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NETescopio:
10 open questions about
conservation of electronic art
Gustavo Romano

netescopio.meiac.es
gustavoromano.org
1. NETescopio



About NETescopio
• online archive and Data Base

• stores mirror copies of net art works

• http://netescopio.meiac.es/
2. NETescopio

The travelling exhibition
Disassemblings, Re/appropriations &
Intrusions

• is presented as a "mobile lab”
• a “device” to visualize processes
• with physical and virtual itineraries
• http://netescopio.meiac.es/DRI
3. NETescopio

About the selection
• archiving vs. curating

• a reflection on the processes that led artists
to their development (rather than from an
analysis of the formal characteristics of the
works)

• 3 strategies that conformed 3 selections:
Disassemblings (2008), Re/appropriations (2009)
and Intrusions (2011).
4. NETescopio

Disassemblings
works that, far from making an apology of the new
media per se, confront themselves with the concept
of technology as entertainment

• Disassembling INTERFACES
• Disassembling STEREOTPYES
• Disassembling NARRATIONS
• Disassembling DAILY LIFE
• Disassembling THE SYSTEM OF ART
• http://netescopio.meiac.es/
5. NETescopio as case study

Re/appropriations
The artist’s role on the web will no longer be that of
a creator, but rather that of a "redirector" of
information.

• RE/MIXES
• RE/INTERPRETATIONS
• RE/ENGINEERING
• RE/COLLECTIONS
• RE/CIRCULATIONS
• http://netescopio.meiac.es/
6. NETescopio as case study

Intrusions
artistic interventions in a new public space: Internet

• INTRUDERS IN PLATFORMS 2.0
• INTRUDERS IN THE PUBLIC SPACE
• VIRTUAL INTRUDERS
• INTRUDERS IN YOUR COMPUTER
• INTRUDERS IN THE CORPORATE WORLD
• http://netescopio.meiac.es/
10 open questions about
conservation of electronic art
7. Ten open questions about conservation
of electronic art


   1- How to make enduring the
   ephemeral?

   • How to preserve the time.
   • Art as conservation. Artists as curators.
7. Ten open questions about conservation
of electronic art


   1- How to make enduring the
   ephemeral?

   • How to preserve the time.
   • Art as conservation. Artists as curators.
7. Ten open questions about conservation
of electronic art


   1- How to make enduring the
   ephemeral?

   • How to preserve the time.
   • Art as conservation. Artists as curators.
8. Ten open questions about conservation
of electronic art

   2- Where's the music?
   Is in the vinyl or in the jacket?

   • Is the “naked” work enough ?
   • Nam Jun Paik: the video or the TV?
   • Looking at the finger and not what it is pointing
   to?
8. Ten open questions about conservation
of electronic art

   2- Where's the music?
   Is in the vinyl or in the jacket?

   • Is the “naked” work enough ?
   • Nam Jun Paik: the video or the TV?
   • Looking at the finger and not what it is pointing
   to?
8. Ten open questions about conservation
of electronic art

   2- Where's the music?
   Is in the vinyl or in the jacket?

   • Is the “naked” work enough ?
   • Nam Jun Paik: the video or the TV?
   • Looking at the finger and not what it is pointing
   to?
8. Ten open questions about conservation
of electronic art

   2- Where's the music?
   Is in the vinyl or in the jacket?

   • Is the “naked” work enough ?
   • Nam Jun Paik: the video or the TV?
   • Looking at the finger and not what it is pointing
   to?
9. Ten open questions about conservation
of electronic art


   3- How to preserve a drama
   play?

   • Net art as interventions in public space
   • Ask a dramaturge!
9. Ten open questions about conservation
of electronic art


   3- How to preserve a drama
   play?

   • Net art as interventions in public space
   • Ask a dramaturge!
9. Ten open questions about conservation
of electronic art


   3- How to preserve a drama
   play?

   • Net art as interventions in public space
   • Ask a dramaturge!
10. Ten open questions about conservation
of electronic art

   4- Save the script or save the
   score?

   • Programming, source code, design, screens...
     vs.
   • Instructions, scores, work flows…
10. Ten open questions about conservation
of electronic art

   4- Save the script or save the
   score?

   • Programming, source code, design, screens...
     vs.
   • Instructions, scores, work flows…
11. Ten open questions about conservation
of electronic art


   5- Shall we ask the artist?


   • DJ Mixes
   • Original Free Adaptations
   • Covers
11. Ten open questions about conservation
of electronic art


   5- Shall we ask the artist?


   • DJ Mixes
   • Original Free Adaptations
   • Covers
12. Ten open questions about conservation
of electronic art


   6- What works to preserve? The
   most aggressive or the weakest?

   • Technological Determinism
   • Technodiversity
   • Technological complexity
   • Artistic determinism
12. Ten open questions about conservation
of electronic art


   6- What works to preserve? The
   most aggressive or the weakest?

   • Technological Determinism
   • Technodiversity
   • Technological complexity
   • Artistic determinism
12. Ten open questions about conservation
of electronic art


   6- What works to preserve? The
   most aggressive or the weakest?

   • Technological Determinism
   • Technodiversity
   • Technological complexity
   • Artistic determinism
12. Ten open questions about conservation
of electronic art


   6- What works to preserve? The
   most aggressive or the weakest?

   • Technological Determinism
   • Technodiversity
   • Technological complexity
   • Artistic determinism
12. Ten open questions about conservation
of electronic art


   6- What works to preserve? The
   most aggressive or the weakest?

   • Technological Determinism
   • Technodiversity
   • Technological complexity
   • Artistic determinism
13. Ten open questions about conservation
of electronic art


   7- How to explain to future
   generations what was the
   Internet?

   • The disappearance of Internet is inevitable
   • Net art requires a pre-existing network
   • No discolor, no fade, not degraded: or it is, or it is
   not there anymore.
13. Ten open questions about conservation
of electronic art


   7- How to explain to future
   generations what was the
   Internet?

   • The disappearance of Internet is inevitable
   • Net art requires a pre-existing network
   • No discolor, no fade, not degraded: or it is, or it is
   not there anymore.
13. Ten open questions about conservation
of electronic art


   7- How to explain to future
   generations what was the
   Internet?

   • The disappearance of Internet is inevitable
   • Net art requires a pre-existing network
   • No discolor, no fade, not degraded: or it is, or it is
   not there anymore.
13. Ten open questions about conservation
of electronic art


   7- How to explain to future
   generations what was the
   Internet?

   • The disappearance of Internet is inevitable
   • Net art requires a pre-existing network
   • No discolor, no fade, not degraded: or it is, or it is
   not there anymore.
14. Ten open questions about conservation
of electronic art

   8- What is the best tactic to ensure
   the survival of an art piece?
   • The most expensive conservation and isolation
   practice?

   • The compulsive hyper-reproduction through any
   media? Isn't it safer YouTube than a vault?

   • The animals that survive, are those that best
   defend themselves or those that reproduce the
   most?
14. Ten open questions about conservation
of electronic art

   8- What is the best tactic to ensure
   the survival of an art piece?
   • The most expensive conservation and isolation
   practice?

   • The compulsive hyper-reproduction through any
   media? Isn't it safer YouTube than a vault?

   • The animals that survive, are those that best
   defend themselves or those that reproduce the
   most?
14. Ten open questions about conservation
of electronic art

   8- What is the best tactic to ensure
   the survival of an art piece?
   • The most expensive conservation and isolation
   practice?

   • The compulsive hyper-reproduction through any
   media? Isn't it safer YouTube than a vault?

   • The animals that survive, are those that best
   defend themselves or those that reproduce the
   most?
14. Ten open questions about conservation
of electronic art

   8- What is the best tactic to ensure
   the survival of an art piece?
   • The most expensive conservation and isolation
   practice?

   • The compulsive hyper-reproduction through any
   media? Isn't it safer YouTube than a vault?

   • The animals that survive, are those that best
   defend themselves or those that reproduce the
   most?
15. Ten open questions about conservation
of electronic art


   9- Preserve an individual or an
   ecosystem?
   • Botanical Garden versus Nature Reserve
   • Network of relationships versus isolated works
   • Naturalists, hunters and taxidermists
15. Ten open questions about conservation
of electronic art


   9- Preserve an individual or an
   ecosystem?
   • Botanical Garden versus Nature Reserve
   • Network of relationships versus isolated works
   • Naturalists, hunters and taxidermists
15. Ten open questions about conservation
of electronic art


   9- Preserve an individual or an
   ecosystem?
   • Botanical Garden versus Nature Reserve
   • Network of relationships versus isolated works
   • Naturalists, hunters and taxidermists
15. Ten open questions about conservation
of electronic art


   9- Preserve an individual or an
   ecosystem?
   • Botanical Garden versus Nature Reserve
   • Network of relationships versus isolated works
   • Naturalists, hunters and taxidermists
16. Ten open questions about conservation
of electronic art


   10- In the future… what kind of
   buildings should we need for art?
   • Prisons?
   • Cemeteries?
   • Recycling Centers?
   • Controlling the reproduction vs. preservation care
   • Art robots and behavior problems
16. Ten open questions about conservation
of electronic art


   10- In the future… what kind of
   buildings should we need for art?
   • Prisons?
   • Cemeteries?
   • Recycling Centers?
   • Controlling the reproduction vs. preservation care
   • Art robots and behavior problems
16. Ten open questions about conservation
of electronic art


   10- In the future… what kind of
   buildings should we need for art?
   • Prisons?
   • Cemeteries?
   • Recycling Centers?
   • Controlling the reproduction vs. preservation care
   • Art robots and behavior problems
NETescopio:
10 open questions about
conservation of electronic art
Gustavo Romano

netescopio.meiac.es
gustavoromano.org

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Gustavo Romano - NETescópio: Dez perguntas em aberto sobre a conservação de arte eletrônica / NETescópio: Ten unanswered questions about the preservation of electronic art

  • 1. NETescopio: 10 open questions about conservation of electronic art Gustavo Romano netescopio.meiac.es gustavoromano.org
  • 2. 1. NETescopio About NETescopio • online archive and Data Base • stores mirror copies of net art works • http://netescopio.meiac.es/
  • 3. 2. NETescopio The travelling exhibition Disassemblings, Re/appropriations & Intrusions • is presented as a "mobile lab” • a “device” to visualize processes • with physical and virtual itineraries • http://netescopio.meiac.es/DRI
  • 4. 3. NETescopio About the selection • archiving vs. curating • a reflection on the processes that led artists to their development (rather than from an analysis of the formal characteristics of the works) • 3 strategies that conformed 3 selections: Disassemblings (2008), Re/appropriations (2009) and Intrusions (2011).
  • 5. 4. NETescopio Disassemblings works that, far from making an apology of the new media per se, confront themselves with the concept of technology as entertainment • Disassembling INTERFACES • Disassembling STEREOTPYES • Disassembling NARRATIONS • Disassembling DAILY LIFE • Disassembling THE SYSTEM OF ART • http://netescopio.meiac.es/
  • 6. 5. NETescopio as case study Re/appropriations The artist’s role on the web will no longer be that of a creator, but rather that of a "redirector" of information. • RE/MIXES • RE/INTERPRETATIONS • RE/ENGINEERING • RE/COLLECTIONS • RE/CIRCULATIONS • http://netescopio.meiac.es/
  • 7. 6. NETescopio as case study Intrusions artistic interventions in a new public space: Internet • INTRUDERS IN PLATFORMS 2.0 • INTRUDERS IN THE PUBLIC SPACE • VIRTUAL INTRUDERS • INTRUDERS IN YOUR COMPUTER • INTRUDERS IN THE CORPORATE WORLD • http://netescopio.meiac.es/
  • 8. 10 open questions about conservation of electronic art
  • 9. 7. Ten open questions about conservation of electronic art 1- How to make enduring the ephemeral? • How to preserve the time. • Art as conservation. Artists as curators.
  • 10. 7. Ten open questions about conservation of electronic art 1- How to make enduring the ephemeral? • How to preserve the time. • Art as conservation. Artists as curators.
  • 11.
  • 12.
  • 13.
  • 14. 7. Ten open questions about conservation of electronic art 1- How to make enduring the ephemeral? • How to preserve the time. • Art as conservation. Artists as curators.
  • 15.
  • 16.
  • 17.
  • 18.
  • 19.
  • 20.
  • 21. 8. Ten open questions about conservation of electronic art 2- Where's the music? Is in the vinyl or in the jacket? • Is the “naked” work enough ? • Nam Jun Paik: the video or the TV? • Looking at the finger and not what it is pointing to?
  • 22. 8. Ten open questions about conservation of electronic art 2- Where's the music? Is in the vinyl or in the jacket? • Is the “naked” work enough ? • Nam Jun Paik: the video or the TV? • Looking at the finger and not what it is pointing to?
  • 23.
  • 24.
  • 25. 8. Ten open questions about conservation of electronic art 2- Where's the music? Is in the vinyl or in the jacket? • Is the “naked” work enough ? • Nam Jun Paik: the video or the TV? • Looking at the finger and not what it is pointing to?
  • 26.
  • 27.
  • 28.
  • 29.
  • 30.
  • 31.
  • 32.
  • 33.
  • 34. 8. Ten open questions about conservation of electronic art 2- Where's the music? Is in the vinyl or in the jacket? • Is the “naked” work enough ? • Nam Jun Paik: the video or the TV? • Looking at the finger and not what it is pointing to?
  • 35.
  • 36.
  • 37. 9. Ten open questions about conservation of electronic art 3- How to preserve a drama play? • Net art as interventions in public space • Ask a dramaturge!
  • 38. 9. Ten open questions about conservation of electronic art 3- How to preserve a drama play? • Net art as interventions in public space • Ask a dramaturge!
  • 39.
  • 40.
  • 41.
  • 42. 9. Ten open questions about conservation of electronic art 3- How to preserve a drama play? • Net art as interventions in public space • Ask a dramaturge!
  • 43.
  • 44.
  • 45. 10. Ten open questions about conservation of electronic art 4- Save the script or save the score? • Programming, source code, design, screens... vs. • Instructions, scores, work flows…
  • 46. 10. Ten open questions about conservation of electronic art 4- Save the script or save the score? • Programming, source code, design, screens... vs. • Instructions, scores, work flows…
  • 47.
  • 48.
  • 49.
  • 50.
  • 51.
  • 52.
  • 53.
  • 54.
  • 55. 11. Ten open questions about conservation of electronic art 5- Shall we ask the artist? • DJ Mixes • Original Free Adaptations • Covers
  • 56. 11. Ten open questions about conservation of electronic art 5- Shall we ask the artist? • DJ Mixes • Original Free Adaptations • Covers
  • 57.
  • 58.
  • 59.
  • 60. 12. Ten open questions about conservation of electronic art 6- What works to preserve? The most aggressive or the weakest? • Technological Determinism • Technodiversity • Technological complexity • Artistic determinism
  • 61. 12. Ten open questions about conservation of electronic art 6- What works to preserve? The most aggressive or the weakest? • Technological Determinism • Technodiversity • Technological complexity • Artistic determinism
  • 62.
  • 63.
  • 64.
  • 65.
  • 66. 12. Ten open questions about conservation of electronic art 6- What works to preserve? The most aggressive or the weakest? • Technological Determinism • Technodiversity • Technological complexity • Artistic determinism
  • 67.
  • 68. 12. Ten open questions about conservation of electronic art 6- What works to preserve? The most aggressive or the weakest? • Technological Determinism • Technodiversity • Technological complexity • Artistic determinism
  • 69.
  • 70. 12. Ten open questions about conservation of electronic art 6- What works to preserve? The most aggressive or the weakest? • Technological Determinism • Technodiversity • Technological complexity • Artistic determinism
  • 71.
  • 72. 13. Ten open questions about conservation of electronic art 7- How to explain to future generations what was the Internet? • The disappearance of Internet is inevitable • Net art requires a pre-existing network • No discolor, no fade, not degraded: or it is, or it is not there anymore.
  • 73. 13. Ten open questions about conservation of electronic art 7- How to explain to future generations what was the Internet? • The disappearance of Internet is inevitable • Net art requires a pre-existing network • No discolor, no fade, not degraded: or it is, or it is not there anymore.
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  • 77. 13. Ten open questions about conservation of electronic art 7- How to explain to future generations what was the Internet? • The disappearance of Internet is inevitable • Net art requires a pre-existing network • No discolor, no fade, not degraded: or it is, or it is not there anymore.
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  • 79. 13. Ten open questions about conservation of electronic art 7- How to explain to future generations what was the Internet? • The disappearance of Internet is inevitable • Net art requires a pre-existing network • No discolor, no fade, not degraded: or it is, or it is not there anymore.
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  • 83. 14. Ten open questions about conservation of electronic art 8- What is the best tactic to ensure the survival of an art piece? • The most expensive conservation and isolation practice? • The compulsive hyper-reproduction through any media? Isn't it safer YouTube than a vault? • The animals that survive, are those that best defend themselves or those that reproduce the most?
  • 84. 14. Ten open questions about conservation of electronic art 8- What is the best tactic to ensure the survival of an art piece? • The most expensive conservation and isolation practice? • The compulsive hyper-reproduction through any media? Isn't it safer YouTube than a vault? • The animals that survive, are those that best defend themselves or those that reproduce the most?
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  • 86. 14. Ten open questions about conservation of electronic art 8- What is the best tactic to ensure the survival of an art piece? • The most expensive conservation and isolation practice? • The compulsive hyper-reproduction through any media? Isn't it safer YouTube than a vault? • The animals that survive, are those that best defend themselves or those that reproduce the most?
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  • 88. 14. Ten open questions about conservation of electronic art 8- What is the best tactic to ensure the survival of an art piece? • The most expensive conservation and isolation practice? • The compulsive hyper-reproduction through any media? Isn't it safer YouTube than a vault? • The animals that survive, are those that best defend themselves or those that reproduce the most?
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  • 91. 15. Ten open questions about conservation of electronic art 9- Preserve an individual or an ecosystem? • Botanical Garden versus Nature Reserve • Network of relationships versus isolated works • Naturalists, hunters and taxidermists
  • 92. 15. Ten open questions about conservation of electronic art 9- Preserve an individual or an ecosystem? • Botanical Garden versus Nature Reserve • Network of relationships versus isolated works • Naturalists, hunters and taxidermists
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  • 97. 15. Ten open questions about conservation of electronic art 9- Preserve an individual or an ecosystem? • Botanical Garden versus Nature Reserve • Network of relationships versus isolated works • Naturalists, hunters and taxidermists
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  • 101. 15. Ten open questions about conservation of electronic art 9- Preserve an individual or an ecosystem? • Botanical Garden versus Nature Reserve • Network of relationships versus isolated works • Naturalists, hunters and taxidermists
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  • 104. 16. Ten open questions about conservation of electronic art 10- In the future… what kind of buildings should we need for art? • Prisons? • Cemeteries? • Recycling Centers? • Controlling the reproduction vs. preservation care • Art robots and behavior problems
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  • 107. 16. Ten open questions about conservation of electronic art 10- In the future… what kind of buildings should we need for art? • Prisons? • Cemeteries? • Recycling Centers? • Controlling the reproduction vs. preservation care • Art robots and behavior problems
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  • 112. 16. Ten open questions about conservation of electronic art 10- In the future… what kind of buildings should we need for art? • Prisons? • Cemeteries? • Recycling Centers? • Controlling the reproduction vs. preservation care • Art robots and behavior problems
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  • 116. NETescopio: 10 open questions about conservation of electronic art Gustavo Romano netescopio.meiac.es gustavoromano.org