History of the noir period
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Film noir is a term used to describe stylish Hollywood crime dramas from the 1940s to 1950s that emphasized cynical attitudes and sexual motivations. These films had a low-key black-and-white visual style influenced by German Expressionism. Many noir stories and attitudes came from hardboiled crime fiction of the Depression era. The term "film noir" was coined by a French critic in 1946 and was unknown in America until later when scholars defined the genre retrospectively. Film noir covers a range of protagonists from private eyes and police to boxers and ordinary citizens drawn into crime. While originally an American genre, noir films have been made internationally with neo-noirs continuing the style
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Film noir
Film noir refers to stylish Hollywood crime dramas from the 1940s-1950s that emphasize cynical attitudes and sexual motivations. It is associated with a low-key black-and-white visual style influenced by German Expressionism. Many noir stories and attitudes come from hardboiled crime fiction of the Depression era. While some films noir appeared earlier, Stranger on the Third Floor (1940) is often cited as the first true film noir, though it lost money for its studio despite a modest budget.
Murder Mystery History
Murder mystery films originated in the early 1900s when crime films were popular. There were two main types - open mysteries which revealed the perpetrator early on, and closed mysteries or "whodunits" where the criminal was unknown. Alfred Hitchcock directed many famous murder mysteries in the 1920s-1930s that helped establish the genre. Through the 1950s-1990s, murder mysteries expanded widely on television and film, often combining with other genres like horror or fantasy. Into the 21st century, the genre continues to adapt novels and develop new psychological thrillers and suspenseful stories.
4. the history of the genre of murder mystery
The history of the murder mystery genre in film has evolved over the decades from the 1900s to present day. Early silent films featured simplistic mysteries, while 1940s-50s films grew darker and more violent. The 1960s-70s saw updates of classic novels and period pieces set in the 1930s-40s. From the 1980s on, neo-noir and psycho-thriller styles emerged, with more complex plots, international settings, and fast-paced action sequences. The changing nature of audiences required more intricate mysteries to avoid predictability.
History of film noir
Film noir emerged in the 1940s as a style of black-and-white American crime and detective films that reflected the post-war era of anxiety, pessimism, and suspicion. The genre took advantage of the mood of the times to tell dark stories of anti-heroes embroiled in crime, violence, and moral corruption. Classic film noir developed between the 1940s-1960s and featured convoluted, nonlinear plots and foreboding music that kept viewers on edge. Common elements included corrupt characters like detectives, gangsters, and sociopaths in bleak stories that rarely had happy endings.
Presentation1
Classic film noir developed after World War II and lasted until the 1960s, featuring themes of anxiety and suspicion. There is debate around which films qualify as noir. Early neo-noir in the 1960s showed new trends while still drawing from classic noirs, and modern neo-noir updates noir elements with contemporary themes and visuals.
Presentation1
Classic film noir developed after World War II and lasted until the 1960s, featuring themes of anxiety, pessimism, and suspicion. Notable films from this Golden Age include Casablanca and films by Alfred Hitchcock. While some 1960s films like Blast of Silence and Cape Fear blurred the lines, new trends emerged with treatments of mental states in a classic noir style. Neo-noir is a modern style that utilizes elements of classic noir but with updated themes, content, and visual elements absent in 1940s-1950s films noir.
History of horror
The document provides a historical overview of the evolution of horror genres in film and literature from the 19th century to modern times. It notes that 19th century horror literature was influenced by scientific advances and often featured male antagonists. In the early 20th century, silent horror films emerged as a new medium. The 1930s saw the rise of monster and mad scientist films, influenced by the Great Depression. Atomic testing and space discoveries shaped 1950s films about mutants and aliens. Violent 1960s events were a influence on films like Night of the Living Dead, while slasher films became popular in the late 1970s-1980s before descending into parody.
Genre case study
Film noir is a genre of mystery and crime dramas produced from the 1940s to 1950s that were typically shot in black and white. These films often featured stories of doomed heroes, cynical detectives, and femme fatales. The genre was influenced by German Expressionism in the 1910s-1920s and French poetic realism of the 1930s. Some of the earliest examples include Michael Curtiz's 1932 film 20,000 Years in Sing Sing. John Huston's 1941 film The Maltese Falcon is considered one of the first major film noir classics. Other iconic films noirs include Carol Reed's 1949 film The Third Man and Billy Wilder's 1950 film Sunset Boulevard, starring Gloria Swanson
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Film noir
Film noir refers to stylish Hollywood crime dramas from the 1940s-1950s that emphasize cynical attitudes and sexual motivations. It is associated with a low-key black-and-white visual style influenced by German Expressionism. Many noir stories and attitudes come from hardboiled crime fiction of the Depression era. While some films noir appeared earlier, Stranger on the Third Floor (1940) is often cited as the first true film noir, though it lost money for its studio despite a modest budget.
Murder Mystery History
Murder mystery films originated in the early 1900s when crime films were popular. There were two main types - open mysteries which revealed the perpetrator early on, and closed mysteries or "whodunits" where the criminal was unknown. Alfred Hitchcock directed many famous murder mysteries in the 1920s-1930s that helped establish the genre. Through the 1950s-1990s, murder mysteries expanded widely on television and film, often combining with other genres like horror or fantasy. Into the 21st century, the genre continues to adapt novels and develop new psychological thrillers and suspenseful stories.
4. the history of the genre of murder mystery
The history of the murder mystery genre in film has evolved over the decades from the 1900s to present day. Early silent films featured simplistic mysteries, while 1940s-50s films grew darker and more violent. The 1960s-70s saw updates of classic novels and period pieces set in the 1930s-40s. From the 1980s on, neo-noir and psycho-thriller styles emerged, with more complex plots, international settings, and fast-paced action sequences. The changing nature of audiences required more intricate mysteries to avoid predictability.
History of film noir
Film noir emerged in the 1940s as a style of black-and-white American crime and detective films that reflected the post-war era of anxiety, pessimism, and suspicion. The genre took advantage of the mood of the times to tell dark stories of anti-heroes embroiled in crime, violence, and moral corruption. Classic film noir developed between the 1940s-1960s and featured convoluted, nonlinear plots and foreboding music that kept viewers on edge. Common elements included corrupt characters like detectives, gangsters, and sociopaths in bleak stories that rarely had happy endings.
Presentation1
Classic film noir developed after World War II and lasted until the 1960s, featuring themes of anxiety and suspicion. There is debate around which films qualify as noir. Early neo-noir in the 1960s showed new trends while still drawing from classic noirs, and modern neo-noir updates noir elements with contemporary themes and visuals.
Presentation1
Classic film noir developed after World War II and lasted until the 1960s, featuring themes of anxiety, pessimism, and suspicion. Notable films from this Golden Age include Casablanca and films by Alfred Hitchcock. While some 1960s films like Blast of Silence and Cape Fear blurred the lines, new trends emerged with treatments of mental states in a classic noir style. Neo-noir is a modern style that utilizes elements of classic noir but with updated themes, content, and visual elements absent in 1940s-1950s films noir.
History of horror
The document provides a historical overview of the evolution of horror genres in film and literature from the 19th century to modern times. It notes that 19th century horror literature was influenced by scientific advances and often featured male antagonists. In the early 20th century, silent horror films emerged as a new medium. The 1930s saw the rise of monster and mad scientist films, influenced by the Great Depression. Atomic testing and space discoveries shaped 1950s films about mutants and aliens. Violent 1960s events were a influence on films like Night of the Living Dead, while slasher films became popular in the late 1970s-1980s before descending into parody.
Genre case study
Film noir is a genre of mystery and crime dramas produced from the 1940s to 1950s that were typically shot in black and white. These films often featured stories of doomed heroes, cynical detectives, and femme fatales. The genre was influenced by German Expressionism in the 1910s-1920s and French poetic realism of the 1930s. Some of the earliest examples include Michael Curtiz's 1932 film 20,000 Years in Sing Sing. John Huston's 1941 film The Maltese Falcon is considered one of the first major film noir classics. Other iconic films noirs include Carol Reed's 1949 film The Third Man and Billy Wilder's 1950 film Sunset Boulevard, starring Gloria Swanson
Institution research
Although film noir ended in the 1960s, neo-noir films that are released today can be very popular and financially successful. The highest-grossing neo-noir to date is 2005's Sin City, which earned $74 million. While neo-noir films are not a very profitable genre overall due to the low number released, some of the highest-earning neo-noirs have been distributed by Warner Bros, including L.A. Confidential, Blade Runner, and Body Heat. The document also outlines several subgenres of film noir, such as romance noir, documentary-style noir, and prison noir.
Institution Research
The document discusses four major film institutions that released film noir movies between the 1930s-1950s: Warner Bros Pictures, Twentieth Century Fox, Paramount, and Universal Pictures. It provides examples of specific film noir titles released by each studio, with Warner Bros releasing titles like The Maltese Falcon and The Big Sleep, Twentieth Century Fox releasing films such as Laura and The Black Corner, Paramount distributing movies like M and Double Indemnity, and Universal putting out Phantom Lady and The Killers.
History of genre thriller
Alfred Hitchcock was a pioneer of the thriller genre in the 1920s-1930s, directing films like "The Lodger" in 1926 and "Blackmail" in 1929. He focused solely on thrillers after 1935. In the 1950s, Hitchcock began filming thrillers in color with films like "Strangers on a Train" and "Dial M for Murder." His 1960 film "Psycho" was one of his most famous and increased his publicity. The 1970s saw thrillers like Hitchcock's "Frenzy" and Steven Spielberg's "Duel" which helped establish the genre in that decade.
Influences on horror genre
The contemporary horror genre has been influenced by German Expressionism and Film Noir, which shaped how we perceive horror films through their visual styles. German Expressionism arose in the early 20th century in response to Germany's isolation during WWI and featured abstract sets and low lighting. Fritz Lang was among the most influential directors of this era, with films like Metropolis and M that blended expressionism with early elements of film noir. Film noir emerged in the 1940s-50s and was known for its low-key black and white visuals inspired by expressionism. Modern horror films still draw from the styles of expressionism and noir through elements like abstract settings and "femme fatale" characters.
The Cabinet of Dr. Caligari
The Cabinet of Dr. Caligari was a 1920 German Expressionist horror film written by Hans Janowitz and Carl Mayer. It tells the story of Francis who shares strange stories with a companion, including about a disturbed woman and encounters with the mysterious Dr. Caligari at a fair. Francis investigates after his friend is found dead, learning that Caligari is actually the director of a nearby asylum. In a twist ending, Francis and other characters are revealed to be patients in the asylum. The film was an early example of psychological horror and influenced expressionism in set design and filmmaking techniques.
Conventions
Film noir developed after World War II, featuring dark themes that reflected postwar anxiety and pessimism. These films often told stories of antiheroes like hardboiled detectives encountering manipulative "femme fatales." While not technically a genre, film noir describes a style and tone of black-and-white American crime films from the 1940s-1960s that portrayed a bleak worldview where characters faced themes of betrayal, violence, and despair.
Timeline of horror films development
This timeline provides an overview of key developments in horror films from 1896 to the 2000s. It begins with Le Manoir du Diable in 1896, considered one of the first horror films depicting supernatural events. Frankenstein in 1910 was one of the earliest film adaptations of a classic horror novel. Nosferatu in 1922 was a highly influential silent German expressionist horror film. The genre declined during World War 2 but iconic films like Dracula and House of Frankenstein were still released. The 1960s saw the rise of thrillers and slashers influenced by films like Psycho and Night of the Living Dead. The 1970s featured horror classics like The Exorcist, Jaws, and Texas Chain Saw Massacre. New technology in
The History of The Genre - Thriller
The document provides a history of the thriller genre from the 1920s to present day. It notes several influential early thrillers directed by Alfred Hitchcock in the 1920s-1930s that helped establish the genre. It then outlines some of the most prominent thrillers of the 1940s, 1950s, 1960s, 1970s-1980s, and 1990s to present that featured themes like serial killers, obsession, and spies/covert operations. Key films that pushed the genre's evolution include Psycho, The Silence of the Lambs, and more recent thrillers that depict high levels of brutality.
AS Media: Thriller Genre Research
The document discusses the history and evolution of the thriller genre from its origins in the 1920s to modern times. It explores how thrillers first focused on creating feelings of emotion and suspense through films like The Lodger in the 1920s. During the 1960s-1980s, thrillers became bolder and more violent with films like Psycho and Frenzy. In the 1990s, common thriller themes involved obsession and detectives hunting serial killers, as seen in films like The Silence of the Lambs. Modern thrillers continue to draw from different eras while also focusing on crime and terrorism.
History of the thriller genre timeline
This document outlines the history and evolution of the thriller genre from the 1920s to the 1990s. It notes that Alfred Hitchcock was influential in the early years by creating silent films like "The Lodger" that were influenced by German expressionism. In the 1940s, psychological thrillers emerged as a subgenre with films like "Gaslight." Violence in thrillers increased in the 1970s, as seen in Hitchcock's "Frenzy." By the 1980s and 90s, thrillers frequently involved detectives hunting serial killers, and started featuring themes of obsession more prominently. Throughout its history, the thriller genre transformed due to the work of key directors and influences from other films.
German expressionism
German expressionism was an artistic movement in Germany between 1910-1930 that portrayed psychological states through distorted forms and unnatural colors. It began as a reaction to World War I and the isolation Germany felt, but gained international popularity after the war. Notable films like Fritz Lang's Metropolis used expressionist techniques like stark contrasts, shadows, and irregular shapes to depict inner emotions rather than realistic surfaces. This new style of filmmaking influenced genres like horror and film noir and continues to impact modern cinema through conventions adopted from early German expressionist works.
Genre research mas
The document discusses the thriller genre and provides examples of classic thriller films. It summarizes Alfred Hitchcock's background and rise to fame as the "Master of Suspense" through his directing of notable silent films and talkies in the 1920s-1940s that featured themes of mystery, false accusations, and plot twists. It also notes that psychological thrillers often focus on the unstable mental states of characters and themes involving reality, perception, identity and death.
the-french-new-wave-films
The document discusses the Auteur Theory and its origins in the French New Wave film movement of the 1950s-60s. It explains that the Auteur Theory positions the director as the primary author of a film and sees their works as expressing a consistent style and themes. Key figures discussed are Francois Truffaut, Jean-Luc Godard, and how their films like Breathless challenged the dominant "Tradition of Quality" films in France through location shooting and a looser style.
Germanexpressionism + film noir
Film noir is characterized by cynical heroes, stark lighting, flashbacks, intricate plots, and existentialist philosophy. It was prevalent in American crime dramas after WWII. Many films were inspired by hardboiled crime fiction and directed by European émigrés, bringing a stylized and theatrical sensibility. French critics coined the term "film noir" to describe dark, downbeat American crime films of the era like The Maltese Falcon and Double Indemnity.
Photography noir
This document discusses techniques of film noir photography and styles. It references Bruce Willis in the 2005 film Sin City, noir images taken in Paris in 2004, Hollywood films from the 1990s, brooding contemplation as a noir theme, New York subway scenes shot in noir style, the femme fatal character, classic noir lighting and themes, and the work and copyrights of photographer Joseph Cartwright from 2006 featuring noir still lifes and a femme fatal calendar.
Genre research
The crime-thriller genre combines elements of crime and psychological thriller genres, often focusing on the criminal's perspective and creating suspense. The genre began in the early 20th century with silent films by Alfred Hitchcock and Fritz Lang. It grew more violent from the 1970s-1980s and incorporated trapped protagonists in the 1990s. Typical conventions include murders, villains, weapons, and dark settings. Famous directors like Hitchcock, Spielberg, and Tarantino have helmed iconic films in the genre such as The Silence of the Lambs, The Dark Knight, and Pulp Fiction.
German expressionism
German Expressionism was an early 20th century creative movement in Germany that influenced filmmaking. Fritz Lang was a influential German filmmaker known for expressionist films like Metropolis and M. German Expressionist films were popular domestically during World War 1 and gained international popularity after the war. The style was known for its use of shadows, sharp lines, and moods of pessimism that later influenced the American film noir genre.
Understanding cinema:french new wave,italian neorealism and indian parallel c...
Italian Neorealism emerged in post-WWII Italy in response to the difficult economic conditions and desire to portray realism over fascism's rejection of realism. Key directors like Roberto Rossellini and Vittorio De Sica filmed on location using non-professional actors and a documentary style. De Sica's 1948 film Bicycle Thieves is considered the pinnacle of the movement. The French New Wave of the late 1950s rejected classical Hollywood styles through techniques like jump cuts and handheld cameras, influenced by writers at Cahiers du Cinema and the auteur theory. Parallel Indian Cinema emerged in the 1970s as an alternative to commercial Indian cinema, addressing social and political realities through serious themes and naturalism
The history of thriller films
The history of thriller films began in the 1920s with Alfred Hitchcock's silent films which helped establish conventions of the genre like including an antagonist and protagonist. In the 1950s and 60s, Hitchcock's films brought color and technical innovations while continuing to subvert audience expectations. The 1970s saw a rise in graphic violence and R ratings as the horror genre grew more intense, while the 1980s featured psychological thrillers influenced by films like Dead Calm. Modern thrillers increasingly blend with the horror genre through graphic content while some incorporate other genres like action.
The History of Thriller Films
The history of thriller films began in the 1920s with Alfred Hitchcock's silent films which helped establish conventions of the genre like including an antagonist and protagonist. In the 1950s and 1960s, Hitchcock continued to produce influential thrillers in color like Psycho, which subverted audience expectations. During the 1970s and 80s, thrillers incorporated more graphic violence and psychological elements. In modern times, thrillers increasingly overlap with the horror genre through use of gore and terror while some adopt conventions from other genres like action.
9 frame
This document analyzes still frames from the film Sunset Boulevard and discusses how various elements in each frame establish the film's noir style and 1950s setting. Key elements discussed include low-key lighting, vintage cars, photographers with classic cameras, costumes worn by detectives and photographers that represent noir iconography, a dead body in the pool fitting with noir crime scenes, flashbacks showing classic American scenery and cars, a unique editing technique emphasizing the period, and characters using typewriters and wearing classic hats that fit the noir feel.
Titles timeline
The three sentence summary is:
The titles timeline for the film "Sunset Boulevard" begins with revealing the studio name and slowly pans down to reveal the title on a street corner, fitting with the noir genre. As different transitions are used, the starring cast and key crew names such as writers, producers, and directors are revealed. It is a clever technique used in the titles to leave revealing the most important roles of director and producer names for last.
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Institution research
Although film noir ended in the 1960s, neo-noir films that are released today can be very popular and financially successful. The highest-grossing neo-noir to date is 2005's Sin City, which earned $74 million. While neo-noir films are not a very profitable genre overall due to the low number released, some of the highest-earning neo-noirs have been distributed by Warner Bros, including L.A. Confidential, Blade Runner, and Body Heat. The document also outlines several subgenres of film noir, such as romance noir, documentary-style noir, and prison noir.
Institution Research
The document discusses four major film institutions that released film noir movies between the 1930s-1950s: Warner Bros Pictures, Twentieth Century Fox, Paramount, and Universal Pictures. It provides examples of specific film noir titles released by each studio, with Warner Bros releasing titles like The Maltese Falcon and The Big Sleep, Twentieth Century Fox releasing films such as Laura and The Black Corner, Paramount distributing movies like M and Double Indemnity, and Universal putting out Phantom Lady and The Killers.
History of genre thriller
Alfred Hitchcock was a pioneer of the thriller genre in the 1920s-1930s, directing films like "The Lodger" in 1926 and "Blackmail" in 1929. He focused solely on thrillers after 1935. In the 1950s, Hitchcock began filming thrillers in color with films like "Strangers on a Train" and "Dial M for Murder." His 1960 film "Psycho" was one of his most famous and increased his publicity. The 1970s saw thrillers like Hitchcock's "Frenzy" and Steven Spielberg's "Duel" which helped establish the genre in that decade.
Influences on horror genre
The contemporary horror genre has been influenced by German Expressionism and Film Noir, which shaped how we perceive horror films through their visual styles. German Expressionism arose in the early 20th century in response to Germany's isolation during WWI and featured abstract sets and low lighting. Fritz Lang was among the most influential directors of this era, with films like Metropolis and M that blended expressionism with early elements of film noir. Film noir emerged in the 1940s-50s and was known for its low-key black and white visuals inspired by expressionism. Modern horror films still draw from the styles of expressionism and noir through elements like abstract settings and "femme fatale" characters.
The Cabinet of Dr. Caligari
The Cabinet of Dr. Caligari was a 1920 German Expressionist horror film written by Hans Janowitz and Carl Mayer. It tells the story of Francis who shares strange stories with a companion, including about a disturbed woman and encounters with the mysterious Dr. Caligari at a fair. Francis investigates after his friend is found dead, learning that Caligari is actually the director of a nearby asylum. In a twist ending, Francis and other characters are revealed to be patients in the asylum. The film was an early example of psychological horror and influenced expressionism in set design and filmmaking techniques.
Conventions
Film noir developed after World War II, featuring dark themes that reflected postwar anxiety and pessimism. These films often told stories of antiheroes like hardboiled detectives encountering manipulative "femme fatales." While not technically a genre, film noir describes a style and tone of black-and-white American crime films from the 1940s-1960s that portrayed a bleak worldview where characters faced themes of betrayal, violence, and despair.
Timeline of horror films development
This timeline provides an overview of key developments in horror films from 1896 to the 2000s. It begins with Le Manoir du Diable in 1896, considered one of the first horror films depicting supernatural events. Frankenstein in 1910 was one of the earliest film adaptations of a classic horror novel. Nosferatu in 1922 was a highly influential silent German expressionist horror film. The genre declined during World War 2 but iconic films like Dracula and House of Frankenstein were still released. The 1960s saw the rise of thrillers and slashers influenced by films like Psycho and Night of the Living Dead. The 1970s featured horror classics like The Exorcist, Jaws, and Texas Chain Saw Massacre. New technology in
The History of The Genre - Thriller
The document provides a history of the thriller genre from the 1920s to present day. It notes several influential early thrillers directed by Alfred Hitchcock in the 1920s-1930s that helped establish the genre. It then outlines some of the most prominent thrillers of the 1940s, 1950s, 1960s, 1970s-1980s, and 1990s to present that featured themes like serial killers, obsession, and spies/covert operations. Key films that pushed the genre's evolution include Psycho, The Silence of the Lambs, and more recent thrillers that depict high levels of brutality.
AS Media: Thriller Genre Research
The document discusses the history and evolution of the thriller genre from its origins in the 1920s to modern times. It explores how thrillers first focused on creating feelings of emotion and suspense through films like The Lodger in the 1920s. During the 1960s-1980s, thrillers became bolder and more violent with films like Psycho and Frenzy. In the 1990s, common thriller themes involved obsession and detectives hunting serial killers, as seen in films like The Silence of the Lambs. Modern thrillers continue to draw from different eras while also focusing on crime and terrorism.
History of the thriller genre timeline
This document outlines the history and evolution of the thriller genre from the 1920s to the 1990s. It notes that Alfred Hitchcock was influential in the early years by creating silent films like "The Lodger" that were influenced by German expressionism. In the 1940s, psychological thrillers emerged as a subgenre with films like "Gaslight." Violence in thrillers increased in the 1970s, as seen in Hitchcock's "Frenzy." By the 1980s and 90s, thrillers frequently involved detectives hunting serial killers, and started featuring themes of obsession more prominently. Throughout its history, the thriller genre transformed due to the work of key directors and influences from other films.
German expressionism
German expressionism was an artistic movement in Germany between 1910-1930 that portrayed psychological states through distorted forms and unnatural colors. It began as a reaction to World War I and the isolation Germany felt, but gained international popularity after the war. Notable films like Fritz Lang's Metropolis used expressionist techniques like stark contrasts, shadows, and irregular shapes to depict inner emotions rather than realistic surfaces. This new style of filmmaking influenced genres like horror and film noir and continues to impact modern cinema through conventions adopted from early German expressionist works.
Genre research mas
The document discusses the thriller genre and provides examples of classic thriller films. It summarizes Alfred Hitchcock's background and rise to fame as the "Master of Suspense" through his directing of notable silent films and talkies in the 1920s-1940s that featured themes of mystery, false accusations, and plot twists. It also notes that psychological thrillers often focus on the unstable mental states of characters and themes involving reality, perception, identity and death.
the-french-new-wave-films
The document discusses the Auteur Theory and its origins in the French New Wave film movement of the 1950s-60s. It explains that the Auteur Theory positions the director as the primary author of a film and sees their works as expressing a consistent style and themes. Key figures discussed are Francois Truffaut, Jean-Luc Godard, and how their films like Breathless challenged the dominant "Tradition of Quality" films in France through location shooting and a looser style.
Germanexpressionism + film noir
Film noir is characterized by cynical heroes, stark lighting, flashbacks, intricate plots, and existentialist philosophy. It was prevalent in American crime dramas after WWII. Many films were inspired by hardboiled crime fiction and directed by European émigrés, bringing a stylized and theatrical sensibility. French critics coined the term "film noir" to describe dark, downbeat American crime films of the era like The Maltese Falcon and Double Indemnity.
Photography noir
This document discusses techniques of film noir photography and styles. It references Bruce Willis in the 2005 film Sin City, noir images taken in Paris in 2004, Hollywood films from the 1990s, brooding contemplation as a noir theme, New York subway scenes shot in noir style, the femme fatal character, classic noir lighting and themes, and the work and copyrights of photographer Joseph Cartwright from 2006 featuring noir still lifes and a femme fatal calendar.
Genre research
The crime-thriller genre combines elements of crime and psychological thriller genres, often focusing on the criminal's perspective and creating suspense. The genre began in the early 20th century with silent films by Alfred Hitchcock and Fritz Lang. It grew more violent from the 1970s-1980s and incorporated trapped protagonists in the 1990s. Typical conventions include murders, villains, weapons, and dark settings. Famous directors like Hitchcock, Spielberg, and Tarantino have helmed iconic films in the genre such as The Silence of the Lambs, The Dark Knight, and Pulp Fiction.
German expressionism
German Expressionism was an early 20th century creative movement in Germany that influenced filmmaking. Fritz Lang was a influential German filmmaker known for expressionist films like Metropolis and M. German Expressionist films were popular domestically during World War 1 and gained international popularity after the war. The style was known for its use of shadows, sharp lines, and moods of pessimism that later influenced the American film noir genre.
Understanding cinema:french new wave,italian neorealism and indian parallel c...
Italian Neorealism emerged in post-WWII Italy in response to the difficult economic conditions and desire to portray realism over fascism's rejection of realism. Key directors like Roberto Rossellini and Vittorio De Sica filmed on location using non-professional actors and a documentary style. De Sica's 1948 film Bicycle Thieves is considered the pinnacle of the movement. The French New Wave of the late 1950s rejected classical Hollywood styles through techniques like jump cuts and handheld cameras, influenced by writers at Cahiers du Cinema and the auteur theory. Parallel Indian Cinema emerged in the 1970s as an alternative to commercial Indian cinema, addressing social and political realities through serious themes and naturalism
The history of thriller films
The history of thriller films began in the 1920s with Alfred Hitchcock's silent films which helped establish conventions of the genre like including an antagonist and protagonist. In the 1950s and 60s, Hitchcock's films brought color and technical innovations while continuing to subvert audience expectations. The 1970s saw a rise in graphic violence and R ratings as the horror genre grew more intense, while the 1980s featured psychological thrillers influenced by films like Dead Calm. Modern thrillers increasingly blend with the horror genre through graphic content while some incorporate other genres like action.
The History of Thriller Films
The history of thriller films began in the 1920s with Alfred Hitchcock's silent films which helped establish conventions of the genre like including an antagonist and protagonist. In the 1950s and 1960s, Hitchcock continued to produce influential thrillers in color like Psycho, which subverted audience expectations. During the 1970s and 80s, thrillers incorporated more graphic violence and psychological elements. In modern times, thrillers increasingly overlap with the horror genre through use of gore and terror while some adopt conventions from other genres like action.
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Understanding cinema:french new wave,italian neorealism and indian parallel c...
Understanding cinema:french new wave,italian neorealism and indian parallel c...
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9 frame
This document analyzes still frames from the film Sunset Boulevard and discusses how various elements in each frame establish the film's noir style and 1950s setting. Key elements discussed include low-key lighting, vintage cars, photographers with classic cameras, costumes worn by detectives and photographers that represent noir iconography, a dead body in the pool fitting with noir crime scenes, flashbacks showing classic American scenery and cars, a unique editing technique emphasizing the period, and characters using typewriters and wearing classic hats that fit the noir feel.
Titles timeline
The three sentence summary is:
The titles timeline for the film "Sunset Boulevard" begins with revealing the studio name and slowly pans down to reveal the title on a street corner, fitting with the noir genre. As different transitions are used, the starring cast and key crew names such as writers, producers, and directors are revealed. It is a clever technique used in the titles to leave revealing the most important roles of director and producer names for last.
Evaluation Question 7
The document summarizes how a preliminary task at the start of college helped students improve their skills for a filmmaking sequence. It discusses how the preliminary task made them more comfortable with equipment like cameras and editing software. It also helped boost their confidence in acting and using different camera shots. Overall, the preliminary task helped the students learn important skills that made them more successful in producing their film noir sequence.
Evaluation Question 1
Our media project incorporated conventions of the film noir genre through elements like black and white color, dialogue, costumes, performances, and locations. Key conventions included a worn down industrial location from the 1950s, costumes like suits to signify rank and a white vest for a poorer character, and intimidating performances with New York accents. While our film lacked a femme fatale, we challenged conventions in other ways like strong performances and tackling thriller elements through a minor key soundtrack, gunshot sound effects, and serious dialogue to create suspense and tension. Overall we feel our film noir sequence successfully captured the thriller subgenre through conventions related to costume, location, performance, music and sound effects.
9 frame analysis sunset boulevard
This document analyzes and summarizes several still shots from the film Sunset Boulevard that demonstrate key elements of the film noir style. The shots depict a dead body at a crime scene surrounded by police investigating, men using old fashioned technology like typewriters while smoking cigarettes, and characters framed in a contrasting shadowy style with iconic noir costumes and settings. Composition techniques like high angles, centered subjects, and rule of thirds framing are also examined. Overall the stills showcase the moody, shadowy, contrasty black and white visual style typical of film noir through their lighting, framing, settings, and characters.
Analysis of opening sequence to sunset boulevard
The opening sequence of Sunset Boulevard begins with the Paramount Pictures logo fading into a tracking shot moving down the long dark road. Title credits are shown for over a minute with upbeat brass music building suspense. The camera then tilts up to reveal police cars speeding towards it, as a voiceover explains they are the homicide squad responding to a death. The next shot shows the large pool area and body floating in the water, surrounded by police and journalists of the time period. The camera then films up from below the pool's surface at the body, before the screen fills with light for a transition into the main character typing at work as a writer.
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Conventions Of Film Noir
Film noir emerged in the 1940s-1950s as a genre of stylish crime dramas and detective films that emphasized cynical attitudes. Common conventions included flawed heroes, seedy urban settings, and convoluted narratives involving flashbacks. Visual styles like low-key lighting and Dutch angles created moods of paranoia and uncertainty. While often hopeless, noir films imbued crime stories with sexual themes and showed a corrupt world. Horror conventions include villains, victims, haunted houses, monsters, gore, screams, and the use of sound and close-ups to generate fear and tension. Both genres explore themes of isolation, anxiety, and the triumph of evil forces over humanity.
Presentation1
Film noir refers to stylish 1940s-1950s Hollywood crime dramas known for their cynical attitudes and sexual motivations. The genre originated in the 1940s and is associated with a low-key black-and-white visual style. While initially American productions, film noir has been produced worldwide since the 1960s despite using different directors and writers, each retains attributes of the originals. Neo-noir films are modern versions that pay homage to classics like those directed by Jean-Luc Godard. Visual styles include low-key lighting that creates dramatic shadows, sometimes obscuring faces in darkness. Plots typically involve crime like murder motivated by greed or jealousy, featuring morally questionable investigators in urban settings.
FILM NOIR
The document provides an overview of film noir, including its origins, key characteristics, and classification. It discusses how film noir emerged as a distinct style in American films of the 1940s, influenced by events like the Great Depression, WWII, and hardboiled crime fiction. It also notes the ongoing debate around whether film noir qualifies as a distinct genre or is more of a mood or tone. The document aims to introduce noir aficionados to the topic through various definitions, quotes, and classifications of film noir.
American Film Noir
This document summarizes an article about the origins and development of the idea of "film noir." It discusses how the term first emerged in postwar Paris to describe the dark sensibilities expressed through many art forms, including novels, plays, songs, and films of the time. It focuses on how the controversial 1946 novel "I'll Spit on Your Graves" by Boris Vian, published under a pseudonym, helped establish the "roman noir" or dark novel genre in France. While the term "film noir" was not widely used until later, this article examines how the idea originated as part of discussions in French intellectual circles and grew to influence the study and marketing of classic Hollywood films.
Presentation1
Classic film noir developed after World War II and lasted until the 1960s, featuring themes of anxiety and suspicion. There is debate around which films qualify as noir. Early neo-noir in the 1960s showed new trends while still drawing from classic noirs, and modern neo-noir updates noir elements with contemporary themes and visuals.
Media
Slasher films are a sub-genre of horror films that involve a psychopathic killer murdering various victims using weapons like knives and chainsaws. They originated in the 1960s with films like Peeping Tom and Psycho and became popular in the 1970s with movies from directors like Wes Craven and John Carpenter that focused on holidays and special occasions. The 1974 film Black Christmas is considered the first true slasher film and established conventions like an unknown stalker, isolated teenage victims, and graphic violence from the killer's point of view.
Film noir
Film Noir began in the early 1940s as an organic artistic movement in Hollywood inspired by hardboiled crime fiction. European émigré directors like Fritz Lang, Robert Siodmak, and Billy Wilder brought highly stylized, theatrical stories to the screen that drew from German expressionist cinema. Film Noir focused on criminals and gangs but avoided graphic violence. It had conventions like corrupt cops, femme fatales, and alienated protagonists depicted through low-key lighting, Dutch angles, and iconography of alcohol, cigarettes, and rainy streets. Themes involved everyday people turning evil and taboo subjects, set in bars, nightclubs, and gambling dens with convoluted, first-person narratives using
Genre
The document discusses several topics related to film genres including: the definitions of genre and how genres are used to categorize different types of films; descriptions of the western and film noir genres including their history, conventions, and subgenres; and examples of influential western and film noir movies as well as posters and trailers for some of these films. It also provides a brief comparison of similarities and differences between the western and film noir genres.
Neo-Noir
This document discusses the history and evolution of neo-noir films from the late 1950s to the 2000s. It outlines the key periods of neo-noir, from post-noir in the late 1950s to postmodern neo-noir in the late 20th century. Important influences included French crime films of the 1950s, the French New Wave movement, and changing social and political contexts in the 1960s-70s like the Vietnam War and civil rights movement. The document also examines elements commonly found in neo-noir films like color cinematography and experimentation, as well as common character types like the impotent private eye.
Genre
The document discusses several topics related to film genres including westerns, film noir, and their similarities and differences. It provides background information on genre and subgenres. It also analyzes key western and noir films, their visual styles, plots, and popularity during the golden era of Hollywood in the 1940s-1950s.
Genre
The document discusses several topics related to film genres including westerns, film noir, and their similarities and differences. It provides background information on genre and subgenres. It also analyzes key western and noir films, their visual styles, plots, and popularity during the golden era of Hollywood in the 1940s-1950s.
Genre
The document discusses several topics related to film genres including westerns, film noir, and their similarities and differences. It provides background information on both genres, noting they were popular during Hollywood's golden era and influenced American film. Both genres involve harsh or corrupt depictions of life, though westerns were set in the 19th century frontier while noir films took place in the 1940s-50s and focused more on crime.
Film noir genre breakdown
Film noir is a genre or visual style of film that originated in post-World War 2 America. It is characterized by themes of crime and corruption, paranoia and moral ambiguity. While noir began in the 1940s-50s, the style has continued on in modern films referred to as "neo-noir". Examples of neo-noir films mentioned include Blade Runner, Se7en, and The Dark Knight, which continue noir traditions through their dark tone, crime plots, and exploration of the seedy underbelly of society. The document discusses debates around whether noir should be considered a genre and provides examples of classic and modern noir elements that can be identified in films.
Film Noir Presentation
Film noir is a style of crime drama that emerged in the 1940s-1950s characterized by cynical attitudes and moral ambiguity. It features flawed protagonists, archetypes like detectives and femme fatales, and a dark visual style with stark lighting and shadows. Common themes include greed, jealousy, crime and murder investigations. Noir stories often involve adultery, betrayal and take place in urban settings at night, featuring complex plots with flashbacks and voiceover narration.
Film Noir Presentation
Film noir is a style of crime drama that became popular in the 1940s-1950s. It is known for its cynical worldview and emphasis on sexuality as motivations. These films typically featured flawed protagonists and femme fatale characters. They also had signature visual styles like low-key lighting, shadows, and Dutch angles that contributed to an overall dark and disorienting tone. Common noir themes included greed, jealousy, crime, murder investigations and betrayals. The urban setting of cities like Los Angeles and New York featured prominently in locations like bars and factories where climaxes typically took place. Narrative devices in noir often involved nonlinear techniques like flashbacks and voiceovers.
The history of the crime genre
Crime films emerged in the 1940s as a new genre called film noir, characterized by dark, downbeat themes. These films depicted corrupt characters like cops, gangsters and criminals operating outside the law. In the 1930s, crime films became popular during the prohibition era, depicting the exploits of bootleggers and urban gangsters. Warner Bros established stars like Edward G. Robinson through gritty films about ruthless criminals like Little Caesar in 1930. In the 1970s, Francis Ford Coppola further developed the genre with epics like The Godfather films, chronicling the rise of a powerful Sicilian crime family in New York through violence and corruption.
Film noir
The document discusses the genre of film noir, providing examples of classic and modern films that fall into this category. Some key characteristics of film noir include flawed protagonists, femme fatales, and stories centered around crime and mystery. Two films highlighted are Detour from 1945, about a hitchhiker who takes over a dead man's identity, and Shutter Island from 2010, where two marshals investigate the disappearance of an inmate at an asylum for the criminally insane.
Presentation 2, Part 3 Film Lighting, Film Noir
Film noir is a style of filmmaking characterized by a dark visual style and mood, rather than a specific genre. It originated in 1940s-1950s Hollywood crime dramas featuring moral ambiguity and sexual motivations. Key visual elements include low-key lighting that produces high contrast shadows, murky urban settings, and characters partially obscured by darkness. While often low-budget B-movies, some classics like The Maltese Falcon achieved lasting influence and status. Neo-noir films made after the 1950s, like Chinatown, continue to show the stylistic influence of film noir's mood and visuals.
Film history
Film noir is a term used to describe stylish Hollywood crime dramas from the 1940s to 1950s that emphasize cynical attitudes and sexual motivations, featuring a low-key black-and-white visual style influenced by German Expressionism. Many noir stories and attitudes came from hardboiled crime fiction of the Depression era in America. German Expressionist film artists also influenced noir aesthetics after emigrating to Hollywood in the face of growing Nazi power in the early 20th century.
Film history
Film noir is a term used to describe stylish Hollywood crime dramas from the 1940s to 1950s that emphasize cynical attitudes and sexual motivations, featuring a low-key black-and-white visual style influenced by German Expressionism. Many noir stories and attitudes came from hardboiled crime fiction of the Depression era in America. German Expressionist film artists also influenced noir aesthetics after emigrating to Hollywood in the 1930s/40s due to the growing Nazi party in Germany.
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Early Life and Backgrounds
Orpah Winfrey: From Humble Beginnings to Media Mogul
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3:国家专业人才认证中心颁发入库证书
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Unveiling Paul Haggis Shaping Cinema Through Diversity. .pdf
History of the noir period
- 1. History of the noir period Film noir is a cinematic term used primarily to describe stylish Hollywood crime dramas, particularly those that emphasize cynical attitudes and sexual motivations. Hollywood's classic film noir period is generally regarded as extending from the early 1940s to the late 1950s. Film noir of this era is associated with a low-key black-and- white visual style that has roots in German Expressionist cinematography. Many of the prototypical stories and much of the attitude of classic noir derive from the Hardboiled School of crime fiction that emerged in the United States during the Depression. The term film noir, French for "black film" first applied to Hollywood films by French critic Nino Frank in 1946, was unknown to most American film industry professionals of the classic era. Cinema historians and critics defined the noir canon in retrospect. Before the notion was widely adopted in the 1970s, many of the classic film noirs were referred to as melodramas. The question of whether film noir qualifies as a distinct genre is a matter of a never ending debate among scholars. In Film Noir it covers a range of plots: The central figure may be a private eye (The Big Sleep), A plainclothes policeman (The Big Heat), An aging boxer (The Set-Up) A hapless grifter (Night and the City), A law-abiding citizen lured into a life of crime (Gun Crazy) Or simply a victim of circumstance (D.O.A.) Though the noir mode was originally identified with American productions, films now customarily described as noir have been made around the world. Many pictures released from the 1960s onward share attributes with film noirs of the classic period, often treating noir conventions in a self-referential manner. Such latter-day works in a noir mode are often referred to as neo-noirs. The tropes of film noir have inspired parody since the mid-1940s.