Hitchcock
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This document provides a task to analyze and compare the themes and technical construction of three films directed by Alfred Hitchcock: Psycho (1960), Vertigo (1958), and Rear Window (1954). It includes a table to list the key themes such as murder, suspense, and criminals as well as technical techniques like close ups, long shots, and point-of-view shots for each film. The goal is to examine commonalities and differences across Hitchcock's works.
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A film noir pitch targets 16-20 year old males and females in the UK. The plot involves a detective investigating the death of a female victim. It will include film noir conventions like fedoras, trench coats, and voice over narration. The film aims to keep the audience guessing with enigmas around who the victim is, what the seductive femme fatale wants, and why she was killed.
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Psycho is a 1960 horror film directed by Alfred Hitchcock, based on the novel by Robert Bloch. It tells the story of Marion Crane, who is murdered by Norman Bates after stealing money at a motel he owns. The film is known for its innovative editing techniques and shocking shower scene murder of the main character. Hitchcock aimed to subvert audience expectations through twists and surprises, most notably killing off the main character early in the film. The film was a major box office success and is considered one of the most influential films in the horror genre.
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The document discusses the 1960 Alfred Hitchcock film "Psycho" and analyzes various elements of its plot, characters, and famous shower scene. It examines how the film subverts audience expectations through shocking plot twists, uses suspense and music to build tension, and features an unexpected villain in Norman Bates. The shower scene is discussed as one of the most iconic and influential scenes in film history due to Hitchcock's use of editing and suggestion over explicit violence.
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The crime-thriller genre combines elements of crime and psychological thriller genres, often focusing on the criminal's perspective and creating suspense. The genre began in the early 20th century with silent films by Alfred Hitchcock and Fritz Lang. It grew more violent from the 1970s-1980s and incorporated trapped protagonists in the 1990s. Typical conventions include murders, villains, weapons, and dark settings. Famous directors like Hitchcock, Spielberg, and Tarantino have helmed iconic films in the genre such as The Silence of the Lambs, The Dark Knight, and Pulp Fiction.
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The production script outlines 14 shots depicting the murder of a victim character by a killer character in a short film. Shot 1 and 2 show title screens, then shots 3-7 establish the victim walking alone at night. In shot 8, the killer emerges and begins following the victim. Shots 9-10 show the increasing pursuit from both characters' perspectives. Shot 11 depicts the killer stabbing the victim to the ground. Shots 12-14 show the killer standing over the body and walking away from the crime scene. The final shot 15 ends on a black screen with a static sound effect.
History of Horror
Horror films have evolved significantly over the decades in response to changing societal fears and technologies. Early 20th century horrors featured Gothic themes and drew on literary monsters, while 1940s films addressed wartime anxieties. The 1950s saw the rise of sci-fi horrors reflecting nuclear fears. Psychological thrillers emerged in the 1960s, and slasher films became popular in the 1970s-80s alongside gore and special effects. Modern horrors incorporate found footage styles and address contemporary issues like terrorism. Throughout, the genre has adapted to keep audiences engaged through prolonged anticipation and fear of relatable threats.
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The document summarizes and compares three movie trailers from different genres:
1) Man of Steel is an action/fantasy/adventure trailer that shows explosions, space ships, characters flying to establish the fantasy and supernatural setting. Frequent fight scenes and weapons showcase the action elements. The adventure genre is conveyed through the story of Superman growing up.
2) 22 Jump Street is an action/comedy/crime trailer. It shows weapons, explosions and fight scenes for action, uses jokes and comedic characters and scenes, and briefly displays drug deals to represent the crime theme.
3) The Maze Runner is a mystery/sci-fi trailer. It establishes the mystery genre through unanswered questions from characters
Peek_a_boo
The document summarizes a horror film called Peek-A-Boo. It involves a young girl alone in her bedroom who is stalked by a mysterious male killer. There is no dialogue and the camera shots are from the killer's point of view. The film uses common horror tropes like an opening death to set the scene, featuring a vulnerable young female protagonist being stalked by a killer in a scary location to disturb the audience's equilibrium that is eventually resolved.
The 3 Different Genre Theories
This document discusses several theories of genre from film theorists Rick Altman, Steve Neale, and Christian Metz. According to Rick Altman, understanding genre requires a semantic, syntactic, and pragmatic approach. Steve Neale proposed that genres can repeat or challenge conventions. Christian Metz believed genres go through experimental, classical, parody, and deconstruction stages over time, with each stage building on conventions set in earlier stages. Examples are provided for each theorist from the thriller genre.
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The opening credits sequence of Watchmen consists of 9 frames showing the downfall of superheroes over time. Each frame tells a piece of the story - from the peak of their heroism during World War 2 to their eventual view as insane and dangerous. A photographer is featured in each shot, representing the documentation of their decline. The sequence uses a dark, contrasting visual style and yellow font to match the tone of the source comic book.
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The document provides a history of the horror genre across literature and film. It notes that the term 'horror' first emerged with The Castle of Otranto in 1764, and that Frankenstein in 1818 was an influential early work. Early horror films used shadows and darkness to create surreal effects. Horror films were reborn in the 1930s with the advent of sound. During the 1950s-60s, many horror films were low-budget B-movies that explored themes of science and mutation. Key directors who helped develop the genre include George Romero, Mario Bava, and Wes Craven.
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Ds 3141 experience design & social inquiry in games
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This document provides a task to analyze and compare the themes and technical construction of three films directed by Alfred Hitchcock: Psycho (1960), Vertigo (1958), and Rear Window (1954). It includes a table to list the key themes such as murder, suspense, and criminals as well as technical techniques like close ups, long shots, and point-of-view shots for each film. The goal is to examine commonalities and differences across Hitchcock's works.
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The document is an evaluation by Taynie Gage of their graphic narrative children's book based on Alice in Wonderland. Taynie feels their final product closely reflects their original plans and intentions. They carefully storyboarded and planned each page, making minor adjustments during production for layout and design improvements. Taynie constructed characters and imagery using techniques learned in class, such as adding textures. They believe the text fits well with the planned images on each page to advance the story, though a few pages could be improved. Overall, Taynie feels the book is suitable for its intended 6-9 year old audience and that they effectively employed learned techniques in its creation.
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Vladimir Propp analyzed folk tales and identified that they all include 31 plot elements or functions. He also found that there are only 8 character types that appear across many stories. These include the hero, villain, princess/prize, donor, helper, princess' father, false hero, and dispatcher. Todorov's theory of narrative structure applies to Alice in Wonderland, with the story moving from Alice's normal life (equilibrium) to her adventures in Wonderland (disequilibrium) and back to her normal life (return to equilibrium). The document discusses how various narrative theories can be applied to the story of Alice in Wonderland.
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This document discusses photography by Edward Weston and Nikolas Koenig. It provides biographies of each photographer, noting that Weston was an influential American photographer known for his still life, nude, portrait, and landscape photos. It then analyzes several of Weston's landscape photos, describing compositional elements like organic shapes, lines, patterns, contrasts, and spaciousness. It also analyzes a few of Koenig's landscape photos, noting contrasts between urban and natural elements and how his photos create geometric shapes while maintaining a calm, spacious feel.
Planning Documentation
The document provides details about a proposed landscape photography project, including the locations that will be photographed, equipment that will be used, and health and safety considerations. The photographer plans to take photos in York, Scarborough, and Filey, focusing on landscapes like the River Ouse and seaside views. Night photos will be taken in Scarborough to capture lights. Post-production may include adjustments to color and lighting. Feedback will be solicited but may not provide constructive criticism. Risks like falling cliffs or traffic will be mitigated by safety precautions. Shoots are planned for December 11th and 20th pending good weather.
Image Processing
This document discusses various digital photography and image editing techniques. It addresses common issues like pixelation, color casts, damaged images, exposure problems, and provides instructions on how to create panoramic images, photo montages, sky replacements, and colorized black and white photos using Photoshop tools and adjustments. Evaluations are provided on sample image editing projects and suggestions are made on how future projects could be improved.
Btec photography Portrait Photography
Portraiture involves composing images of people to display their likeness, personality, and mood. Key aspects of portrait photography include using lighting to catch sparkles in the eyes, ensuring the subject is looking directly at the camera, keeping the background simple, and using an appropriate focal length and aperture. Different lighting techniques are used for specific effects, such as split lighting using a key light to control the image or Rembrandt lighting to create mood.
Btec photography FOOD PHOTOGRAPHY
This document provides guidance for photographing food dishes. It discusses ideas for the dish, constraints around legal and equipment issues, composition tips including camera angle and reference images, use of color, and potential post-processing needs in Photoshop. Tips are given on bouncing light, available lenses, and objects that could enhance colors. Legal constraints include avoiding false advertising through manipulation.
Taynie
The document discusses the student's photojournalism project idea of combining long exposure photography with light drawings in the foreground of images of distant cities. The student is interested in this genre because they have previous experience doing light drawings for a photography course and assisting their brother. Artists like Sean Rogers, who produces light drawings overlaid on landscapes, have influenced the student's idea. The student received positive feedback from peers on an example image, and plans to take similar photos combining light drawings and cityscapes to compare with research images and discuss similarities and differences.
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skeleton System.pdf (skeleton system wow)
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๐๐ข๐ฌ๐๐ฎ๐ฌ๐ฌ ๐ญ๐ก๐ ๐๐๐ ๐๐ฎ๐ซ๐ซ๐ข๐๐ฎ๐ฅ๐ฎ๐ฆ ๐ข๐ง ๐ญ๐ก๐ ๐๐ก๐ข๐ฅ๐ข๐ฉ๐ฉ๐ข๐ง๐๐ฌ:
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Hitchcock
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