Pablo Picasso created a series of 11 lithographic prints from 1945-1946 depicting a bull being reduced to its simplest form. Each print was a "state" that stripped away more details, ultimately revealing the essence of a bull as a primitive contour drawing. This reflected Picasso's view that art had become overcomplicated and he sought to distill it down to powerful, simple messages. Picasso spent his career progressively removing technique and complexity from his works to reveal the essential symbolic meanings, just as the bull series pared the animal down to its core image.
The document discusses various definitions and perspectives on photojournalism. It explores how photojournalism uses photographs to tell news stories, the impact of ethics and photo alteration on the field, and how emerging technologies are changing photojournalism. Several students also comment on how elements like immediacy and interactivity affect their consumption and sharing of online news.
Tourism Photo Emotions - Emozionare con Foto 2.0 di Anton Sessa per BTO 2015 - Buy Tourism Online Firenze
(il mio panel presentato al BTO 2015 senza video).
This document provides a portfolio and biography of photographer Andrea Pistolesi. The portfolio lists recent documentary photography projects in chronological order from 2012 to 2007 covering locations in Asia, Europe, Africa, and the Americas. The biography notes that Pistolesi has been traveling professionally for 25 years to photograph fast-changing world cultures and societies. He is based in Florence, Italy and Bangkok and has published over 100 books and been featured in major magazines.
Pablo Picasso created a series of 11 lithographic prints from 1945-1946 depicting a bull being reduced to its simplest form. Each print was a "state" that stripped away more details, ultimately revealing the essence of a bull as a primitive contour drawing. This reflected Picasso's view that art had become overcomplicated and he sought to distill it down to powerful, simple messages. Picasso spent his career progressively removing technique and complexity from his works to reveal the essential symbolic meanings, just as the bull series pared the animal down to its core image.
The document discusses various definitions and perspectives on photojournalism. It explores how photojournalism uses photographs to tell news stories, the impact of ethics and photo alteration on the field, and how emerging technologies are changing photojournalism. Several students also comment on how elements like immediacy and interactivity affect their consumption and sharing of online news.
Tourism Photo Emotions - Emozionare con Foto 2.0 di Anton Sessa per BTO 2015 - Buy Tourism Online Firenze
(il mio panel presentato al BTO 2015 senza video).
This document provides a portfolio and biography of photographer Andrea Pistolesi. The portfolio lists recent documentary photography projects in chronological order from 2012 to 2007 covering locations in Asia, Europe, Africa, and the Americas. The biography notes that Pistolesi has been traveling professionally for 25 years to photograph fast-changing world cultures and societies. He is based in Florence, Italy and Bangkok and has published over 100 books and been featured in major magazines.
Photojournalism involves accurately capturing current events in photographs to illustrate news stories. Great photojournalism uses images to tell the story before the text. While maintaining objectivity and integrity, powerful photojournalism engages viewers emotionally and makes them want to learn more about the event. A code of ethics prohibits altering images, as even subtle manipulation can damage credibility. Formal training is often required for photojournalism careers, though some self-taught photographers still succeed. Iconic examples like 9/11 photos continue to impact viewers long after the words are forgotten.
Il ruolo della fotografia nell'informazioneNicola Rabbi
Azimut; corso di fotogiornalismo e rappresentazione dei profughi all'interno di un progetto del Tavolo della Pace di Piacenza, con la collaborazione delle scuole Romagnosi
(maggio 2015)
Pope Francis celebrated New Year's mass at St. Peter's Basilica. People around the world rang in the new year with fireworks displays and celebrations in cities like Rio de Janeiro, Moscow, Paris, and New York City. Meanwhile, revelers in other areas faced difficulties like fires in Manila and a deadly stampede in Shanghai that killed over 30 people celebrating the new year.
Photojournalism began in the 1850s when photographs started being added to newspaper stories through a process called engraving. The first halftone reproduction of a photograph used for news was in the Daily Graphic in 1880. Photojournalism adds visual context to news stories to give readers and viewers a better understanding. It has become a powerful tool that can inspire action through impactful images of important events and social issues around the world. As the field continues to evolve with new technologies, photojournalists take on greater responsibilities to maintain objectivity and truth in their work.
Photojournalism is a form of journalism that uses images to tell a story or present news to the public. It aims to provide an objective window into the world through impactful images that can communicate a narrative instantly. While photography captures individual images, photojournalism adheres to ethical standards to report stories through pictures to the public. Iconic photojournalists like Henri Cartier-Bresson and Jacob Riis have used the power of images to create social change. New technologies have transformed the field from film to digital cameras and memory cards, but the goal of verifying and communicating truthful events remains.
The Best of the Nikon Walkley: Photojournalism Awardsmaditabalnco
Three winning photographs from the 2014 Nikon-Walkley Awards for Excellence in Photojournalism are summarized:
1) Andrew Quilty won for his photo of a baby girl suffering burns in Afghanistan.
2) Sylvia Liber won the portrait prize for her photo of a girl with Batten disease with her sister.
3) Adam Hourigan won for his photo of a man helping his neighbor burn a paddock in Australia.
Eyetracking Photojournalism Research by Sara QuinnSara Quinn
Eyetracking Photojournalism is research for the National Press Photographers Association.
In an age where images are instantaneous and easily shared, what characteristics make a photograph worth publishing and sharing? We explore how people perceive the quality of photographs — from those taken by seasoned professionals to cellphone images that capture everyday life. The research combines eyetrack testing with extensive interviews asking people their thoughts on storytelling, quality and what makes images memorable. Among our findings: people value images that reflect their lives and give context to the world around them. As consumers navigate a glut of visual clutter, they are developing a new language on images. The implications inform journalists, brand advocates and community activists. Ultimately, the findings help us understand how social media impacts democracy.
Ethnographic research involves in-depth observation and study of a culture or society. It was originally developed by anthropologists and relies on techniques like participant observation where researchers immerse themselves in the subject community. Mass Observation was a classic example of ethnographic research conducted in Britain starting in 1937 to document daily life. It used methods like diaries from ordinary people to record their lives, observers who watched and documented behavior, and contributions from writers, artists, and photographers. Contemporary reality TV shows now use some participatory methods similar to ethnographic research techniques. Virtual ethnography studying online communities is also possible using the same communication media as participants.
The document provides announcements and tips for a photography class. It announces that quizzes will be given, extra credit can be collected, and the final exam will be on Tuesday. It discusses that photojournalism aims to capture the human experience, both good and bad examples will be posted online. Tips are provided such as avoiding posed pictures, capturing emotion, getting faces not backs, identifying the main subject, getting close up, telling a story through angles and composition, focusing on people not objects, and not overcrowding frames. The "rule of thirds" and trying different techniques are also recommended. Students are advised to bring a blank CD to an upcoming lab and recruit high school students to the university for a slide
Photojournalism involves accurately capturing current events in photographs to illustrate news stories. Great photojournalism uses images to tell the story before the text. While maintaining objectivity and integrity, powerful photojournalism engages viewers emotionally and makes them want to learn more about the event. A code of ethics prohibits altering images, as even subtle manipulation can damage credibility. Formal training is often required for photojournalism careers, though some self-taught photographers still succeed. Iconic examples like 9/11 photos continue to impact viewers long after the words are forgotten.
Il ruolo della fotografia nell'informazioneNicola Rabbi
Azimut; corso di fotogiornalismo e rappresentazione dei profughi all'interno di un progetto del Tavolo della Pace di Piacenza, con la collaborazione delle scuole Romagnosi
(maggio 2015)
Pope Francis celebrated New Year's mass at St. Peter's Basilica. People around the world rang in the new year with fireworks displays and celebrations in cities like Rio de Janeiro, Moscow, Paris, and New York City. Meanwhile, revelers in other areas faced difficulties like fires in Manila and a deadly stampede in Shanghai that killed over 30 people celebrating the new year.
Photojournalism began in the 1850s when photographs started being added to newspaper stories through a process called engraving. The first halftone reproduction of a photograph used for news was in the Daily Graphic in 1880. Photojournalism adds visual context to news stories to give readers and viewers a better understanding. It has become a powerful tool that can inspire action through impactful images of important events and social issues around the world. As the field continues to evolve with new technologies, photojournalists take on greater responsibilities to maintain objectivity and truth in their work.
Photojournalism is a form of journalism that uses images to tell a story or present news to the public. It aims to provide an objective window into the world through impactful images that can communicate a narrative instantly. While photography captures individual images, photojournalism adheres to ethical standards to report stories through pictures to the public. Iconic photojournalists like Henri Cartier-Bresson and Jacob Riis have used the power of images to create social change. New technologies have transformed the field from film to digital cameras and memory cards, but the goal of verifying and communicating truthful events remains.
The Best of the Nikon Walkley: Photojournalism Awardsmaditabalnco
Three winning photographs from the 2014 Nikon-Walkley Awards for Excellence in Photojournalism are summarized:
1) Andrew Quilty won for his photo of a baby girl suffering burns in Afghanistan.
2) Sylvia Liber won the portrait prize for her photo of a girl with Batten disease with her sister.
3) Adam Hourigan won for his photo of a man helping his neighbor burn a paddock in Australia.
Eyetracking Photojournalism Research by Sara QuinnSara Quinn
Eyetracking Photojournalism is research for the National Press Photographers Association.
In an age where images are instantaneous and easily shared, what characteristics make a photograph worth publishing and sharing? We explore how people perceive the quality of photographs — from those taken by seasoned professionals to cellphone images that capture everyday life. The research combines eyetrack testing with extensive interviews asking people their thoughts on storytelling, quality and what makes images memorable. Among our findings: people value images that reflect their lives and give context to the world around them. As consumers navigate a glut of visual clutter, they are developing a new language on images. The implications inform journalists, brand advocates and community activists. Ultimately, the findings help us understand how social media impacts democracy.
Ethnographic research involves in-depth observation and study of a culture or society. It was originally developed by anthropologists and relies on techniques like participant observation where researchers immerse themselves in the subject community. Mass Observation was a classic example of ethnographic research conducted in Britain starting in 1937 to document daily life. It used methods like diaries from ordinary people to record their lives, observers who watched and documented behavior, and contributions from writers, artists, and photographers. Contemporary reality TV shows now use some participatory methods similar to ethnographic research techniques. Virtual ethnography studying online communities is also possible using the same communication media as participants.
The document provides announcements and tips for a photography class. It announces that quizzes will be given, extra credit can be collected, and the final exam will be on Tuesday. It discusses that photojournalism aims to capture the human experience, both good and bad examples will be posted online. Tips are provided such as avoiding posed pictures, capturing emotion, getting faces not backs, identifying the main subject, getting close up, telling a story through angles and composition, focusing on people not objects, and not overcrowding frames. The "rule of thirds" and trying different techniques are also recommended. Students are advised to bring a blank CD to an upcoming lab and recruit high school students to the university for a slide
2. Operatore grafico pubblicitario
E’ la figura professionale che sa inserirsi nel settore
della comunicazione visiva e pubblicitaria. Possiede
una adeguata cultura di base, discrete conoscenze
artistiche e padronanza del segno grafico. Sa utiliz-
zare le tecniche grafiche adeguate per la realizza-
zione di illustrazioni e disegni. Conosce la grafica
GRAFICO PUBBLICITARIO
2D per visualizzare l’elaborato definitivo per la stam-
pa. Conosce le tecniche di sviluppo, stampa e ripre-
sa fotografica analogica e digitale, affrontando i vari
generi (ritratto, still life, reportage, fotogiornalismo e
paesaggio).
1°- 2°- 3° anno Diploma di qualifica:
OPERATORE della grafica pubblicitaria
Tecnico della grafica pubblicitaria Lavoro
E’ un professionista affermato e ben remunerato con Impiego negli studi grafici, fotografici, di cartelloni-
possibilità di carriera. Conosce gli elementi della co- stica, tipografici, agenzie pubblicitarie, con il ruolo di
municazione dell’oggetto pubblicitario. Coordina creativo, visualizer, account, free lance come grafico,
l’azione pubblicitaria utilizzando software grafici con fotografo e consulente scenografo.
abilità e consapevolezza progettuale. E’ in grado di Assistente tecnico della grafica pubblicitaria e fotografi-
proporre una campagna pubblicitaria su più media ca nelle scuole pubbliche.
(televisione, internet, radio e stampa).
4°- 5° anno Attestato professionale di secondo livello in:
Diploma di Stato: - operatore pagine web
TECNICO della grafica pubblicitaria - tecnico della fotografia computerizzata
-accesso a tutte le facoltà universitarie - illustratore testi e fumettista
-accesso alla formazione aziendale - operatore delle animazioni e dello spot pubblicitario
- operatore dell’animazione e modellazione 3D
brochureindes2.indd 16 11-10-2007 11:06:10
5. operatore grafico pubblicitario tecnico della grafica pubblicitaria GRAFICO PUBBLICITARIO
AREA COMUNE
CLASSE I CLASSE II CLASSE III CLASSE IV CLASSE V MATERIE D’INSEGNAMENTO
5 5 3 4 4 ITALIANO
2 2 2 2 2 STORIA
3 3 3 3 3 LINGUA STRANIERA
2 2 DIRITTO ED ECONOMIA
4 4 2 3 3 MATEMATICA /INFORMATICA
3 3 SCIENZE DELLA TERRA E BIOLOGIA
2 2 2 2 2 EDUCAZIONE FISICA
1 1 1 1 1 RELIGIONE / ATT. ALTERNATIVA
22 ore 13 ore 15 ore
GRAFICO PUBBLICITARIO MATERIE D’INSEGNAMENTO
AREA DI INDIRIZZO
6 6 DISEGNO PROFESSIONALE
5 5 8 DISEGNO GRAFICO
3 3 3 3 STORIA DELLE ARTI VISIVE
3 STORIA DELL’ARTE E DELLA STAMPA
14 ore area indirizzo 4 COMUNICAZIONI VISIVE
36 ORE TOTALE 4 2 2 TECNICA FOTOGRAFICA
4 TECNICA PUBBLICITARIA
5 5 PROGETTAZIONE GRAFICA
23 ore area indirizzo
3 3 PIANIFICAZIONE PUBBLICITARIA
36 ORE TOTALE 2 2 PSICOLOGIA DELLA COMUNICAZIONE
15 ore area indirizzo
30 ORE TOTALE
300 ore di specializzazione
brochureindes2.indd 19 11-10-2007 11:06:56
6. SISMONDI & PACINOTTI
Istituto Professionale di Stato
L’Istituto Sismondi-Pacinotti
non è soltanto una scuola in senso tradizionale,
ma ha anche ottenuto dalla Regione Toscana
l’accreditamento come Agenzia Formativa. Ecco perché può
offrire molti percorsi di integrazione della normale attività
curricolare, che permettono agli studenti una crescita
educativa aperta agli aspetti del vivere sociale!
brochureindes2.indd 2 11-10-2007 11:04:11
8. Attività formative di integrazione
È possibile conseguire il patentino per la conduzione del ciclomotore, la ECDL (patente eu-
ropea del computer), la certificazione Trinity per la lingua inglese e DELF per la lingua francese.
La conoscenza delle lingue e civiltà europee viene ampliata da scambi e gemellaggi con
scuole estere.
Gli stage in azienda, a partire dalla classe terza, danno l’avvio a quel contatto diretto con il
mondo del lavoro, che costituisce uno degli scopi principali degli istituti professionali.
L’approfondimento delle competenze e delle conoscenze professionali tramite l’incontro con
il mondo del lavoro avviene anche con la Terza Area, i cui corsi sono tenuti anche da docenti esterni,
provenienti dalle aziende; dopo aver sostenuto un esame, gli studenti conseguono un diploma che
va ad aggiungersi a quello di Stato.
brochureindes2.indd 4 11-10-2007 11:04:30
9. Nuove attività si aggiungono e
variano di anno in anno:
educazione alla salute, quotidiano
in classe, giornata dell’arte e della
creatività, gioco della borsa,
concorso letterario Salabelle,
attività teatrale e molte altre
ancora.
brochureindes2.indd 5 11-10-2007 11:04:39
11. Strutture e dotazioni dell’Istituto
L’Istituto Sismondi-Pacinotti è ubicato in più sedi limitrofe: la sede centrale, un edificio di recente costruzione,
i locali dell’Istituto Tecnico Commerciale “Marchi”, i locali dell’ex Centro di Formazione presso il Centro per
l’Impiego di Pescia. Tutte queste sedi si trovano collocate nelle immediate vicinanze della stazione di Pescia
e sono servite da linee di autobus.
Gli studenti hanno a disposizione le seguenti aule speciali:
• 5 Laboratori di informatica e trattamento dotato di macchine reali, simulatori e
testi operanti in ambiente software CAD-CAM;
Windows e Linux in rete locale, con tutti i • 1 Laboratorio di CAD;
PC abilitati alla navigazione contempora- • 1 Laboratorio di automazione PLC;
nea su Internet; • 2 Laboratori di elettronica;
• 1 Laboratorio di simulazione aziendale; • 1 Laboratorio di elettrotecnica;
• 1 Laboratorio multimediale; • 1 Laboratorio linguistico;
• 2 Laboratori di grafica pubblicitaria • 1 Laboratorio confezioni abbigliamento e
(Macintosh), dotati di rete locale e moda;
collegamento a Internet; • 1 Palestra, con annessa saletta
• 3 Laboratori di disegno (grafico e tecni- aerobica-artistica;
co, di cui uno dotato di tecnigrafi); • 1 Campo esterno allenamento calcio;
• 1 Laboratorio di fotografia; • 1 Campo esterno allenamento pallavolo;
• 2 Laboratori di meccanica; • 1 Piscina;
• 2 Laboratori termici; • 1 Laboratorio gruppo H;
• 1 Laboratorio di pneumatica; • 1 Biblioteca;
• 1 Laboratorio di controllo numerico • 1 Aula Video.
brochureindes2.indd 7 11-10-2007 11:05:07