Henna has been used for over 5,000 years for both cosmetic and medicinal purposes. It originated in ancient India and the Middle East, where it was commonly used in celebrations like weddings. Henna is made from the dried and powdered leaves of the henna plant, which are mixed with water or other ingredients to create a temporary dye or stain on the skin. Different cultures developed distinct henna art styles, with intricate patterns in South Asia and bold geometric designs in Africa. Today, henna decoration remains an important tradition and is also popular in Western cultures.
Henna tattooing, also called Mehndi, is an art form with origins over 5,000 years old in Egypt. The practice involves using a paste made from the henna plant to apply decorative designs and patterns to the skin. Henna tattoos were traditionally used for ceremonies and life events in many cultures of the Middle East and South Asia. While henna designs can vary greatly in complexity, the application process generally involves dipping combs of needles into pigment made from henna leaves and tapping them onto the skin to insert the dye. Proper research is required to ensure any henna product is safe, as black henna containing PPD can cause skin infections.
Henna tattooing, also known as Mehndi, is an ancient art that originated in Egypt over 5,000 years ago. It involves using a paste made from the henna plant to create temporary designs on the skin. Henna grows in tropical regions and was traditionally used in ceremonies and life events in places like Egypt, the Middle East, and India. Over time, henna tattooing has become popular in Western cultures as well, though the designs are often simpler. Proper application of henna paste involves grinding the leaves, mixing with oil, refrigerating, then squeezing the paste through a stencil or freehand onto the skin where it dries and leaves a design.
Henna is a plant that originated in the Middle East and has been used for body art and hair dyeing for over 5,000 years. Archaeological evidence shows ancient Egyptian mummies with henna-dyed hair and toenails. During their lifetime and after death, Egyptians used henna to color their hair, and Ramses II used it to dye his gray hair back to its original auburn color. The Mughals introduced henna to India in the 12th century where it became popular, especially as body art for brides during wedding ceremonies. Today, henna body art continues to be traditionally used in wedding celebrations and cultural ceremonies in North Africa, the Middle East and South Asia.
Mehendi is the traditional South Asian art of applying henna designs to the hands, feet, or arms for auspicious occasions like weddings. It originated in India as a ceremonial art, where brides traditionally have intricate designs applied before marriage ceremonies. Today, mehendi is still an important part of wedding celebrations in places like India, Pakistan, and Bangladesh, with brides displaying complex patterns that symbolize fertility and marital blessings. While typically associated with weddings, mehendi is also applied during festivals and has become a popular fashion among young people seeking temporary tattoos.
Henna has been used for thousands of years in Africa, India, and the Middle East. It is traditionally applied for weddings, celebrations, and rites of passage using a paste made from crushed henna leaves. The paste is applied to the skin and leaves intricate designs that fade gradually over 1-3 weeks. Henna application styles vary between regions and cultures, with Indians using fine floral patterns, Arabs using large floral hand/foot designs, and Africans preferring bold geometric designs sometimes made black using unsafe methods. Today, henna is widely available commercially but also continues to be an important cultural tradition.
Mehndi is the traditional practice of applying henna designs to the skin, commonly done during special occasions like weddings and festivals in India, Pakistan, Bangladesh and other communities. The use of henna decoration has ancient origins dating back to Egyptian mummies and Mediterranean fertility statues from 1500-500 BC. Mehndi designs vary between regions, with India featuring small, intricate patterns, the Middle East using floral motifs, and Africa displaying bolder geometric shapes. Popular symbols include peacocks, lotus flowers, and elephants.
Mehndi is the traditional application of henna as temporary skin decoration commonly practiced in South Asia. It has spiritual significance in Hindu rituals meant to awaken the "inner light." Henna is typically applied during weddings and festivals and draws darker on palms and feet where skin contains more keratin. While henna cones offer a convenient ready-to-use option, some communities still grind fresh leaves to produce darker stains. True tattoos differ from mehndi in that they involve permanent pigment insertion under the skin rather than surface staining.
Henna tattooing, also called Mehndi, is an art form with origins over 5,000 years old in Egypt. The practice involves using a paste made from the henna plant to apply decorative designs and patterns to the skin. Henna tattoos were traditionally used for ceremonies and life events in many cultures of the Middle East and South Asia. While henna designs can vary greatly in complexity, the application process generally involves dipping combs of needles into pigment made from henna leaves and tapping them onto the skin to insert the dye. Proper research is required to ensure any henna product is safe, as black henna containing PPD can cause skin infections.
Henna tattooing, also known as Mehndi, is an ancient art that originated in Egypt over 5,000 years ago. It involves using a paste made from the henna plant to create temporary designs on the skin. Henna grows in tropical regions and was traditionally used in ceremonies and life events in places like Egypt, the Middle East, and India. Over time, henna tattooing has become popular in Western cultures as well, though the designs are often simpler. Proper application of henna paste involves grinding the leaves, mixing with oil, refrigerating, then squeezing the paste through a stencil or freehand onto the skin where it dries and leaves a design.
Henna is a plant that originated in the Middle East and has been used for body art and hair dyeing for over 5,000 years. Archaeological evidence shows ancient Egyptian mummies with henna-dyed hair and toenails. During their lifetime and after death, Egyptians used henna to color their hair, and Ramses II used it to dye his gray hair back to its original auburn color. The Mughals introduced henna to India in the 12th century where it became popular, especially as body art for brides during wedding ceremonies. Today, henna body art continues to be traditionally used in wedding celebrations and cultural ceremonies in North Africa, the Middle East and South Asia.
Mehendi is the traditional South Asian art of applying henna designs to the hands, feet, or arms for auspicious occasions like weddings. It originated in India as a ceremonial art, where brides traditionally have intricate designs applied before marriage ceremonies. Today, mehendi is still an important part of wedding celebrations in places like India, Pakistan, and Bangladesh, with brides displaying complex patterns that symbolize fertility and marital blessings. While typically associated with weddings, mehendi is also applied during festivals and has become a popular fashion among young people seeking temporary tattoos.
Henna has been used for thousands of years in Africa, India, and the Middle East. It is traditionally applied for weddings, celebrations, and rites of passage using a paste made from crushed henna leaves. The paste is applied to the skin and leaves intricate designs that fade gradually over 1-3 weeks. Henna application styles vary between regions and cultures, with Indians using fine floral patterns, Arabs using large floral hand/foot designs, and Africans preferring bold geometric designs sometimes made black using unsafe methods. Today, henna is widely available commercially but also continues to be an important cultural tradition.
Mehndi is the traditional practice of applying henna designs to the skin, commonly done during special occasions like weddings and festivals in India, Pakistan, Bangladesh and other communities. The use of henna decoration has ancient origins dating back to Egyptian mummies and Mediterranean fertility statues from 1500-500 BC. Mehndi designs vary between regions, with India featuring small, intricate patterns, the Middle East using floral motifs, and Africa displaying bolder geometric shapes. Popular symbols include peacocks, lotus flowers, and elephants.
Mehndi is the traditional application of henna as temporary skin decoration commonly practiced in South Asia. It has spiritual significance in Hindu rituals meant to awaken the "inner light." Henna is typically applied during weddings and festivals and draws darker on palms and feet where skin contains more keratin. While henna cones offer a convenient ready-to-use option, some communities still grind fresh leaves to produce darker stains. True tattoos differ from mehndi in that they involve permanent pigment insertion under the skin rather than surface staining.
Mehndi is the application of henna dye to the skin in intricate patterns, traditionally done for brides in India before weddings. It originated as a ceremonial art form where designs often symbolized concepts like the sun representing the mind. Henna paste is applied using tools like cones or brushes to leave patterns that are temporary yet decorative.
The History of Henna By Mrembo Spa, ZanzibarAkinyi Adongo
Henna has a long history of over 5,000 years of use for both cosmetic and healing purposes. It originated in ancient India and the Middle East, where it was used extensively in cultural and religious traditions like weddings. Today, henna art is still practiced in North Africa, the Middle East, South Asia, and other regions with traditional cultural uses, as well as more personalized uses in Western cultures. Henna involves applying a paste made from henna plant leaves to temporarily stain the skin typically in decorative patterns.
The saree has become a global fashion trend appreciated by both Indian and foreign women. Designer sarees now blend traditional styles with Western influences and bold patterns. They come in many forms, from half-sarees featuring two contrasting colors to silk and cotton sarees from different regions of India. Celebrities and fashion designers worldwide have embraced the saree, showcasing its versatility and establishing it as a statement piece for all occasions.
This document is a project report submitted by Monika Mehra, a second year student of fashion design, towards the partial fulfillment of her diploma. The report discusses traditional Indian motifs and their symbolism that are commonly used in Indian textiles. It provides detailed descriptions and examples of specific motifs like paisley, conch, peepal leaf, temple, kalash, creeping vines, flowers, and lotus. It also discusses types of sarees worn across different regions of India and includes content, nature drawings, and print development exercises done by the student using these traditional motifs.
The document discusses designer Anupamaa Dayal and her clothing label. It summarizes her recent collaboration with Ekaya to make the traditional Benarasi sari more youthful and versatile. It also mentions that her last spring collection focused on the international market. Dayal aims to liberate women and make them feel happy and comfortable in their own skin. The evolution of her brand is discussed, and she notes her key learnings including drawing inspiration from her Indian heritage and working with Bollywood actresses.
Promoting indian fashion styles in parispauravi soni
The document discusses an Indian fashion designer's efforts to promote traditional and contemporary Indian fashion styles in Paris. Some key styles discussed include an embellished sari with heavy border and pallu, a backless choli blouse with strap embellished with kashida work, a floor-length Anarkali dress inspired by the film Mughal-e-Azam, and a sherwani and dhoti outfit for grooms. The designer aims to showcase Indian fashion through styles like these to the fashion capital of Paris.
Indian bridal wear varies significantly by region, with brides traditionally wearing sarees or lehengas according to local customs. Brides from Punjab, Ladakh, Kinnaur Spiti, Kashmir, Himachal Pradesh, Rajasthan, Maharashtra, Karnataka, Tamil Nadu, Kerala, Bengal, and Manipur all have distinct traditional outfits incorporating local fabrics, colors, embroidery styles, and accessories. Some of India's top bridal wear designers like Neeta Lulla, Ritu Kumar, Tarun Tahilani, Abu Jani Sandeep Khosla, Manish Malhotra, and Sabyasachi Mukherjee blend Indian techniques with contemporary silhouettes.
The document provides information about the traditional Kalamkari printing technique from India. It discusses that Kalamkari involves using natural dyes and a multi-step process to create designs on cotton fabric by hand painting or block printing. There are two main styles - the Srikalahasti style which uses freehand drawing and the Machilipatnam style which uses carved blocks. Only plants sources are used to create the red, blue, yellow and other colors. The detailed document outlines the history of Kalamkari and the specific processes and tools involved to create the intricate patterns and motifs for which it is known.
Wedding traditions and customs vary greatly between cultures, ethnic groups, religions, countries, and social classes.Here we have showed the bridal attire of different Indian wedding.
Islamic Clothing Fashion Abaya For Fashionable Modest WomenKeith Tate
The abaya, a traditional Islamic garment worn by women in the Gulf region, has become a fashion statement as designers introduce new styles. Contemporary women in countries like the United Arab Emirates are embracing more creative abaya designs that allow them to express their individual tastes while still maintaining modesty. Emerati women designers are at the forefront of this trend, bringing new colors, fabrics, and embellishments to the formerly plain black cloaks. While changes are happening more slowly in Saudi Arabia due to its more restrictive environment, designers there are also experimenting with new twists on traditional abaya styles. This blending of religious customs with modern fashion trends is expanding the possibilities for the abaya garment.
Economic Analysis of Henna Cultivation and Marketing insanaullah noonari
- The document analyzes the economics of henna cultivation and marketing in Tharoshah district, Sindh Pakistan. It finds that the average total cost of production for henna growers is Rs. 67,194 per acre, including costs for fixed expenses, land development, marketing, and inputs.
- Henna growers earn an average of 76 maunds (1 maund = 37 kg) per acre and total revenue of Rs. 121,600 per acre. On average, henna growers earn a net income of Rs. 54,406 per acre.
- The study concludes that henna cultivation is profitable for farmers in Tharoshah district, with average
Phulkari is a traditional embroidery art from Punjab involving intricate needlework on odhni (head drapes or shawls). It originated with the migrant Jat people from Central Asia and was transmitted orally, resulting in regional variations. Phulkari is linked to important events in a woman's life and signifies more than just clothing. There are two main types - Bagh, where embroidery is so dense the base color disappears, and Chope which involves embroidery along borders. Motifs draw from everyday life and include flowers, fruits, and animals. The art continues to evolve today in its patterns, products, and techniques.
This document summarizes an assignment on patterns in Jamdani textiles from Bangladesh. It introduces Jamdani as a fine muslin textile produced in Dhaka for centuries, and discusses some traditional patterns like Terchha (diagonally striped floral sprays) and Panna Hazaar (a thousand emeralds with gold and silver threads). The student was asked to identify different Jamdani patterns but found it difficult, so included images of seven patterns like Pannahazar and Butidar, as well as unnamed beautiful designs. It concludes that Jamdani production has been revived through organizations supporting weavers and designers creating new patterns, and Jamdani symbolizes aristocracy with growing demand for quality
This project report summarizes Dimpal Chouhan's print development project for her 2nd year diploma in fashion design at Dezyne E'cole College. The report includes an acknowledgment, introduction of traditional Indian motifs like paisley, conch, peepal leaf, temple, kalash, creeping vine, and flower motifs. It also discusses traditional Indian sarees, types of sarees worn in India, hand drafting exercises, nature drawings, print development techniques, and designs created using different shapes and motifs. It concludes with fabric and color boards showing the selected saree design.
This document discusses the traditional Phulkari embroidery craft of Punjab. It originated in the 15th century and was done by women in their homes using silk threads to embroider flowers and motifs on cotton fabric. It was seen as a sign of love and was given as gifts for special occasions like marriages. However, after the India-Pakistan partition in the 20th century, the art form declined as it was mostly a domestic craft passed down generations. Now it has seen commercialization but lost some personal charm. The document explores traditional colors, patterns and the history and importance of Phulkari in Punjab culture.
Dimpal Chouhan, a second year student of fashion technology, submitted this project report on ORBITO CAD as a partial fulfillment of her diploma. The report documents her work developing traditional Indian motifs using CAD software. It includes sections on developing motifs through techniques like repetition, collage, and using shapes. Motifs explored include paisley, peepal leaf, temple, kalasha, creeping vine, flower, lotus, rudraksh, buti, tree of life, sun tree, peacock, hansa, and fish. The report aims to showcase Dimpal's skills in replicating traditional Indian textile patterns digitally.
This document compares the traditional art forms of Kalamkari and Pattachitra. Kalamkari originated in Andhra Pradesh and uses vegetable dyes and mineral colors in depictions of Hindu mythology. Pattachitra hails from Odisha and uses natural colors in scroll paintings influenced by Jagannath. The key differences are that Kalamkari has changed over time while Pattachitra has remained traditional, Kalamkari is limited to South India while Pattachitra is found across India, and Kalamkari features epics while Pattachitra focuses on Bhakti themes like Jagannath.
The document outlines plans for an image shoot including the model, props, costumes, and location. The model, Darcie, has a modern, colorful style that fits the pop genre theme. She will wear a yellow top, dark blue trousers, and bright red coat. The only prop is a black and white checked bag. Photos will be taken at a lake area to incorporate the water and sky with natural light.
The document provides information on various topics related to Kutch, India:
1. It introduces the region of Kutch and discusses its famous embroideries created by local women.
2. It provides a map showing Kutch's geographical location and surrounding areas.
3. It describes the many tribes and communities that have settled in Kutch over centuries and maintained their traditions, including Jats, Harijans, Ahirs, Rabaris, and others.
4. It gives details on foods, costumes, culture, and crafts including embroidery, wood carving, and silver engraving practiced in Kutch by different communities.
The document provides information about the costumes and textiles of Bihar and Jharkhand in India. It discusses the traditional crafts and weaving of the regions, including bamboo baskets and cane products from Bihar and silk production in Bhagalpur. It describes the traditional costumes worn by men, women, and tribes in the areas, which often incorporate religious and marital symbols. Festivals celebrated in Bihar and Jharkhand are also outlined, in addition to details about the symbolic Sujani embroidery and famous Bhagalpuri silk sarees produced in the region.
In a world that constantly evolves, some traditions remain steadfast, reminding us of our cultural roots and the beauty of age-old customs. One such tradition is the art of Henna Mehandi, a form of body decoration that has captivated hearts and adorned hands and feet for centuries. Originating in ancient India, Henna Mehandi has transcended time, bridging cultures and generations, and continues to be a beloved part of weddings, festivals, and celebrations around the globe.
Mehndi is a traditional body art originating over 5,000 years ago in the Middle East and Northern Africa, involving applying a paste made from henna plant leaves to stain the skin a cherry red to brown color. The art form is practiced through intricate designs applied to the hands, feet, or other body parts and has been used for artistic, ritual, and ceremonial purposes throughout history in the Middle East, India, and parts of Africa. Mehndi first served the practical purpose of cooling the body through small dot applications to the palms but evolved into an artistic practice, especially as applied to the hands and feet.
Mehndi is the application of henna dye to the skin in intricate patterns, traditionally done for brides in India before weddings. It originated as a ceremonial art form where designs often symbolized concepts like the sun representing the mind. Henna paste is applied using tools like cones or brushes to leave patterns that are temporary yet decorative.
The History of Henna By Mrembo Spa, ZanzibarAkinyi Adongo
Henna has a long history of over 5,000 years of use for both cosmetic and healing purposes. It originated in ancient India and the Middle East, where it was used extensively in cultural and religious traditions like weddings. Today, henna art is still practiced in North Africa, the Middle East, South Asia, and other regions with traditional cultural uses, as well as more personalized uses in Western cultures. Henna involves applying a paste made from henna plant leaves to temporarily stain the skin typically in decorative patterns.
The saree has become a global fashion trend appreciated by both Indian and foreign women. Designer sarees now blend traditional styles with Western influences and bold patterns. They come in many forms, from half-sarees featuring two contrasting colors to silk and cotton sarees from different regions of India. Celebrities and fashion designers worldwide have embraced the saree, showcasing its versatility and establishing it as a statement piece for all occasions.
This document is a project report submitted by Monika Mehra, a second year student of fashion design, towards the partial fulfillment of her diploma. The report discusses traditional Indian motifs and their symbolism that are commonly used in Indian textiles. It provides detailed descriptions and examples of specific motifs like paisley, conch, peepal leaf, temple, kalash, creeping vines, flowers, and lotus. It also discusses types of sarees worn across different regions of India and includes content, nature drawings, and print development exercises done by the student using these traditional motifs.
The document discusses designer Anupamaa Dayal and her clothing label. It summarizes her recent collaboration with Ekaya to make the traditional Benarasi sari more youthful and versatile. It also mentions that her last spring collection focused on the international market. Dayal aims to liberate women and make them feel happy and comfortable in their own skin. The evolution of her brand is discussed, and she notes her key learnings including drawing inspiration from her Indian heritage and working with Bollywood actresses.
Promoting indian fashion styles in parispauravi soni
The document discusses an Indian fashion designer's efforts to promote traditional and contemporary Indian fashion styles in Paris. Some key styles discussed include an embellished sari with heavy border and pallu, a backless choli blouse with strap embellished with kashida work, a floor-length Anarkali dress inspired by the film Mughal-e-Azam, and a sherwani and dhoti outfit for grooms. The designer aims to showcase Indian fashion through styles like these to the fashion capital of Paris.
Indian bridal wear varies significantly by region, with brides traditionally wearing sarees or lehengas according to local customs. Brides from Punjab, Ladakh, Kinnaur Spiti, Kashmir, Himachal Pradesh, Rajasthan, Maharashtra, Karnataka, Tamil Nadu, Kerala, Bengal, and Manipur all have distinct traditional outfits incorporating local fabrics, colors, embroidery styles, and accessories. Some of India's top bridal wear designers like Neeta Lulla, Ritu Kumar, Tarun Tahilani, Abu Jani Sandeep Khosla, Manish Malhotra, and Sabyasachi Mukherjee blend Indian techniques with contemporary silhouettes.
The document provides information about the traditional Kalamkari printing technique from India. It discusses that Kalamkari involves using natural dyes and a multi-step process to create designs on cotton fabric by hand painting or block printing. There are two main styles - the Srikalahasti style which uses freehand drawing and the Machilipatnam style which uses carved blocks. Only plants sources are used to create the red, blue, yellow and other colors. The detailed document outlines the history of Kalamkari and the specific processes and tools involved to create the intricate patterns and motifs for which it is known.
Wedding traditions and customs vary greatly between cultures, ethnic groups, religions, countries, and social classes.Here we have showed the bridal attire of different Indian wedding.
Islamic Clothing Fashion Abaya For Fashionable Modest WomenKeith Tate
The abaya, a traditional Islamic garment worn by women in the Gulf region, has become a fashion statement as designers introduce new styles. Contemporary women in countries like the United Arab Emirates are embracing more creative abaya designs that allow them to express their individual tastes while still maintaining modesty. Emerati women designers are at the forefront of this trend, bringing new colors, fabrics, and embellishments to the formerly plain black cloaks. While changes are happening more slowly in Saudi Arabia due to its more restrictive environment, designers there are also experimenting with new twists on traditional abaya styles. This blending of religious customs with modern fashion trends is expanding the possibilities for the abaya garment.
Economic Analysis of Henna Cultivation and Marketing insanaullah noonari
- The document analyzes the economics of henna cultivation and marketing in Tharoshah district, Sindh Pakistan. It finds that the average total cost of production for henna growers is Rs. 67,194 per acre, including costs for fixed expenses, land development, marketing, and inputs.
- Henna growers earn an average of 76 maunds (1 maund = 37 kg) per acre and total revenue of Rs. 121,600 per acre. On average, henna growers earn a net income of Rs. 54,406 per acre.
- The study concludes that henna cultivation is profitable for farmers in Tharoshah district, with average
Phulkari is a traditional embroidery art from Punjab involving intricate needlework on odhni (head drapes or shawls). It originated with the migrant Jat people from Central Asia and was transmitted orally, resulting in regional variations. Phulkari is linked to important events in a woman's life and signifies more than just clothing. There are two main types - Bagh, where embroidery is so dense the base color disappears, and Chope which involves embroidery along borders. Motifs draw from everyday life and include flowers, fruits, and animals. The art continues to evolve today in its patterns, products, and techniques.
This document summarizes an assignment on patterns in Jamdani textiles from Bangladesh. It introduces Jamdani as a fine muslin textile produced in Dhaka for centuries, and discusses some traditional patterns like Terchha (diagonally striped floral sprays) and Panna Hazaar (a thousand emeralds with gold and silver threads). The student was asked to identify different Jamdani patterns but found it difficult, so included images of seven patterns like Pannahazar and Butidar, as well as unnamed beautiful designs. It concludes that Jamdani production has been revived through organizations supporting weavers and designers creating new patterns, and Jamdani symbolizes aristocracy with growing demand for quality
This project report summarizes Dimpal Chouhan's print development project for her 2nd year diploma in fashion design at Dezyne E'cole College. The report includes an acknowledgment, introduction of traditional Indian motifs like paisley, conch, peepal leaf, temple, kalash, creeping vine, and flower motifs. It also discusses traditional Indian sarees, types of sarees worn in India, hand drafting exercises, nature drawings, print development techniques, and designs created using different shapes and motifs. It concludes with fabric and color boards showing the selected saree design.
This document discusses the traditional Phulkari embroidery craft of Punjab. It originated in the 15th century and was done by women in their homes using silk threads to embroider flowers and motifs on cotton fabric. It was seen as a sign of love and was given as gifts for special occasions like marriages. However, after the India-Pakistan partition in the 20th century, the art form declined as it was mostly a domestic craft passed down generations. Now it has seen commercialization but lost some personal charm. The document explores traditional colors, patterns and the history and importance of Phulkari in Punjab culture.
Dimpal Chouhan, a second year student of fashion technology, submitted this project report on ORBITO CAD as a partial fulfillment of her diploma. The report documents her work developing traditional Indian motifs using CAD software. It includes sections on developing motifs through techniques like repetition, collage, and using shapes. Motifs explored include paisley, peepal leaf, temple, kalasha, creeping vine, flower, lotus, rudraksh, buti, tree of life, sun tree, peacock, hansa, and fish. The report aims to showcase Dimpal's skills in replicating traditional Indian textile patterns digitally.
This document compares the traditional art forms of Kalamkari and Pattachitra. Kalamkari originated in Andhra Pradesh and uses vegetable dyes and mineral colors in depictions of Hindu mythology. Pattachitra hails from Odisha and uses natural colors in scroll paintings influenced by Jagannath. The key differences are that Kalamkari has changed over time while Pattachitra has remained traditional, Kalamkari is limited to South India while Pattachitra is found across India, and Kalamkari features epics while Pattachitra focuses on Bhakti themes like Jagannath.
The document outlines plans for an image shoot including the model, props, costumes, and location. The model, Darcie, has a modern, colorful style that fits the pop genre theme. She will wear a yellow top, dark blue trousers, and bright red coat. The only prop is a black and white checked bag. Photos will be taken at a lake area to incorporate the water and sky with natural light.
The document provides information on various topics related to Kutch, India:
1. It introduces the region of Kutch and discusses its famous embroideries created by local women.
2. It provides a map showing Kutch's geographical location and surrounding areas.
3. It describes the many tribes and communities that have settled in Kutch over centuries and maintained their traditions, including Jats, Harijans, Ahirs, Rabaris, and others.
4. It gives details on foods, costumes, culture, and crafts including embroidery, wood carving, and silver engraving practiced in Kutch by different communities.
The document provides information about the costumes and textiles of Bihar and Jharkhand in India. It discusses the traditional crafts and weaving of the regions, including bamboo baskets and cane products from Bihar and silk production in Bhagalpur. It describes the traditional costumes worn by men, women, and tribes in the areas, which often incorporate religious and marital symbols. Festivals celebrated in Bihar and Jharkhand are also outlined, in addition to details about the symbolic Sujani embroidery and famous Bhagalpuri silk sarees produced in the region.
In a world that constantly evolves, some traditions remain steadfast, reminding us of our cultural roots and the beauty of age-old customs. One such tradition is the art of Henna Mehandi, a form of body decoration that has captivated hearts and adorned hands and feet for centuries. Originating in ancient India, Henna Mehandi has transcended time, bridging cultures and generations, and continues to be a beloved part of weddings, festivals, and celebrations around the globe.
Mehndi is a traditional body art originating over 5,000 years ago in the Middle East and Northern Africa, involving applying a paste made from henna plant leaves to stain the skin a cherry red to brown color. The art form is practiced through intricate designs applied to the hands, feet, or other body parts and has been used for artistic, ritual, and ceremonial purposes throughout history in the Middle East, India, and parts of Africa. Mehndi first served the practical purpose of cooling the body through small dot applications to the palms but evolved into an artistic practice, especially as applied to the hands and feet.
Henna tattooing, also known as Mehndi, is an ancient art that originated in Egypt over 5,000 years ago. It involves using a paste made from the henna plant to create temporary designs on the skin. Henna tattoos were traditionally used for ceremonies and life events in places like Egypt and India. Over time, the practice spread throughout the Middle East and became popular for weddings and childbirth. While complex designs were once common, modern Western culture favors simpler henna tattoos like butterflies. The application process can take over an hour and requires grinding henna leaves, mixing the powder into a paste, and carefully applying it to the skin.
It is generally known that Pushp Henna, which has its headquarters in the town of Sojat in the state of Rajasthan in India, is one of the most renowned and well acclaimed makers of henna goods. These items include henna cones and henna paste. Because Sojat has such a long and illustrious history of henna cultivation and manufacture, the town has become a centre for henna-related goods, and Pushp Henna has carved out a niche for itself as a leading company in this sector.
Economic Analysis of Henna Cultivation and Marketing in Sindh Pakistansanaullah noonari
The results of present study conducted to determine the majority 75.00 percent henna plant growers were
engaged in farming, 10.00 percent henna plant growers have were engaged in labour and 15.00 percent henna
plant growers have were engaged in the job/ business like having shopkeeper, govt. job and private jobs in the
study area. In this study the 81.66 percent henna plant growers were used canal water and only 38.33 percent
henna plant growers were used tube well water in the study area. An average per/acre area of fixed cost the
Rs.12700.00 on which includes on an average per acre henna plant growers spent for Zaria tax and usher
Rs.700.00 and rent of land Rs. 12000.00. And Rs.7150.00 on an average per/acre area of land development cost
which includes on an average per acre henna plant growers spent for PloughingRs.3450.00, land leveling
Rs.2500.00 and ridge making Rs.1200.00 in study area. The selected henna grower in the study area on average
per acre spent a total cost of production of Rs.67194.00. This included Rs.12700.00, Rs.7150.00, Rs.13100.00,
Rs.7700.00 and Rs.26444.00 on fixed cost, land development cost, marketing costs and input costs respectively.
Thus the henna growers in the study area obtained per acre 76 Mds on an average and revenue per acre earned of
Rs.121600.00 that obtained by the grower of henna. The henna growers on an average per acre earned during
study, Rs.54406.00 on net income, Rs.121600.00 on gross income and Rs.67194.00 on total expenditure. Thus
the henna growers in Tharoshah district Naushahero Feroze Sindh area on a gross income Rs.121600.00 and
total expenditure is Rs.67194.00 in the study area therefore they availed input output ratio of 1:1.80 and a net
income per acre earned Rs.54406.00 and total expenditure Rs.67094.00 in the study area therefore they availed
input output ratio of 1:0.80 respectably.
Keywords: Henna, Mehndi, Zaria tax, capital Inputs, expenditure, Naushahero Feroze
Henna has various uses as both a medicine and beauty product. It can be used to decorate the hands and hair or create tattoos. Medicinally, henna can treat diarrhea, jaundice, skin problems, ulcers, and tumors. It also reduces inflammation and pain. Culturally, henna is traditionally used in festivals and ceremonies in parts of the world to create intricate designs on the hands, feet, arms and legs, especially during marriages in India. Henna can also be used as a natural remedy for mouth ulcers, burning feet, and fatigue. Overall, henna provides many health benefits as a natural plant.
What is the meaning of Mehndi Designs art?Aleem Baloch
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Henna paste is applied to the skin where it dries and leaves a reddish-brown stain for 1-2 weeks as the top layer of skin exfoliates. Henna conditions and protects skin and hair as a natural sunblock and has been used in body art for over 9,000 years in many cultures without piercing the skin like a tattoo. Soaking in hot water or chlorine can speed up the fading process of a henna design on the skin.
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1. Henna
The history and origin of Henna is hard to trace with centuries of migration and cultural
interaction it is difficult to determine where particular traditions began. There is very
persuasive evidence that the Neolithic people in Catal Huyuk, in the 7th millennium BC,
used henna to ornament their hands in connection with their fertility goddess.
The earliest civilizations to have used henna include the Babylonians, Assyrians,
Sumerians, Semites, Ugaritics and Canaanites. The earliest written evidence that
mentions henna specifically used as an adornment for a bride or woman's special
occasion is in the Ugaritic legend of Baal and Anath, inscribed on a tablet dating back to
2100 BC, found in northwest Syria. Henna has also been used extensively in southern
China and has been associated with erotic rituals for at least three thousand years, during
the ancient Goddess cultures.
The use of Henna in the 4th-5th centuries in the Deccan of western India is clearly
illustrated on Bodhisattvas and deities of cave wall murals at Ajanta, and in similar cave
paintings in Sri Lanka. The evidence proves henna usage in India seven centuries before
the Moghul invasion, and hundreds of years before the inception of the Islamic religion,
which began in the mid-7th century AD.
2. The word Henna has its origin in the Arabic word Al-Hinna. In botanical terms it is
Lawsonia Enermis, a plant which grows to be 4 to 8 feet high in hot climates and can be
found in Iran, Pakistan, Syria, Persia, Morocco, Palestine, Yemen, Egypt, Uganda,
Tanzania, Afghanistan, Senegal, Kenya, Ethiopia, Eritrea, and India. The leaves, flowers
and the twigs of the plant are ground into fine powder containing natural dying properties
called tannins; the powder is then mixed with hot water.
Various shades are procured by mixing henna with the leaves and fruit of other plants,
such as indigo, tea, coffee, cloves and lemon. The resulting paste is often used as a hair
dye. During hot weather, henna acts as a cooling agent when applied to the palms of the
hands and the bottoms of the feet. When used in decorative body art, sugar and oil are
also added to the mixture to strengthen the color and longevity of design.
While henna is known by many names including Henne, Al-Khanna, Jamaica
Mignonette, Egyptian Privet and Smooth Lawsonia, the art of its application is referred to
as Henna (Arabic) or Medhi (Hindu).
Centuries of migration and cultural interaction make the task of determining henna's
exact origin a complex one. However, historians argue that henna has been used for at
least 5,000 years in both cosmetic and healing capacities.
Some researches argue henna originated in ancient India while others claim it was
brought to India by Egyptian moghuls in the 12th century C.E. Still others will contend
that the tradition of applying henna to the body began in the Middle East and North
Africa in ancient times.
Archaeological research indicates henna was used in ancient Egypt to stain the fingers
and toes of Pharaohs prior to mummification. But research also argues the Pharaohs were
not the only Egyptians to use henna. Ancient Egyptians and many indigenous and
aboriginal people around the world believed that the naturally derived red substances of
ochre, blood and henna had qualities that improved human awareness of the earth's
energies. It was therefore applied to help people keep in touch with their spirituality.
Ani, a mummified scribe (1400BC), had fingernails stained with henna. There are also
several medieval paintings depicting The Queen of Sheba decorated with henna on her
journey to meet Solomon.
3. The art of henna decorating has been practiced in Northern Africa, the Middle East,
Southern Asia, and Europe and has been used by Hindus, Sikhs, Jews, Moslems,
Christians, Pagans, and others.
Uses of Henna
4. Henna has been used for centuries for body decoration. Ancient Egyptians used henna
prior to mummification. People all over the world continue to use henna, primarily for
cosmetic purposes. However, in countries where henna is rooted in historical tradition,
members of the working class more commonly apply henna for medicinal and healing
purposes, as well as connection to Spirit.
In Cairo, Egypt, for example, many working class citizens had their hands and feet
dipped in henna to produce a solid covering, which differs from the common decorative
design that is usually applied for weddings and other celebrations.
As a healing plant, henna conditions, cleanses, colors and cools the skin. When applied to
hair, it has the same effect. Millions of Asian and African people regularly apply henna to
their hair. In these regions, henna is inexpensive, readily available, and helps the cool the
scalp in the hot summer months.
The art form of henna (Arabic) or mehndi (Hindi) varies from region to region. Varying
designs have a different meaning for members of each culture, such as good health,
fertility, wisdom, protection and spiritual enlightenment. While Arabic henna designs are
usually large, floral patterns on the hands and feet, Indian mehndi involves fine, thin lines
for lacy, floral and paisley patterns covering entire hands, forearms, feet and shins.
African henna patterns are bold, large geometric designs.
5. Throughout time henna has been associated with special celebrations. Betrothals,
weddings, the eighth month of pregnancy, the birth, the 40th day after a woman gives
birth, naming ceremonies, circumcisions, etc, are all events celebrated with henna. Eids,
and other religious holidays are also occasions to be hennaed. There are also some
healing ceremonies, like the Zar in North Africa, which include its use. A common
practice seen in India and in the Islamic world is the pre-wedding tradition of 'Night of
Henna' parties, like the Sudanese one described earlier.
Medhi
Mendhi is an ancient Indian art form which has been performed for generations in the
Middle East, India, Pakistan etc, but has recently been popularized by United States
celebrities (e.g. American pop music icon Madonna's "Ray of Light" music video).
Women in India are traditionally painted henna on their hands and feet, insides of their
arms and up their shins most often for a wedding, or other special occasion. Sometimes
the chest, neck and throat will be tattooed. The subject matter is rather abstract, and often
incorporates religious and auspicious symbols.
6. Used to pay homage to the body, cosmetics and perfumes were also essential to the
Indian woman, whose duty it was to appear alluring to her lover. Staining the nails, skin
and hair with henna is the favorite way of enhancing beauty amongst women in the
Middle East also. In the famous Indian treatise on love, the Kama Sutra (compiled
between 100 and 600 C.E.) women are advised to learn the arts of tattooing and of
"coloring the teeth, garments, hair, nails, and bodies." Cosmetics also served as an
emblem of class rank or caste; the placement of facial adornments separated the upper
castes from the lower. Many Indian women still use cosmetics in the ancient way; eyelids
are tinted with an antimony-based dye, the face and arms are stained yellow with saffron
powder, and the soles of the feet are reddened with henna.
Henna
Hennaed skin is not tattooed as the practice does not require any piercing. Henna paste is
a dye that leaves a more or less durable stain on the outer layer of the skin alone. Henna
contains hennotannic acid that binds with cells, so the henna paste must stay moist and in
contact with the skin for a while. When applied, the henna paste is always black, but the
resulting pattern with natural henna varies from light orange to dark brown.
Heat makes the dye darker. Black stains are the result of additional dyes and compounds
added to the paste. The henna stain will last until the top layer of the skin exfoliates. All
skin on the body gradually exfoliates and is replaced by new skin in 1-12 weeks,
depending on individual factors. The henna, then, will last as long as 8 weeks on the thick
soles of your feet, or go away as quickly as 3-4 days on very thin parts of your skin.
There are three principal design styles in henna painting: firstly, the Arabic designs
feature large patterns on the hands and feet; secondly, the Indian designs are more fine-
lined and paisley patterned; and thirdly, the Sudanese designs are large and bold with
geometric angles.
It is very unusual for anyone to have an adverse reaction to natural henna as it is one of
the safest cosmetics ever used, but if one is concerned then a patch test could be the
answer.
The application of henna to the body is neither painful nor poisonous. When used in body
decoration, henna can be thought of as an organically-derived temporary tattooing. Henna
simply a method of drawing various designs on the skin without the use of needles. As
the skin absorbs and reacts with the henna powder, the skin is actually stained for a
period of up to four weeks. Because henna is a natural stain, it can't be rubbed off or
removed with soap and water.
The dye, which is permanent on fabric or wood, lingers anywhere from 2-12 weeks on
skin, depending upon the quality of the henna, its reaction with an individual's skin and
the care taken to preserve the design.
7. Henna's traditional decorating purposes vary from culture to culture. The most popular
traditional use is tied closely with weddings and bridal preparation; these designs tend to
be the most ornate, covering the most area. Other uses include the celebration of
circumcision, pregnancy, birth, el Eid (the end of Ramadan), for good luck and protection
from the evil eye and djinn (malignant desert spirits, or "genies"), female camaraderie
and beauty. Depending on the culture, men may use it as well as women, usually for
more symbolic purposes; masculine designs are generally very basic, simple and small in
design.
In the 12th century, henna painting spread to India. It is on this continent that the art
really blossomed.
Traditional Indian and Pakistani designs tend to be very intricate, with dense design and
detail. These designs are most often abstract, involving paisley shapes, lines, dots, etc.
The non-Moslem wedding designs, pictures of fish, peacocks, and people can be found.
People here normally adorned themselves during auspicious celebrations, particularly
marriage ceremonies. Traditionally, friends would apply the intricate designs on the
hands and feet of the bride-to-be and her cortage. Hidden among the tangled, intertwining
patterns would be the initials of the bride and groom.
Traditional Middle Eastern henna body art is more abstract and less dense with designs
featuring graceful floral and vine patterns. These are much less complex than the
Indian/Pakistani designs. Northern African designs are usually also simple, but tend to
present geometric shapes and designs with abstract symbols.
In non-traditional American & European pop-culture, henna decorating is practiced by
men and women alike. Mainstream America remains fascinated with body adornment and
beauty practices from other cultures.
Non-traditional design tends to be a mix of all of the above and is more personalized per
individual. One might like a particular portion of an Indian design and want infused a
symbol meaningful to him or her. There are also picture symbols (as in astrological &
mythical & Native American, etc.), religious or spiritual symbols (pentagrams, crosses,
ankhs, Om's, etc.), or script/writing from other cultures (runes, Chinese characters,
Arabic, Tibetan or Sanskrit, etc.). Others choose designs purely for aesthetic purposes,
like trailing vines or filigree patterns. The potential variety in design is practically
limitless.
Henna decorating will survive in traditional uses within specific ethnic cultures and
within various communities in the United States. The richly beautiful art of henna knows
no boundaries in culture, ethnicity, gender, religious or spiritual beliefs. In its many
forms, henna decorating is truly a gift of beauty, touch and trust.
Reference: Grolier Multimedia Encyclopedia