The document introduces some basic techniques of Snake Crane Wing Chun, which take influences from the snake and crane. It describes several hand techniques that demonstrate snake-like and crane-like motions, including Tan Sau, Lan Sau, Fok Sau and Lap Sau for the snake, as well as Ton Kiu, Guan Sau and Bong Sau for the crane. The techniques are intended to stick or trap the opponent's hands in a snake-like manner or withstand attacks in a crane-like way. Snake Crane Wing Chun incorporates many of these snake and crane form-based techniques into its three hand form sets.
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The document discusses the evolution and diversification of Wing Chun martial arts over the past 60 years. It notes that while Wing Chun lineages originally incorporated snake and crane forms, over generations of transmission these elements have been modified or removed. There are now over 10 major Wing Chun branches compared to just 5 in the 1980s. The document cautions that some practitioners further fragment Wing Chun by renaming styles after themselves, risking distorting the original principles and forms of the art.
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This document discusses the evolution of Wing Chun kuen from a single long form to three separate forms. It suggests this evolution was influenced by events during the Taiping Rebellion period in mid-19th century China. Specifically, it proposes the first generation of Snake Crane Wing Chun split the single form into three separate forms to better handle traitors who had flipped sides from the Taiping forces to support the Qing dynasty during the rebellion era. It provides historical context about the rebellion period and key figures like Lee Man Mau to support this proposed connection between the development of Wing Chun and events of the Taiping Rebellion.
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1) The document discusses the relationship between Wing Chun and Choy Lee Fut martial arts during the Taiping Heavenly Kingdom Revolution era in Guangxi province. It describes how they formed an alliance to fight against the Qing dynasty.
2) It explores the evolution of Wing Chun from a single long form to three short forms after 1855, partly to effectively train against traitors.
3) The Snake Crane Wing Chun lineage has strong connections to the Hung Mun secret society of the Taiping era in its traditions and teachings. This suggests it was actively involved in fighting against the Qing.
The evolution of Wing Chun in last sixty years (in Hong Kong)Wayne Yung
The document discusses the evolution and diversification of Wing Chun martial arts over the past 60 years. It notes that while Wing Chun lineages originally incorporated snake and crane forms, over generations of transmission these elements have been modified or removed. There are now over 10 major Wing Chun branches compared to just 5 in the 1980s. The document cautions that some practitioners further fragment Wing Chun by renaming styles after themselves, risking distorting the original principles and forms of the art.
Tai Ping Heavenly Kingdom Revolution Era-Wing Chun Kuen Single Set System Evo...Wayne Yung
This document discusses the evolution of Wing Chun kuen from a single long form to three separate forms. It suggests this evolution was influenced by events during the Taiping Rebellion period in mid-19th century China. Specifically, it proposes the first generation of Snake Crane Wing Chun split the single form into three separate forms to better handle traitors who had flipped sides from the Taiping forces to support the Qing dynasty during the rebellion era. It provides historical context about the rebellion period and key figures like Lee Man Mau to support this proposed connection between the development of Wing Chun and events of the Taiping Rebellion.
Tai Ping Heavenly Kingdom Revolution Era-Wing Chun Kuen And Choy lee Fut Frie...Wayne Yung
1) The document discusses the relationship between Wing Chun and Choy Lee Fut martial arts during the Taiping Heavenly Kingdom Revolution era in Guangxi province. It describes how they formed an alliance to fight against the Qing dynasty.
2) It explores the evolution of Wing Chun from a single long form to three short forms after 1855, partly to effectively train against traitors.
3) The Snake Crane Wing Chun lineage has strong connections to the Hung Mun secret society of the Taiping era in its traditions and teachings. This suggests it was actively involved in fighting against the Qing.
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Wing-tsun is a style of kung fu that originated in southern China. It was developed by a woman named Yim Wing-Chun for self-defense and emphasizes using an opponent's force against them without relying on strength. The principles involve sticking to opponents, keeping balanced, and only using force when necessary for defense. Ip Man was a famous grandmaster who helped popularize wing-tsun and trained Bruce Lee. Today, wing-tsun focuses more on practical self-defense and masters teach using their own methods.
Este documento apresenta o portfólio digital de Raniere Menezes, contendo imagens de capas de livros que ele projetou recentemente para a Editora Monergismo, juntamente com seus contatos de email e telefone.
El documento describe la historia y técnicas del estilo Wing Chun de Grulla y Serpiente. Comenzó con pocas técnicas defensivas como TanSau y BongSau, y se centra en la teoría de la línea central. La primera forma es Siu Lim Tao, que contiene técnicas para defender la línea central. Chum Kiu incluye más técnicas ofensivas para buscar la línea central del oponente. Biu Jee enseña técnicas agresivas para recuperar la propia línea central. También describe
This document is a development proposal for constructing a dance studio on a vacant plot of land in Subang Jaya, Kuala Lumpur, Malaysia. It includes a concept, objectives, list of required professions and their tasks, a sketch plan, and discussions of benefits, impacts and costs. The proposal is for a two-level dance studio to meet the needs of the local community and promote dancing. Professionals required include architects, structural engineers, quantity surveyors and more to design, plan and construct the studio within budget.
Wing-tsun is a style of kung fu that originated in southern China. It was developed by a woman named Yim Wing-Chun for self-defense and emphasizes using an opponent's force against them without relying on strength. The principles involve sticking to opponents, keeping balanced, and only using force when necessary for defense. Ip Man was a famous grandmaster who helped popularize wing-tsun and trained Bruce Lee. Today, wing-tsun focuses more on practical self-defense and masters teach using their own methods.
Introduction to Snake Crane Wing Chun Hand's Techniques
1. 蛇鶴詠春翁國榮體育會
Snake Crane Wing Chun Yung Kwok Wing Athletic Association
(SCWCYKWAA)
Update: 2011-05-01, by Wayne K.W. Yung
http://scwc.com.hk/SCWC
e-mail: ccwayne@yahoo.com
談蛇鶴詠春手法
Introduction to Snake Crane Wing Chun Hand’s techniques
談蛇鶴詠春手法
蛇鶴詠春國術總會會長:翁國榮
Introduction to Snake Crane Wing Chun Hand’s techniques
Wayne K. W. Yung
蛇鶴詠春拳法基本慨念是「蛇纏鶴頂」,所謂「蛇纏」是粘貼或困梆對手橋手而使其
攻擊或防守活動受阻,而「鶴頂」抵禦對手用橋或腳猛烈攻來的勁力。蛇鶴詠春把蛇
跟鶴的形態應用於手法上,所以三套拳都有很多蛇跟鶴的形態招式出現。
Snake Crane Wing Chun basic concept is ‘snake reel and crane withstand’. Snake reel is to
stick or trap the opponents bridge hands and make their attack or defense activities being
blocked. Crane withstand is to resist opponents violent attack by the momentum built up on
hand bridge or foot. Snake Crane Wing Chun demonstrates both the snake and crane motions
in the hand forms so that the three hand form sets have a lot of snake and crane moves.
蛇鶴詠春跟很多習詠春拳者都承認「詠春拳」招式是從「蛇鶴爭暉」而來的,到底何
謂蛇鶴爭暉呢?就是蛇跟鶴各自各把最好的顯露出來,所以蛇鶴詠春拳自創拳以來就
有很多基本蛇鶴形態的招式。蛇的形態手法,如攤手、攔手、擸手及及鶴的形態,如
吞橋、耕手及膀手等。以下將介紹數下蛇鶴詠春有蛇鶴形態的招式手法。
Like other Wing Chun tributaries, Snake Crane Wing Chun admits that "Wing Chun" moves
come from the "Snake and Crane competing their the best” 「蛇鶴爭暉」. What is really
meant by the "Snake and Crane competing their the best”? Snakes and cranes all the best are
to be revealed in Snake Crane Wing Chun, so that there are a lot of the moves of the basic
form of snake and crane. The snake has morphological techniques, such as TanSau, LanSau,
FokSau and LapSau etc, while the crane has morphological techniques, such as TonKiu,
GuanSau and BongSau etc. The following briefly describes several techniques of the snake
and crane motions under the Snake Crane Wing Chun.
3. 攔手:
攔手:如蛇頭從中線快速往外伸出作中途攔截,手掌搭在對方橋手上。(姊妹手:伏
手)
LanSau(Blocking hand): The palm like a snake head moves from the side of the waist to the
centerline of the body and extends outwards to block directly the opponent’s bridge
hand(Sister’s hand : FokSau) along the centerline.
攔手 LanSau(Blocking hand)
5. 擸手:
擸手:由攤手轉攔手手,張開手指如蛇開大口,再用手指抓緊,後再拖,這招式有如
蛇攤出去阻攔擸物,反轉,張開大口,手指散開並屈曲如蛇的牙齒,抓下如蛇牙咬擸
物,當蛇咬到擸物後就會拖,所以最後手法就是要往後拉,整個動作就完成。
LapSau(Grabbing hand): TanSau turned around or LanSau, the fingers of the palm with the
thumb pointing to the ground are opened, like the snake opening the mouth. Use the fingers
to grab and to hold the target, and then pull back. This technique likes the snake head
reversing to block the target, turniing around, opening its big mouth, spreading the fingers
and grabbing the target, like snake’s teeth. Grabbing likes the snake teeth biting the target.
As the snake bites the target, it will pull the target backward. That’s why the last motion of
the techniques is pulling back. The whole portfolio complete.
擸手 LapSau(Grabbing hand)
6. 鶴的手法:
鶴的手法:
Crane’s hand techniques:
吞橋:
吞橋:前臂與後臂摺曲成直角,手掌攤直成昭陽掌,從腰間沿中線 45 度向天上前插,
作中途上路攔截之用,化解對方強勁的橋手。。(姊妹手:枕手)
TonKiu(Swallow bridge): forearm and arm bend at right angle. The palm keeps straight
into the the Zhaoyang palm, and runs forward along the centerline with 45 degrees from the
waist to the sky to block the opponent’s bridge along the centerline.(Sister hand: pillow hand).
吞橋 TonKiu(Swallow bridge)
7. 耕手:
耕手:手 45 度向外及 45 度向左(右手)或向右(左手)插下去,如耕田拿著用牛拖
着的泥把,手從一方腰間向另一方向下 45 度申展出去,作中途攔截,化解對方下路攻
來的強肢。
GuanSau(Cultivating hand): hand with 45 degrees extends outwards and with 45 degrees to
the left (right hand) or right (left hand) extends downwards, such as farming taking the oxen
dragged the mud. Hand from one side of waist to the other side downwards 45-degree to
block the strong limb’s attack from the lower part of the body.
耕手 GuanSau
8. 膀手:
膀手:上臂向前與身體維持 45 度,前臂與後臂摺曲成 135 度,手掌與前臂再摺 135
度,指尖正向前,作中途上中下路攔截之用。
BongSau(Crane’s wing hand): upper arm forward with the body to maintain 45 degrees,
forearm and rear arm bend of 135 degrees, the palm of hand and forearm to fold 135 degrees,
the fingertips are moving outwards to block the upper, middle or lower part of the body’s
attack.
膀手 BongSau(Crane’s wing hand)