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H a l v a n i
V i c t o r
A r t
C a t a l o g 2 0 1 5
Contact
E i n H o d , I s r a e l
M a i l : h a l v a n i a r t @ h a l v a n i . c o m
w w w . h a l v a n i . c o m
© A l l R i g h t s R e s e r ve d V i c t o r H a l v a n i 2 0 1 5
M a r g a l i t H a l v a n i
H o n o r a r y P r e s i d e n t o f t h e H a l v a n i A ss o c i a t i o n
R u t i H a l v a n i F r e i m a n n
C u s t o m e r R e l a t i o n s M a n a g e r
| 0 5 4 2 0 9 8 2 2 8
Yo u v a l H a l v a n i
M a r ke t i n g a n d M a n u f a c t u r i n g D i r e c t o r
| 0 5 2 3 1 4 2 6 0 7
V i c t o r H a l v a n i
T h e A r t i s t
C a t a l o g 2 0 1 5
S i n c e 1 9 5 8
3
About
P l a c e s . E x h i b i t i o n s . E ve n t s
Victor Halvani, w a s b o r n i n E g y p t i n 1 9 3 0 t o a J e w i s h
f a m i l y. H e i s a s c u l p t o r, a n i n t e r n a t i o n a l a r t i s t , a n a c c l a i m e d
l e c t u r e r, a n d a n e d u c a t o r w i t h a r e p u t a t i o n t h a t c a n o n l y b e
d e s c r i b e d a s m y t h i c . H e l i v e s w i t h h i s w i f e , M a r g a l i t , i n t h e
E i n H o d a r t i s t ’s v i l l a g e i n I s r a e l w h e r e h e c r e a t e s h i s a r t a n d
d i s p l a y s i t t o t h e p u b l i c a t h i s p e r m a n e n t e x h i b i t i o n t h e r e .
T h e s e d a y s , n e a r i n g t h e c u l m i n a t i o n o f a l o n g a n d v e r s a t i l e
c a r e e r, h i s o u t d o o r a r t p r o j e c t s a n d b r o n z e s c u l p t u r e s a r e
d i s p l a y e d w o r l d w i d e . T h e y c a n b e f o u n d i n p u b l i c s q u a r e s ,
i n u n i v e r s i t y g a r d e n s , a n d i n a w i d e v a r i e t y o f c u l t u r a l
v e n u e s . A d d i t i o n a l l y, h i s w o r k s a r e o w n e d b y n u m e r o u s
p r i v a t e c o l l e c t i o n s . H i s a r t w a s e x h i b i t e d i n a l a r g e n u m b e r
o f i n t e r n a t i o n a l a r t e x h i b i t i o n s a l l t h r o u g h t h e U S , E u r o p e ,
J a p a n a n d i n p u b l i c p l a c e s i n I s r a e l . A v a s t c o l l e c t i o n o f h i s
a r t i s d i s p l a y e d i n t h e H a l v a n i E x h i b i t i o n i n E i n H o d , a t t h e
Vi c t o r H a l v a n i S c u l p t u r e P a r k i n S a f e d , a n d o n t h e M a m m i l l a
B o u l e v a r d i n t h e o l d c i t y o f J e r u s a l e m .
We a r e d e l i g h t e d t o p r e s e n t t o y o u t h e 2 0 1 5 C a t a l o g t h a t
i n c l u d e s a g l o r i o u s c o l l e c t i o n o f h i s a r t w o r k c r e a t e d b e t w e e n
1 9 7 5 a n d 2 0 1 5 , w h i c h i s n o w o n d i s p l a y.
F o r r e a d i n g m o r e a b o u t t h e a r t i s t p l e a s e g o t o p a g e s 5 0 - 5 3 .
New York1984-2001 London1988–2008 Tokyo1985
Pa r i s 1985 To r o n t o 1997 M e l b o u r n e 1996 P h i l a d e l p h i a 1995
D e t r o i t 1990,1999 Newton1997 B o s t o n 1997-1999
O k l a h o m a 1999 A t l a n t i c C i t y 1985-1988 Los Angeles1999
S a n F r a n c i s c o 2001 Palm Beach1995- 2000
Wilhelmshaven1971-1990 LasVegas1990-1999 M i a m i 1999
B u e n o s A i r e s 2002 S i n g a p o r e 2014 PaphosCyprus2000
Tel-Aviv1970-2015 C a e s a r e a 1968-1971
Jerusalem2014-2015 S a f e d 1985 - 2015 Ein Hod 1975-2015
4 5
L a r g e O ve r -
Human - Size
Outdoor
B r o n z e
S c u l p t u r e s
© V i c t o r H a l v a n i 2 0 1 5
F o r y o u r i n f o r m a t i o n :
* T h e c a t a l o g i n c l u d e s t h e a r t i s t ’ s s c u l p t u r e s
currently on display, for sale in 2015. Other sculptures
( o n d i s p l a y i n p a r k s a n d p r i v a t e c o l l e c t i o n s ) , w h i c h
a r e n o t i n c l u d e d i n t h e c a t a l o g , c a n b e s e e n a t t h e
a r t i s t ’ s we b s i t e .
* S o m e o f t h e l a r g e s c u l p t u r e s c a n b e o r d e r e d
a t d i ff e r e n t s i z e s ( a s i n d i c a t e d a t t h e b o tt o m o f
e a c h p h o t o g r a p h ) . P l e a s e n o t e t h a t s o m e t i m e s
s i z e a l t e r a t i o n m a y i n vo l ve s l i g h t c h a n g e s i n t h e
s c u l p t u r e .
* T h e s c u l p t u r e c o l o r s a n d s t a n d s m a y b e d i ff e r e n t
t h a n t h o s e s h o w n i n t h e c a t a l o g .
W i t h a ny q u e s t i o n s p l e a s e c o n t a c t u s a t :
h a l v a n i a r t @ h a l v a n i . c o m
E&OE
10 11
LargeOver-Human-SizeOutdoorSculptures
Title: Hope for Peace
Material: Bronze
Scales: 10'H x 4'W x 12'L
Other scale: 38"H x 9.5"W
Catalogue No.57/No.36
Edition: 6
Created by © Victor Halvani in 1991
12 13
LargeOver-Human-SizeOutdoorSculptures
Title: The Spies
Material: Bronze
Scales: 12'H x 26'L
Catalogue No.58
Edition: 6
Created by © Victor Halvani in 1988
Title: The Shofar
Material: Bronze
Scale: 14'H x 14'L
Catalogue No.59
Edition: 6
Created by © Victor Halvani in 1988
14 15
LargeOver-Human-SizeOutdoorSculptures
Title: Genesis I
Material: Bronze
Scale: 10' H x 5'W
Other scale: 20"H x 12"W
Catalogue No. 45/No.18
Edition: 6
Created by © Victor Halvani in 1997
Title: Mother Playing with Child
Material: Bronze
Scale: 7'H x 3'W x 12'L
Other scale: 12"H x 8"W x 22"L
Catalogue No.54/No.24
Edition: 6
Created by © Victor Halvani in 1989
16 17
LargeOver-Human-SizeOutdoorSculptures
Title: David Playing Harp (Green Patina)
Material: Bronze
Scale: 7'H x 4'D
Other scale: 30"H x 10"W x 17.5"L
Catalogue No.51/No.32
Edition: 9
Created by © Victor Halvani in 1996
18 19
LargeOver-Human-SizeOutdoorSculptures
Title: Miriam with the Drum
Material: Bronze (Brown)
Scale: 10'H x 2'W
Other Scale: 18"H x 2.5"W
Catalogue No.46/No.5
Edition: 9
Created by © Victor Halvani in 1981
Title: David with the Sling
Material: Bronze
Scale: 12'H x 5'W
Other Scale: 28"H x 8"W x 16"L
Catalogue No. 52/ No.13
Edition: 6
Created by © Victor Halvani in 1983
20 21
LargeOver-Human-SizeOutdoorSculptures
Title: Genesis II
Material: Bronze
Scale: 55"H x 23/5"W x69"L
Catalogue No: 44
Edition: 9
Created by © Victor Halvani in 1996
Title: David Playing Harp (3 strings)
Material: Bronze (Brown, Green Patina)
Scale: 6'Hx3'W
Catalogue No.48
Edition: 10
Created by Victor Halvani© in 1985
22 23
LargeOver-Human-SizeOutdoorSculptures
Title: Ruth and Naomi
Material: Bronze (Brown)
Scale: 8'H x 2'W
Other Scale: 30"H x 7"W
Catalogue No: 47/ No.31
Edition: 9
Created by © Victor Halvani in 1984
Title: The Two Deer
Material: Bronze
Scale: 5'H x 3'W X 6'L
Catalogue No: 41
Edition: 9
Created by © Victor Halvani in 1994
24 25
LargeOver-Human-SizeOutdoorSculptures
Title: Yuval, Father of the Harp
Material: Bronze (Green/Brown)
Scale: 6'Hx 3'W
Other Scale: 28.5"H x 11"D
Catalogue No.23
Edition: 25
Created by © Victor Halvani in 1999
Title: The Gazelle
Material: Bronze
Scale: 7'H X 7'W x 7'L
Catalogue No. 63
Edition: 9
Created by © Victor Halvani in 1956
IndoorB r o n z e
S c u l p t u r e s
© V i c t o r H a l v a n i 2 0 1 5
E&OE
F o r y o u r i n f o r m a t i o n :
S o m e o f t h e m e d i u m - s i z e s c u l p t u r e s c a n b e o r d e r e d
a t d i ff e r e n t s i z e s ( a s i n d i c a t e d a t t h e b o tt o m o f
e a c h p h o t o g r a p h ) . P l e a s e n o t e t h a t s o m e t i m e s
s i z e a l t e r a t i o n m a y i n vo l ve s l i g h t c h a n g e s i n t h e
s c u l p t u r e .
T h e s c u l p t u r e c o l o r s a n d s t a n d s m a y b e d i ff e r e n t
t h a n t h o s e s h o w n i n t h e c a t a l o g .
W i t h a ny q u e s t i o n s p l e a s e c o n t a c t u s a t :
h a l v a n i a r t @ h a l v a n i . c o m
30 31
IndoorSculptures
Title: The Blessing
Material: Bronze (Brown)
Scale: 35"H X 20"W
Other Scale:10"H x 5"W
Catalogue No.34/No.4
Edition: 10
Created by © Victor Halvani in 1985
Yuval, Father of the Harp
Material: Bronze (Green/Brown)
Scale: 28.5"H x 11"D
Other Scale: 6'Hx 3'W
Catalogue No.23
Edition: 25
Created by © Victor Halvani in 1999
Title: Ballet Dancers
Material: Bronze
Scale: 29''Hx33''W
Catalogue No: 40
Edition: 9
Created by © Victor Halvani in 1994
Mother with Infant
Material: Bronze (Brown)
Scale: 1.5'H X 1.5'W
Catalogue No.35
Edition: 10
Created by © Victor Halvani in 1993
32 33
IndoorSculptures
Title: The Dancer
Material: Bronze (Black)
Scale: 6'H x 2'W
Other Scale: 35" H x 11"W
Catalogue No.39/No. 21
Edition: 10
Created by © Victor Halvani in 1988
Title: Joy of Motherhood
Material: Bronze ( Green Patina)
Scale: 28"H x 3"Wx 8.5"L
Catalogue No. 22
Edition:25
Created by © Victor Halvani in 1999
Title: Freedom
Material: Bronze (Brown/ Black)
Scale: 58"H x 29"W x 23"L
Catalogue No.33
Edition: 10
Created by © Victor Halvani in 1985
Title: Hope
Material: Bronze (Green Patina)
Scale: 40''Hx8''Wx23''L
Catalogue No.29
Edition: 10
Created by © Victor Halvani in 1985
34 35
IndoorSculptures
Title: The Flamingo
Material: Bronze ( Black /White)
Scale: 44"H x 18"W
Catalogue No.37
Edition: 12
Created by © Victor Halvani in 1981
Title: Carmen
Material: Bronze (Black)
Scale: 36"H x 7"W
Catalogue No.17
Edition: 25
Created by © Victor Halvani in 1985
Title: Lots' Wife
Material: Bronze (Green)
Scales: 28.5"H x 8.5" W x 17.5"L
Catalogue No.30
Edition: 25
Created by © Victor Halvani in 1994
Title: Genesis I
Material: Bronze( Green Patina)
Scale: 20"hx12"w
Other Scale: 10' H x 5'W
Catalogue No.18/No.45
Edition: 25
Created by © Victor Halvani in 1997
36 37
IndoorSculptures
Title: Moses and the Princes of Egypt
Material: Bronze ( Green Patina)
Scale: 12.4"H x 8.5"d
Catalogue No.11
Edition: 50
Created by © Victor Halvani in 2001
Title: Pregnant Woman
Material: Bronze ( High Polished)
Scale: 17" H x 4"W
Catalogue No.2
Edition: 25
Created by © Victor Halvani in 1985
Title: David Playing Harp (7 strings)
Material: Bronze (Green)
Scale: 16"H x 5.5"W x 8"L
Catalogue No.10
Edition: 25
Created by © Victor Halvani in 2002
Title: Joshua with the Shofar
Material: Bronze (Brown)
Scale: 26"H x 26"L
Other Scale: 8"Hx 7"W x 3" L
Catalogue No.19/No.6
Edition: 25
Created by © Victor Halvani in 1994
Title: Adam and Eve
Material: Bronze ( High Polished)
Scale: 17"H x 4"W
Catalogue No. 1
Edition: 25
Created by © Victor Halvani in 1981
Title: Motherhood
Material: Bronze (Black)
Scale: 23"H x 6"W
Catalogue No.12
Edition: 25
Created by © Victor Halvani in 1980
S c u l p t u r e s
Stories
© V i c t o r H a l v a n i 2 0 1 5
E&OE
It seems as if an invisible thread
interweaves and connects the artworks
of the artist, Victor Halvani, giving each
individual artwork additional, deeper
meaning, highlighted in the presence of
its companions.
In this catalog we chose, therefore,
several themes which may inspire your
imagination when planning a theme-
based park, garden or internal space.
F o r y o u r i n f o r m a t i o n :
i n t h i s p a r t o f t h e c a t a l o g t h e s c u l p t u r e s i z e s a r e n o t
i n d i c a t e d , a n d t h e t h e m e s a r e m e r e s u g g e s t i o n s .
T h e e x a c t s c u l p t u r e s i z e s a r e i n d i c a t e d i n t h e
p r e v i o u s p a g e s .
W i t h a ny q u e s t i o n s p l e a s e c o n t a c t u s a t :
h a l v a n i a r t @ h a l v a n i . c o m
Sculpturestories
With any question please contact us
h a l v a n i a r t @ h a l v a n i . c o m
Music in the Bible
Ancient heroes come alive,
Vivid, present, as
Tunes of the past flow
Toward the future
Awakening us
To mysterious longing.
42 43
Sculpturestories
With any question please contact us
h a l v a n i a r t @ h a l v a n i . c o m
Motherhood
From a tender sprout
To the arched belly line
From the birth pangs
To the cradling embrace.
From this rounded, whole,
Unbreakable bond,
Motherhood emerges.
44 45
Sculpturestories
With any question please contact us
h a l v a n i a r t @ h a l v a n i . c o m
Dilemma
"Can the two walk together,
unless they are agreed?"
(Amos 3:3)
Between
Light and darkness,
Yin and Yang,
Good and evil,
Past and future,
Truth and falsehood
Dilemma.
46 47
Sculpturestories
With any question please contact us
h a l v a n i a r t @ h a l v a n i . c o m
Dancers
Floating lightly,
Touching the sky,
Fingertips drawing
An exact, endless line
Drawing strength from
The heights,
The sun,
The wind,
Dancing.
48 49
50 51
A n H o m a g e To O u r Fa t h e r
V i c t o r H a l v a n i t u r n s 8 5 t h i s
y e a r, a n d we a r e g i ve n a o n c e -
i n - a - l i f e t i m e o p p o r t u n i t y
t o l o o k b a c k a t h i s l o n g a n d
r i c h l i f e a n d c a r e e r w i t h h i m .
We e m b a r ke d o n a t i m e -
t u n n e l e d e x p e r i e n c e t o h a ve
o u r q u e s t i o n s a n s we r e d , t o
f i n d t h e s o u rc e o f o u r f a t h e r ’ s
i n s p i r a t i o n , a n d t o u n d e r s t a n d
w h a t m a ke s h i s a r t t i m e l e ss
a n d w h o l e s o m e . We g r e w u p
s u r r o u n d e d b y h i s a r t , a n d we
p l a y e d a r o u n d h i m w h e n h e
s c u l p t e d , y e t we h a d n o i d e a
w h a t g u i d e d h i m t o c r e a t e h i s
s c u l p t u r e s w i t h s u c h p r e c i s i o n ,
c l a r i t y, d e l i c a c y a n d e xc e l l e n c e .
A l l we k n e w w a s t h a t h e c r e a t e d
w h i l e c o n n e c t e d t o a ve r y d e e p ,
s p i r i t u a l s o u rc e a n d t h a t h e
h a d a c l e a r g u i d e f r o m w i t h i n .
B o t h t h e n a n d n o w , h e s p e a k s
h i s t r u t h t h r o u g h h i s a r t , a n d
h e s o m e t i m e s n e e d s t o i s o l a t e
h i m s e l f a r t i s t i c a l l y i n o r d e r
t o s t a y t r u e t o h i s o w n v i s i o n .
We a ss u m e t h a t t h i s p a r t i a l
i s o l a t i o n h e l p e d h i m t o c r e a t e
a u n i q u e s t y l e t h a t c a n o n l y b e
c a l l e d T h e H a l v a n i A r t .
We s e e o u r f a t h e r ’ s a r t w o r k
d i s p l a y e d t h e s e d a y s a l l ove r t h e
w o r l d . I t c a n b e f o u n d i n d i ve r s e
p l a c e s s u c h a s u n i ve r s i t i e s i n
B o s t o n a n d O k l a h o m a , r e f o r m
s y n a g o g u e s a r o u n d t h e U S ,
p u b l i c p l a c e s f r o m E u r o p e t o
S i n g a p o r e , a n d a l l ove r I s r a e l ,
f r o m M a m i l l a B l v d . i n J e r u s a l e m
t o t h e H a l v a n i S c u l p t u r e Pa r k
i n S a f e d , a n d a t t h e a r t i s t ’ s
v i l l a g e E i n H o d , w h e r e h e l i ve s .
We h e a r f r o m h u n d r e d s o f h i s
s t u d e n t s , o f w h i c h d o z e n s a r e
n o w we l l - e s t a b l i s h e d a r t i s t s ,
h o w t h e y we r e i n f l u e n c e d
b y h i s l e c t u r e s a n d i n s p i r i n g
e x a m p l e a n d o f t h e w a r m s p o t
t h e y ke e p i n t h e i r h e a r t s f o r
h i m . We a r e aw a r e t h a t ove r
t h e l a s t 3 0 y e a r s h e h a s b e e n
r e c o g n i z e d a s a n o u t s t a n d i n g
i n t e r n a t i o n a l a r t i s t a n d t h a t
h i s a r t w o r k h a s b e e n s h o w n
i n m a j o r a r t e x h i b i t i o n s a n d
h a s r e c e i ve d aw a r d s a n d m u c h
c r i t i c a l i n t e r n a t i o n a l a c c l a i m .
We r e c o g n i z e i n h i s a r t w o r k t h e
m a j e s t y o f a n c i e n t E g y p t i a n
a r t , t h e s p i r i t u a l i t y o f t h e
B i b l i c a l s t o r i e s , a n d h i s u n u s u a l
i n t e r e s t i n t h e a c h i e ve m e n t s
o f s p a c e t e c h n o l o g y. A n d y e t
we c o n t i n u e t o b e s u r p r i s e d
a n d a m a z e d b y h i s o r i g i n a l i t y
a n d u n l i m i t e d a b u n d a n c e o f
c r e a t i v i t y.
A C h i l d D r e a m i n g ,
O ve r l o o k i n g t h e N i l e
G r o w i n g u p n e a r t h e a n c i e n t
p y r a m i d s o f G i z a , o u r f a t h e r ’ s
c h i l d h o o d m e m o r i e s c o n s i s t
o f b i ke r i d e s t o a rc h a e o l o g i c a l
s i t e s a n d t o t h e p y r a m i d s ,
s c h o o l t r i p s t o t h e Va l l e y
o f K i n g s a n d t o A s w a n , a n d
Victor Halvani
T h e A r t i s t , T h e M a n ,
The Educator,
O u r F a t h e r .
52 53
s t r o n g i m p r e ss i o n s o f t h e
a n c i e n t E g y p t i a n a r t . E ve n
a s a c h i l d , h e u s e d t o s p e n d
h o u r s s t r o l l i n g t h r o u g h t h e
E g y p t i a n M u s e u m i n C a i r o
e n c h a n t e d b y t h e e x h i b i t e d
a r t i f a c t s a n d e xc i t e d l y d r aw i n g
t h e m . H i s d r aw i n g s c a u g h t t h e
a tt e n t i o n o f h i s t e a c h e r s w h o
e n c o u r a g e d h i m t o p a r t i c i p a t e
i n a n a t i o n a l a r t c o m p e t i t i o n .
A ft e r h e w o n f i r s t p r i z e , h e
w a s o ff e r e d a n o p p o r t u n i t y t o
s t u d y a t t h e Z a m a l e k Fa c u l t y
o f A r t E d u c a t i o n a n d a t t h e
C a i r o U n i ve r s i t y w i t h a f u l l
s c h o l a r s h i p . F u l l o f h o p e s a n d
d r e a m s , o u r f a t h e r s t a r t e d h i s
s t u d i e s t h e r e , b u t t h e y we r e
i n t e r r u p t e d a ft e r o n l y o n e y e a r.
T h e I s r a e l i w a r o f i n d e p e n d e n c e
b r o ke o u t f o l l o we d b y a n t i -
J e w i s h r i o t s a n d o p p r e ss i o n ,
a n d h e h a d t o f l e e t o F r a n c e
a n d f r o m t h e r e t o I s r a e l .
T h e S e c o n d E x o d u s f r o m
E g y p t
A ft e r h i s i m m i g r a t i o n t o I s r a e l ,
h e s e r ve d i n t h e I D F, b u i l t a
f a m i l y, a n d r e s u m e d h i s a r t i s t i c
s t u d i e s . H e c o m p l e t e d h i s f i r s t
y e a r a t t h e B e z a l e l A c a d e m y o f
A r t s a n d D e s i g n i n J e r u s a l e m
w i t h d i s t i n c t i o n , a n d t h e n , h e
s t u d i e d f o r t h r e e y e a r s a t t h e
A r t Te a c h e r s ’ Tr a i n i n g C o l l e g e
i n Te l Av i v . A ft e r 1 0 y e a r s a s
a n a r t t e a c h e r, h e r e c e i ve d a
a n d a t t h e Te l Av i v a n d H a i f a
U n i ve r s i t i e s , i n 1 9 8 4 , o u r f a t h e r
d e c i d e d t o r e t i r e f r o m t e a c h i n g
a n d t o d e d i c a t e h i s t i m e t o
h i s g r e a t l ove – s c u l p t i n g .
B e t we e n t h a t t i m e a n d 2 0 0 1 ,
o u r f a t h e r p a r t i c i p a t e d
i n s e ve r a l p r o m i n e n t
i n t e r n a t i o n a l e x h i b i t i o n s
a n d w a s r e c o g n i z e d a s a n
i m p o r t a n t i n t e r n a t i o n a l a r t i s t .
O n e o f t h e p e a k s o f h i s c a r e e r
a s a n a r t i s t w a s u n d o u b t e d l y
t h e c o m m i ss i o n i n g o f h i s
“J a c o b ’ s D r e a m ” s c u l p t u r e f o r
t h e o p e n i n g o f t h e J a c o b K .
J a v i t s C o n ve n t i o n C e n t e r a n d
i t s d i s p l a y a t t h e f i r s t s h o w -
e ve n t o f A r t E x p o N Y.
O u r f a t h e r ’ s s c u l p t u r e s c a n b e
s e e n i n s q u a r e s a n d o t h e r p u b l i c
p l a c e s a l l ove r t h e a n c i e n t c i t y
o f S a f e d a n d e s p e c i a l l y i n t h e
2 2 - a c r e H a l v a n i S c u l p t u r e Pa r k
a t t h e e n t r a n c e t o t h e c i t y,
w h i c h w a s d e s i g n e d b y o u r
f a m i l y a n d b u i l t i n c o l l a b o r a t i o n
w i t h t h e S a f e d m u n i c i p a l i t y,
g ove r n m e n t a l b o d i e s , a n d
d o n o r s f r o m a l l ove r t h e w o r l d .
s c h o l a r s h i p t o c o n t i n u e h i s
s t u d i e s a b r o a d , a n d h e e a r n e d
h i s M A i n A r t w i t h d i s t i n c t i o n
a t t h e H a m m e r s m i t h C o l l e g e o f
A r t & B u i l d i n g i n L o n d o n .
W h i l e a n a r t s t u d e n t , o u r
f a t h e r w a s a l r e a d y i n v i t e d t o
p a r t i c i p a t e i n a n e x h i b i t i o n
s p o n s o r e d b y t h e I s r a e l i
N a t i o n a l A r t i s t s ’ U n i o n i n
Te l Av i v , a n d a s s o o n a s h e
c o m p l e t e d h i s s t u d i e s , h e w a s
a c c e p t e d a s a u n i o n m e m b e r.
I n 1 9 6 0 , h i s s c u l p t u r e “ T h e
G a z e l l e ” ( a b s t r a c t ) w a s
c h o s e n t o r e p r e s e n t I s r a e l
i n a n e x h i b i t i o n i n Pa r i s , a n d
h i s s c u l p t u r e “ M a t e r n i t y ” w a s
a c c e p t e d t o t h e 2 n d B i e n n a l e
f o r C o n t e m p o r a r y J e w i s h A r t .
T h e A r t i s t , t h e Te a c h e r,
t h e M a n
A ft e r a l m o s t t h r e e d e c a d e s
t e a c h i n g a r t i n t h e A r t Te a c h e r s ’
C o l l e g e – H a m i d r a s h a i n Te l -
Av i v / H e r z l i y a , a t t h e E r e t z
I s r a e l M u s e u m i n Te l - Av i v ,
a t t h e E i n H o d A r t S c h o o l , o f
w h i c h h e w a s a l s o t h e p r i n c i p a l ,
F o r t h e i r o n g o i n g c o n t r i b u t i o n
t o t h e a e s t h e t i c s a n d c u l t u r e o f
t h e c i t y, l a s t y e a r o u r p a r e n t s
we r e aw a r d e d b y t h e C i t y o f
S a f e d t h e L i f e Wo r k Aw a r d .
H e r e a n d N o w
T h e s e d a y s , a t t h e a g e o f 8 5 ,
o u r f a t h e r c o n t i n u e s w o r k i n g
a n d c r e a t i n g a t h i s h o m e a n d
s t u d i o i n t h e a r t i s t ’ s v i l l a g e
o f E i n H o d . H i s s c u l p t u r e s a r e
d i s p l a y e d f o r t h e s e c o n d y e a r
a t t h e S c u l p t u r e E x h i b i t i o n
i n M a m i l l a A l r ov B o u l e v a r d i n
J e r u s a l e m , a n d h e i s w o r k i n g o n
h i s p l a n s f o r a n e w e x h i b i t i o n
a n d a m u s e u m d e d i c a t e d t o
o u r m o t h e r, M a r g a l i t , a t t h e i r
h o m e i n E i n H o d .
We h o p e y o u e n j o y e d v i e w i n g
t h i s c a t a l o g a n d y o u r g l i m p s e
i n t o t h e f a s c i n a t i n g w o r l d o f
T h e H a l v a n i A r t . T h e V i c t o r
H a l v a n i t e a m o f e x p e r t s i s
d e l i g h t e d t o a d d r e ss a ny
q u e s t i o n s o r r e q u e s t s t h a t
y o u m a y h a ve !
S i n c e r e l y,
Yo u v a l H a l v a n i , M a r ke t i n g
a n d M a n u f a c t u r i n g D i r e c t o r
R u t i H a l v a n i F r e i m a n n ,
C o s t u m e r R e l a t i o n s M a n a g e r
H a l v a n i A r t
E i n H o d , I s r a e l
M a i l : h a l v a n i a r t @ h a l v a n i . c o m
w w w . h a l v a n i . c o m
Design by Amoya studio
www.amoya-studio.com
54 55

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Victor Halvani Art Catalog 2015

  • 1. H a l v a n i V i c t o r A r t C a t a l o g 2 0 1 5
  • 2. Contact E i n H o d , I s r a e l M a i l : h a l v a n i a r t @ h a l v a n i . c o m w w w . h a l v a n i . c o m © A l l R i g h t s R e s e r ve d V i c t o r H a l v a n i 2 0 1 5 M a r g a l i t H a l v a n i H o n o r a r y P r e s i d e n t o f t h e H a l v a n i A ss o c i a t i o n R u t i H a l v a n i F r e i m a n n C u s t o m e r R e l a t i o n s M a n a g e r | 0 5 4 2 0 9 8 2 2 8 Yo u v a l H a l v a n i M a r ke t i n g a n d M a n u f a c t u r i n g D i r e c t o r | 0 5 2 3 1 4 2 6 0 7 V i c t o r H a l v a n i T h e A r t i s t C a t a l o g 2 0 1 5 S i n c e 1 9 5 8 3
  • 3. About P l a c e s . E x h i b i t i o n s . E ve n t s Victor Halvani, w a s b o r n i n E g y p t i n 1 9 3 0 t o a J e w i s h f a m i l y. H e i s a s c u l p t o r, a n i n t e r n a t i o n a l a r t i s t , a n a c c l a i m e d l e c t u r e r, a n d a n e d u c a t o r w i t h a r e p u t a t i o n t h a t c a n o n l y b e d e s c r i b e d a s m y t h i c . H e l i v e s w i t h h i s w i f e , M a r g a l i t , i n t h e E i n H o d a r t i s t ’s v i l l a g e i n I s r a e l w h e r e h e c r e a t e s h i s a r t a n d d i s p l a y s i t t o t h e p u b l i c a t h i s p e r m a n e n t e x h i b i t i o n t h e r e . T h e s e d a y s , n e a r i n g t h e c u l m i n a t i o n o f a l o n g a n d v e r s a t i l e c a r e e r, h i s o u t d o o r a r t p r o j e c t s a n d b r o n z e s c u l p t u r e s a r e d i s p l a y e d w o r l d w i d e . T h e y c a n b e f o u n d i n p u b l i c s q u a r e s , i n u n i v e r s i t y g a r d e n s , a n d i n a w i d e v a r i e t y o f c u l t u r a l v e n u e s . A d d i t i o n a l l y, h i s w o r k s a r e o w n e d b y n u m e r o u s p r i v a t e c o l l e c t i o n s . H i s a r t w a s e x h i b i t e d i n a l a r g e n u m b e r o f i n t e r n a t i o n a l a r t e x h i b i t i o n s a l l t h r o u g h t h e U S , E u r o p e , J a p a n a n d i n p u b l i c p l a c e s i n I s r a e l . A v a s t c o l l e c t i o n o f h i s a r t i s d i s p l a y e d i n t h e H a l v a n i E x h i b i t i o n i n E i n H o d , a t t h e Vi c t o r H a l v a n i S c u l p t u r e P a r k i n S a f e d , a n d o n t h e M a m m i l l a B o u l e v a r d i n t h e o l d c i t y o f J e r u s a l e m . We a r e d e l i g h t e d t o p r e s e n t t o y o u t h e 2 0 1 5 C a t a l o g t h a t i n c l u d e s a g l o r i o u s c o l l e c t i o n o f h i s a r t w o r k c r e a t e d b e t w e e n 1 9 7 5 a n d 2 0 1 5 , w h i c h i s n o w o n d i s p l a y. F o r r e a d i n g m o r e a b o u t t h e a r t i s t p l e a s e g o t o p a g e s 5 0 - 5 3 . New York1984-2001 London1988–2008 Tokyo1985 Pa r i s 1985 To r o n t o 1997 M e l b o u r n e 1996 P h i l a d e l p h i a 1995 D e t r o i t 1990,1999 Newton1997 B o s t o n 1997-1999 O k l a h o m a 1999 A t l a n t i c C i t y 1985-1988 Los Angeles1999 S a n F r a n c i s c o 2001 Palm Beach1995- 2000 Wilhelmshaven1971-1990 LasVegas1990-1999 M i a m i 1999 B u e n o s A i r e s 2002 S i n g a p o r e 2014 PaphosCyprus2000 Tel-Aviv1970-2015 C a e s a r e a 1968-1971 Jerusalem2014-2015 S a f e d 1985 - 2015 Ein Hod 1975-2015 4 5
  • 4. L a r g e O ve r - Human - Size Outdoor B r o n z e S c u l p t u r e s © V i c t o r H a l v a n i 2 0 1 5
  • 5. F o r y o u r i n f o r m a t i o n : * T h e c a t a l o g i n c l u d e s t h e a r t i s t ’ s s c u l p t u r e s currently on display, for sale in 2015. Other sculptures ( o n d i s p l a y i n p a r k s a n d p r i v a t e c o l l e c t i o n s ) , w h i c h a r e n o t i n c l u d e d i n t h e c a t a l o g , c a n b e s e e n a t t h e a r t i s t ’ s we b s i t e . * S o m e o f t h e l a r g e s c u l p t u r e s c a n b e o r d e r e d a t d i ff e r e n t s i z e s ( a s i n d i c a t e d a t t h e b o tt o m o f e a c h p h o t o g r a p h ) . P l e a s e n o t e t h a t s o m e t i m e s s i z e a l t e r a t i o n m a y i n vo l ve s l i g h t c h a n g e s i n t h e s c u l p t u r e . * T h e s c u l p t u r e c o l o r s a n d s t a n d s m a y b e d i ff e r e n t t h a n t h o s e s h o w n i n t h e c a t a l o g . W i t h a ny q u e s t i o n s p l e a s e c o n t a c t u s a t : h a l v a n i a r t @ h a l v a n i . c o m E&OE
  • 6. 10 11 LargeOver-Human-SizeOutdoorSculptures Title: Hope for Peace Material: Bronze Scales: 10'H x 4'W x 12'L Other scale: 38"H x 9.5"W Catalogue No.57/No.36 Edition: 6 Created by © Victor Halvani in 1991
  • 7. 12 13 LargeOver-Human-SizeOutdoorSculptures Title: The Spies Material: Bronze Scales: 12'H x 26'L Catalogue No.58 Edition: 6 Created by © Victor Halvani in 1988 Title: The Shofar Material: Bronze Scale: 14'H x 14'L Catalogue No.59 Edition: 6 Created by © Victor Halvani in 1988
  • 8. 14 15 LargeOver-Human-SizeOutdoorSculptures Title: Genesis I Material: Bronze Scale: 10' H x 5'W Other scale: 20"H x 12"W Catalogue No. 45/No.18 Edition: 6 Created by © Victor Halvani in 1997 Title: Mother Playing with Child Material: Bronze Scale: 7'H x 3'W x 12'L Other scale: 12"H x 8"W x 22"L Catalogue No.54/No.24 Edition: 6 Created by © Victor Halvani in 1989
  • 9. 16 17 LargeOver-Human-SizeOutdoorSculptures Title: David Playing Harp (Green Patina) Material: Bronze Scale: 7'H x 4'D Other scale: 30"H x 10"W x 17.5"L Catalogue No.51/No.32 Edition: 9 Created by © Victor Halvani in 1996
  • 10. 18 19 LargeOver-Human-SizeOutdoorSculptures Title: Miriam with the Drum Material: Bronze (Brown) Scale: 10'H x 2'W Other Scale: 18"H x 2.5"W Catalogue No.46/No.5 Edition: 9 Created by © Victor Halvani in 1981 Title: David with the Sling Material: Bronze Scale: 12'H x 5'W Other Scale: 28"H x 8"W x 16"L Catalogue No. 52/ No.13 Edition: 6 Created by © Victor Halvani in 1983
  • 11. 20 21 LargeOver-Human-SizeOutdoorSculptures Title: Genesis II Material: Bronze Scale: 55"H x 23/5"W x69"L Catalogue No: 44 Edition: 9 Created by © Victor Halvani in 1996 Title: David Playing Harp (3 strings) Material: Bronze (Brown, Green Patina) Scale: 6'Hx3'W Catalogue No.48 Edition: 10 Created by Victor Halvani© in 1985
  • 12. 22 23 LargeOver-Human-SizeOutdoorSculptures Title: Ruth and Naomi Material: Bronze (Brown) Scale: 8'H x 2'W Other Scale: 30"H x 7"W Catalogue No: 47/ No.31 Edition: 9 Created by © Victor Halvani in 1984 Title: The Two Deer Material: Bronze Scale: 5'H x 3'W X 6'L Catalogue No: 41 Edition: 9 Created by © Victor Halvani in 1994
  • 13. 24 25 LargeOver-Human-SizeOutdoorSculptures Title: Yuval, Father of the Harp Material: Bronze (Green/Brown) Scale: 6'Hx 3'W Other Scale: 28.5"H x 11"D Catalogue No.23 Edition: 25 Created by © Victor Halvani in 1999 Title: The Gazelle Material: Bronze Scale: 7'H X 7'W x 7'L Catalogue No. 63 Edition: 9 Created by © Victor Halvani in 1956
  • 14. IndoorB r o n z e S c u l p t u r e s © V i c t o r H a l v a n i 2 0 1 5
  • 15. E&OE F o r y o u r i n f o r m a t i o n : S o m e o f t h e m e d i u m - s i z e s c u l p t u r e s c a n b e o r d e r e d a t d i ff e r e n t s i z e s ( a s i n d i c a t e d a t t h e b o tt o m o f e a c h p h o t o g r a p h ) . P l e a s e n o t e t h a t s o m e t i m e s s i z e a l t e r a t i o n m a y i n vo l ve s l i g h t c h a n g e s i n t h e s c u l p t u r e . T h e s c u l p t u r e c o l o r s a n d s t a n d s m a y b e d i ff e r e n t t h a n t h o s e s h o w n i n t h e c a t a l o g . W i t h a ny q u e s t i o n s p l e a s e c o n t a c t u s a t : h a l v a n i a r t @ h a l v a n i . c o m
  • 16. 30 31 IndoorSculptures Title: The Blessing Material: Bronze (Brown) Scale: 35"H X 20"W Other Scale:10"H x 5"W Catalogue No.34/No.4 Edition: 10 Created by © Victor Halvani in 1985 Yuval, Father of the Harp Material: Bronze (Green/Brown) Scale: 28.5"H x 11"D Other Scale: 6'Hx 3'W Catalogue No.23 Edition: 25 Created by © Victor Halvani in 1999 Title: Ballet Dancers Material: Bronze Scale: 29''Hx33''W Catalogue No: 40 Edition: 9 Created by © Victor Halvani in 1994 Mother with Infant Material: Bronze (Brown) Scale: 1.5'H X 1.5'W Catalogue No.35 Edition: 10 Created by © Victor Halvani in 1993
  • 17. 32 33 IndoorSculptures Title: The Dancer Material: Bronze (Black) Scale: 6'H x 2'W Other Scale: 35" H x 11"W Catalogue No.39/No. 21 Edition: 10 Created by © Victor Halvani in 1988 Title: Joy of Motherhood Material: Bronze ( Green Patina) Scale: 28"H x 3"Wx 8.5"L Catalogue No. 22 Edition:25 Created by © Victor Halvani in 1999 Title: Freedom Material: Bronze (Brown/ Black) Scale: 58"H x 29"W x 23"L Catalogue No.33 Edition: 10 Created by © Victor Halvani in 1985 Title: Hope Material: Bronze (Green Patina) Scale: 40''Hx8''Wx23''L Catalogue No.29 Edition: 10 Created by © Victor Halvani in 1985
  • 18. 34 35 IndoorSculptures Title: The Flamingo Material: Bronze ( Black /White) Scale: 44"H x 18"W Catalogue No.37 Edition: 12 Created by © Victor Halvani in 1981 Title: Carmen Material: Bronze (Black) Scale: 36"H x 7"W Catalogue No.17 Edition: 25 Created by © Victor Halvani in 1985 Title: Lots' Wife Material: Bronze (Green) Scales: 28.5"H x 8.5" W x 17.5"L Catalogue No.30 Edition: 25 Created by © Victor Halvani in 1994 Title: Genesis I Material: Bronze( Green Patina) Scale: 20"hx12"w Other Scale: 10' H x 5'W Catalogue No.18/No.45 Edition: 25 Created by © Victor Halvani in 1997
  • 19. 36 37 IndoorSculptures Title: Moses and the Princes of Egypt Material: Bronze ( Green Patina) Scale: 12.4"H x 8.5"d Catalogue No.11 Edition: 50 Created by © Victor Halvani in 2001 Title: Pregnant Woman Material: Bronze ( High Polished) Scale: 17" H x 4"W Catalogue No.2 Edition: 25 Created by © Victor Halvani in 1985 Title: David Playing Harp (7 strings) Material: Bronze (Green) Scale: 16"H x 5.5"W x 8"L Catalogue No.10 Edition: 25 Created by © Victor Halvani in 2002 Title: Joshua with the Shofar Material: Bronze (Brown) Scale: 26"H x 26"L Other Scale: 8"Hx 7"W x 3" L Catalogue No.19/No.6 Edition: 25 Created by © Victor Halvani in 1994 Title: Adam and Eve Material: Bronze ( High Polished) Scale: 17"H x 4"W Catalogue No. 1 Edition: 25 Created by © Victor Halvani in 1981 Title: Motherhood Material: Bronze (Black) Scale: 23"H x 6"W Catalogue No.12 Edition: 25 Created by © Victor Halvani in 1980
  • 20. S c u l p t u r e s Stories © V i c t o r H a l v a n i 2 0 1 5
  • 21. E&OE It seems as if an invisible thread interweaves and connects the artworks of the artist, Victor Halvani, giving each individual artwork additional, deeper meaning, highlighted in the presence of its companions. In this catalog we chose, therefore, several themes which may inspire your imagination when planning a theme- based park, garden or internal space. F o r y o u r i n f o r m a t i o n : i n t h i s p a r t o f t h e c a t a l o g t h e s c u l p t u r e s i z e s a r e n o t i n d i c a t e d , a n d t h e t h e m e s a r e m e r e s u g g e s t i o n s . T h e e x a c t s c u l p t u r e s i z e s a r e i n d i c a t e d i n t h e p r e v i o u s p a g e s . W i t h a ny q u e s t i o n s p l e a s e c o n t a c t u s a t : h a l v a n i a r t @ h a l v a n i . c o m
  • 22. Sculpturestories With any question please contact us h a l v a n i a r t @ h a l v a n i . c o m Music in the Bible Ancient heroes come alive, Vivid, present, as Tunes of the past flow Toward the future Awakening us To mysterious longing. 42 43
  • 23. Sculpturestories With any question please contact us h a l v a n i a r t @ h a l v a n i . c o m Motherhood From a tender sprout To the arched belly line From the birth pangs To the cradling embrace. From this rounded, whole, Unbreakable bond, Motherhood emerges. 44 45
  • 24. Sculpturestories With any question please contact us h a l v a n i a r t @ h a l v a n i . c o m Dilemma "Can the two walk together, unless they are agreed?" (Amos 3:3) Between Light and darkness, Yin and Yang, Good and evil, Past and future, Truth and falsehood Dilemma. 46 47
  • 25. Sculpturestories With any question please contact us h a l v a n i a r t @ h a l v a n i . c o m Dancers Floating lightly, Touching the sky, Fingertips drawing An exact, endless line Drawing strength from The heights, The sun, The wind, Dancing. 48 49
  • 26. 50 51 A n H o m a g e To O u r Fa t h e r V i c t o r H a l v a n i t u r n s 8 5 t h i s y e a r, a n d we a r e g i ve n a o n c e - i n - a - l i f e t i m e o p p o r t u n i t y t o l o o k b a c k a t h i s l o n g a n d r i c h l i f e a n d c a r e e r w i t h h i m . We e m b a r ke d o n a t i m e - t u n n e l e d e x p e r i e n c e t o h a ve o u r q u e s t i o n s a n s we r e d , t o f i n d t h e s o u rc e o f o u r f a t h e r ’ s i n s p i r a t i o n , a n d t o u n d e r s t a n d w h a t m a ke s h i s a r t t i m e l e ss a n d w h o l e s o m e . We g r e w u p s u r r o u n d e d b y h i s a r t , a n d we p l a y e d a r o u n d h i m w h e n h e s c u l p t e d , y e t we h a d n o i d e a w h a t g u i d e d h i m t o c r e a t e h i s s c u l p t u r e s w i t h s u c h p r e c i s i o n , c l a r i t y, d e l i c a c y a n d e xc e l l e n c e . A l l we k n e w w a s t h a t h e c r e a t e d w h i l e c o n n e c t e d t o a ve r y d e e p , s p i r i t u a l s o u rc e a n d t h a t h e h a d a c l e a r g u i d e f r o m w i t h i n . B o t h t h e n a n d n o w , h e s p e a k s h i s t r u t h t h r o u g h h i s a r t , a n d h e s o m e t i m e s n e e d s t o i s o l a t e h i m s e l f a r t i s t i c a l l y i n o r d e r t o s t a y t r u e t o h i s o w n v i s i o n . We a ss u m e t h a t t h i s p a r t i a l i s o l a t i o n h e l p e d h i m t o c r e a t e a u n i q u e s t y l e t h a t c a n o n l y b e c a l l e d T h e H a l v a n i A r t . We s e e o u r f a t h e r ’ s a r t w o r k d i s p l a y e d t h e s e d a y s a l l ove r t h e w o r l d . I t c a n b e f o u n d i n d i ve r s e p l a c e s s u c h a s u n i ve r s i t i e s i n B o s t o n a n d O k l a h o m a , r e f o r m s y n a g o g u e s a r o u n d t h e U S , p u b l i c p l a c e s f r o m E u r o p e t o S i n g a p o r e , a n d a l l ove r I s r a e l , f r o m M a m i l l a B l v d . i n J e r u s a l e m t o t h e H a l v a n i S c u l p t u r e Pa r k i n S a f e d , a n d a t t h e a r t i s t ’ s v i l l a g e E i n H o d , w h e r e h e l i ve s . We h e a r f r o m h u n d r e d s o f h i s s t u d e n t s , o f w h i c h d o z e n s a r e n o w we l l - e s t a b l i s h e d a r t i s t s , h o w t h e y we r e i n f l u e n c e d b y h i s l e c t u r e s a n d i n s p i r i n g e x a m p l e a n d o f t h e w a r m s p o t t h e y ke e p i n t h e i r h e a r t s f o r h i m . We a r e aw a r e t h a t ove r t h e l a s t 3 0 y e a r s h e h a s b e e n r e c o g n i z e d a s a n o u t s t a n d i n g i n t e r n a t i o n a l a r t i s t a n d t h a t h i s a r t w o r k h a s b e e n s h o w n i n m a j o r a r t e x h i b i t i o n s a n d h a s r e c e i ve d aw a r d s a n d m u c h c r i t i c a l i n t e r n a t i o n a l a c c l a i m . We r e c o g n i z e i n h i s a r t w o r k t h e m a j e s t y o f a n c i e n t E g y p t i a n a r t , t h e s p i r i t u a l i t y o f t h e B i b l i c a l s t o r i e s , a n d h i s u n u s u a l i n t e r e s t i n t h e a c h i e ve m e n t s o f s p a c e t e c h n o l o g y. A n d y e t we c o n t i n u e t o b e s u r p r i s e d a n d a m a z e d b y h i s o r i g i n a l i t y a n d u n l i m i t e d a b u n d a n c e o f c r e a t i v i t y. A C h i l d D r e a m i n g , O ve r l o o k i n g t h e N i l e G r o w i n g u p n e a r t h e a n c i e n t p y r a m i d s o f G i z a , o u r f a t h e r ’ s c h i l d h o o d m e m o r i e s c o n s i s t o f b i ke r i d e s t o a rc h a e o l o g i c a l s i t e s a n d t o t h e p y r a m i d s , s c h o o l t r i p s t o t h e Va l l e y o f K i n g s a n d t o A s w a n , a n d Victor Halvani T h e A r t i s t , T h e M a n , The Educator, O u r F a t h e r .
  • 27. 52 53 s t r o n g i m p r e ss i o n s o f t h e a n c i e n t E g y p t i a n a r t . E ve n a s a c h i l d , h e u s e d t o s p e n d h o u r s s t r o l l i n g t h r o u g h t h e E g y p t i a n M u s e u m i n C a i r o e n c h a n t e d b y t h e e x h i b i t e d a r t i f a c t s a n d e xc i t e d l y d r aw i n g t h e m . H i s d r aw i n g s c a u g h t t h e a tt e n t i o n o f h i s t e a c h e r s w h o e n c o u r a g e d h i m t o p a r t i c i p a t e i n a n a t i o n a l a r t c o m p e t i t i o n . A ft e r h e w o n f i r s t p r i z e , h e w a s o ff e r e d a n o p p o r t u n i t y t o s t u d y a t t h e Z a m a l e k Fa c u l t y o f A r t E d u c a t i o n a n d a t t h e C a i r o U n i ve r s i t y w i t h a f u l l s c h o l a r s h i p . F u l l o f h o p e s a n d d r e a m s , o u r f a t h e r s t a r t e d h i s s t u d i e s t h e r e , b u t t h e y we r e i n t e r r u p t e d a ft e r o n l y o n e y e a r. T h e I s r a e l i w a r o f i n d e p e n d e n c e b r o ke o u t f o l l o we d b y a n t i - J e w i s h r i o t s a n d o p p r e ss i o n , a n d h e h a d t o f l e e t o F r a n c e a n d f r o m t h e r e t o I s r a e l . T h e S e c o n d E x o d u s f r o m E g y p t A ft e r h i s i m m i g r a t i o n t o I s r a e l , h e s e r ve d i n t h e I D F, b u i l t a f a m i l y, a n d r e s u m e d h i s a r t i s t i c s t u d i e s . H e c o m p l e t e d h i s f i r s t y e a r a t t h e B e z a l e l A c a d e m y o f A r t s a n d D e s i g n i n J e r u s a l e m w i t h d i s t i n c t i o n , a n d t h e n , h e s t u d i e d f o r t h r e e y e a r s a t t h e A r t Te a c h e r s ’ Tr a i n i n g C o l l e g e i n Te l Av i v . A ft e r 1 0 y e a r s a s a n a r t t e a c h e r, h e r e c e i ve d a a n d a t t h e Te l Av i v a n d H a i f a U n i ve r s i t i e s , i n 1 9 8 4 , o u r f a t h e r d e c i d e d t o r e t i r e f r o m t e a c h i n g a n d t o d e d i c a t e h i s t i m e t o h i s g r e a t l ove – s c u l p t i n g . B e t we e n t h a t t i m e a n d 2 0 0 1 , o u r f a t h e r p a r t i c i p a t e d i n s e ve r a l p r o m i n e n t i n t e r n a t i o n a l e x h i b i t i o n s a n d w a s r e c o g n i z e d a s a n i m p o r t a n t i n t e r n a t i o n a l a r t i s t . O n e o f t h e p e a k s o f h i s c a r e e r a s a n a r t i s t w a s u n d o u b t e d l y t h e c o m m i ss i o n i n g o f h i s “J a c o b ’ s D r e a m ” s c u l p t u r e f o r t h e o p e n i n g o f t h e J a c o b K . J a v i t s C o n ve n t i o n C e n t e r a n d i t s d i s p l a y a t t h e f i r s t s h o w - e ve n t o f A r t E x p o N Y. O u r f a t h e r ’ s s c u l p t u r e s c a n b e s e e n i n s q u a r e s a n d o t h e r p u b l i c p l a c e s a l l ove r t h e a n c i e n t c i t y o f S a f e d a n d e s p e c i a l l y i n t h e 2 2 - a c r e H a l v a n i S c u l p t u r e Pa r k a t t h e e n t r a n c e t o t h e c i t y, w h i c h w a s d e s i g n e d b y o u r f a m i l y a n d b u i l t i n c o l l a b o r a t i o n w i t h t h e S a f e d m u n i c i p a l i t y, g ove r n m e n t a l b o d i e s , a n d d o n o r s f r o m a l l ove r t h e w o r l d . s c h o l a r s h i p t o c o n t i n u e h i s s t u d i e s a b r o a d , a n d h e e a r n e d h i s M A i n A r t w i t h d i s t i n c t i o n a t t h e H a m m e r s m i t h C o l l e g e o f A r t & B u i l d i n g i n L o n d o n . W h i l e a n a r t s t u d e n t , o u r f a t h e r w a s a l r e a d y i n v i t e d t o p a r t i c i p a t e i n a n e x h i b i t i o n s p o n s o r e d b y t h e I s r a e l i N a t i o n a l A r t i s t s ’ U n i o n i n Te l Av i v , a n d a s s o o n a s h e c o m p l e t e d h i s s t u d i e s , h e w a s a c c e p t e d a s a u n i o n m e m b e r. I n 1 9 6 0 , h i s s c u l p t u r e “ T h e G a z e l l e ” ( a b s t r a c t ) w a s c h o s e n t o r e p r e s e n t I s r a e l i n a n e x h i b i t i o n i n Pa r i s , a n d h i s s c u l p t u r e “ M a t e r n i t y ” w a s a c c e p t e d t o t h e 2 n d B i e n n a l e f o r C o n t e m p o r a r y J e w i s h A r t . T h e A r t i s t , t h e Te a c h e r, t h e M a n A ft e r a l m o s t t h r e e d e c a d e s t e a c h i n g a r t i n t h e A r t Te a c h e r s ’ C o l l e g e – H a m i d r a s h a i n Te l - Av i v / H e r z l i y a , a t t h e E r e t z I s r a e l M u s e u m i n Te l - Av i v , a t t h e E i n H o d A r t S c h o o l , o f w h i c h h e w a s a l s o t h e p r i n c i p a l , F o r t h e i r o n g o i n g c o n t r i b u t i o n t o t h e a e s t h e t i c s a n d c u l t u r e o f t h e c i t y, l a s t y e a r o u r p a r e n t s we r e aw a r d e d b y t h e C i t y o f S a f e d t h e L i f e Wo r k Aw a r d . H e r e a n d N o w T h e s e d a y s , a t t h e a g e o f 8 5 , o u r f a t h e r c o n t i n u e s w o r k i n g a n d c r e a t i n g a t h i s h o m e a n d s t u d i o i n t h e a r t i s t ’ s v i l l a g e o f E i n H o d . H i s s c u l p t u r e s a r e d i s p l a y e d f o r t h e s e c o n d y e a r a t t h e S c u l p t u r e E x h i b i t i o n i n M a m i l l a A l r ov B o u l e v a r d i n J e r u s a l e m , a n d h e i s w o r k i n g o n h i s p l a n s f o r a n e w e x h i b i t i o n a n d a m u s e u m d e d i c a t e d t o o u r m o t h e r, M a r g a l i t , a t t h e i r h o m e i n E i n H o d . We h o p e y o u e n j o y e d v i e w i n g t h i s c a t a l o g a n d y o u r g l i m p s e i n t o t h e f a s c i n a t i n g w o r l d o f T h e H a l v a n i A r t . T h e V i c t o r H a l v a n i t e a m o f e x p e r t s i s d e l i g h t e d t o a d d r e ss a ny q u e s t i o n s o r r e q u e s t s t h a t y o u m a y h a ve ! S i n c e r e l y, Yo u v a l H a l v a n i , M a r ke t i n g a n d M a n u f a c t u r i n g D i r e c t o r R u t i H a l v a n i F r e i m a n n , C o s t u m e r R e l a t i o n s M a n a g e r H a l v a n i A r t
  • 28. E i n H o d , I s r a e l M a i l : h a l v a n i a r t @ h a l v a n i . c o m w w w . h a l v a n i . c o m Design by Amoya studio www.amoya-studio.com 54 55