The document discusses the social production of data through online activities. It notes that internet companies like Facebook and Google store vast amounts of user data, including deleted posts and viewing histories. It also discusses how this data can be used to analyze social and commercial trends. Researchers are working on tools to reconstruct digital histories and give users more control over their data. The amount of personal data being stored continues to grow dramatically.
The document discusses 10 open questions about conserving electronic artworks. Some of the key questions addressed include how to preserve ephemeral net art for future generations; whether the entire artwork or just source files/code should be preserved; and whether individual artworks or entire ecosystems/networks should be the focus of conservation efforts. The questions touch on issues like technological obsolescence, dependence on specific platforms/networks, and how the nature of conservation may need to change over time.
El documento describe los pasos para construir una pista de carreras de dos círculos concéntricos. Primero se delineó el contorno de la pista usando una circunferencia mayor, luego se agregó una circunferencia menor compartiendo el mismo centro, formando la figura geométrica de dos círculos concéntricos.
This document discusses the conventions of a school-based drama film genre. It outlines the traditional main characters, which include the protagonist rookie who is unpopular at first, the attractive "jock", and the antagonist who is the most popular and dislikes the rookie. It describes the typical narrative of the rookie joining the school without friends, falling for the jock, having issues arise due to the antagonist, and ultimately ending with the rookie and jock together while the antagonist is dismissed. Examples of films that follow these conventions are provided. The document also briefly describes the openings of two example school drama films, Lean on Me and Dangerous Minds, noting elements of mise-en-scene. In conclusion, the author decides to
The document provides an introduction to data structures using C. It discusses common data structures like arrays, linked lists, stacks, and queues. It then summarizes different ways to represent these structures in memory using arrays or pointers. Specifically, it discusses using pointers to link nodes together to represent linked lists, stacks and queues. It also discusses the distinction between the logical and physical representation of data structures.
This document is a quiz about the United Kingdom, testing knowledge of basic facts like the country represented by the Scottish flag, the British national anthem, the Queen of England, and the capital of Wales. Participants are asked to select the correct answers by clicking on buttons or numbers.
The document discusses 10 open questions about conserving electronic artworks. Some of the key questions addressed include how to preserve ephemeral net art for future generations; whether the entire artwork or just source files/code should be preserved; and whether individual artworks or entire ecosystems/networks should be the focus of conservation efforts. The questions touch on issues like technological obsolescence, dependence on specific platforms/networks, and how the nature of conservation may need to change over time.
El documento describe los pasos para construir una pista de carreras de dos círculos concéntricos. Primero se delineó el contorno de la pista usando una circunferencia mayor, luego se agregó una circunferencia menor compartiendo el mismo centro, formando la figura geométrica de dos círculos concéntricos.
This document discusses the conventions of a school-based drama film genre. It outlines the traditional main characters, which include the protagonist rookie who is unpopular at first, the attractive "jock", and the antagonist who is the most popular and dislikes the rookie. It describes the typical narrative of the rookie joining the school without friends, falling for the jock, having issues arise due to the antagonist, and ultimately ending with the rookie and jock together while the antagonist is dismissed. Examples of films that follow these conventions are provided. The document also briefly describes the openings of two example school drama films, Lean on Me and Dangerous Minds, noting elements of mise-en-scene. In conclusion, the author decides to
The document provides an introduction to data structures using C. It discusses common data structures like arrays, linked lists, stacks, and queues. It then summarizes different ways to represent these structures in memory using arrays or pointers. Specifically, it discusses using pointers to link nodes together to represent linked lists, stacks and queues. It also discusses the distinction between the logical and physical representation of data structures.
This document is a quiz about the United Kingdom, testing knowledge of basic facts like the country represented by the Scottish flag, the British national anthem, the Queen of England, and the capital of Wales. Participants are asked to select the correct answers by clicking on buttons or numbers.
Warp Films is an independent British film company that struggles to compete with large conglomerate studios like Disney due to a massive budget gap. For example, the budget for Disney's Pirates of the Caribbean was $300 million, compared to just £1.5 million for Warp Film's 2007 movie This is England. New technologies like HD filming and digital distribution have helped Warp promote and distribute films at a lower cost. However, conglomerates have more resources to combat piracy and reach a much broader audience with big-budget blockbusters aimed at all ages.
Este documento describe un curso de inglés de 16 semanas con 2 créditos y 2 unidades de aprendizaje que se ofrece a través del Instituto Virtual de Lenguas. El curso se basa en el aprendizaje por tareas y contiene entornos de información inicial, conocimiento, aprendizaje colaborativo, evaluación, seguimiento del aprendizaje y gestión del estudiante.
Este documento discute a experiência do Acervo Videobrasil em preservar obras digitais e efêmeras da arte contemporânea. Ao longo dos anos, o Acervo passou por diferentes fases, de acumulação urgente a catalogação e digitalização. Atualmente, foca em disponibilizar pesquisa online, com ênfase na acessibilidade em vez da estrutura interna. O documento também fornece estatísticas sobre as obras e artistas preservados.
A empresa anunciou um novo produto para competir no mercado de smartphones. O novo aparelho terá câmera de alta resolução e bateria de longa duração a um preço acessível. A expectativa é que o lançamento ajude a empresa a aumentar sua participação no mercado.
O documento descreve o acervo digital da Casa das Rosas entre 1995-2002, quando foi pioneira na inclusão de meios digitais e internet como prática cultural no Brasil. A Casa das Rosas organizou cerca de 25 exposições envolvendo práticas na web e foi um dos primeiros espaços a utilizar a internet para projetos artísticos. Infelizmente, todo esse rico acervo digital foi apagado arbitrariamente posteriormente.
This document summarizes and discusses several artworks and projects that involve collecting and copying digital information and images from the internet. It describes Penelope Umbrico's ongoing project of collecting sunsets from Flickr, Hans-Peter Feldmann's collections of photographs of clothes and seated women, and examples of art collections by Aby Warburg and John Baldessari. It also discusses projects by Jon Rafman, Natalie Bookchin, Olia Lialina and Dragan Espenschied that collect and recontextualize Google Street View and other online images. The document argues that these artists use digital collecting and copying to create new meaning and contextualize fragmented online information.
O documento discute a importância da visualização de dados para entender informações complexas. Apresenta exemplos históricos como o "memex" de Vannevar Bush em 1945 e o computador pessoal para crianças de todas as idades de Alan Kay em 1972. Também exemplifica trabalhos contemporâneos que mapeiam dados sobre trânsito, mudanças climáticas e a história da filosofia por meio de visualizações gráficas.
This document discusses information curation and database aesthetics in archiving net-based artworks. It defines database aesthetics as applying the logic of databases to impose order on information collections and visualize patterns. The document explores using databases in curating and presenting art, as well as archiving artworks and their contextual metadata. It examines challenges in preserving one specific net-based artwork over time, such as non-functional forms, large text sizes, obsolete links ("link rot"), and displaying garbled Korean characters properly. The document describes solutions like restoring functionality, adopting current display standards, and showing the work as originally experienced.
Kajian ini bertujuan untuk mengenal pasti sebab-sebab pelajar kelas akhir tidak membawa peralatan seni visual semasa kelas dan mencadangkan langkah untuk meningkatkan minat pelajar terhadap subjek tersebut."
Warp Films is an independent British film company that struggles to compete with large conglomerate studios like Disney due to a massive budget gap. For example, the budget for Disney's Pirates of the Caribbean was $300 million, compared to just £1.5 million for Warp Film's 2007 movie This is England. New technologies like HD filming and digital distribution have helped Warp promote and distribute films at a lower cost. However, conglomerates have more resources to combat piracy and reach a much broader audience with big-budget blockbusters aimed at all ages.
Este documento describe un curso de inglés de 16 semanas con 2 créditos y 2 unidades de aprendizaje que se ofrece a través del Instituto Virtual de Lenguas. El curso se basa en el aprendizaje por tareas y contiene entornos de información inicial, conocimiento, aprendizaje colaborativo, evaluación, seguimiento del aprendizaje y gestión del estudiante.
Este documento discute a experiência do Acervo Videobrasil em preservar obras digitais e efêmeras da arte contemporânea. Ao longo dos anos, o Acervo passou por diferentes fases, de acumulação urgente a catalogação e digitalização. Atualmente, foca em disponibilizar pesquisa online, com ênfase na acessibilidade em vez da estrutura interna. O documento também fornece estatísticas sobre as obras e artistas preservados.
A empresa anunciou um novo produto para competir no mercado de smartphones. O novo aparelho terá câmera de alta resolução e bateria de longa duração a um preço acessível. A expectativa é que o lançamento ajude a empresa a aumentar sua participação no mercado.
O documento descreve o acervo digital da Casa das Rosas entre 1995-2002, quando foi pioneira na inclusão de meios digitais e internet como prática cultural no Brasil. A Casa das Rosas organizou cerca de 25 exposições envolvendo práticas na web e foi um dos primeiros espaços a utilizar a internet para projetos artísticos. Infelizmente, todo esse rico acervo digital foi apagado arbitrariamente posteriormente.
This document summarizes and discusses several artworks and projects that involve collecting and copying digital information and images from the internet. It describes Penelope Umbrico's ongoing project of collecting sunsets from Flickr, Hans-Peter Feldmann's collections of photographs of clothes and seated women, and examples of art collections by Aby Warburg and John Baldessari. It also discusses projects by Jon Rafman, Natalie Bookchin, Olia Lialina and Dragan Espenschied that collect and recontextualize Google Street View and other online images. The document argues that these artists use digital collecting and copying to create new meaning and contextualize fragmented online information.
O documento discute a importância da visualização de dados para entender informações complexas. Apresenta exemplos históricos como o "memex" de Vannevar Bush em 1945 e o computador pessoal para crianças de todas as idades de Alan Kay em 1972. Também exemplifica trabalhos contemporâneos que mapeiam dados sobre trânsito, mudanças climáticas e a história da filosofia por meio de visualizações gráficas.
This document discusses information curation and database aesthetics in archiving net-based artworks. It defines database aesthetics as applying the logic of databases to impose order on information collections and visualize patterns. The document explores using databases in curating and presenting art, as well as archiving artworks and their contextual metadata. It examines challenges in preserving one specific net-based artwork over time, such as non-functional forms, large text sizes, obsolete links ("link rot"), and displaying garbled Korean characters properly. The document describes solutions like restoring functionality, adopting current display standards, and showing the work as originally experienced.
Kajian ini bertujuan untuk mengenal pasti sebab-sebab pelajar kelas akhir tidak membawa peralatan seni visual semasa kelas dan mencadangkan langkah untuk meningkatkan minat pelajar terhadap subjek tersebut."
José Luis de Vicente - Armazenando a si: sobre a produção social dos dados / Storing the Self: about the social production of data
1. Storing the Self
On the Social Production of Data
@macroscopist
@jldevicente
José Luis de Vicente Futuros Possíveis
www.medialab-prado.es USP | Sao Paulo BR
Barcelona ES 05 / 10 / 2012
12. Q: On your servers, do you save everything ever entered into
Facebook at any time, whether or not it’s been deleted, untagged, and
so forth?
13. Q: On your servers, do you save everything ever entered into
Facebook at any time, whether or not it’s been deleted, untagged, and
so forth?
A: That is essentially correct at this moment. The only reason we’re
changing that is for performance reasons. When you make any sort of
interaction on Facebook — upload a photo, click on somebody’s
profile, update your status, change your profile information —
14. Q: On your servers, do you save everything ever entered into
Facebook at any time, whether or not it’s been deleted, untagged, and
so forth?
A: That is essentially correct at this moment. The only reason we’re
changing that is for performance reasons. When you make any sort of
interaction on Facebook — upload a photo, click on somebody’s
profile, update your status, change your profile information —
Q: When you say “click on somebody’s profile,” you mean you save
our viewing history?
15. Q: On your servers, do you save everything ever entered into
Facebook at any time, whether or not it’s been deleted, untagged, and
so forth?
A: That is essentially correct at this moment. The only reason we’re
changing that is for performance reasons. When you make any sort of
interaction on Facebook — upload a photo, click on somebody’s
profile, update your status, change your profile information —
Q: When you say “click on somebody’s profile,” you mean you save
our viewing history?
A: That’s right. How do you think we know who your best friends are?
THE RUMPUS: “Conversations About the Internet #5: Anonymous Facebook Employee”
22. Fancy some future Macaulay rummaging among such a store, and
painting therefrom the salient features of the social and commercial
life of England in the XIX century.
What might not be gathered some day in the XXI century from a record
of the correspondence of an entire people?
ALFRED VAIL: “The Electromagnetic Telegraph”
23. Fancy some future Macaulay rummaging among such a store, and
painting therefrom the salient features of the social and commercial
life of England in the XIX century.
What might not be gathered some day in the XXI century from a record
of the correspondence of an entire people?
...messages to and from merchants, members of congress, officers of
the government, banks, brokers, police officers, parties, who by
agreement had met each other at the two stations, or had been sent for
by one of the parties; items of news, election returns, announcement
of deaths, inquiries respecting the health of families and individuals,
the daily proceedings of the senate and house of representatives,
orders for goods, inquiries respecting the sailing of vessels,
proceedings of cases in the various courts, summoning of witnesses,
messages in relation to special and express trains, invitations, the
receipt of money at one station and its payment at the other....
ALFRED VAIL: “The Electromagnetic Telegraph”
28. NEW YORK VS. THE WORLD
MONTH-BY-MONTH LISTENING TRENDS FOR NEW YORK IN 2009*
DEC 08 JAN 09 FEB 09 MAR 09 APR 09 MAY 09 JUN 09 JUL 09 AUG 09 SEP 09
American band Animal Collective get love at home and
abroad. Currently based in NYC, they have a constant, After appearances on
mighty presence in the city’s music scene all year long. David Letterman to promote t
Tagged “experimental” by fans on Last.fm, they’re the only OCT ‘08 FEB - MAR ‘09 NOV ‘09
Decemberists continue to rea
band of this appellation to make the Top 40 this year.
Yeah Yeah Yeah’s It’s Blitz! gets leaked on OCT ‘08 MAR ‘09 MAY ‘09 NOV ‘09
release date gets pushed forward to the Grizzly bear first make a blip in March Massachusetts
when Veckatimest (like the Yeah Yeah in the New Yor
the top 10 for the year. Yeahs album of the year) is leaked online. the time Mann
us, (released
omotion is officially released and they stay on the Reeling’ starts
r’. Selling NYC radar for the rest of the year, winning
rst week, them #21 on the Last.fm Top 40 chart.
sten but their
M. WARD REGINA SPEKTOR
ew year while THE DECEMBERISTS
ake waves in
THE DECEMBERISTS
LADY GAGA BRAND NEW
BAT FOR LASHES
THE DECEMBERISTS
YEAH YEAH YEAHS
METRIC
GRIZZLY BEAR YEAH YEAH YEAHS
LADY GAGA
ANDREW BIRD ANIMAL COLLECTIVE
LADY GAGA
KANYE WEST
T.I.
GRIZZLY BEAR PHOENIX
ANIMAL COLLECTIVE PASSION PIT
PASSION PIT JAY-Z
DIRTY PROJECTORS
PHOENIX DISCOVERY
THE KILLERS
LILY ALLEN ST. VINCENT
MOS DEF WILCO THE XX
LOS CAMPESINOS! THE LONELY ISLAND CAMERA OBSCURA THE DEAD WEATHER YACHT
THE ALL AMERICAN REJECTS GUNS N’ ROSES BAT FOR LASHES
BRAND NEW
PLACEBO
A DAY TO REMEMBER KELLY CLARKSON REGINA SPEKTOR
THE LONELY ISLAND
THE LONELY ISLAND
U2 ANIMAL COLLECTIVE ALL TIME LOW
LA ROUX
THE KILLERS RÖYKSOPP THE KILLERS
ANIMAL COLLECTIVE
YEAH YEAH YEAHS LA ROUX
BRITNEY SPEARS LILY ALLEN LADY GAGA LADY GAGA
BRITNEY SPEARS
ARCTIC MONKEYS
LADY GAGA
GREEN DAY
MUSE
NICKELBACK
KANYE WEST
PHOENIX
THE PRODIGY DEPECHE MODE
EMINEM GRIZZLY BEAR
ENTER SHIKARI
JAY-Z
PEARL JAM
OCT ‘08 MAY ‘09 JUL ‘09 NOV ‘09
Phoenix, one of the few European bands OCT ‘08 SE
53. Obrigado pela sua atenção.
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jl@elastico.net
www.zzzinc.net
www.medialab-prado.es/visualizar
twitter.com/jldevicente (español)
twitter.com/macroscopist (english)
José Luis de Vicente
www.zzzinc.net
Barcelona ES