This summary provides the key details from the document in 3 sentences:
Machiavelli argues that it is easier to maintain power in a hereditary monarchy where the prince inherits the throne and the people are accustomed to his family's rule. He claims that a hereditary prince has less need to offend his subjects and will therefore be more loved, maintaining power unless he has extreme vices. According to Machiavelli, maintaining the customs of one's ancestors and prudently dealing with circumstances are typically sufficient for a prince of average abilities to retain his hereditary state.
Philip Sidney: The Golden World of English Literatureniamhdowning
This document provides a summary of key events and developments during the Renaissance period in England from the early 1500s through the late 1600s. It discusses the English Reformation under Henry VIII and the establishment of the Church of England. It also mentions the English Civil War between Royalists and Parliamentarians, as well as the Interregnum and Restoration periods. The document provides context on the Renaissance as a rebirth of classical literature and culture. It discusses key figures and developments in Renaissance humanism and the studia humanitatis curriculum. Finally, it touches on some debates around poetry and the role of imitation during this time. The overall summary is that the document outlines important political, religious, and intellectual changes in England during the Renaissance
Art of characterization of Canterbury TalesJK Durrani
Chaucer was a great painter of characters in English literature through his use of various characterization techniques in The Canterbury Tales. He introduced thirty vivid pilgrim characters that represented all levels of 14th century English society. Some of his core techniques included using humor theories to depict personalities, physiognomy to reveal inner traits, individualization beyond types, realistic and universal qualities, profession-based traits, depicting vices, using irony and satire, employing contrasts, and maintaining objectivity as a detached observer. Through his masterful characterization, Chaucer was able to bring memorable portraits to life and paint a broad picture of English life in his time.
#Chaucer's art of characterization
#Presentation
#classical poetry
#education
#helping material
#teaching
#knowledge
https://www.linkedin.com/posts/ayman-batool-4b55a3205_chaucers-art-of-characterization-activity-6767364096041005056-cgX-
William Shakespeare is cllaed the Bard of Avan.
Shakespeare's influence is summarized nicely by Thomas Carlyle.
This King Shakespeare does he not shine, in crowned sovereignty, over us all, as the noblest, gentlest, yet strongest of rallying-signs; indestructible; really more valuable in that point of view than any other means or appliance whatsoever? We can fancy him as radiant aloft over all Nations of Englishmen, thousand years hence. From Paramatta, from New York, wheresoever, under what sort of Parish-Constable soever, English men and women are, they will say to one another, 'Yes, this Shakespeare is ours; we produced him, we speak and think by him; we are of one blood and kind with him. (Thomas Carlyle, The Hero as Poet, 1841).
Destiny is shown to be changeable and subject to human action in the end. Both Arcite and Palamon shape their own fates through competing for Emily rather than passively accepting whatever the gods decree.
it includes understanding of humor and satire, in chaucer's work, including examples with reference to the canterbury tales, also critics views on satire and humor of chaucer.
The General Prologue introduces the characters that will be telling stories on a pilgrimage to Canterbury Cathedral. There are 29 pilgrims from various social classes, including knights, guildsmen, clergy, and women. Each pilgrim is described, showing their personality and social standing. They will take turns telling stories on the journey to and from Canterbury. The Knight is the first pilgrim introduced, a respected warrior who has experience in religious wars. He will tell the first tale, about two knights who fall for the same woman.
This document provides a summary of Geoffrey Chaucer's life and works. It describes that Chaucer was born around 1340 in London and held various jobs in royal service, receiving several royal pensions. His most famous work is The Canterbury Tales, a collection of stories told by pilgrims on a journey to Canterbury. The document divides Chaucer's body of work into three stages that show the influences of French, Italian, and then fully English works. It provides examples and analysis of some of his major poems, praising his skill with description, humor, and pathos. The document emphasizes Chaucer's status as the first great English author and his importance as the forerunner of many famous English writers to come
Philip Sidney: The Golden World of English Literatureniamhdowning
This document provides a summary of key events and developments during the Renaissance period in England from the early 1500s through the late 1600s. It discusses the English Reformation under Henry VIII and the establishment of the Church of England. It also mentions the English Civil War between Royalists and Parliamentarians, as well as the Interregnum and Restoration periods. The document provides context on the Renaissance as a rebirth of classical literature and culture. It discusses key figures and developments in Renaissance humanism and the studia humanitatis curriculum. Finally, it touches on some debates around poetry and the role of imitation during this time. The overall summary is that the document outlines important political, religious, and intellectual changes in England during the Renaissance
Art of characterization of Canterbury TalesJK Durrani
Chaucer was a great painter of characters in English literature through his use of various characterization techniques in The Canterbury Tales. He introduced thirty vivid pilgrim characters that represented all levels of 14th century English society. Some of his core techniques included using humor theories to depict personalities, physiognomy to reveal inner traits, individualization beyond types, realistic and universal qualities, profession-based traits, depicting vices, using irony and satire, employing contrasts, and maintaining objectivity as a detached observer. Through his masterful characterization, Chaucer was able to bring memorable portraits to life and paint a broad picture of English life in his time.
#Chaucer's art of characterization
#Presentation
#classical poetry
#education
#helping material
#teaching
#knowledge
https://www.linkedin.com/posts/ayman-batool-4b55a3205_chaucers-art-of-characterization-activity-6767364096041005056-cgX-
William Shakespeare is cllaed the Bard of Avan.
Shakespeare's influence is summarized nicely by Thomas Carlyle.
This King Shakespeare does he not shine, in crowned sovereignty, over us all, as the noblest, gentlest, yet strongest of rallying-signs; indestructible; really more valuable in that point of view than any other means or appliance whatsoever? We can fancy him as radiant aloft over all Nations of Englishmen, thousand years hence. From Paramatta, from New York, wheresoever, under what sort of Parish-Constable soever, English men and women are, they will say to one another, 'Yes, this Shakespeare is ours; we produced him, we speak and think by him; we are of one blood and kind with him. (Thomas Carlyle, The Hero as Poet, 1841).
Destiny is shown to be changeable and subject to human action in the end. Both Arcite and Palamon shape their own fates through competing for Emily rather than passively accepting whatever the gods decree.
it includes understanding of humor and satire, in chaucer's work, including examples with reference to the canterbury tales, also critics views on satire and humor of chaucer.
The General Prologue introduces the characters that will be telling stories on a pilgrimage to Canterbury Cathedral. There are 29 pilgrims from various social classes, including knights, guildsmen, clergy, and women. Each pilgrim is described, showing their personality and social standing. They will take turns telling stories on the journey to and from Canterbury. The Knight is the first pilgrim introduced, a respected warrior who has experience in religious wars. He will tell the first tale, about two knights who fall for the same woman.
This document provides a summary of Geoffrey Chaucer's life and works. It describes that Chaucer was born around 1340 in London and held various jobs in royal service, receiving several royal pensions. His most famous work is The Canterbury Tales, a collection of stories told by pilgrims on a journey to Canterbury. The document divides Chaucer's body of work into three stages that show the influences of French, Italian, and then fully English works. It provides examples and analysis of some of his major poems, praising his skill with description, humor, and pathos. The document emphasizes Chaucer's status as the first great English author and his importance as the forerunner of many famous English writers to come
Geoffrey Chaucer (1343-1400) was an influential English poet who held several royal positions and wrote in Middle English. He is best known for his work The Canterbury Tales, a story about pilgrims traveling to Canterbury who tell stories along the way. Considered one of the greatest influences on the development of English literature, Chaucer used various literary devices such as characterization, satire, and fabliau in his work.
The General Prologue introduces the characters that will be telling stories on a pilgrimage to Canterbury. There are 29 pilgrims from various social classes, including knights, squires, a monk, a prioress, and tradesmen like a miller and a cook. The pilgrims will each tell two stories on the journey to and from Canterbury. The host of the Tabard Inn, Harry Bailey, proposes this storytelling contest, and the best storyteller will receive a prize from the other pilgrims.
The English early renaissance poetry was basically a cultural movement in English from the late 15th to the 17th century. The Elizabethan era in the second half of the 16 century is basically regarded as the height of the English Renaissance.
This document provides an overview of British literature from the period of Chaucer to the Victorian Age. It discusses major authors such as Chaucer, Langland, Gower and their works. It analyzes Chaucer's Canterbury Tales in detail, including the pilgrims and some of the stories. The document also covers the 15th century literary period in England, including prose writers and the impact of the printing press and humanism.
Geoffrey Chaucer was born in the early 1340s to a well-educated family in London. He wrote several works including The Canterbury Tales, a framed narrative in which a group of pilgrims tell stories to each other on a journey. The unfinished work includes tales from the Knight, Miller, Reeve, Cook, Man of Law, Wife of Bath and others. It explores themes of love, faith, deceit and morality through short stories of varying genres. Chaucer helped establish English as a literary language and is considered one of the greatest English poets.
The document provides background information on Geoffrey Chaucer and his famous work The Canterbury Tales. It discusses the different types of medieval poems that influenced Chaucer, including metrical tales and metrical romances. It also provides biographical details about Chaucer's life and family. Furthermore, the document outlines some of the key pilgrim characters from The Canterbury Tales like the Wife of Bath, and describes elements of Chaucer's style and the historic context of 14th century English society and the Catholic Church.
Geoffrey Chaucer (1340-1400) was an influential English poet and author. He is considered the father of English literature and was one of the earliest English poets to influence the development of the English language. Some of his most notable works include The Canterbury Tales, Troilus and Criseyde, and The Parliament of Fowls. He brought a new realism to English poetry by depicting realistic characters and themes from everyday life. The document provides biographical details about Chaucer and discusses his major works and his significant contributions to early English literature.
This document provides an analysis of Geoffrey Chaucer's Prologue to The Canterbury Tales and how it represents 14th century English society. The summary discusses how Chaucer introduces 30 characters from different social classes that make up medieval English society, including the knight, squire, monk, and merchant. It also examines how Chaucer uses these characters to portray different aspects of 14th century life in England through vivid descriptions that give a precise portrait of the nation at that time.
The Canterbury Tales by Geoffrey Chaucer is an incomplete collection of stories that would have included 120 tales being told as a story-telling competition by a group of pilgrims traveling to Canterbury Cathedral. The frame story is about the pilgrimage itself, with each pilgrim introduced in the General Prologue and agreeing to tell tales during the journey. Chaucer drew on various tale types including romance, fabliaux, and allegory to explore themes of fate, courtly love, and to satirize medieval English society through vivid portraits of the pilgrims representing different social classes. The Knight's Tale is the first told, featuring themes of courtly love and fate seen through the story of Palamon and Arc
Geoffrey Chaucer was an English author from the late 1300s best known for his work The Canterbury Tales. The Canterbury Tales is an unfinished collection of stories told by a group of pilgrims traveling to Canterbury Cathedral. It includes "The Pardoner's Tale", which tells the story of three men searching for Death and falling victim to their own greed. Chaucer used the characters in his stories to satirize and stereotype different social classes of medieval England. The Canterbury Tales is considered one of the greatest works of English literature.
The Canterbury Tales by Geoffrey Chaucer is a collection of stories told as a storytelling competition by pilgrims traveling together on a pilgrimage from London to Canterbury. It provides insight into English society in the 14th century, depicting different social classes and opinions through the characters and their tales. While not fully completed, it is recognized as an influential work that helped establish English as a literary language.
Emerson, Ralph Waldo. 1904. Shakspeare; or, the PoetMatt Beckwith
1) The author argues that truly great men are not entirely original, but build upon the work of others before them and share the desires of their contemporaries.
2) A poet or genius is influenced by their time and culture, and their work reflects the most important convictions and aims of their era.
3) Shakespeare was able to build upon a large body of existing plays and stories that had been performed and altered by many writers over time. He used these existing works to ground his own imaginative works.
Emerson, Ralph Waldo. 1904. Shakspeare; or, the PoetMatt Beckwith
1) Shakespeare drew from a wide range of existing dramatic works and traditions when writing his own plays. He viewed the large body of existing stage plays as a common resource that any writer was free to experiment with and build upon.
2) Great writers are shaped by their times and environments. They are influenced by the ideas, traditions, and interests of their contemporaries. Shakespeare in particular was able to skillfully work within existing dramatic conventions while also adding his own innovative elements.
3) Originality is a relative concept, as all thinkers are influenced by what came before. Shakespeare absorbed influences from many existing stories and plays, but was able to synthesize these influences and put his own unique stamp on the works he produced
This document provides an analysis of The Nun's Priest's Tale by Geoffrey Chaucer. It summarizes the plot of the story, then analyzes various aspects of the story including its social commentary, allegorical elements, and implications about the characters versus the actual tellers of the tale (the Nun's Priest and the Prioress). It notes how the story seems to criticize the clergy for not following the rules they preach. In the end, it summarizes two key morals of the story: don't let flattery mislead you, and fool me once, shame on you, fool me twice, shame on me.
British Romanticism Unit (Rime of the Ancient Mariner) (The Lamb) (The Tyger)Lina Ell
The document provides background information on British Romanticism. It discusses key ideas of Romantic writers such as their idealization of nature and emphasis on emotion over reason. It also summarizes works by major Romantic poets like William Wordsworth, Samuel Taylor Coleridge, and William Blake. Specifically, it gives a detailed summary of Coleridge's poem "The Rime of the Ancient Mariner" in 3 sentences or less.
The Faerie Queene is Edmund Spenser's unfinished 16th century epic poem that uses allegory to explore themes of holiness, temperance, chastity, friendship, justice and courtesy. Each of the poem's six books centers around a knight exemplifying one of these virtues. Though set in a fantastical realm, Spenser drew inspiration from the court of Queen Elizabeth I and sought to promote Protestant ideals through figures like Redcrosse, who comes to represent the virtue of holiness, and his companion Una, who represents truth.
Canterbury Tales as a Microcosm of the Middle English SocietyRosielyn Mae Bolon
Geoffrey Chaucer's The Canterbury Tales provides insights into late 14th century English society through its depictions of the social classes and characters that make up its pilgrim group. The work reflects the rigid social hierarchy of the time, beginning with tales told by the Knight and Squire of the upper class and moving down through the churchmen and laity. It also satirizes the corruption of the Catholic Church through characters like the greedy, worldly Monk and deceitful Pardoner who use religion for personal gain. Additionally, the tales showcase the moral values of the period, such as the pursuit of wealth and status and violations of marriage norms. Overall, The Canterbury Tales serves as a microcosm
The Canterbury Tales by Geoffrey Chaucer is a frame story composed of stories told by a group of pilgrims as they travel together from London to Canterbury and back. The narrator meets 29 other pilgrims at the Tabard Inn who agree to tell stories to pass the time on their journey. Through vivid descriptions of each pilgrim in the prologue, Chaucer satirizes and provides social commentary on the three main classes of late medieval English society - the old feudal order, the rising merchant class, and the ecclesiastical class. The tales themselves cover popular genres of the time such as romances, fabliaux, saints' lives, sermons, and allegories.
Richard II faces downfall due to two key mistakes - seizing the Lancastrian estates after John of Gaunt's death, which angered Gaunt's son Bolingbroke, and leaving England to deal with Ireland's revolt, allowing Bolingbroke to return from exile and build support against the king. Richard is also detached from the people, spends excessively, relies on poor counselors, and lacks concern for general welfare. These factors lead to his forced abdication and Bolingbroke founding the Lancastrian dynasty. The play explores the conflict between a king's divine right to rule and the people's right to depose a weak or unjust ruler. It shows Richard transforming from a spoiled monarch to
The document summarizes a class discussion on William Shakespeare's play Richard III. It includes an agenda with topics like recitations of Shakespearean sonnets, a discussion of Richard's wooing scene and whether he is a trickster character. There are also questions posed about dramatic irony in certain scenes and the impact of ghosts visiting Richard in a dream. Students are asked to discuss their answers and homework in groups.
Geoffrey Chaucer (1343-1400) was an influential English poet who held several royal positions and wrote in Middle English. He is best known for his work The Canterbury Tales, a story about pilgrims traveling to Canterbury who tell stories along the way. Considered one of the greatest influences on the development of English literature, Chaucer used various literary devices such as characterization, satire, and fabliau in his work.
The General Prologue introduces the characters that will be telling stories on a pilgrimage to Canterbury. There are 29 pilgrims from various social classes, including knights, squires, a monk, a prioress, and tradesmen like a miller and a cook. The pilgrims will each tell two stories on the journey to and from Canterbury. The host of the Tabard Inn, Harry Bailey, proposes this storytelling contest, and the best storyteller will receive a prize from the other pilgrims.
The English early renaissance poetry was basically a cultural movement in English from the late 15th to the 17th century. The Elizabethan era in the second half of the 16 century is basically regarded as the height of the English Renaissance.
This document provides an overview of British literature from the period of Chaucer to the Victorian Age. It discusses major authors such as Chaucer, Langland, Gower and their works. It analyzes Chaucer's Canterbury Tales in detail, including the pilgrims and some of the stories. The document also covers the 15th century literary period in England, including prose writers and the impact of the printing press and humanism.
Geoffrey Chaucer was born in the early 1340s to a well-educated family in London. He wrote several works including The Canterbury Tales, a framed narrative in which a group of pilgrims tell stories to each other on a journey. The unfinished work includes tales from the Knight, Miller, Reeve, Cook, Man of Law, Wife of Bath and others. It explores themes of love, faith, deceit and morality through short stories of varying genres. Chaucer helped establish English as a literary language and is considered one of the greatest English poets.
The document provides background information on Geoffrey Chaucer and his famous work The Canterbury Tales. It discusses the different types of medieval poems that influenced Chaucer, including metrical tales and metrical romances. It also provides biographical details about Chaucer's life and family. Furthermore, the document outlines some of the key pilgrim characters from The Canterbury Tales like the Wife of Bath, and describes elements of Chaucer's style and the historic context of 14th century English society and the Catholic Church.
Geoffrey Chaucer (1340-1400) was an influential English poet and author. He is considered the father of English literature and was one of the earliest English poets to influence the development of the English language. Some of his most notable works include The Canterbury Tales, Troilus and Criseyde, and The Parliament of Fowls. He brought a new realism to English poetry by depicting realistic characters and themes from everyday life. The document provides biographical details about Chaucer and discusses his major works and his significant contributions to early English literature.
This document provides an analysis of Geoffrey Chaucer's Prologue to The Canterbury Tales and how it represents 14th century English society. The summary discusses how Chaucer introduces 30 characters from different social classes that make up medieval English society, including the knight, squire, monk, and merchant. It also examines how Chaucer uses these characters to portray different aspects of 14th century life in England through vivid descriptions that give a precise portrait of the nation at that time.
The Canterbury Tales by Geoffrey Chaucer is an incomplete collection of stories that would have included 120 tales being told as a story-telling competition by a group of pilgrims traveling to Canterbury Cathedral. The frame story is about the pilgrimage itself, with each pilgrim introduced in the General Prologue and agreeing to tell tales during the journey. Chaucer drew on various tale types including romance, fabliaux, and allegory to explore themes of fate, courtly love, and to satirize medieval English society through vivid portraits of the pilgrims representing different social classes. The Knight's Tale is the first told, featuring themes of courtly love and fate seen through the story of Palamon and Arc
Geoffrey Chaucer was an English author from the late 1300s best known for his work The Canterbury Tales. The Canterbury Tales is an unfinished collection of stories told by a group of pilgrims traveling to Canterbury Cathedral. It includes "The Pardoner's Tale", which tells the story of three men searching for Death and falling victim to their own greed. Chaucer used the characters in his stories to satirize and stereotype different social classes of medieval England. The Canterbury Tales is considered one of the greatest works of English literature.
The Canterbury Tales by Geoffrey Chaucer is a collection of stories told as a storytelling competition by pilgrims traveling together on a pilgrimage from London to Canterbury. It provides insight into English society in the 14th century, depicting different social classes and opinions through the characters and their tales. While not fully completed, it is recognized as an influential work that helped establish English as a literary language.
Emerson, Ralph Waldo. 1904. Shakspeare; or, the PoetMatt Beckwith
1) The author argues that truly great men are not entirely original, but build upon the work of others before them and share the desires of their contemporaries.
2) A poet or genius is influenced by their time and culture, and their work reflects the most important convictions and aims of their era.
3) Shakespeare was able to build upon a large body of existing plays and stories that had been performed and altered by many writers over time. He used these existing works to ground his own imaginative works.
Emerson, Ralph Waldo. 1904. Shakspeare; or, the PoetMatt Beckwith
1) Shakespeare drew from a wide range of existing dramatic works and traditions when writing his own plays. He viewed the large body of existing stage plays as a common resource that any writer was free to experiment with and build upon.
2) Great writers are shaped by their times and environments. They are influenced by the ideas, traditions, and interests of their contemporaries. Shakespeare in particular was able to skillfully work within existing dramatic conventions while also adding his own innovative elements.
3) Originality is a relative concept, as all thinkers are influenced by what came before. Shakespeare absorbed influences from many existing stories and plays, but was able to synthesize these influences and put his own unique stamp on the works he produced
This document provides an analysis of The Nun's Priest's Tale by Geoffrey Chaucer. It summarizes the plot of the story, then analyzes various aspects of the story including its social commentary, allegorical elements, and implications about the characters versus the actual tellers of the tale (the Nun's Priest and the Prioress). It notes how the story seems to criticize the clergy for not following the rules they preach. In the end, it summarizes two key morals of the story: don't let flattery mislead you, and fool me once, shame on you, fool me twice, shame on me.
British Romanticism Unit (Rime of the Ancient Mariner) (The Lamb) (The Tyger)Lina Ell
The document provides background information on British Romanticism. It discusses key ideas of Romantic writers such as their idealization of nature and emphasis on emotion over reason. It also summarizes works by major Romantic poets like William Wordsworth, Samuel Taylor Coleridge, and William Blake. Specifically, it gives a detailed summary of Coleridge's poem "The Rime of the Ancient Mariner" in 3 sentences or less.
The Faerie Queene is Edmund Spenser's unfinished 16th century epic poem that uses allegory to explore themes of holiness, temperance, chastity, friendship, justice and courtesy. Each of the poem's six books centers around a knight exemplifying one of these virtues. Though set in a fantastical realm, Spenser drew inspiration from the court of Queen Elizabeth I and sought to promote Protestant ideals through figures like Redcrosse, who comes to represent the virtue of holiness, and his companion Una, who represents truth.
Canterbury Tales as a Microcosm of the Middle English SocietyRosielyn Mae Bolon
Geoffrey Chaucer's The Canterbury Tales provides insights into late 14th century English society through its depictions of the social classes and characters that make up its pilgrim group. The work reflects the rigid social hierarchy of the time, beginning with tales told by the Knight and Squire of the upper class and moving down through the churchmen and laity. It also satirizes the corruption of the Catholic Church through characters like the greedy, worldly Monk and deceitful Pardoner who use religion for personal gain. Additionally, the tales showcase the moral values of the period, such as the pursuit of wealth and status and violations of marriage norms. Overall, The Canterbury Tales serves as a microcosm
The Canterbury Tales by Geoffrey Chaucer is a frame story composed of stories told by a group of pilgrims as they travel together from London to Canterbury and back. The narrator meets 29 other pilgrims at the Tabard Inn who agree to tell stories to pass the time on their journey. Through vivid descriptions of each pilgrim in the prologue, Chaucer satirizes and provides social commentary on the three main classes of late medieval English society - the old feudal order, the rising merchant class, and the ecclesiastical class. The tales themselves cover popular genres of the time such as romances, fabliaux, saints' lives, sermons, and allegories.
Richard II faces downfall due to two key mistakes - seizing the Lancastrian estates after John of Gaunt's death, which angered Gaunt's son Bolingbroke, and leaving England to deal with Ireland's revolt, allowing Bolingbroke to return from exile and build support against the king. Richard is also detached from the people, spends excessively, relies on poor counselors, and lacks concern for general welfare. These factors lead to his forced abdication and Bolingbroke founding the Lancastrian dynasty. The play explores the conflict between a king's divine right to rule and the people's right to depose a weak or unjust ruler. It shows Richard transforming from a spoiled monarch to
The document summarizes a class discussion on William Shakespeare's play Richard III. It includes an agenda with topics like recitations of Shakespearean sonnets, a discussion of Richard's wooing scene and whether he is a trickster character. There are also questions posed about dramatic irony in certain scenes and the impact of ghosts visiting Richard in a dream. Students are asked to discuss their answers and homework in groups.
This document provides a summary of three passages related to ethics and virtue:
1) It summarizes Aristotle's views on ethics from the Nicomachean Ethics, including that virtue is acquired through habit, happiness comes from fulfilling our rational nature, and virtues are a mean between excess and deficiency.
2) It outlines Richard III's rise to power in Shakespeare's play through the moral failures of others to stand up to evil. Innocence alone is not enough.
3) It summarizes Emerson's essay on Self-Reliance, advocating trusting oneself and one's inner wisdom and instincts despite difficulties, though recognizing limits to individual knowledge and power.
The document discusses Shakespeare's play Richard III and Aristotle's views on ethics. It summarizes Richard III's rise to power through deception and murder, driven by his lack of conscience. It then analyzes how other characters' moral failures enable Richard's success by refusing to confront his evil. The document also summarizes Aristotle's view in the Nicomachean Ethics that virtue is gained through doing virtuous deeds, and that happiness comes from fulfilling our human function of rational thought.
The document outlines an English literature class discussion on William Shakespeare's play Richard III, including recitations of passages, analysis of Richard's character as a trickster, summaries of scenes, and questions about themes of ambition and the impact of Richard being visited by ghosts. The class will discuss their answers to homework questions and QHQs in groups.
This document contains the agenda and notes for an English literature class discussion of William Shakespeare's play Richard III. The class will include a lecture and discussion of scenes 4-6, recitations by students Heather and Gustavo, and a discussion of themes like Richard's ambition and the ghosts' visitation in Act 5 scene 3. Students will analyze Richard's wooing of Lady Anne and discuss dramatic irony in scenes between Richard and Clarence. They will also stage a scene from Richard's nightmare of the ghosts of those he killed. A YouTube link to the full movie Richard III starring Ian McKellen is provided.
This document contains the agenda and notes for an English literature class discussion of William Shakespeare's play Richard III. The class will include a lecture and discussion of scenes 4-6, recitations by students Heather and Gustavo, and a discussion of themes like Richard's ambition and the ghosts' visitation in Act 5 scene 3. Students will analyze Richard's wooing of Lady Anne and discuss dramatic irony in scenes between Richard and Clarence. They will also stage a scene from Richard's nightmare of the ghosts of those he killed. A film of Richard III starring Ian McKellen is shared for analysis.
This document provides a dramaturgy packet for Shakespeare's play Richard II. It includes sections on image research of relevant historical portraits and paintings; a glossary of terms; family trees of key characters; a timeline of important events; biographies of King Richard II and background on his reign; histories of productions and critical analysis of the play; and suggestions for further materials. The packet aims to give contextual and historical information to better understand the characters and plot of Shakespeare's drama.
Richard III - Villain As A Hero, Oxford University, August 1,2011JIM MUKERJEE
Influence of Niccolo Machiavelli’s Political Philosophy on Shakespeare’s characterization of King Richard III,
Presentation in Oxford Univ, UK, August 1, 2011
CONCERNING THE WAY IN WHICH PRINCES SHOULD KEEP FAITH[] The pres.docxladonnacamplin
CONCERNING THE WAY IN WHICH PRINCES SHOULD KEEP FAITH
[*] "The present chapter has given greater offence than any other
portion of Machiavelli's writings." Burd, "Il Principe," p. 297.
Every one admits how praiseworthy it is in a prince to keep faith, and
to live with integrity and not with craft. Nevertheless our experience
has been that those princes who have done great things have held good
faith of little account, and have known how to circumvent the
intellect of men by craft, and in the end have overcome those who have
relied on their word. You must know there are two ways of
contesting,[*] the one by the law, the other by force; the first
method is proper to men, the second to beasts; but because the first
is frequently not sufficient, it is necessary to have recourse to the
second. Therefore it is necessary for a prince to understand how to
avail himself of the beast and the man. This has been figuratively
taught to princes by ancient writers, who describe how Achilles and
many other princes of old were given to the Centaur Chiron to nurse,
who brought them up in his discipline; which means solely that, as
they had for a teacher one who was half beast and half man, so it is
necessary for a prince to know how to make use of both natures, and
that one without the other is not durable. A prince, therefore, being
compelled knowingly to adopt the beast, ought to choose the fox and
the lion; because the lion cannot defend himself against snares and
the fox cannot defend himself against wolves. Therefore, it is
necessary to be a fox to discover the snares and a lion to terrify the
wolves. Those who rely simply on the lion do not understand what they
are about. Therefore a wise lord cannot, nor ought he to, keep faith
when such observance may be turned against him, and when the reasons
that caused him to pledge it exist no longer. If men were entirely
good this precept would not hold, but because they are bad, and will
not keep faith with you, you too are not bound to observe it with
them. Nor will there ever be wanting to a prince legitimate reasons to
excuse this non-observance. Of this endless modern examples could be
given, showing how many treaties and engagements have been made void
and of no effect through the faithlessness of princes; and he who has
known best how to employ the fox has succeeded best.
[*] "Contesting," i.e. "striving for mastery." Mr Burd points out that
this passage is imitated directly from Cicero's "De Officiis":
"Nam cum sint duo genera decertandi, unum per disceptationem,
alterum per vim; cumque illud proprium sit hominis, hoc beluarum;
confugiendum est ad posterius, si uti non licet superiore."
But it is necessary to know well how to disguise this characteristic,
and to be a great pretender and dissembler; and men are so simple, and
so subject to present necessities, that he who seeks to deceive will
always find someone who will allow himself to be deceived. One recent
example I cannot pass over in silence. Alexa.
Similar to Hollow Crowns, Traitors, and Miscreants (10)
LAND USE LAND COVER AND NDVI OF MIRZAPUR DISTRICT, UPRAHUL
This Dissertation explores the particular circumstances of Mirzapur, a region located in the
core of India. Mirzapur, with its varied terrains and abundant biodiversity, offers an optimal
environment for investigating the changes in vegetation cover dynamics. Our study utilizes
advanced technologies such as GIS (Geographic Information Systems) and Remote sensing to
analyze the transformations that have taken place over the course of a decade.
The complex relationship between human activities and the environment has been the focus
of extensive research and worry. As the global community grapples with swift urbanization,
population expansion, and economic progress, the effects on natural ecosystems are becoming
more evident. A crucial element of this impact is the alteration of vegetation cover, which plays a
significant role in maintaining the ecological equilibrium of our planet.Land serves as the foundation for all human activities and provides the necessary materials for
these activities. As the most crucial natural resource, its utilization by humans results in different
'Land uses,' which are determined by both human activities and the physical characteristics of the
land.
The utilization of land is impacted by human needs and environmental factors. In countries
like India, rapid population growth and the emphasis on extensive resource exploitation can lead
to significant land degradation, adversely affecting the region's land cover.
Therefore, human intervention has significantly influenced land use patterns over many
centuries, evolving its structure over time and space. In the present era, these changes have
accelerated due to factors such as agriculture and urbanization. Information regarding land use and
cover is essential for various planning and management tasks related to the Earth's surface,
providing crucial environmental data for scientific, resource management, policy purposes, and
diverse human activities.
Accurate understanding of land use and cover is imperative for the development planning
of any area. Consequently, a wide range of professionals, including earth system scientists, land
and water managers, and urban planners, are interested in obtaining data on land use and cover
changes, conversion trends, and other related patterns. The spatial dimensions of land use and
cover support policymakers and scientists in making well-informed decisions, as alterations in
these patterns indicate shifts in economic and social conditions. Monitoring such changes with the
help of Advanced technologies like Remote Sensing and Geographic Information Systems is
crucial for coordinated efforts across different administrative levels. Advanced technologies like
Remote Sensing and Geographic Information Systems
9
Changes in vegetation cover refer to variations in the distribution, composition, and overall
structure of plant communities across different temporal and spatial scales. These changes can
occur natural.
This presentation was provided by Steph Pollock of The American Psychological Association’s Journals Program, and Damita Snow, of The American Society of Civil Engineers (ASCE), for the initial session of NISO's 2024 Training Series "DEIA in the Scholarly Landscape." Session One: 'Setting Expectations: a DEIA Primer,' was held June 6, 2024.
Strategies for Effective Upskilling is a presentation by Chinwendu Peace in a Your Skill Boost Masterclass organisation by the Excellence Foundation for South Sudan on 08th and 09th June 2024 from 1 PM to 3 PM on each day.
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বাংলাদেশের অর্থনৈতিক সমীক্ষা ২০২৪ [Bangladesh Economic Review 2024 Bangla.pdf] কম্পিউটার , ট্যাব ও স্মার্ট ফোন ভার্সন সহ সম্পূর্ণ বাংলা ই-বুক বা pdf বই " সুচিপত্র ...বুকমার্ক মেনু 🔖 ও হাইপার লিংক মেনু 📝👆 যুক্ত ..
আমাদের সবার জন্য খুব খুব গুরুত্বপূর্ণ একটি বই ..বিসিএস, ব্যাংক, ইউনিভার্সিটি ভর্তি ও যে কোন প্রতিযোগিতা মূলক পরীক্ষার জন্য এর খুব ইম্পরট্যান্ট একটি বিষয় ...তাছাড়া বাংলাদেশের সাম্প্রতিক যে কোন ডাটা বা তথ্য এই বইতে পাবেন ...
তাই একজন নাগরিক হিসাবে এই তথ্য গুলো আপনার জানা প্রয়োজন ...।
বিসিএস ও ব্যাংক এর লিখিত পরীক্ষা ...+এছাড়া মাধ্যমিক ও উচ্চমাধ্যমিকের স্টুডেন্টদের জন্য অনেক কাজে আসবে ...
How to Make a Field Mandatory in Odoo 17Celine George
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This presentation includes basic of PCOS their pathology and treatment and also Ayurveda correlation of PCOS and Ayurvedic line of treatment mentioned in classics.
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2. from Niccolo Machiavelli, Il Principe [The Prince] (1532)
CHAPTER II — CONCERNING HEREDITARY PRINCIPALITIES
I say at once there are fewer difficulties in holding
hereditary states, and those long accustomed to the
family of their prince, than new ones; for it is sufficient
only not to transgress the customs of his ancestors, and
to deal prudently with circumstances as they arise, for a
prince of average powers to maintain himself in his state,
unless he be deprived of it by some extraordinary and
excessive force […] For the hereditary prince has less
cause and less necessity to offend; hence it happens that
he will be more loved; and unless extraordinary vices
cause him to be hated, it is reasonable to expect that his
subjects will be naturally well disposed towards him
http://www.gutenberg.org/files/1232/1232-h/1232h.htm#link2H_4_0007
3. Divided Sympathies
Richard is either “tyrant” or
“martyr”
Henry “patriot” or “ruthless
opportunist”
Charles R. Forker, Introduction to The Arden
Shakespeare: King Richard II (London:
Bloomsbury, 2002) 1-170:3.
5. Elizabethan Politics: Flatterers and Taxes
NORTHUMBERLAND
[…] The king is not himself, but basely led
By flatterers; and what they will inform,
Merely in hate, 'gainst any of us all,
That will the king severely prosecute
'Gainst us, our lives, our children, and our heirs.
LORD ROSS The commons hath he pill'd with grievous taxes,
And quite lost their hearts: the nobles hath he fined
For ancient quarrels, and quite lost their hearts.
LORD WILLOUGHBY And daily new exactions are devised,
As blanks, benevolences, and I wot not what:
But what, o' God's name, doth become of this?
(2.1.241-51)
6. Essex’s Rebellion 1601
[T]he very earliest reactions to the event from within
Elizabeth’s court associated the rebellion with the
story of Richard, and it is not impossible that they
were in part stimulated by an awareness of the
performance of the play of Richard II at the Globe the
day before the rebellion [….]
Hugh Grady, Shakespeare, Machiavelli, and Montaigne: Power and
Subjectivity from Richard II to Hamlet (Oxford: Oxford University Press,
2002), 33
“I am Richard the Second, know ye not that?”
cited in Grady, 33
7. Divine Right
Theory of Divine Right as laid out by Figgis:
1. ‘Monarchy is a divinely ordained institution.’
1. ‘Hereditary right is indefeasible.’ Succession is ‘regulated by the
law of primogeniture. The right acquired by birth cannot be
forfeited through any acts of usurpation’.
1. ‘Kings are accountable to God alone.’ The King’s ‘power is
incapable of legal limitation.’
1. ‘Non-resistance and passive obedience are enjoined by God.’
John Figgis The Divine Right of Kings [1896] (Cambridge: Cambridge
University Press, 1914), 5-6
8. The King’s Two Bodies
The King has two Capacities, for he has two Bodies, the one whereof
is a Body natural, consisting of natural Members as every other Man
has, and in this he is subject to Passions and Death as other Men are;
the other is a Body politic, and the Members thereof are his Subjects,
and he and his Subjects together compose the Corporation, as
Southcote said, and his is incorporated with them, and they with him,
and he is the Head, and they are the Members, and he has the sole
Government of them; and this Body is not subject to Passions as the
other is, nor to Death, for as to this Body the King never dies, and his
natural Death is not called in our Law (as Harper said), the Death of
the King, but the Demise of the King, not signifying by the Word
(Demise) that the Body politic of the King is dead, but that there is a
Separation of the two Bodies, and that the Body politic is transferred
and conveyed over from the Body natural now dead, or now removed
from the Dignity royal, to another Body natural. So that it signifies a
Removal of the Body politic of the King of this Realm from one Body
natural to another.
from Plowden’s Reports, cited in Ernst Hartwig Kantorowicz, The King’s Two Bodies: a Study in Mediaeval
Political Theology (Princeton University Press, 1957), 13. You can also see a facsimile of the case that this
excerpt comes from at http://archive.org/stream/commentariesorr00plowgoog#page/n464/mode/2up page
466, or 233a in the original
9. Detail from frontispiece from Thomas Hobbes Leviathan (1642), depicting
the monarch as the head of the state's corporate body.
10. Parliament Scene
BISHOP OF CARLISLE What subject can give sentence on his king?
And who sits here that is not Richard's subject?
Thieves are not judged but they are by to hear,
Although apparent guilt be seen in them;
And shall the figure of God's majesty,
His captain, steward, deputy-elect,
Anointed, crowned, planted many years,
Be judged by subject and inferior breath,
And he himself not present? O, forfend it, God,
That in a Christian climate souls refined
Should show so heinous, black, obscene a deed!
I speak to subjects, and a subject speaks,
Stirr'd up by God, thus boldly for his king. (4.1.122-34)
NORTHUMBERLAND Well have you argued, sir; and, for your pains,
Of capital treason we arrest you here.
My Lord of Westminster, be it your charge
To keep him safely till his day of trial.
May it please you, lords, to grant the commons' suit.
BOLINGBROKE
Fetch hither Richard, that in common view
He may surrender; so we shall proceed
Without suspicion.
(4.1.155-8)
11. Merit vs. Inherit
“Richard, the man of words, postures and ceremonial
dignity is defeated by Bolingbroke, the man of actions
and pragmatic realism” (Forker, 3)
“Assertive individuality” versus “settled harmonies of
medieval tradition and hierarchical order” (Forker 3)
Divine Right of the old order gives way to modern
Machiavellian power
12. The Machiavellian World of
Richard II
From its very opening the world depicted in Richard II is
already a fully fallen, Machiavellian – and to that extent
‘modern’ – world. In this play we are engaged in one of
the crucial dynamics of early modern politics, a
struggle between aristocrats and a centralizing state.
Hugh Grady, Shakespeare, Machiavelli, and Montaigne: Power and
Subjectivity from Richard II to Hamlet. (Oxford University Press, 2002), 67.
13. Medieval Chivalry to
Instrumental Power
BOLINGBROKE
Pale trembling coward, there I throw my gage,
Disclaiming here the kindred of the king,
And lay aside my high blood's royalty,
Which fear, not reverence, makes thee to except.
If guilty dread have left thee so much strength
As to take up mine honour's pawn, then stoop:
By that and all the rites of knighthood else,
Will I make good against thee, arm to arm,
What I have spoke, or thou canst worse devise.
MOWBRAY
I take it up; and by that sword I swear
Which gently laid my knighthood on my shoulder,
I'll answer thee in any fair degree,
Or chivalrous design of knightly trial:
And when I mount, alive may I not light,
If I be traitor or unjustly fight!
Act 1, scene 1.
14. Image and Appearance
[…] our experience has been that those princes who have done great
things have held good faith of little account, and have known how to
circumvent the intellect of men by craft [….] Therefore it is unnecessary
for a prince to have all the good qualities I have enumerated, but it is very
necessary to appear to have them. And I shall dare to say this also, that to
have them and always to observe them is injurious, and that to appear to
have them is useful; to appear merciful, faithful, humane, religious,
upright, and to be so, but with a mind so framed that should you require
not to be so, you may be able and know how to change to the opposite.
[…] For this reason a prince ought to take care that he never lets anything
slip from his lips that is not replete with the above-named five qualities,
that he may appear to him who sees and hears him altogether merciful,
faithful, humane, upright, and religious […] Every one sees what you
appear to be, few really know what you are…
CHAPTER XVIII — CONCERNING THE WAY IN WHICH PRINCES SHOULD KEEP
FAITH
15. Closely Guarded Self
EXTON
Great king, within this coffin I present
Thy buried fear: herein all breathless lies
The mightiest of thy greatest enemies,
Richard of Bordeaux, by me hither brought.
BOLINGBROKE
Exton, I thank thee not; for thou hast wrought
A deed of slander with thy fatal hand
Upon my head and all this famous land.
EXTON
From your own mouth, my lord, did I this deed.
BOLINGBROKE
They love not poison that do poison need,
Nor do I thee: though I did wish him dead,
I hate the murderer, love him murdered.
The guilt of conscience take thou for thy labour,
But neither my good word nor princely favour:
With Cain go wander through shades of night,
And never show thy head by day nor light.
Lords, I protest, my soul is full of woe,
That blood should sprinkle me to make me grow:
Come, mourn with me for that I do lament,
And put on sullen black incontinent:
I'll make a voyage to the Holy Land,
To wash this blood off from my guilty hand:
March sadly after; grace my mournings here;
In weeping after this untimely bier. (Act 5, scene 6)
16. The Imprudent King
RICHARD
We will ourself in person to this war:
And, for our coffers, with too great a court
And liberal largess, are grown somewhat light,
We are inforced to farm our royal realm;
The revenue whereof shall furnish us
For our affairs in hand: if that come short,
Our substitutes at home shall have blank charters (Act 1, scene 4)
-----------------------
GAUNT
[…] A thousand flatterers sit within thy crown,
Whose compass is no bigger than thy head;
And yet, incaged in so small a verge,
The waste is no whit lesser than thy land.
RICHARD
[…] Towards our assistance we do seize to us
The plate, corn, revenues and moveables,
Whereof our uncle Gaunt did stand possess'd.
YORK
Seek you to seize and gripe into your hands
The royalties and rights of banish'd Hereford?
Is not Gaunt dead, and doth not Hereford live?
Was not Gaunt just, and is not Harry true?
Did not the one deserve to have an heir?
Is not his heir a well-deserving son?
Take Hereford's rights away, and take from Time
His charters and his customary rights;
Let not to-morrow then ensue to-day;
Be not thyself; for how art thou a king
But by fair sequence and succession? (Act 2, scene 1)
17. Richard’s Failings
It makes him contemptible to be considered fickle, frivolous, effeminate, meanspirited, irresolute […] he should endeavour to show in his actions greatness,
courage, gravity, and fortitude; and in his private dealings with his subjects let him
show that his judgments are irrevocable – is weak in his initial decision about
Mowbray and Bolinbroke’s dispute, and then banishes them
a prince thus inclined [towards being too liberal] will consume in such acts all his
property, and will be compelled in the end, if he wish to maintain the name of
liberal, to unduly weigh down his people, and tax them, and do everything he can
to get money. This will soon make him odious to his subjects – his ‘liberal largesse’
has cost the court too much and now he raises taxes
It makes him hated above all things, as I have said, to be rapacious, and to be a
violator of the property […] of his subjects – he confiscates Gaunt’s ‘plate, corn,
revenues…’
a danger from which princes are with difficulty preserved, unless they are very
careful and discriminating […] is that of flatterers, of whom courts are full – he
takes counsel from flatterers. Bolingbroke accuses Bushy and Green: “You have
misled a prince, a royal king" (3.1.8)
18. Crisis of Subjectivity
Thus play I in one person many people,
And none contented: sometimes am I king;
Then treasons make me wish myself a beggar,
And so I am: then crushing penury
Persuades me I was better when a king;
Then am I king'd again: and by and by
Think that I am unking'd by Bolingbroke,
And straight am nothing: but whate'er I be,
Nor I nor any man that but man is
With nothing shall be pleased, till he be eased
With being nothing. Music do I hear? (5.5)
19. A Divided Self
For God's sake, let us sit upon the ground
And tell sad stories of the death of kings;
How some have been deposed; some slain in war,
Some haunted by the ghosts they have deposed;
Some poison'd by their wives: some sleeping kill'd;
All murder'd: for within the hollow crown
That rounds the mortal temples of a king
Keeps Death his court and there the antic sits,
Scoffing his state and grinning at his pomp,
Allowing him a breath, a little scene,
To monarchize, be fear'd and kill with looks,
Infusing him with self and vain conceit,
As if this flesh which walls about our life,
Were brass impregnable, and humour'd thus
Comes at the last and with a little pin
Bores through his castle wall, and farewell king!
(3.2)
What must the king do now? must he submit?
The king shall do it: must he be deposed?
The king shall be contented: must he lose
The name of king? o' God's name, let it go:
I'll give my jewels for a set of beads,
My gorgeous palace for a hermitage,
My gay apparel for an almsman's gown,
My figured goblets for a dish of wood,
My sceptre for a palmer's walking staff,
My subjects for a pair of carved saints
And my large kingdom for a little grave,
A little little grave, an obscure grave
(3.3)