by the lighting designer.
On the lighting desk
The lighting desk allows the operator to program and operate lights for cues by entering a 'Program' mode where lights can be turned on as needed for each cue. The desk also allows the operator to set lights to a specific percentage, such as entering '001-100@65ENTER' which would set lights 1-100 to 65% brightness.
Rigging a fresnel
Rigging lights is important for proper stage lighting and requires attention to health and safety. Lights must be rigged to hang in designated positions around the stage. It is crucial to ensure clamps are tight and safety chains are always attached to prevent lights from falling in the event of a clamp failure and endangering performers below, as well as preventing light damage from falls.
Unit 65 lighting powerpoint
1. The document discusses different types of lighting equipment used in stage productions, including Parcans, LED Parcans, Pc lights, CCT Fresnels, Selecons, Scena 1Ks, Floodlights, Birdies, Pinspots, Source 4s, and Minuette profiles.
2. For each type of light, it describes the accessories, beam angle, wattage, and common uses. Scenarios are provided explaining which lights would be best suited for different lighting effects and purposes.
3. The key lights discussed are Parcans for wide coverage, LED Parcans for color changing, Pcs and Selecons for washes, 1Ks for backlighting
Cutting a gel frame
Cutting gel frames is important to get the right color for lighting needs, as gels come in one standard size and may need trimming to fit larger lights. The color call, or specification, helps determine which gel is required and if it will need cutting to ensure it is not too small for the light.
Check list 1
This document contains a checklist for inspecting lighting, sound, and projection equipment before an event. It lists items to check such as ensuring safety chains are attached to lights, lights are assembled properly, the correct number of lights are set up, the lighting desk and dimmers are connected and powered on, G-clamps are securely fastened, all necessary sound equipment and leads are present and connected to the sound desk, and the projector and required cables are available and properly connected. For each item, the checklist specifies what to check and provides a yes/no field to record the results.
Step by step guide on how to use
This document provides a checklist for inspecting equipment in a drama studio before use. It lists items to check for lights, sound, and projection including ensuring the correct number of lights, safety chains on lights, lights rigged correctly, lighting desk connected and powered properly, all sound equipment plugged in correctly including the sound desk, and projection equipment and connections checked including laptop, projector, and cables. It advises notifying technicians if any equipment is missing or issues are found.
Cue sheets
Cue sheets are used in rehearsals to plan lighting routines for shows, allowing operators during performances to simply press "Go" and minimize the chances of activating the wrong lights. This particular cue sheet specifically relates to drama exams for the AS level.
Rigging and focusing lighting evaluation
The lighting evaluation summarizes rigging and focusing lights for a drama examination. It found that lights were rigged on time according to the design plan, and each section was equally focused, but the design had problems with some areas not illuminated and lights spilling over edges. For next time, it recommends better focus notes since actors were partially lit, and allowing room for more lights to fully illuminate the stage edges.
GC4: Colour call
Colour calls provide information to lighting technicians about the gels needed for a rig, including the gel number, name, intended light source, purpose of the light, and total number of gels required. The gel code column matches gel numbers to specific colours. The name column identifies gel names and colours. The light column specifies what type of light fixture a gel frame is for. The aim column outlines what lights will be used for, helping with programming and focusing. The total number column indicates how many gels of a certain type are needed.
Focus notes
Focus notes are used during rigging and focusing for performances to organize the order and placement of lights. The notes include the channel, socket, lantern, and focus for each light to help riggers install lights efficiently and focusers know where to direct each light. However, the initial focusing notes proved too basic, still requiring input from acts and designers on light placement.
Step by step guide
This document provides a 14-step guide for ensuring that lighting equipment in a drama studio is properly set up and functioning correctly. It outlines steps for checking that fixtures have safety chains, clamps, gel frames, and barn doors installed. It also includes steps for ensuring the dimmer control box and lighting desk are powered on and connected. The final steps cover troubleshooting non-functioning lights by checking connections and taking non-working lights to a technician.
Unit 66 stage lighting operations rigging and focusing evaluation
The document summarizes the speaker's experience helping to rig and focus stage lighting for a drama performance. They had to take detailed notes on the lighting plan, ensure each light was properly secured and facing the right direction during rigging. While focusing, the speaker had to adjust each light to match the lighting designer's notes and instructions. They also helped test lights by standing in the spotlights. Overall, the rigging and focusing went smoothly due to teamwork, though timings could have been better and lights checked more thoroughly before rigging.
Stage lighting powerpoint
The document summarizes different types of stage lighting equipment used in production arts, including par cans, LED par cans, source four spotlights, minuette profiles, pebble convex fresnels, CCT fresnels, selecon fresnels, 1K fresnels, flood lights, birdie lights, and pin spots. For each light, it describes accessories, beam angle, function, a comparison to another light, and an example scenario where it would be used.
Lighting portfolio
The document describes different types of lighting equipment used in stage productions, including their accessories, purposes, and beam angles. It provides examples of when each type of lighting equipment would be preferred over another for specific applications, such as using a Par can for general coverage at a music gig, an LED Par can for changing colors, a PC for soft-edged spot lighting, a Selecon for general washes due to its wide beam angle, and a Source Four for isolating an actor with its focused, defined beam.
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Unit 66 stage lighting operations rigging and focusing evaluation
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Inventory of the drama studio
- 1. Inventoryof the dramastudio. Here is a listof the equipmentthatismeanttobe inthe drama studio. You are to fill inthisbox asyou walkintothe roomto ensure all equipmentisthere. If there is anyproblemsoranythingmissingseekassistance fromthe performingartstechnician. (Office locatedatthe backof the hall). Completedby: Date: Nextinspectiondate: Comments. Toshibalaptopx1. YES NO Projectorandspeakers. YES NO CD playerx1. YES NO IPODlead(mini jack). YES NO Zero88 Dimmerpackx1. YES NO Strand lightingdeskx1. YES NO 10x CCT Fresnel’sw/gel frames. YES NO