The study was undertaken on behalf of the Bavarian Regulatory Authority for Commercial Broadcasting (BLM). “Web Radio Monitor 2012” provides an overview of the German online radio market and quantifies use through primary data research, drawing from a survey of all online radio providers. The study includes market and potential analyses as well as a categorisation of internet radios according to genre and type of service.
'Commercial Radio: Growth Ambitions Quashed By Economic Realities' by Grant G...Grant Goddard
Analysis of the new 'R.A.D.I.O.' strategy for growth launched by the United Kingdom trade association for commercial radio broadcasters and its likely failure due to the industry's declining audiences/revenues as a result of poor management decisions, written by Grant Goddard for Enders Analysis in March 2007.
Summary of digital marketing and advertising terms, techniques and trends. Great way for those new to the industry to get ramped up for a career in digital.
'Commercial Radio: Growth Ambitions Quashed By Economic Realities' by Grant G...Grant Goddard
Analysis of the new 'R.A.D.I.O.' strategy for growth launched by the United Kingdom trade association for commercial radio broadcasters and its likely failure due to the industry's declining audiences/revenues as a result of poor management decisions, written by Grant Goddard for Enders Analysis in March 2007.
Summary of digital marketing and advertising terms, techniques and trends. Great way for those new to the industry to get ramped up for a career in digital.
The european Antitrust Review 2016 EU telecomsFTDP
Fréget Tasso De Panafieu AARPI
Olivier Fréget and Charlotte Tasso de Panafieu are proud to publish the European Union: Telecoms chapter to the 2016 edition of The European Antitrust Review. Here they discuss hot topics and developments over the past year.
2010.gada LATVIJAS mediju reklāmas tirgus un 2011.gada prognozesStarcom
Latvijas mediju reklāmas tirgus apjomi, sākot no 2005.gada līdz 2010.gadam. Apkopoti LRA un TNS Latvija, publiskotie tirgus dati un mediju aģentūras Starcom 2011.gada prognozes.
'Virgin Radio: A Pig In A Poke' by Grant GoddardGrant Goddard
Analysis of the announcement by United Kingdom media conglomerate Scottish Media Group plc that it will sell its national commercial radio station 'Virgin Radio' whose dismal performance it failed to turn around in the seven years since its acquisition, written by Grant Goddard for Enders Analysis in May 2007.
Do You CEE? The internet and online advertising market in Central and Eastern...Gemius
‘Do you CEE?’ report prepared by Gemius is the key publication for all industry experts in the region. Between 2010 and 2011 edition, International Marketing Director, Marta Klepka presents updated landscape of the internet in CEE. Which are the key countries for the industry in 2011? What kind of characteristic changes & reshuffles have been observed during the past year? What kind of knowledge base does a potential investor need not only to enter but also to conquer a new market? Use the set of internet best practices & business intelligence solutions to grow your business online
'Virgin Radio: New Owner, New Name, New Beginning' by Grant GoddardGrant Goddard
Analysis of the acquisition from Scottish Media Group plc of United Kingdom national commercial radio station 'Virgin Radio' by Indian media conglomerate Bennett Coleman & Company Limited and (correct) prediction that its contracted consultant Absolute Radio will struggle to turn around the consistently under-performing business, written by Grant Goddard for Enders Analysis in June 2008.
Slides for a webinar I gave on June 27, 2013 covering the state of webcasting, digital music, and online marketing, with a focus on Pandora and the potential threats presented by Apple's iTunes Radio service. Featuring a significant amount of digital music industry economic data, and mapping out the value chains for digital music distribution.
Roundhouse, Ranžirna stanica - Nova kulturno-muzejska celina grada Novog SadaTanja Kalezic
Jana Kačar, stručni saradnik za arhitekturu Klastera kreativnih industrija Vojvodine
CRINSS 2013 Creative Inudstries Conference, Novi Sad, Serbia
Konferencija kreativnih industrija
The european Antitrust Review 2016 EU telecomsFTDP
Fréget Tasso De Panafieu AARPI
Olivier Fréget and Charlotte Tasso de Panafieu are proud to publish the European Union: Telecoms chapter to the 2016 edition of The European Antitrust Review. Here they discuss hot topics and developments over the past year.
2010.gada LATVIJAS mediju reklāmas tirgus un 2011.gada prognozesStarcom
Latvijas mediju reklāmas tirgus apjomi, sākot no 2005.gada līdz 2010.gadam. Apkopoti LRA un TNS Latvija, publiskotie tirgus dati un mediju aģentūras Starcom 2011.gada prognozes.
'Virgin Radio: A Pig In A Poke' by Grant GoddardGrant Goddard
Analysis of the announcement by United Kingdom media conglomerate Scottish Media Group plc that it will sell its national commercial radio station 'Virgin Radio' whose dismal performance it failed to turn around in the seven years since its acquisition, written by Grant Goddard for Enders Analysis in May 2007.
Do You CEE? The internet and online advertising market in Central and Eastern...Gemius
‘Do you CEE?’ report prepared by Gemius is the key publication for all industry experts in the region. Between 2010 and 2011 edition, International Marketing Director, Marta Klepka presents updated landscape of the internet in CEE. Which are the key countries for the industry in 2011? What kind of characteristic changes & reshuffles have been observed during the past year? What kind of knowledge base does a potential investor need not only to enter but also to conquer a new market? Use the set of internet best practices & business intelligence solutions to grow your business online
'Virgin Radio: New Owner, New Name, New Beginning' by Grant GoddardGrant Goddard
Analysis of the acquisition from Scottish Media Group plc of United Kingdom national commercial radio station 'Virgin Radio' by Indian media conglomerate Bennett Coleman & Company Limited and (correct) prediction that its contracted consultant Absolute Radio will struggle to turn around the consistently under-performing business, written by Grant Goddard for Enders Analysis in June 2008.
Slides for a webinar I gave on June 27, 2013 covering the state of webcasting, digital music, and online marketing, with a focus on Pandora and the potential threats presented by Apple's iTunes Radio service. Featuring a significant amount of digital music industry economic data, and mapping out the value chains for digital music distribution.
Roundhouse, Ranžirna stanica - Nova kulturno-muzejska celina grada Novog SadaTanja Kalezic
Jana Kačar, stručni saradnik za arhitekturu Klastera kreativnih industrija Vojvodine
CRINSS 2013 Creative Inudstries Conference, Novi Sad, Serbia
Konferencija kreativnih industrija
Recomendado por el proceso ESE para las sesiones de Gabriel Restrepo Forero - Curso de extensión sobre Educación sin Escuela, Universidad Nacional de Colombia.
La tierra ya no soporta la negligencia, desperdicio generada por la estupidez humana. Con la extraordinaria ayuda del arte grotesco podemos comprender los anhelos interminable de los sociopatas y sicópatas y que sin nuestro apoyo y buena voluntad, sus enfermizos caprichos no podrán existir. Es obvio como podemos erigir un mundo congruente con el ambiente finito.
Feelgood - Terveystaltioekosysteemi. Kirjoittajat Henri Hietala, Veikko Ikonen, Ilkka Korhonen, Jaakko Lähteenmäki, Anna Maksimainen, Vesa Pakarinen, Juha Pärkkä ja Niilo Saranummi
La paLabra ayurveda se compone de dos
raíces:
Ayur: Vida o período de vida (desde el
nacimiento hasta la muerte). Vida larga
de buena calidad.
Veda: Conocimiento, sabiduría
absoluta.
150223 blm bvdw webradiomonitor 2014_goldmedia_english versionGoldmedia Group
The online audio usage in Germany is growing steadily; high bandwidth and the mobile Internet promote the online audio consumption. The gross investment in streaming audio advertising will grow by more than 50 percent in 2015. These are the main results of Webradiomonitor 2014.
The study was conducted by Goldmedia on behalf of the Bavarian regulatory authority for commercial broadcasting – BLM (http://www.blm.de) and – for the first time – by the focus group “Audio” of the Bundesverband Digitale Wirtschaft – BVDW (http://www.bvdw.org).
Webradiomonitor 2014 gives a comprehensive market overview of providers, use, scope and ad revenue among German online audio services for the sixth time. The study is based upon extensive primary data research, through surveys of all online audio providers in Germany, conducted from June to August of 2014.
Oline broadcasting in Germany. Business models and market trends, Speech of G...Goldmedia Group
Speech of Goldmedia Managing Director Dr. Klaus Goldhammer "Online broadcasting in Germany. Business models and market trends" at AEPO-ARTIS Seminar "Performers' rights in today's European environment: how to adapt existing rights to new uses of performances? on 18-19 November 2010 in Brussles. ny.
Print Power Italy commissioned Lorien Consulting to carry out research on the Italian market, on stakeholders and influencers, investors, companies and media centers with the goal of mapping the perception and effectiveness of different media, identifying criteria and reasons for communication and marketing planning choices which underline the values linked to printed media.
Value added service (VAS) provider failures: insights from VAS product companiesBrowne & Mohan
Dr TR Madan Mohan, Managing partner addressed Network of ICT Entrepreneurs and Enterprises (NITEE), under the aegis of Foundation for MSME Clusters (www.msmefoundation.org), New Delhi on 27th August 2010 regarding “Value added service (VAS) provider failures: insights from VAS product companies”.
'Digital Radio Switchover: Somewhere Over The Rainbow?' by Grant GoddardGrant Goddard
Analysis of the progress achieved by the United Kingdom government's policy to replace analogue broadcast radio transmission with DAB (Digital Audio Broadcasting) and the relevant issues that required solutions to combat its apparent lack of success, written by Grant Goddard for Enders Analysis in October 2007.
US India FM Broadcasting OpportunitiesIVG Partners
With a compounded annual growth rate of 19%, the radio broadcasting industry is estimated to double from the current US$ 170 million to US$ 350 million by 2013. This sector promises consistent high growth and hence an ideal India investment opportunity for US firms.
Wi-Fi for a Connected World Towards Next Generation NetworksGreen Packet
Wi-Fi has established itself as one of the most popular and widespread technology today reaching millions of homes, schools, enterprises and hotspot locations worldwide. Communication has become an essential part of our lives. The ever-growing Wi-Fi networks combined with integrated Wi-Fi chipsets into thousands of devices has matured and ensured that hundreds of millions of users worldwide now make regular use of Wi-Fi to access the Internet.
The following white paper, discusses the Wi-Fi effects of connectedness shifting from people to people into the connecting a billion of devices. Today’s network consists of multiple access network technologies playing a different role in different contexts. In the race to smart next generation networks, secondary markets in embedded mobile is beginning to garner attention with greater ambitions into tertiary markets of cloud-based solutions, where anything and almost everything will be connected, regardless of geographical boundaries with the ultimate aim of cost effective development and implementation.
Similar to Web Radio Monitor 2012, study on online radio in Germany (20)
Trends und Ausblick 2017. Für Medien, Internet, Entertainment, Telekommunikation und Sport Business. Die Beratungsgruppe Goldmedia veröffentlicht alljährlich Analysten-Kommentare und Thesen zu relevanten Trends des kommenden Jahres in Deutschland. Der Trendmonitor 2017 gibt einen Ausblick auf ausgewählte Entwicklungen in den Bereichen Medien, Telekommunikation, Entertainment, Sport Business und Internet. Alle Informationen unter www.Goldmedia.com
What are important developments in the media, entertainment and telecommunications industries in Germany in 2017?
Trends und Ausblick 2016. Für Medien, Internet, Entertainment und Telekommunikation
Die Beratungsgruppe Goldmedia veröffentlicht alljährlich Analysten-Kommentare und Thesen zu relevanten Trends des kommenden Jahres in Deutschland. Der Trendmonitor 2016 gibt einen Ausblick auf ausgewählte Entwicklungen in den Bereichen Medien, Telekommunikation, Entertainment und Internet. Alle Informationen unter www.Goldmedia.com
Erfolg in Serie: Zuschauerbindung Tag für Tag. Studie zur Beliebtheit von Ser...Goldmedia Group
Berlin, 19. August 2015.Serien sind im Alltag der Zuschauer fest verankert. Drei Viertel der Deutschen schauen regelmäßig mindestens eine Serie im TV oder online. Besonders serienaffin sind die jungen Zielgruppen. Die beliebtesten Serienanbieter sind RTL, ARD und ProSieben. Bemerkenswert: Mit Amazon und Netflix gehören zur Top Ten-Liste auch zwei reine VoD-Channels.
Dies sind Ergebnisse einer aktuellen Befragung der Forschungs- und Beratungsgruppe Goldmedia (www.Goldmedia.com). Befragt wurden im Juni 2015 erwachsene Bundesbürger zum Thema Serien (n=1.128).
Welche Entwicklungen sind 2015 in der Medien-, Entertainment- und Telekommunikations-Branche in Deutschland zu erwarten? Jahresausblick
Die Beratungsgruppe Goldmedia veröffentlicht alljährlich Analysten-Kommentare und Thesen zu relevanten Trends des kommenden Jahres in Deutschland. Der Trendmonitor 2015 gibt einen Ausblick auf ausgewählte Entwicklungen in den Bereichen Medien, Telekommunikation, Entertainment und Internet.
141023 blm bvdw webradiomonitor 2014_goldmedia_smallGoldmedia Group
Die Online-Audio-Nutzung wächst kontinuierlich, hohe Bandbreiten und das mobile Internet befördern den Online-Audio-Konsum und die Brutto-Investitionen in Audio-Streaming-Werbung wachsen 2015 um mehr als 50 Prozent: Das sind zentrale Ergebnisse des Webradiomonitor 2014, den Goldmedia im Auftrag der BLM und der Fokusgruppe Audio im Bundesverband Digitale Wirtschaft (BVDW) erstellt hat. Die Gesamtergebnisse wurden am 23. Oktober auf den Medientagen München vorgestellt.
Die Studie basiert auf einer Primärdatenerhebung mittels Befragung der Online-Audio-Anbieter in Deutschland zwischen Juni und August 2014.
Goldmedia Trendmonitor 2014
Welche Entwicklungen sind 2014 in der Medien-, Entertainment und Telekommunikations-Branche in Deutschland zu erwarten? Jahresausblick
Die Beratungsgruppe Goldmedia (http://www.goldmedia.com) veröffentlicht alljährlich Analysten-Kommentare und Thesen zu relevanten Trends des kommenden Jahres in Deutschland. Der Trendmonitor 2014 gibt einen Ausblick auf ausgewählte Entwicklungen in den Bereichen Medien, Internet, Telekommunikation und Entertainment.
Location based services-2013_goldmedia_short_report_enGoldmedia Group
A recent study commissioned by the Bavarian Regulatory Authority for Commercial Broadcasting (BLM) and carried out by strategy consultant Goldmedia has found that location-based services in Germany are providing a wide variety of offers, have an increasing user base and are also likely to experience high rates of growth.
At the end of 2012, there were 181 location-based services (LBS) providers in Germany. That number is expected to increase, with experts predicting that almost every app will incorporate an LBS function in the future. One in four Germans are already using a service of this kind.
München, Berlin, 10. Juli 2013. Der BLM-Webradiomonitor 2013 zählt aktuell insgesamt 2.851 Internetradioangebote in Deutschland. Während die Anzahl der Webradiosender seit dem Peak im Jahr 2011 leicht rückläufig ist, nehmen die Abrufzahlen insgesamt weiter zu. Dabei sind auch 2013 mobile Endgeräte wichtigster Treiber für die Webradionutzung. Erfolgte 2012 erst jeder sechste Webradio-Abruf über Smartphone oder Tablet, ist es heute bereits jeder vierte. Zu diesen Ergebnissen kommt der BLM-Webradiomonitor 2013, der heute auf den Lokalrundfunktagen in Nürnberg vorgestellt wurde.
Mit dem Webradiomonitor 2013 erscheint seit 2009 zum fünften Mal in Folge eine umfangreiche Marktanalyse zum Thema Webradio in Deutschland. Die Studie wurde im Auftrag der Bayerischen Landeszentrale für neue Medien – BLM (www.blm.de) von Goldmedia (www.Goldmedia.com) erarbeitet.
Goldmedia Interaktions-Index April_2013_Sport-Nachrichten-AnbieterGoldmedia Group
Die Goldmedia Marketing GmbH hat eine die Facebook Fanpages ausgewählter
Sport-Nachrichten-Anbieter analysiert und mit dem Goldmedia Interaktions-Index bewertet.
Es ist zu beobachten, dass alle betrachteten Anbieter den Wert von Social Media erkannt haben. Anzahl der Betreiber-Posts, Anzahl-User-Posts und Anzahl der Likes zeugen bei allen Anbietern von der Bereitschaft, mit den Kunden zu interagieren.
Goldmedia Interaktions-Index März_2013_Beliebteste Deutsche PolitikerGoldmedia Group
Die Goldmedia Marketing GmbH hat eine Auswahl an Facebook Fanpages der größten Textil-Einzelhändler in Deutschland nach Umsatz und Fanzahl analysiert und mit dem Goldmedia Interaktions-Index bewertet.
Es ist zu beobachten, dass alle betrachteten Unternehmen/Marken den Wert von Social Media für den Einzelhandel erkannt haben. Anzahl der Betreiber-Posts, Anzahl-User-Posts und Anzahl der Likes zeugen bei allen Unternehmen von der Bereitschaft mit den Kunden zu interagieren.
130304 press release Goldmedia: TV Shopping in Europe further growing. Study ...Goldmedia Group
TV Shopping in Europe further growing. Study published
Berlin, March 4, 2013. TV shopping channels in Europe have developed into modern multi-channel providers. The active providers in the core European markets of Germany, the UK, Italy and France currently generate an annual turnover of almost 4 billion euros. Strategy consultant Goldmedia (http://www.goldmedia.com) predicts an increase to 5.3 billion euros by 2017.
These are the results of the study “The Future of TV Shopping – Key trends and market forecasts to 2017 in France, Germany, Italy and the UK”, conducted by Goldmedia on behalf of the European Retailing Association – ERA. Furthermore, the study examined various shopping areas such as classic live shopping, auction television, DRTV (Direct Response TV) and travel shopping.
Goldmedia Interaktions-Index Februar_2013_Deutsche FluggesellschaftenGoldmedia Group
Die Goldmedia Marketing GmbH hat eine Auswahl an Facebook Fanpages der größten Textil-Einzelhändler in Deutschland nach Umsatz und Fanzahl analysiert und mit dem Goldmedia Interaktions-Index bewertet.
Es ist zu beobachten, dass alle betrachteten Unternehmen/Marken den Wert von Social Media für den Einzelhandel erkannt haben. Anzahl der Betreiber-Posts, Anzahl-User-Posts und Anzahl der Likes zeugen bei allen Unternehmen von der Bereitschaft mit den Kunden zu interagieren.
Die Goldmedia Marketing GmbH hat eine Auswahl an Facebook Fanpages der größten Textil-Einzelhändler in Deutschland nach Umsatz und Fanzahl analysiert und mit dem Goldmedia Interaktions-Index bewertet.
Es ist zu beobachten, dass alle betrachteten Unternehmen/Marken den Wert von Social Media für den Einzelhandel erkannt haben. Anzahl der Betreiber-Posts, Anzahl-User-Posts und Anzahl der Likes zeugen bei allen Unternehmen von der Bereitschaft mit den Kunden zu interagieren.
Im Dezember 2012 hat Goldmedia Marketing GmbH eine Auswahl an Facebook Fanpages von Smartphone-Herstellern analysiert und mit dem Goldmedia Interaktions-Index bewertet. Die Smartphone Hersteller gehören zu den Big Playern auf Facebook. Sie haben fast alle Millionen Fans und haben verstanden, dass es darauf ankommt, auf die Fragen der Nutzer ein zu gehen.
Weitere Ergebnisse des Goldmedia Interaktions-Index´ finden Sie in der Präsentation.
Im November 2012 hat Goldmedia Marketing GmbH eine Auswahl an Facebook Fanpages der in Deutschland ansässigen Baumärkte analysiert und mit dem Goldmedia Interaktions-Index bewertet. In der Branchenauswertung konnten deutliche Unterschiede in der Interaktion auf den Facebook Fanpages festgestellt werden. Goldmedia sieht hier klare Gewinner, ein großes Mittelfeld und einen eindeutigen Verlierer.
Weitere Ergebnisse des Goldmedia Interaktions-Index´ finden Sie in der Präsentation.
Laut BLM Web-TV-Monitor 2012 gibt es in Deutschland aktuell 1.424 Web-TV-Angebote, auf denen täglich insgesamt 194 Millionen Videos abgerufen werden. Die Anzahl der Videoabrufe hat damit gegenüber 2011 um rund 17 Prozent zugenommen. Gestiegen ist auch die mobile Nutzung: Jeder fünfte Videoabruf erfolgt heute über mobile Geräte.
Nachdem der Web-TV-Markt in den letzten Jahren vor allem quantitativ gewachsen ist, befindet er sich nun in einer Konsolidierungsphase und gewinnt zunehmend an Professionalität. Die Sender setzen dabei verstärkt auf selbst produzierte Inhalte: 78 Prozent der Videos eines Web-TV-Senders sind heute im Schnitt Eigenproduktionen.
Mit dem BLM Web-TV-Monitor 2012 liegt zum dritten Mal eine detaillierte Marktübersicht zu Angeboten, Verbreitung und Nutzung, Werbeformen, Reichweiten und Leistungswerten von Web-TV in Deutschland vor. Die Studie wurde im Auftrag der Bayerischen Landeszentrale für neue Medien – BLM (www.blm.de) von der Strategieberatung Goldmedia (www.Goldmedia.com) erarbeitet. Die Analyse basiert auf einer Primärdatenerhebung mittels Befragung aller deutschen Web-TV-Anbieter. Zentrale Ergebnisse wurden im Rahmen der Medientage München am 25. Oktober 2012 vorgestellt.
Orpah Winfrey Dwayne Johnson: Titans of Influence and Inspirationgreendigital
Introduction
In the realm of entertainment, few names resonate as Orpah Winfrey Dwayne Johnson. Both figures have carved unique paths in the industry. achieving unparalleled success and becoming iconic symbols of perseverance, resilience, and inspiration. This article delves into the lives, careers. and enduring legacies of Orpah Winfrey Dwayne Johnson. exploring how their journeys intersect and what we can learn from their remarkable stories.
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Early Life and Backgrounds
Orpah Winfrey: From Humble Beginnings to Media Mogul
Orpah Winfrey, often known as Oprah due to a misspelling on her birth certificate. was born on January 29, 1954, in Kosciusko, Mississippi. Raised in poverty by her grandmother, Winfrey's early life was marked by hardship and adversity. Despite these challenges. she demonstrated a keen intellect and an early talent for public speaking.
Winfrey's journey to success began with a scholarship to Tennessee State University. where she studied communication. Her first job in media was as a co-anchor for the local evening news in Nashville. This role paved the way for her eventual transition to talk show hosting. where she found her true calling.
Dwayne Johnson: From Wrestling Royalty to Hollywood Superstar
Dwayne Johnson, also known by his ring name "The Rock," was born on May 2, 1972, in Hayward, California. He comes from a family of professional wrestlers, with both his father, Rocky Johnson. and his grandfather, Peter Maivia, being notable figures in the wrestling world. Johnson's early life was spent moving between New Zealand and the United States. experiencing a variety of cultural influences.
Before entering the world of professional wrestling. Johnson had aspirations of becoming a professional football player. He played college football at the University of Miami. where he was part of a national championship team. But, injuries curtailed his football career, leading him to follow in his family's footsteps and enter the wrestling ring.
Career Milestones
Orpah Winfrey: The Queen of All Media
Winfrey's career breakthrough came in 1986 when she launched "The Oprah Winfrey Show." The show became a cultural phenomenon. drawing millions of viewers daily and earning many awards. Winfrey's empathetic and candid interviewing style resonated with audiences. helping her tackle diverse and often challenging topics.
Beyond her talk show, Winfrey expanded her empire to include the creation of Harpo Productions. a multimedia production company. She also launched "O, The Oprah Magazine" and OWN: Oprah Winfrey Network, further solidifying her status as a media mogul.
Dwayne Johnson: From The Ring to The Big Screen
Dwayne Johnson's wrestling career took off in the late 1990s. when he became one of the most charismatic and popular figures in WWE. His larger-than-life persona and catchphrases endeared him to fans. making him a household name. But, Johnson had ambitions beyond the wrestling ring.
In the early 20
Meet Dinah Mattingly – Larry Bird’s Partner in Life and Loveget joys
Get an intimate look at Dinah Mattingly’s life alongside NBA icon Larry Bird. From their humble beginnings to their life today, discover the love and partnership that have defined their relationship.
Matt Rife Cancels Shows Due to Health Concerns, Reschedules Tour Dates.pdfAzura Everhart
Matt Rife's comedy tour took an unexpected turn. He had to cancel his Bloomington show due to a last-minute medical emergency. Fans in Chicago will also have to wait a bit longer for their laughs, as his shows there are postponed. Rife apologized and assured fans he'd be back on stage soon.
https://www.theurbancrews.com/celeb/matt-rife-cancels-bloomington-show/
Experience the thrill of Progressive Puzzle Adventures, like Scavenger Hunt Games and Escape Room Activities combined Solve Treasure Hunt Puzzles online.
Modern Radio Frequency Access Control Systems: The Key to Efficiency and SafetyAITIX LLC
Today's fast-paced environment worries companies of all sizes about efficiency and security. Businesses are constantly looking for new and better solutions to solve their problems, whether it's data security or facility access. RFID for access control technologies have revolutionized this.
Young Tom Selleck: A Journey Through His Early Years and Rise to Stardomgreendigital
Introduction
When one thinks of Hollywood legends, Tom Selleck is a name that comes to mind. Known for his charming smile, rugged good looks. and the iconic mustache that has become synonymous with his persona. Tom Selleck has had a prolific career spanning decades. But, the journey of young Tom Selleck, from his early years to becoming a household name. is a story filled with determination, talent, and a touch of luck. This article delves into young Tom Selleck's life, background, early struggles. and pivotal moments that led to his rise in Hollywood.
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Early Life and Background
Family Roots and Childhood
Thomas William Selleck was born in Detroit, Michigan, on January 29, 1945. He was the second of four children in a close-knit family. His father, Robert Dean Selleck, was a real estate investor and executive. while his mother, Martha Selleck, was a homemaker. The Selleck family relocated to Sherman Oaks, California. when Tom was a child, setting the stage for his future in the entertainment industry.
Education and Early Interests
Growing up, young Tom Selleck was an active and athletic child. He attended Grant High School in Van Nuys, California. where he excelled in sports, particularly basketball. His tall and athletic build made him a standout player, and he earned a basketball scholarship to the University of Southern California (U.S.C.). While at U.S.C., Selleck studied business administration. but his interests shifted toward acting.
Discovery of Acting Passion
Tom Selleck's journey into acting was serendipitous. During his time at U.S.C., a drama coach encouraged him to try acting. This nudge led him to join the Hills Playhouse, where he began honing his craft. Transitioning from an aspiring athlete to an actor took time. but young Tom Selleck became drawn to the performance world.
Early Career Struggles
Breaking Into the Industry
The path to stardom was a challenging one for young Tom Selleck. Like many aspiring actors, he faced many rejections and struggled to find steady work. A series of minor roles and guest appearances on television shows marked his early career. In 1965, he debuted on the syndicated show "The Dating Game." which gave him some exposure but did not lead to immediate success.
The Commercial Breakthrough
During the late 1960s and early 1970s, Selleck began appearing in television commercials. His rugged good looks and charismatic presence made him a popular brand choice. He starred in advertisements for Pepsi-Cola, Revlon, and Close-Up toothpaste. These commercials provided financial stability and helped him gain visibility in the industry.
Struggling Actor in Hollywood
Despite his success in commercials. breaking into large acting roles remained a challenge for young Tom Selleck. He auditioned and took on small parts in T.V. shows and movies. Some of his early television appearances included roles in popular series like Lancer, The F.B.I., and Bracken's World. But, it would take a
_7 OTT App Builders to Support the Development of Your Video Applications_.pdfMega P
Due to their ability to produce engaging content more quickly, over-the-top (OTT) app builders have made the process of creating video applications more accessible. The invitation to explore these platforms emphasizes how over-the-top (OTT) applications hold the potential to transform digital entertainment.
240529_Teleprotection Global Market Report 2024.pdfMadhura TBRC
The teleprotection market size has grown
exponentially in recent years. It will grow from
$21.92 billion in 2023 to $28.11 billion in 2024 at a
compound annual growth rate (CAGR) of 28.2%. The
teleprotection market size is expected to see
exponential growth in the next few years. It will grow
to $70.77 billion in 2028 at a compound annual
growth rate (CAGR) of 26.0%.
Barbie Movie Review - The Astras.pdffffftheastras43
Barbie Movie Review has gotten brilliant surveys for its fun and creative story. Coordinated by Greta Gerwig, it stars Margot Robbie as Barbie and Ryan Gosling as Insight. Critics adore its perky humor, dynamic visuals, and intelligent take on the notorious doll's world. It's lauded for being engaging for both kids and grown-ups. The Astras profoundly prescribes observing the Barbie Review for a delightful and colorful cinematic involvement.https://theastras.com/hca-member-gradebooks/hca-gradebook-barbie/
At Digidev, we are working to be the leader in interactive streaming platforms of choice by smart device users worldwide.
Our goal is to become the ultimate distribution service of entertainment content. The Digidev application will offer the next generation television highway for users to discover and engage in a variety of content. While also providing a fresh and
innovative approach towards advertainment with vast revenue opportunities. Designed and developed by Joe Q. Bretz
Tom Selleck Net Worth: A Comprehensive Analysisgreendigital
Over several decades, Tom Selleck, a name synonymous with charisma. From his iconic role as Thomas Magnum in the television series "Magnum, P.I." to his enduring presence in "Blue Bloods," Selleck has captivated audiences with his versatility and charm. As a result, "Tom Selleck net worth" has become a topic of great interest among fans. and financial enthusiasts alike. This article delves deep into Tom Selleck's wealth, exploring his career, assets, endorsements. and business ventures that contribute to his impressive economic standing.
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Early Life and Career Beginnings
The Foundation of Tom Selleck's Wealth
Born on January 29, 1945, in Detroit, Michigan, Tom Selleck grew up in Sherman Oaks, California. His journey towards building a large net worth began with humble origins. , Selleck pursued a business administration degree at the University of Southern California (USC) on a basketball scholarship. But, his interest shifted towards acting. leading him to study at the Hills Playhouse under Milton Katselas.
Minor roles in television and films marked Selleck's early career. He appeared in commercials and took on small parts in T.V. series such as "The Dating Game" and "Lancer." These initial steps, although modest. laid the groundwork for his future success and the growth of Tom Selleck net worth. Breakthrough with "Magnum, P.I."
The Role that Defined Tom Selleck's Career
Tom Selleck's breakthrough came with the role of Thomas Magnum in the CBS television series "Magnum, P.I." (1980-1988). This role made him a household name and boosted his net worth. The series' popularity resulted in Selleck earning large salaries. leading to financial stability and increased recognition in Hollywood.
"Magnum P.I." garnered high ratings and critical acclaim during its run. Selleck's portrayal of the charming and resourceful private investigator resonated with audiences. making him one of the most beloved television actors of the 1980s. The success of "Magnum P.I." played a pivotal role in shaping Tom Selleck net worth, establishing him as a major star.
Film Career and Diversification
Expanding Tom Selleck's Financial Portfolio
While "Magnum, P.I." was a cornerstone of Selleck's career, he did not limit himself to television. He ventured into films, further enhancing Tom Selleck net worth. His filmography includes notable movies such as "Three Men and a Baby" (1987). which became the highest-grossing film of the year, and its sequel, "Three Men and a Little Lady" (1990). These box office successes contributed to his wealth.
Selleck's versatility allowed him to transition between genres. from comedies like "Mr. Baseball" (1992) to westerns such as "Quigley Down Under" (1990). This diversification showcased his acting range. and provided many income streams, reinforcing Tom Selleck net worth.
Television Resurgence with "Blue Bloods"
Sustaining Wealth through Consistent Success
In 2010, Tom Selleck began starring as Frank Reagan i
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Web Radio Monitor 2012, study on online radio in Germany
1. Online Radio in Germany 2012
WebRadioMonitor 2012
Commissioned by the Bavarian Regulatory Authority for
Commercial Broadcasting (BLM)
July 2012
Goldmedia GmbH Strategy Consulting
Prof. Dr. Klaus Goldhammer
Mathias Birkel | Christine Link
Oranienburger Str. 27 | 10117 Berlin-Mitte | Germany
Tel. +49 30-246 266-0 | Fax -66 | Info[at]Goldmedia.de
www.Goldmedia.com | www.Webradiomonitor.de
2. WebRadioMonitor 2012
Content
1. Introduction
2. The German online radio market
3. Use and coverage of online radio
4. Mobile usage
5. Social media
6. On-demand music streaming services
7. Advertising and marketing
8. Forecasts and trends
9. Conclusion
2
4. WebRadioMonitor 2012
Content
1. Introduction
2. The German online radio market
3. Use and coverage of online radio
4. Mobile usage
5. Social media
6. On-demand music streaming services
7. Advertising and marketing
8. Forecasts and trends
9. Conclusion
4
5. Well-established value chain in the
German online radio market
Value chain: online radio stations in Germany 2012
Licensing Content Aggregation Distribution Sales Devices User
GEMA UKW- Online radio Streaming Radio Smartphone
GVL Broadcasters aggregators Provider marketers Online radio
Online-Only Webradio Internet Service Special receiver
broadcast Networks Provider marketers for Computer
stations online radio
Personalised
services
Source: WebRadioMonitor 2012
5
6. Consolidation trend in the market – slight decline
to 3,021 German online radio stations 2012
Number of online radio stations in Germany 2006 to 2012
3.500 350%
Number of online radio stations 3.064 3.021
3.000 300%
Change compared to previous year 2.692
2.500 250%
Change compared to previous year
207%
Number of online radio stations
2.000 1.914 200%
1.600
1.500 150%
1.000 100%
450 521 41%
500 50%
16% 20% 14%
0 -1%
0 0%
2006 2007 2008 04/2009 04/2010 04/2011 04/2012
-500 -50%
Source: WebRadioMonitor 2012
6
7. Market consolidation 2012: approx. 800 online radio
stations gone vs. 750 new market entries – still high churn
German online radio stations by type (04/2012)
2.474
= 82% = 13%
of online of online radio = 5% = 0,5%
radio stations of online radio of online radio
stations stations stations
383
148 16
Online Only Simulcast FM brands User generated content
Source: WebRadioMonitor 2012
The number of GEMA licenced
Key Facts online radio stations (2009-2012)
3,021 online radio stations (April 2012) Number of online radio stations
Change compared to previous year
More than 4/5 of online radio stations are online-only
But: number of very small broadcast stations is declining 1.950 1.788 1.697 350%
1.614
1.410 300%
Particularly high churn in 2012: 800 discontinued online radio 1.450 250%
200%
stations compared to just 750 new channels started 950 150%
11% 100%
-5% -17%
2009-2011: Each year, approximately 650 discontinued stations 450 50%
0%
-50 -50%
The number of GEMA-licensed stations declined by 17%
04/2009 04/2010 04/2011 04/2012
7
8. WebRadioMonitor 2012
Content
1. Introduction
2. The German online radio market
3. Use and coverage of online radio
4. Mobile usage
5. Social media
6. On-demand music streaming services
7. Advertising and marketing
8. Forecasts and trends
9. Conclusion
8
9. Online radio streams have been listened to for
an average of 119 minutes per stream in 2011
Average listening time per stream 2011-2014 (in min.) Key facts
300 Online only
Total On average, every stream
Simulcast/FM brands
247 has been listened to for
250
Average listening time per stream in minutes
119 minutes in 2011
213
231 Increase of 40% to 167
200 min. in 2012 (as of April)
180
198
Increase to 231 minutes
150 expected by 2014 – double
129 167 of what it was in 2011!
119 Considerably longer liste-
100
103 ning time of online-only
82 stations (ø 180 min. 2012)
50 67
FM brands recorded an
41 average use of 67 minutes
Estimated
0 per stream (60% below
Apr 11 Apr 12 Apr 13 Apr 14 the market average)
Source: WebRadioMonitor 2012
9
10. The number of online radio users is expected
to grow significantly until 2014
Estimated average usage of online radio stations in
Germany in hits per day 2011-2014
33.054 33.625
28.310
23.491 23.049 23.544
18.259
13.810 13.275
11.621
10.162 9.986
Total Simulcast/FM brands Online Only
April 2011 April 2012 April 2013 (Estimated) April 2014 (Estimated)
Source: WebRadioMonitor 2012
10
11. Use of German online radio stations by geo-
graphy: 12.5 % of online usage from abroad
Hits on German online radio streams by geography (04/2012)
Online Only 87,5% 12,5%
Simulcast/F
85,9% 14,1%
M brands
Total 87,4% 12,6%
0% 20% 40% 60% 80% 100%
Access from Germany Access from abroad
Source: WebRadioMonitor 2012
11
12. Alternative distribution channels are gaining market
share: Especially mobile usage increasingly important
2011 to 2014: Distribution channels
Key Facts
of online radio stations
100%
Own website is the most
90% important channel for
online radio stations in
80%
the medium term
56% 54% mobile usage becomes
70% 62%
69% increasingly important
Number of hits
60% At present, approx. 70%
offenes Internet (PC)
Web (PC) of “hits” via own website
50% (62% via desktop PC and
Aggregators
Aggregatoren (PC) 8% via mobile websites)
40% 12%
13% The role of aggregators
13% Social Media (PC)
Social Media
30% 7% to gather and structure
11% 7%
the online radio market
6% App (mobile)
App (mobil)
20%
5% 13% 15% remains hugely important
10%
10% 7% Web (mobile)
Browser (mobil) Crucial for broadcast
8% 9% 9% stations: need to use all
7%
0% 1% 2% 2% 2% other
sonstige Wege available distribution
channels to generate
2011 2012 2013 2014 sufficient coverage
Source: WebRadioMonitor 2012
12
13. WebRadioMonitor 2012
Content
1. Introduction
2. The German online radio market
3. Use and coverage of online radio
4. Mobile usage
5. Social media
6. On-demand music streaming services
7. Advertising and marketing
8. Forecasts and trends
9. Conclusion
13
14. 2012: 17% of all hits on online radio streams via mobile
devices – providers expect increase to 24% by 2014
Share of mobile use (via App or mobile optimised websites)
compared to total usage per month in % (2012)
35% 33%
28% Simulcast/
30% FM brands
24% 24%
25% 21%
22% Total
20% 17% 21%
23%
15% 13% Online Only
16%
10% 12%
5%
0%
2011 2012 2013 2014
Source: WebRadioMonitor 2012
Key Facts
Mobile use is still the main driver of growth for online radio stations. However, mobile listening
time usually shorter than listening time on stationary devices due to different pattern of use
Additionally, the number of hits via mobile devices higher due to more frequent interruptions
and subsequent re-loading of online radio streams (i.e. because of signal interruptions)
14
15. Increasing market share of mobile channels: 80% of FM
radio stations offer mobile app or optimised website
Share of online radio stations with
mobile distribution channels 2010-2012
77,4% 79,2%
72,2%
37,6%
29,4% 31,4% 31,8%
25,9% 28,8%
Total Simulcast/FM brands Online Only
Source: WebRadioMonitor 2012, 2010 2011 2012
Increase compared to WebRadioMonitor 2010
Key Facts
Nearly 4 of 5 FM online radio stations offer mobile applications or mobile optimised websites
Substantially fewer online-only stations with mobile offering, however number is increasing, too
According to the vast majority of providers, mobile distribution remains the key area of growth
15
16. Mobile apps 2012: all operating systems and devices
are supported. Apple and Android are market leaders
Operating systems supported by Share of online radio stations for
online radio apps in 2012 which app is available 2012 (by device)
33% Apple 29%
29%
Samsung 27%
HTC 24%
21%
LG 22%
Sony Ericsson 21%
Nokia 21%
9% Motorola 20%
5%
Blackberry /… 13%
Palm 7%
other
Android Apple iOS Windows Symbian Sonstiges Sonstiges 0,5%
Source: WebRadioMonitor 2012, image source: company logos
Key Facts
In 2012, for the first time there are more online radio apps available for Android
(34%) than for iOS (30%) – declining market shares of Windows and Symbian
About 30% of all German online radio stations offer apps for Apple devices, but
Samsung smartphones are almost as popular (27%)
16
17. WebRadioMonitor 2012
Content
1. Introduction
2. The German online radio market
3. Use and coverage of online radio
4. Mobile usage
5. Social media
6. On-demand music streaming services
7. Advertising and marketing
8. Forecasts and trends
9. Conclusion
17
18. Online radio stations actively use social media.
84% use Facebook – 42 % on Twitter
Social media presence of German online radio stations (04/2012)
84% 86%
Total Simulcast/FM brands Online Only
72%
42% 43%
32%
22% 25% 24%
10% 12% 10% 8%
0% 4%
Yes, on Facebook Yes, on Twitter Yes, on VZ-networks Yes, on social networks No
Fans/Follower of online
radio stations (04/2012) Key Facts
51.877 Social media is widely used by 8 of 10 German
Total Simulcast/FM brands Online Only
oline radio providers
„Online only“ stations are leading the charge,
3.282 0 0 90% are already using Facebook
8.823
3.668 2.491 2.491
722 463 951 951 Facebook clearly the most important network,
followed by Twitter
Facebook Twitter VZ-networks Others
Source: WebRadioMonitor 2012
18
19. WebRadioMonitor 2012
Content
1. Introduction
2. The German online radio market
3. Use and coverage of online radio
4. Mobile usage
5. Social media
6. On-demand music streaming services
7. Advertising and marketing
8. Forecasts and trends
9. Conclusion
19
20. 36% fear potential competition from Spotify & others,
but majority is not afraid of music streaming services
Competition from „On-demand“
Key Facts
music platforms 2012
„New music services such as Spotify or Rdio On-demand streaming services like Spotify
will negatively impact on the number of are seen as competitors of iTunes rather
online radio users.“ than of „traditional“ online radio stations
Therefore, according to experts and the
majority of surveyed providers, online radio
36% 29% 37% stations are not in danger of being pushed
8%
out of the market by online streaming
14% 14%
fully agree services in the short/medium term
21%
22% 23% Value of editorial content as well as „lazy“
partly agree
users, who prefer listening to a pre-
neutral
selection of songs rather than creating their
42%
own playlists are unique features of online
43% 43%
partly disagree radio platforms and will secure competitive
advantage against on-demand streaming
13%
fully disagree services
16% 16%
17%
5% 3% Spotify is also used by some radio stations
Total Simulcast/… Online Only as supplementary service, „Spotify apps“
Source: WebRadioMonitor 2012
are offered by some radio stations
20
21. WebRadioMonitor 2012
Content
1. Introduction
2. The German online radio market
3. Use and coverage of online radio
4. Mobile usage
5. Social media
6. On-demand music streaming services
7. Advertising and marketing
8. Forecasts and trends
9. Conclusion
21
22. Online radio stations overall loss-making: only 71%
cost recovery on average. FM brands nearly break-even
Average cost recovery of online radio stations 2011 in %
0 20 40 60 80 100
Total 71
Simulcast/FM brands 98
Online Only 69
Source: WebRadioMonitor 2012
Key Facts
On average, the cost incurred by online radio stations clearly exceed revenues
The cost recovery rate of Online only stations is only 69% (~30% incur losses)
FM brands are clearly stronger and almost break-even (98% cost recovery)
Source: WebRadioMonitor 2012, Picture: Goldmedia
23. Barely 50% of online radio stations user adverts.
However, 2 of 3 FM-brands successfully sell advertising
The share of online radio stations who sell airtime (04/2012)
Total FM brands Online only
Yes Yes
Yes
45% 43%
64%
No No No
55% 36% 57%
Source: WebRadioMonitor 2012
Key Advertising pricing models used in
the online radio market (04/2012)
Cost-per-Impression (CPI) : Billing is carried out CPC CPC
on a basis of fixed price per 1.000 ad displays, 19% 12%
also called Cost per Mille (CPM)
CPA/CPX
Cost-per-Action (CPA, CPX), incl. Cost-per- CPA/CPX 7%
Lead (CPL), Cost-per-Order (CPO)/Cost-per-Sale 4%
(CPS): Pricing model, where the advertiser pays CPI/TKP CPI/TKP
for each specified action, e.g. registration, 66% Others
Others 53%
download, purchase 28%
11%
Cost-per-Click (CPC)/Pay –per-Click: Advertiser
pays a fixed price when the ad is clicked
23
24. WebRadioMonitor 2012
Content
1. Introduction
2. The German online radio market
3. Use and coverage of online radio
4. Mobile usage
5. Social media
6. On-demand music streaming services
7. Advertising and marketing
8. Forecasts and trends
9. Conclusion
24
25. Advertising revenues 2011: 14.1m Euros net.
Further increasing ad revenue expected
Advertising revenues (net) of all German
Key assumptions
online radio stations until 2016
45,0 CAGR: WebRadioMonitor 2011/2012,
10-15 estimated broadband develop-
40,0 38.2m
ment according to German
Regulatory Authority (BNetzA),
22%
35,0 trend extrapolation and inter-
Net advertising turnover in EUR
Best Case views with industry experts
Szenario
30,0 37% growth compared to
28.9m 15% previous year‘s study
25,0
Increasing penetration of smart-
Trend
phones and mobile use will drive
20,0 Szenario
22.5m further growth in the market
10% In the medium term, additional
15,0
growth generated by online radio
14.1m Worst Case
use in cars
10,0
Szenario
Smart TVs may also play a role as
5,0 additional distribution channel
Increasingly professionalised
0,0 Forecast marketing, co-operations (e.g.
2011 2012 2013 2014 2015 2016 online radio association) and use
Source: WebRadioMonitor 2012, CAGR = Compound Annual Growth Rate of synergies (i.e. for FM brands)
25
27. WebRadioMonitor 2012
Content
1. Introduction
2. The German online radio market
3. Use and coverage of online radio
4. Mobile usage
5. Social media
6. On-demand music streaming services
7. Advertising and marketing
8. Forecasts and trends
9. Conclusion
27
28. Webradiomonitor 2012
Executive Summary
Online radio There are a total of 3,021 online radio stations in Germany (04/2012)
market in 82% of online radio statiosn are „only online“ (2011: 84%)
Germany
The number of very small radio stations is decreasing for the first time
Usage On average , every stream is hit 13,810 times per day (2012)
(Simulcast/FM brands Ø 18,259, Online only stations Ø 13,275 hits)
Compared to 2011, the average number of hits increased by 34%
Patterns of use: Online only stations are used more often at night, FM
brands more similar to traditional radio stations (mostly in the morning)
Strong increase in listening time per stream: 167 min. (2011: 119 min)
Advertising / 45% of online radio stations sell advertisement (i.e. display ads, spots)
marketing In 2011, the total net advertising revenues of German online radio
stations were EUR 14.1 million
Display advertising is still the most common form of advertising sold by
online radio stations, followed by spot ads, pre-roll ads and sponsoring
¾ of all surveyed online radio providers expect continuing high growth
Majority of providers see lack of a „uniform online coverage currency“
as a major barrier to a further successful market development
28
29. Webradiomonitor 2012
Executive Summary
Mobile One in six hits (17%) on online radio streams is via mobile – the market
share of mobile usage is expected to increase to 24% by 2014
¾ of people surveyed believe that mobile (apps and optimised websites)
will become the most important distribution channel in the future
57% believe that mobile online radio could replace the traditional FM
radio in the long run due to its inherent advantages
Social media 84% of internet radio stations use Facebook, 42% are on Twitter
2/3 (68%) of all online radio providers believe that a social media
strategy is crucial for their success
Half of the online radio providers expect growing importance of social
media for their business: However, the overall share of online radio use
via social media platforms is only expected to increase from 6% to 7%
Most providers do not feel threatened by on-demand music streaming
Other trends
services like Spotify, as they are no substitutes for online radio stations
Provides have high hopes that an increasing number of online radio use
in cars will further push the online radio market in the medium term
54% are satisdfied with the overall growth prospect in the market
20% believe that „Pay-Radio“ will play a role in the online radio market
29
30. Thank You!
Goldmedia GmbH Strategy Consulting
Prof. Dr. Klaus Goldhammer
Mathias Birkel | Christine Link
Oranienburger Str. 27 | 10117 Berlin-Mitte | Germany
Tel. +49 30-246 266-0 | Fax -66 | Info[at]Goldmedia.de
www.Goldmedia.com | www.Webradiomonitor.de