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LO1 Media Regulations
Hayley McCarthy
 ‘Viewers are entitled to expect that programmes are
  accurate and true and the audience must not be misled.'
  Therefore you have to make sure no interviews are
  biased or drawn to one side then the other otherwise the
  story becomes misleading.
 Channel 4 and Five take the issue of viewer trust very
  seriously. Viewers are entitled to expect that
  programmes are accurate and true and the audience
  must not be misled. This obligation applies to all types
  of programming, including entertainment programmes
  with factual elements. Portraying real events, whether in
  documentary, features, factual entertainment, drama or
  any other programme, which the viewer is entitled to
  take at face value, must respect truth and accuracy.
  Programmes must be honest, fair and accurate and must
  not mislead viewers.
 Biased Opinion: The documentary we watched on a
  serial killer Aileen can be considered to be biased due to
  the fact of the way they presented the documentary.
  Overall you know that they looked at all aspects of
  Aileen yet they focused more upon the people who knew
  her and respected her. Therefore there was more
  positivity on the subject then negativity although it was
  a negative story.
Glossary
 Biased – favouring one opinion side or person over another.
 Balance – A state of equilibrium
 Impartiality – not partial or biased but yet a fair; impartial judge
 Objectivity – the quality of being objective
 Subjectivity – proceeding from taking place in a persons mind
  rather than the eternal world
 Representation – action or speech on behalf of a
  person, group, business house, state or by an agent, deputy or
  representative.
 Access – ability, right or permission to approach, enter, speak with
  or use; admittance: they have access of files.
 Opinion – a person view, attitude or appraisal.
 Privacy – A state being free from intrusion or disturbance in ones
  private life or affairs.
 Contract- an agreement between two parties or more.
 ● Do not make payments to sources or contributors
  without reference to and the approval of the broadcaster.
  This does not include modest out-of-pocket expenses
  e.g. to cover meals and taxi fares, which are unlikely to
  be problematic.
 ● You must seek advice from the programme lawyer
  before making or promising to make any payment to
  convicted or confessed criminal.
 You must not make any payment or promise to make any
payment to any
 In two programmes which we have watched both show
  biased sides to them. Supersize me obviously wanted to
  target the audience in how bad the food was but at the
  same time trying to make it fair and to show the
  audience that not only is it bad it is but looking into
  court cases. But although they showed a biased side
  they tried to balance it by showing you the addiction of
  some fast food stores and the ways in which the sales
  and marketing manipulates and draws in customers.
  Again with Aileen they used people who knew, loved and
  respected her.
 In our upcoming news report there’s a lot of details we
  have to make sure are correct before starting to gather
  information and edit our final piece.
 Biased opinion – We need to make sure that even
  though we may have our opinions on the stories that the
  stories we broadcast are true and reliable. We need to
  make sure anyone we interview on the subject matter
  gives two opinions on the subject in hand. We need to
  make sure the audience do not receive force
  accusations.
 Reconstructions
Any reconstructions made have to be fair and
accurate. If there may be any risk involved that
viewers may be misled , then reconstructions
should be labelled as such to avoid confusion of
others.
If at any circumstance there is a risk of causing
distress by reconstructing actual events,
appropriate parties must be informed.
Scheduling and content information
 Concerns about children’s viewing vary amongst parents and
  carers. Most, however, agree that children under 10 are the
  most vulnerable and so in need of protection. A key
  period, however, for parental concern about media
  consumption in general is when children are aged between 10
  and 14. These general concerns should be taken into account
  when applying Rules 1.1 – 1.7 in this Section. Viewers and
  listeners make a distinction between channels which appeal to a
  wide-ranging audience, including children, and those that
  attract a smaller, niche audience, unlikely to appeal to children.
  Although broadcasters of these niche channels still carry a
  responsibility towards a potential child audience, the majority of
  homes do not contain children and viewers and listeners have a
  right to expect a range of subject matter
Secret Filming
Any individual must not normally be filmed or
recorded secretly for inclusion in a programme
unless approved by the broadcaster in advance.
 Any-one helping make the programme must set
out in writing their justification for convert filming/
recording. It must go with the 8.13 code. Before
any secret filming is undertaken, there are very
detail guidelines you must follow.
   Guidance
   This guidance is provided to assist broadcasters in interpreting
    and applying the Broadcasting Code. Research which is relevant
    to this section of the Code is indicated below. Every complaint or
    case will be dealt with on a case by case basis according to the
    individual facts of the case. We draw broadcasters’ attention to
    the legislative background of the Broadcasting Code which
    explains that: “Broadcasters are reminded of the legislative
    background that has informed the rules, of the principles that
    apply to each section, the meanings given by Ofcom and of the
    guidance issued by Ofcom, all of which may be relevant in
    interpreting and applying the Code. No rule should be read in
    isolation but within the context of the whole Code including the
    headings, cross references and other linking text.”
The Data Protection Act 1998
 The information on this form will be used by
  Ofcom for the purposes of carrying out its
  functions in relation to the consideration and,
  where appropriate, adjudication of fairness and
  privacy complaints. On receiving your complaint,
  Ofcom will forward a copy of the complaint form
  and any accompanying information to the
  relevant broadcaster.
Criminality
 Programmes relating involving or generally about
  criminality require a special care and are also
  likely to be legally contentious.
  Impartiality
Programmes which are dealing with matters of political/
industrial controversy or any matter relating to current public
policy should be duly impartial.
Potentially Offensive material.
Material with any potential to harm or cause offence for
instance: strong language, violence, sexual violence, explicit
sexual portrayal etc, must always be justifiable by the
content.
The commissioning editor, on the advice of the programme
lawyer, will ensure that an on-air warning is given to viewers
at the appropriate time and explain what context is meant
Commercial References
Programmes should not give out any undue prominence to
commercial products or services. Product placement is
prohibited.
Where programmes may contain for the to enter
competitions premium rate telephone line for viewers to
call, seek advice from the programme lawyer.
Sponsored programmes must not under any circumstances
contain references to the sponsor, its activities or products or
services.
Advertisement or clips from advertisements used during
programmes will be required to have strong editorial
justification.

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Hayley McCarthy LO1

  • 2.  ‘Viewers are entitled to expect that programmes are accurate and true and the audience must not be misled.' Therefore you have to make sure no interviews are biased or drawn to one side then the other otherwise the story becomes misleading.
  • 3.  Channel 4 and Five take the issue of viewer trust very seriously. Viewers are entitled to expect that programmes are accurate and true and the audience must not be misled. This obligation applies to all types of programming, including entertainment programmes with factual elements. Portraying real events, whether in documentary, features, factual entertainment, drama or any other programme, which the viewer is entitled to take at face value, must respect truth and accuracy. Programmes must be honest, fair and accurate and must not mislead viewers.
  • 4.  Biased Opinion: The documentary we watched on a serial killer Aileen can be considered to be biased due to the fact of the way they presented the documentary. Overall you know that they looked at all aspects of Aileen yet they focused more upon the people who knew her and respected her. Therefore there was more positivity on the subject then negativity although it was a negative story.
  • 5. Glossary  Biased – favouring one opinion side or person over another.  Balance – A state of equilibrium  Impartiality – not partial or biased but yet a fair; impartial judge  Objectivity – the quality of being objective  Subjectivity – proceeding from taking place in a persons mind rather than the eternal world  Representation – action or speech on behalf of a person, group, business house, state or by an agent, deputy or representative.  Access – ability, right or permission to approach, enter, speak with or use; admittance: they have access of files.  Opinion – a person view, attitude or appraisal.  Privacy – A state being free from intrusion or disturbance in ones private life or affairs.  Contract- an agreement between two parties or more.
  • 6.  ● Do not make payments to sources or contributors without reference to and the approval of the broadcaster. This does not include modest out-of-pocket expenses e.g. to cover meals and taxi fares, which are unlikely to be problematic.  ● You must seek advice from the programme lawyer before making or promising to make any payment to convicted or confessed criminal. You must not make any payment or promise to make any payment to any
  • 7.  In two programmes which we have watched both show biased sides to them. Supersize me obviously wanted to target the audience in how bad the food was but at the same time trying to make it fair and to show the audience that not only is it bad it is but looking into court cases. But although they showed a biased side they tried to balance it by showing you the addiction of some fast food stores and the ways in which the sales and marketing manipulates and draws in customers. Again with Aileen they used people who knew, loved and respected her.
  • 8.  In our upcoming news report there’s a lot of details we have to make sure are correct before starting to gather information and edit our final piece.  Biased opinion – We need to make sure that even though we may have our opinions on the stories that the stories we broadcast are true and reliable. We need to make sure anyone we interview on the subject matter gives two opinions on the subject in hand. We need to make sure the audience do not receive force accusations.
  • 9.  Reconstructions Any reconstructions made have to be fair and accurate. If there may be any risk involved that viewers may be misled , then reconstructions should be labelled as such to avoid confusion of others. If at any circumstance there is a risk of causing distress by reconstructing actual events, appropriate parties must be informed.
  • 10. Scheduling and content information  Concerns about children’s viewing vary amongst parents and carers. Most, however, agree that children under 10 are the most vulnerable and so in need of protection. A key period, however, for parental concern about media consumption in general is when children are aged between 10 and 14. These general concerns should be taken into account when applying Rules 1.1 – 1.7 in this Section. Viewers and listeners make a distinction between channels which appeal to a wide-ranging audience, including children, and those that attract a smaller, niche audience, unlikely to appeal to children. Although broadcasters of these niche channels still carry a responsibility towards a potential child audience, the majority of homes do not contain children and viewers and listeners have a right to expect a range of subject matter
  • 11. Secret Filming Any individual must not normally be filmed or recorded secretly for inclusion in a programme unless approved by the broadcaster in advance. Any-one helping make the programme must set out in writing their justification for convert filming/ recording. It must go with the 8.13 code. Before any secret filming is undertaken, there are very detail guidelines you must follow.
  • 12. Guidance  This guidance is provided to assist broadcasters in interpreting and applying the Broadcasting Code. Research which is relevant to this section of the Code is indicated below. Every complaint or case will be dealt with on a case by case basis according to the individual facts of the case. We draw broadcasters’ attention to the legislative background of the Broadcasting Code which explains that: “Broadcasters are reminded of the legislative background that has informed the rules, of the principles that apply to each section, the meanings given by Ofcom and of the guidance issued by Ofcom, all of which may be relevant in interpreting and applying the Code. No rule should be read in isolation but within the context of the whole Code including the headings, cross references and other linking text.”
  • 13. The Data Protection Act 1998  The information on this form will be used by Ofcom for the purposes of carrying out its functions in relation to the consideration and, where appropriate, adjudication of fairness and privacy complaints. On receiving your complaint, Ofcom will forward a copy of the complaint form and any accompanying information to the relevant broadcaster.
  • 14. Criminality  Programmes relating involving or generally about criminality require a special care and are also likely to be legally contentious.
  • 15.  Impartiality Programmes which are dealing with matters of political/ industrial controversy or any matter relating to current public policy should be duly impartial. Potentially Offensive material. Material with any potential to harm or cause offence for instance: strong language, violence, sexual violence, explicit sexual portrayal etc, must always be justifiable by the content. The commissioning editor, on the advice of the programme lawyer, will ensure that an on-air warning is given to viewers at the appropriate time and explain what context is meant
  • 16. Commercial References Programmes should not give out any undue prominence to commercial products or services. Product placement is prohibited. Where programmes may contain for the to enter competitions premium rate telephone line for viewers to call, seek advice from the programme lawyer. Sponsored programmes must not under any circumstances contain references to the sponsor, its activities or products or services. Advertisement or clips from advertisements used during programmes will be required to have strong editorial justification.