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LISA B. WOODS
@LWOODS21
1

INST-INT.COM // #INST-INT

INST-INT 2013
NOVEMBER 15 – 16, 2013

INSTALLATION ART // INTERACTIVE EXHIBITS //
ENVIRONMENTS // DISPLAYS //
ARCHITECTURE & TECHNOLOGY
44°F
46°F
WALKER ART CENTER
MINNEAPOLIS

2 DAYS // 14 PRESENTATIONS // 4 PANELS //
250 ATTENDEES // 2 SHOW+TELLS //
2.5 PARTIES // 1 Q+A REVOLT
IT’S YOU

http://inst-int.com/speakers/karolina-sobecka/

UNIVERSAL
EVERYTHING
& YOU

http://inst-int.com/speaker/universal-everything/

AUDIENCE

http://inst-int.com/speaker/stuart-wood/

21 SWINGS

http://inst-int.com/speaker/mouna-andraos/
ANTHROPOMORPHISM
NARRATIVE
CHARACTER
THE GAZE
THE FORM
THE IDLE STATE
OUTSIDE

AMONG

SURROUNDED
BY

WITHIN
THE TREND:

SCREENS GET CLOSER
AND CLOSER
THE CULTURAL BATTLE:

VIRTUAL VS.
THE HERE & NOW
A PREDICTION:

“IN 50 YEARS, CELL
PHONES WILL BE SEEN
AS THE CIGARETTES
OF OUR AGE.”
Mouna Andraos • Daily tous les jours
DAY 1: AUDIENCE REVOLT

“Why are we doing QA via email when we’re all...here?”
ARE INTERACTIVE INSTALLATIONS
ONLY ART PROJECTS?
MUSEUM EXHIBITS

NOT JUDGING BY
ATTENDEES I MET

NON-TRADITIONAL
SCREENS

EXIBITS AND SPACES

ARCHITECTURAL
PROJECTION
BURNING MAN

RETAIL INNOVATION LAB

EMERGING EXPERIENCES
DESIGN PROMOTER
DIVIDING SPACE
https://vimeo.com/14351862

NORDSTROM
INNOVATION LAB
http://nordstrominnovationlab.com

CLEVELAND
MUSEUM OF
ART
https://vimeo.com/60866008

URBAN
PROTOTYPING
http://sf.urbanprototyping.org
TO TEACH
TO SELL
TO ENGAGE
TO TRANSFORM
“UNPREDICTABLE ENVIRONMENTS,
BLEEDING EDGE TECHNOLOGY,
CUSTOM FABRICATION, CODE, BUGS,
INSECTS, GREASY FINGERS, HACKERS,
CRASHERS, CRASHES, CACHES,
SPOILERS, LAWS, LANDLORDS,
CURATORS, COMMITTEES, WORKERS,
SHIPPERS, SOLDER, ELECTRICITY,
SUNLIGHT, MOONLIGHT, FLUORESCENT
LIGHT, REFLECTIONS, BAD IDEAS,
EGOS, FEASIBILITY, DURABILITY,
PRODUCTION PLANNING, SCOPE,
SCALE, BUDGETS, AND ON, AND ON.”
21 SWINGS SWINGING
30,000 A DAY
REGULATIONS, SMREGULATIONS

“DON’T CALL IT
A LIGHT
INSTALLATION, CALL
IT A DIGITAL SIGN.”
Camille Utterback

http://inst-int.com/speaker/camille-utterback/
YOUR COMPETITION
IS DESIGNING FOR
SPACES

BLUE CADET,
PHILADELPHIA, PA

http://bluecadet.com
HOW TO START DESIGNING FOR SPACES:

PARTIES AS LABS
LITE-BRITE
WALL

LIGHTTRIKE
RACING

ZEN ROBOT

AUGMENTED
PORTAPOTTY

https://vimeo.com/62824778

http://bit.ly/1bWKB6j

https://vimeo.com/38664454

https://vimeo.com/62824778
“IF YOU GUYS CAN DO THIS IN YOUR
SPARE TIME, WHAT COULD YOU DO
WITH 10 MILLION DOLLARS?!”
Jared Ficklin • frog
PARTY AS LABS

TAKEAWAYS

PLANNING

Treat party projects like any other work projects—budget, timeline, deliverables.

MESSAGING

How an interaction is framed is as important as its implementation.
Make sure it has a concept,give it a name and a catchy description.

APPEARANCE OF WORKING

It’s okay if you can’t tie up all the technical loose ends.
Use some behind the curtain “human computing.”

“IT JUST NEEDS TO WORK FOR 3 HOURS!”
Get it going, keep it going. Once the guest go home, your work is done.

TURN THE LIGHTS DOWN  SERVE BEER
Don’t be too much of a perfectionist—users will be drunk ;-)
WE ALL NEED SOME

INSPIRATION
NINA GOLDBERG
EADWEARD MUYBRIDGE
JULIE EHRETU
FLORENCE NIGHTINGALE
KARL SIMS
FRITZ HEIDER + MARIANNE SIMMEL
WE ALL NEED SOME

AWESOME
SKETCHNOTES
www.flickr.com/photos/jalderman/with/10952725536/
THANKS FOR READING AND SEE YOU NEXT YEAR!

LISA B. WOODS
@LWOODS21
1

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INST-INT Conference Summary