Genre investigation
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Genre is a means of classifying films based on common recurring elements. Theorists such as Chandler, Fiske, and Grant see genre as a way to organize media texts and simplify information for audiences. They argue genres appeal to our need for order and communicate familiar characteristics through shorthand. Horror films exemplify these theories through common elements like isolated settings, dark lighting, and villains that signal to audiences they are watching a horror genre film or sub-genre like thriller-horror or action-horror.
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Genre theorists
The document discusses different genre theorists and their perspectives on genre. John Fiske viewed genre as embodying ideological concerns of their time and being convenient for producers and audiences. Henry Jenkins saw genres as constantly breaking rules and evolving in hybrid forms. John Hartley argued that genre is culturally interpreted and a text's genre can change based on time and location. Daniel Chandler viewed genres as potentially too restrictive. Steve Neale stressed that genres are dynamic processes rather than fixed systems. David Buckingham linked genre development to changing identity. Jason Mittell analyzed genre commercially and culturally. Barry Keith Grant referred to genre's meaning in terms of production, consumer indexing, and critical taxonomy. Rick Altman proposed genres are defined by media language elements and
Genre theory
This document discusses different perspectives on genre theory from scholars such as Daniel Chandler, Steve Neale, John Hartley, David Buckingham, and Rick Altman. Some key points made include: genres position audiences and readers in certain ways; genres are constituted by systems of audience expectations that interact with films; genres are dynamic and negotiated rather than fixed forms; genres provide frameworks that structure both production and audience reception; and genres are defined by both semantic elements like settings and codes as well as syntactic elements like narratives.
Genre theory
This document discusses genre theory from multiple perspectives. It covers how genres position audiences, provide reading positions, and involve sharing experiences within interpretive communities. It also examines genres as instances of repetition and difference that generate expectations. Genres are discussed as negotiated and dynamic rather than fixed forms. Pleasures of genres include recognition and anticipation of conventions as well as emotional responses. Genres provide frameworks that structure production and audience reception. [END SUMMARY]
Genre investigation
Genre refers to how audiences interpret different types of media based on loose characteristics like sounds, visuals, or dialogue. Common genres include comedy, horror, romance, and hybrids like horror-comedy. Horror genres may feature things like bats, blood, knives, graveyards, and dark mansions. Genre theorists have proposed that genres are defined by the language used (semantic and syntactic properties), themes and settings, or as a way to please audiences and producers by following conventions and rules.
Genre theory (2012 lesson 1)
Genres are used to categorize different types of texts to help organize the large amount of information available. They allow audiences and institutions to easily identify and understand texts based on their common elements. According to theorists, genres appeal to our need to impose order and simplify information. While genres provide familiarity, they are not rigid, as texts can also blend elements of multiple genres or have sub-genres within a main genre. This hybridity and existence of sub-genres means genres are further divided into more specific categories.
Daniel chandler an introduction to genre theory
This document provides an overview of genre theory and discusses some of the challenges in defining genres. It notes that while genres are commonly used to categorize different types of texts, there is no agreed-upon taxonomy and theorists often disagree on how to define specific genres. Genres exist as abstract concepts rather than empirical categories, and their boundaries are not fixed but debated. The document also lists some of the typical features used to characterize genres, such as narrative patterns, characters, themes, and film techniques. However, it acknowledges that defining genres based solely on these features is problematic since criteria can vary significantly between theorists.
Audience theory
Narrative theory analyzes how media texts communicate meaning through structured stories. It views narratives as having a beginning, middle, and end that establishes causal relationships between events. Theorists like Propp, Barthes, and Levi-Strauss broke down narratives into character types, codes, and symbolic oppositions to understand how they reflect cultural values. Genre theory categorizes media texts based on shared conventions and helps audiences understand and engage with different types of texts. While genres provide structure, they can also constrain creativity, so theorists debate whether pure genres still exist or if they are evolving through hybridization.
Genre Theory
1. Genre theory proposes that genres are defined by shared conventions of content, themes, settings, and form/style between texts.
2. Theories differ on whether genres are fixed categories or dynamic and negotiated.
3. Genres provide expectations for audiences and positions readers in an "ideal" role, while also offering pleasures through recognition, emotion, and differences from conventions.
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Genre theorists
The document discusses different genre theorists and their perspectives on genre. John Fiske viewed genre as embodying ideological concerns of their time and being convenient for producers and audiences. Henry Jenkins saw genres as constantly breaking rules and evolving in hybrid forms. John Hartley argued that genre is culturally interpreted and a text's genre can change based on time and location. Daniel Chandler viewed genres as potentially too restrictive. Steve Neale stressed that genres are dynamic processes rather than fixed systems. David Buckingham linked genre development to changing identity. Jason Mittell analyzed genre commercially and culturally. Barry Keith Grant referred to genre's meaning in terms of production, consumer indexing, and critical taxonomy. Rick Altman proposed genres are defined by media language elements and
Genre theory
This document discusses different perspectives on genre theory from scholars such as Daniel Chandler, Steve Neale, John Hartley, David Buckingham, and Rick Altman. Some key points made include: genres position audiences and readers in certain ways; genres are constituted by systems of audience expectations that interact with films; genres are dynamic and negotiated rather than fixed forms; genres provide frameworks that structure both production and audience reception; and genres are defined by both semantic elements like settings and codes as well as syntactic elements like narratives.
Genre theory
This document discusses genre theory from multiple perspectives. It covers how genres position audiences, provide reading positions, and involve sharing experiences within interpretive communities. It also examines genres as instances of repetition and difference that generate expectations. Genres are discussed as negotiated and dynamic rather than fixed forms. Pleasures of genres include recognition and anticipation of conventions as well as emotional responses. Genres provide frameworks that structure production and audience reception. [END SUMMARY]
Genre investigation
Genre refers to how audiences interpret different types of media based on loose characteristics like sounds, visuals, or dialogue. Common genres include comedy, horror, romance, and hybrids like horror-comedy. Horror genres may feature things like bats, blood, knives, graveyards, and dark mansions. Genre theorists have proposed that genres are defined by the language used (semantic and syntactic properties), themes and settings, or as a way to please audiences and producers by following conventions and rules.
Genre theory (2012 lesson 1)
Genres are used to categorize different types of texts to help organize the large amount of information available. They allow audiences and institutions to easily identify and understand texts based on their common elements. According to theorists, genres appeal to our need to impose order and simplify information. While genres provide familiarity, they are not rigid, as texts can also blend elements of multiple genres or have sub-genres within a main genre. This hybridity and existence of sub-genres means genres are further divided into more specific categories.
Daniel chandler an introduction to genre theory
This document provides an overview of genre theory and discusses some of the challenges in defining genres. It notes that while genres are commonly used to categorize different types of texts, there is no agreed-upon taxonomy and theorists often disagree on how to define specific genres. Genres exist as abstract concepts rather than empirical categories, and their boundaries are not fixed but debated. The document also lists some of the typical features used to characterize genres, such as narrative patterns, characters, themes, and film techniques. However, it acknowledges that defining genres based solely on these features is problematic since criteria can vary significantly between theorists.
Audience theory
Narrative theory analyzes how media texts communicate meaning through structured stories. It views narratives as having a beginning, middle, and end that establishes causal relationships between events. Theorists like Propp, Barthes, and Levi-Strauss broke down narratives into character types, codes, and symbolic oppositions to understand how they reflect cultural values. Genre theory categorizes media texts based on shared conventions and helps audiences understand and engage with different types of texts. While genres provide structure, they can also constrain creativity, so theorists debate whether pure genres still exist or if they are evolving through hybridization.
Genre Theory
1. Genre theory proposes that genres are defined by shared conventions of content, themes, settings, and form/style between texts.
2. Theories differ on whether genres are fixed categories or dynamic and negotiated.
3. Genres provide expectations for audiences and positions readers in an "ideal" role, while also offering pleasures through recognition, emotion, and differences from conventions.
Genre investigation
Genre refers to categories of media texts defined by their content, style, and audience expectations. Common genres include horror, comedy, crime, romance, and sci-fi. Genre theorists such as Daniel Chandler, Steve Neale, John Fiske, and Rick Altman have proposed that genres are based on shared conventions that provide pleasure and structure for audiences through a balance of repetition and novelty.
Genre Theory
Genre theory divides media texts into categories based on common elements to help study the texts and audience responses. Genres are dynamic cultural categories that transcend media and are used by industries to sell products to audiences using familiar conventions. While genres provide audiences with pleasures like emotion, visceral sensation, and puzzle-solving, they also evolve over time through stages like experimentation, classicization, parody, and deconstruction.
Genre Theory
This document discusses genre theory as it relates to film studies. It provides definitions of genre from several scholars and discusses how genre is used to categorize and organize films into groups based on common attributes. However, the boundaries between genres are noted to be fuzzy rather than clearly defined. Most films contain elements of multiple genres. Genre theory examines how a text relates to other similar texts and the context in which it is consumed. While genres help audiences and producers, they also come with criticisms such as being restrictive to creators and risk-averse for institutions.
Genre Theory
This document discusses different perspectives on genre theory. It begins by defining genre as a distinctive type of text, and notes that genres have sub-genres and are dynamic, evolving processes rather than static systems. Generic conventions include common narrative elements, settings, costumes and props across different media. Genres are cultural categories that exist within industries, audiences and society. They use familiar codes and conventions to appeal to audiences and allow audiences to choose media based on genre. Genres also provide audiences with different types of pleasures and evolve over time as society changes.
Genre
Genre is a dynamic process that evolves over time through subgenres and conventions. Theories of genre discuss how genres develop through stages from experimental to classic to parody to deconstruction. Genre operates within industries, audiences and culture - industries use genre to sell products and audiences use genre to choose what to consume. The main strength of genre theory is that it can be accessed and applied by producers, audiences and academics to study media texts across different mediums.
Genre media
Genre refers to categories of artistic works such as literature, music, and film. Genres are defined by conventions that change over time as new genres emerge and old ones fade away. Films can be categorized by their themes, settings, moods or formats. However, defining film genres is complex as most Hollywood films blend elements of multiple genres. The need to categorize films into genres is important for marketing films to audiences and enabling discussion, but genres are not pure and film identities can be ambiguous.
Genre Theory
This document introduces genre theory and key concepts about how genres are used to categorize different types of media texts. It discusses how genres share common narrative elements, visual styles, characters, and other features to help audiences identify and make sense of different types of texts. While genres provide a useful framework, the document also notes that genres are not rigid and can evolve and blend over time as new works push genre boundaries.
Chandler genre theory
This document provides an introduction to genre theory and discusses some of the key challenges in defining genres. It notes that while genres are commonly used to categorize different types of texts, there is no consensus on how to define genres or determine their boundaries. Generically classifying texts involves theoretical difficulties as genres often overlap and individual texts can belong to multiple genres. The document examines debates around whether genres exist objectively or are social constructions, and if they are defined by shared content, form, or both. It also explores how genres are not fixed but change over time as new hybrid genres emerge.
Genre theory 2015 lesson 2
This document discusses several theoretical perspectives on genre:
1. Rick Altman breaks genre down into semantic (props, characters, etc.) and syntactic (ideologies, narratives) elements which must be analyzed separately.
2. David Buckingham argues that genre is constantly negotiated and changing through hybridization.
3. Nicholas Abercrombie suggests that economic pressures lead to the "dismantling of genre" through pursuing new audiences.
4. Todorov argues that new genres transform old genres, similar to postmodern bricolage combining multiple genres.
5. Some Marxists see genre as social control reproducing dominant ideologies, while feminists examine how genres produce hegemonic representations viewed as common sense.
Applying genre to your text
This document provides an introduction to genre theory and how it can be applied to analyze media texts. It discusses how genre categorizes texts based on common elements and conventions. Key aspects covered include definitions of genre, common genre conventions and codes, how genres engage and please audiences, and different genre theories and models. The document also discusses how genre is useful for producers, audiences and scholars but is also constantly evolving through a process of negotiation.
Genre theory A2
This document discusses genre theory in media such as film. It defines genre as a category or type of media text that shares common conventions. Genre helps both audiences and producers classify texts and make decisions about what to watch or create. While genres offer audiences familiarity and anticipation, theorists note that genres are dynamic and evolve over time in response to changes in society and audience tastes. Some key points discussed are that genres are defined by recurring codes and conventions, but are also hybridizing and blurring as audiences expect more novelty. The document also examines different genre theorists' perspectives on genres and their flexible, negotiated nature.
Genre theory monday 2014
This document discusses genre theory and definitions of genre. It provides perspectives from several theorists on what constitutes a genre and how genres function. Daniel Chandler defines genres based on shared conventions of content, themes and settings. Steve Neale views genres as instances of repetition and difference that provide pleasure to audiences. Genres are seen as dynamic and constantly changing rather than fixed forms. The document also discusses genre hybridization and provides examples of how genres develop over time from experimental to classic to parody to deconstruction. It examines genres as providing structure, expectations and pleasure for both audiences and producers.
Genre theory quotes
This document discusses genre theory through quotes from various media theorists. It discusses how genres provide escapism and familiar conventions that audiences enjoy due to the expectations and pleasures of predictability and difference. However, genres must also innovate and combine elements to remain engaging without becoming too predictable. Producers also benefit from the commercial stability and audience that established genres provide.
2 genre
Here is a potential plan for answering this exam question:
Introduction:
- State which production piece will be discussed (e.g. my short film 'XYZ')
- Briefly describe the piece
Body paragraph 1:
- Discuss Neale's theory of genre circulating between industry, text and subject
- Apply this theory to my short film - how does it fit with/challenge this idea?
- Reference quote from Neale
Body paragraph 2:
- Discuss Barthes' theory of intertextuality and making sense of texts in relation to other genres
- Analyze how my film draws on/departs from conventions of related genres
- Reference Barthes quote
Body paragraph 3
Genre theory
Genre theory provides a framework for categorizing different types of media texts based on common elements and conventions. Genres help producers develop recognizable texts, help audiences decide what to consume, and help scholars analyze texts. While genres provide stability, they are also dynamic and evolve over time reflecting social and cultural changes. Different theorists examine how genres provide audiences with pleasures through emotional, visceral, and intellectual engagement, and how genres are shaped by industries and audiences. Examples show how genres are communicated through visual cues and how genres have changed over time while still retaining core conventions.
Genre
This document discusses genre theory and how genres are used and evolve. It provides definitions of genre from various scholars and outlines some key characteristics of genres across media texts. Genres are described as cultural categories that transcend media and are used by industries, audiences and scholars. Genres develop conventions over time but also change as societies change, going through cycles from an experimental to a classic stage and potentially being parodied or deconstructed. The strengths of genre theory are that the concept is widely understood by producers, audiences and academics.
G325 question 1b
This document discusses key concepts related to genre, narrative, representation, audience, and media language. It defines genre as a categorization based on common elements like plot points. Narrative refers to the story and structure, such as linear or circular. Representation is how media presents versions of reality intentionally through production choices. Audience theories explore how media affects or is interpreted by viewers. Media language includes signs like camera shots and editing that convey meaning.
Genre theory
1. Genre theory proposes that genres are conventions of content and form shared by texts belonging to them, though genres are dynamic and constantly changing rather than fixed.
2. Genres position both producers and audiences in certain ways, with genres providing expectations for audiences around plot, characters, and pleasures like emotional responses and sharing the experience with others.
3. However, genre classification is problematic, as individual texts may belong to multiple genres, genres are not clearly defined and change over time and between cultures, and their functions and borders are debated.
Genre Theory
This document discusses genre theory in media. It defines genre as a category that media texts are placed in due to conventions and characteristics. Examples of genres include romance, horror, sci-fi, thriller, action, and fantasy. Genres sort media texts so audiences know what to expect. Audiences can develop preferences for certain genres. Genres are dynamic and evolve over time rather than being static systems. Consistent elements within genres include mise-en-scene, narratives, characters, production companies, personnel, sound design, and editing style. Genres allow audiences to choose what media to consume to fulfill certain pleasures like emotional, visceral, and intellectual responses.
Genre theory Steve Neale
Steve Neale is an influential film studies scholar who has written extensively on genre theory. He argues that genres are defined by both repetition of conventions and elements of difference in each text. Genres are not fixed but evolve as new works subvert conventions or combine elements of multiple genres. Audiences expect certain genre conventions but regimes of realism vary between genres based on their internal rules rather than reality alone.
Audience Investigation
This document discusses audience investigation and theories related to how audiences interact with and interpret media texts. It defines audience and common ways of categorizing or grouping audiences. It then outlines several theories of audience including the hypodermic needle model, two-step flow theory, uses and gratifications theory, and reception theory. It concludes by explaining how some of these theories link specifically to understanding audiences of the horror genre.
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Genre investigation
Genre refers to categories of media texts defined by their content, style, and audience expectations. Common genres include horror, comedy, crime, romance, and sci-fi. Genre theorists such as Daniel Chandler, Steve Neale, John Fiske, and Rick Altman have proposed that genres are based on shared conventions that provide pleasure and structure for audiences through a balance of repetition and novelty.
Genre Theory
Genre theory divides media texts into categories based on common elements to help study the texts and audience responses. Genres are dynamic cultural categories that transcend media and are used by industries to sell products to audiences using familiar conventions. While genres provide audiences with pleasures like emotion, visceral sensation, and puzzle-solving, they also evolve over time through stages like experimentation, classicization, parody, and deconstruction.
Genre Theory
This document discusses genre theory as it relates to film studies. It provides definitions of genre from several scholars and discusses how genre is used to categorize and organize films into groups based on common attributes. However, the boundaries between genres are noted to be fuzzy rather than clearly defined. Most films contain elements of multiple genres. Genre theory examines how a text relates to other similar texts and the context in which it is consumed. While genres help audiences and producers, they also come with criticisms such as being restrictive to creators and risk-averse for institutions.
Genre Theory
This document discusses different perspectives on genre theory. It begins by defining genre as a distinctive type of text, and notes that genres have sub-genres and are dynamic, evolving processes rather than static systems. Generic conventions include common narrative elements, settings, costumes and props across different media. Genres are cultural categories that exist within industries, audiences and society. They use familiar codes and conventions to appeal to audiences and allow audiences to choose media based on genre. Genres also provide audiences with different types of pleasures and evolve over time as society changes.
Genre
Genre is a dynamic process that evolves over time through subgenres and conventions. Theories of genre discuss how genres develop through stages from experimental to classic to parody to deconstruction. Genre operates within industries, audiences and culture - industries use genre to sell products and audiences use genre to choose what to consume. The main strength of genre theory is that it can be accessed and applied by producers, audiences and academics to study media texts across different mediums.
Genre media
Genre refers to categories of artistic works such as literature, music, and film. Genres are defined by conventions that change over time as new genres emerge and old ones fade away. Films can be categorized by their themes, settings, moods or formats. However, defining film genres is complex as most Hollywood films blend elements of multiple genres. The need to categorize films into genres is important for marketing films to audiences and enabling discussion, but genres are not pure and film identities can be ambiguous.
Genre Theory
This document introduces genre theory and key concepts about how genres are used to categorize different types of media texts. It discusses how genres share common narrative elements, visual styles, characters, and other features to help audiences identify and make sense of different types of texts. While genres provide a useful framework, the document also notes that genres are not rigid and can evolve and blend over time as new works push genre boundaries.
Chandler genre theory
This document provides an introduction to genre theory and discusses some of the key challenges in defining genres. It notes that while genres are commonly used to categorize different types of texts, there is no consensus on how to define genres or determine their boundaries. Generically classifying texts involves theoretical difficulties as genres often overlap and individual texts can belong to multiple genres. The document examines debates around whether genres exist objectively or are social constructions, and if they are defined by shared content, form, or both. It also explores how genres are not fixed but change over time as new hybrid genres emerge.
Genre theory 2015 lesson 2
This document discusses several theoretical perspectives on genre:
1. Rick Altman breaks genre down into semantic (props, characters, etc.) and syntactic (ideologies, narratives) elements which must be analyzed separately.
2. David Buckingham argues that genre is constantly negotiated and changing through hybridization.
3. Nicholas Abercrombie suggests that economic pressures lead to the "dismantling of genre" through pursuing new audiences.
4. Todorov argues that new genres transform old genres, similar to postmodern bricolage combining multiple genres.
5. Some Marxists see genre as social control reproducing dominant ideologies, while feminists examine how genres produce hegemonic representations viewed as common sense.
Applying genre to your text
This document provides an introduction to genre theory and how it can be applied to analyze media texts. It discusses how genre categorizes texts based on common elements and conventions. Key aspects covered include definitions of genre, common genre conventions and codes, how genres engage and please audiences, and different genre theories and models. The document also discusses how genre is useful for producers, audiences and scholars but is also constantly evolving through a process of negotiation.
Genre theory A2
This document discusses genre theory in media such as film. It defines genre as a category or type of media text that shares common conventions. Genre helps both audiences and producers classify texts and make decisions about what to watch or create. While genres offer audiences familiarity and anticipation, theorists note that genres are dynamic and evolve over time in response to changes in society and audience tastes. Some key points discussed are that genres are defined by recurring codes and conventions, but are also hybridizing and blurring as audiences expect more novelty. The document also examines different genre theorists' perspectives on genres and their flexible, negotiated nature.
Genre theory monday 2014
This document discusses genre theory and definitions of genre. It provides perspectives from several theorists on what constitutes a genre and how genres function. Daniel Chandler defines genres based on shared conventions of content, themes and settings. Steve Neale views genres as instances of repetition and difference that provide pleasure to audiences. Genres are seen as dynamic and constantly changing rather than fixed forms. The document also discusses genre hybridization and provides examples of how genres develop over time from experimental to classic to parody to deconstruction. It examines genres as providing structure, expectations and pleasure for both audiences and producers.
Genre theory quotes
This document discusses genre theory through quotes from various media theorists. It discusses how genres provide escapism and familiar conventions that audiences enjoy due to the expectations and pleasures of predictability and difference. However, genres must also innovate and combine elements to remain engaging without becoming too predictable. Producers also benefit from the commercial stability and audience that established genres provide.
2 genre
Here is a potential plan for answering this exam question:
Introduction:
- State which production piece will be discussed (e.g. my short film 'XYZ')
- Briefly describe the piece
Body paragraph 1:
- Discuss Neale's theory of genre circulating between industry, text and subject
- Apply this theory to my short film - how does it fit with/challenge this idea?
- Reference quote from Neale
Body paragraph 2:
- Discuss Barthes' theory of intertextuality and making sense of texts in relation to other genres
- Analyze how my film draws on/departs from conventions of related genres
- Reference Barthes quote
Body paragraph 3
Genre theory
Genre theory provides a framework for categorizing different types of media texts based on common elements and conventions. Genres help producers develop recognizable texts, help audiences decide what to consume, and help scholars analyze texts. While genres provide stability, they are also dynamic and evolve over time reflecting social and cultural changes. Different theorists examine how genres provide audiences with pleasures through emotional, visceral, and intellectual engagement, and how genres are shaped by industries and audiences. Examples show how genres are communicated through visual cues and how genres have changed over time while still retaining core conventions.
Genre
This document discusses genre theory and how genres are used and evolve. It provides definitions of genre from various scholars and outlines some key characteristics of genres across media texts. Genres are described as cultural categories that transcend media and are used by industries, audiences and scholars. Genres develop conventions over time but also change as societies change, going through cycles from an experimental to a classic stage and potentially being parodied or deconstructed. The strengths of genre theory are that the concept is widely understood by producers, audiences and academics.
G325 question 1b
This document discusses key concepts related to genre, narrative, representation, audience, and media language. It defines genre as a categorization based on common elements like plot points. Narrative refers to the story and structure, such as linear or circular. Representation is how media presents versions of reality intentionally through production choices. Audience theories explore how media affects or is interpreted by viewers. Media language includes signs like camera shots and editing that convey meaning.
Genre theory
1. Genre theory proposes that genres are conventions of content and form shared by texts belonging to them, though genres are dynamic and constantly changing rather than fixed.
2. Genres position both producers and audiences in certain ways, with genres providing expectations for audiences around plot, characters, and pleasures like emotional responses and sharing the experience with others.
3. However, genre classification is problematic, as individual texts may belong to multiple genres, genres are not clearly defined and change over time and between cultures, and their functions and borders are debated.
Genre Theory
This document discusses genre theory in media. It defines genre as a category that media texts are placed in due to conventions and characteristics. Examples of genres include romance, horror, sci-fi, thriller, action, and fantasy. Genres sort media texts so audiences know what to expect. Audiences can develop preferences for certain genres. Genres are dynamic and evolve over time rather than being static systems. Consistent elements within genres include mise-en-scene, narratives, characters, production companies, personnel, sound design, and editing style. Genres allow audiences to choose what media to consume to fulfill certain pleasures like emotional, visceral, and intellectual responses.
Genre theory Steve Neale
Steve Neale is an influential film studies scholar who has written extensively on genre theory. He argues that genres are defined by both repetition of conventions and elements of difference in each text. Genres are not fixed but evolve as new works subvert conventions or combine elements of multiple genres. Audiences expect certain genre conventions but regimes of realism vary between genres based on their internal rules rather than reality alone.
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Trachoma is a serious eye infection caused by the bacterium Chlamydia trachomatis that can lead to blindness. It spreads through contact with infected eye or nasal secretions or contaminated objects. Symptoms include cloudy corneas, eye discharge and swollen eyelids appearing 5-12 days after infection. Treatment involves antibiotics to prevent long-term complications and surgery to address scarring. Trachoma disproportionately affects children in rural areas of developing nations and is very rare in the United States.
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Media Studies theorists key concepts - Revision pack
all the theorists you need to access many of the A-level content for upcoming Media exams. Use this to revise, plan and ace your essays. Media Studies revision.
Genre theorists relating to horror film
The document discusses several theorists' perspectives on genre in horror films. Jacques Derrida's theory states that texts participate in genres rather than belonging to them fully. Charaudeau and Maingueneau assert that genre can be determined through a text's linguistic function, formal traits, organization, and relationship to communicative situation. Stephen Prince argues that horror films explore fundamental human questions beyond any particular time period, making the genre more profound than others.
Genre theory
The document discusses genre theory as it relates to films. It defines genre as categories that films fit into based on familiar conventions that repeat and vary. Genre theory is important for easily categorizing films and allowing audiences and studios to identify what types of films they want to view or produce. However, genre classification is problematic, as identified by theorist Rick Altman, because genres are not clearly defined or stable, individual films may fit multiple genres, and genres can vary over time and between countries.
Genre presentation
Heather and Steph had plans to meet up this weekend but had to cancel. They are trying to reschedule their get together for next weekend instead.
Genre investigation
Genre refers to a category of artistic works defined by similarities in form, style, or subject matter. While genres are not always precisely defined, they play an important role in determining what audiences will consume as the classification of a genre can attract or repel potential viewers or readers based on their understanding of that genre. Producers must also identify the genre of a film early on to guide decisions around casting, props, sets, and dialogue.
Genre investigation
Genre refers to a category of artistic works defined by similarities in form, style, or subject matter. How people understand genres influences what media they engage with. Producers must determine a film's genre early on to guide decisions around casting, sets, props, and dialogue that match audience expectations for that genre. Scholars define genre as conventions shared between similar texts that derive from social contexts and purposes, help media produce efficiently for audiences, and represent collective beliefs that define moral and social worlds, though they can also limit meaning.
Narrative theory
Narrative theory analyzes how media texts communicate meaning through structured stories. It views narrative as a chain of causally linked events with a beginning, middle, and end. Theorists like Branigan, Propp, and Barthes developed approaches to analyzing characteristics like character types, codes, and underlying cultural themes in narratives. More recent theorists examine how genres, postmodern narratives, and hybrid forms challenge traditional understandings of narrative structure. Narrative theory provides concepts to inform how meaning is constructed in media texts and genres help categorize texts for audiences, creators, and scholars.
Genre theory
This document discusses genre theory in film. It defines genre as a category or type of film defined by structural and thematic elements that allow audiences to identify common traits. While genres aim to organize films, sub-genres have emerged that combine elements of different genres. This allows for more experimental hybrid genres but makes categorization less clear-cut. The document also profiles several theorists' perspectives on genre, including that genres can restrict creativity but provide predictability valued by audiences.
Genre investigation
Genre is a way of categorizing media texts based on their style and content. Genres contain conventions that signal to audiences what to expect in terms of how the story will unfold. Common genres include horror, science fiction, thriller, romance, and comedy. Genre theorists such as Daniel Chandler, Rick Altman, and David Bordwell have studied how genres are defined through their formal elements, narratives, and conventions. These theories can be applied to the horror genre, which typically features a hero, villain or monster, isolated setting, and low lighting.
Media unit 11 notes on narrative and genre theories
Narrative theories propose that narratives are organized sequences of causally linked events that have a beginning, middle, and end. Branigan argues narratives embody judgments about the nature of events. Propp identified character archetypes that frequently appear in stories, like heroes, villains, helpers. Barthes identified five codes that help readers make sense of narratives, such as action, characters, and symbolic codes. Genre theory categorizes media texts based on shared elements, though genres are dynamic and evolve over time as society and values change. While genre provides a useful framework, it can also constrain creativity and experimentation.
Genre investigation
Genre theorists propose that genres are defined by common formal elements, stylistic conventions, and subject matter that allow audiences to make sense of media texts and have expectations about what they will experience. Genres provide a structure for both producers to market texts and audiences to understand them based on familiar genre conventions. Iconography, or common visual motifs, are an important aspect of genre identification and expectation setting for audiences.
Lesson
This document discusses genre theory and how it relates to magazines. It defines genre as the classification of media texts into categories based on similar characteristics and features. Genres have identifiable codes and conventions that audiences expect. The document discusses how genres can be hybrids that borrow elements from other genres. It also examines different scholars' perspectives on genre and how genres provide expectations and pleasures for audiences while also mitigating economic risks for producers.
Genre Investigation
Genre is a way of categorizing media texts based on their content and style. Each genre has distinguishing characteristics that allow audiences to predict how the plot will develop. There are many genres, including horror, comedy, crime, romance, and sci-fi, which can be hybrids of different genres. Genres appeal to specific target audiences and contain certain conventions - for example, horror films typically involve tension, drama, and supernatural elements, often ending in multiple deaths. Genre theorists note that genres allow for repetition with variation over time and between cultures. The horror genre in particular explores fundamental human existential questions and goes beyond mere societal representations to deeper philosophical issues.
Genre Investigation
Genre refers to categories of literature, art, or entertainment based on stylistic criteria, which change over time as new genres emerge or old ones fade away. Works may fit multiple genres by combining conventions.
Theorists view genres as based on common themes, settings, or formal structures. However, few works exemplify all characteristics of their genre. Genres can also be categorized by their aesthetic, ritual, or ideological functions. Additionally, genres are seen as rhetorical devices that give authors and readers freedom of expression.
Theories of genres based on recurring elements and the social construction of genres relate to the horror genre, which often features a villain, victim, and twist, and allows authors and audiences flexibility in interpreting texts
Theoretical research
This document discusses several theories related to genre, audience, and representation in media. It defines genre as the categorization of different media types. Genre hybridity is described as a feature of postmodern media. Several theorists are discussed including their definitions of genre, such as Fiske, Derrida, Genette, and Levi-Strauss. Audience theories presented include the passive versus active audience, hypodermic syringe theory, uses and gratification theory, and reception analysis. Representation theory holds that media only presents one version of reality. The document also discusses how these theories could inform the production of a magazine targeting different audiences.
Genre Investigation
The document discusses genre in media texts such as film, music and literature. Genre is a way to categorize media based on its content and style in order to help audiences understand and identify different types of media they may enjoy. Common genres include comedy, crime, animation, sci-fi, romance, horror and thriller. Theorists like Culler, Ryall and Hartley see genre as providing a framework that establishes expectations for creators and audiences and can limit a text's meaning potential. Genre conventions in horror films typically include isolated settings, dark lighting, villains and a structure where the victim faces a killer who eliminates others until a climactic confrontation.
Genre theory
Genre theory classifies films into a small number of categories based on common traits. Genres help audiences and studios determine what types of films to watch and produce. Recognizing a film's genre allows viewers to feel familiar with its conventions and compare it to similar works. However, deviations from conventions can confuse audiences while also providing enjoyment from broken rules. Contemporary genre theory sees genres as dynamic forms that change with society and values rather than fixed categories. Film theorists argue that pure genres no longer exist as audiences have grown tired of formulas, requiring genres to hybridize conventions to remain appealing and difficult to categorize.
Genre theory
1. Genre theory proposes that genres are conventions of content and form that are shared by texts belonging to that genre.
2. Genres are dynamic and open to negotiation rather than fixed forms. A text can belong to different genres over time and location.
3. Genres position both producers and audiences in certain ways. Producers work within genre conventions while audiences have expectations shaped by familiar genres.
Genre theory
Genre theory posits that genres are defined by certain conventions of content, themes, settings, and forms that are shared among texts belonging to that genre. However, genres are dynamic and open to negotiation rather than fixed forms. Individual texts can also belong to multiple genres depending on factors like location and time period. Genres provide frameworks that position readers and viewers in certain ways, but also offer pleasures through repetition of conventions alongside innovation and deviation from expectations.
Genre theory
Genre theory posits that genres are defined by certain conventions of content, themes, settings, and forms that are shared among texts belonging to that genre. However, genres are dynamic and open to negotiation rather than fixed forms. Individual texts can also belong to multiple genres depending on factors like location and time period. Genres provide frameworks that position readers and viewers in certain ways, but also offer pleasures through repetition and deviation from expectations.
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Genre investigation
- 1. GENRE INVESTIGATION Charlotte Joyce
- 2. WHAT IS GENRE? Genre is a means of classifying films based on reoccurring elements within them. "The concept of genre is a way of classifying particular styles or types of media texts by identifying common elements which are repeated over and over again"
- 3. GENRE THEORISTS David Chandler • Chandler explains how in literary and media theory genre is widely used to refer to “ a distinctive type of text”. According to Chandler; genre creates order to simplify the mass of available information. • Creating categories appeals to our need to organise the chaos around us. John Fiske • Fiske agrees that genre is a way of categorising texts and that texts are divided into categories based on common elements. • He states that “Genre attempts to structure some order into the wide range of texts and meanings that circulate in our culture for the convenience of both audience and producers”
- 4. GENRE THEORISTS Barry Keith Grant • Grant suggests that hybridity and sub-genres allow audiences to identify them specifically by their familiar and recognizable characteristics and that the “repertoire of characteristics works like a short-hand communication with the audience”
- 5. HOW THESE THEORIES LINK WITH THE HORROR GENRE? • The theories of both Chandler and Fiske link to the horror genre because there are numerous common elements included in horror movies for example; isolated setting, dark lighting and a villain that are clearly associated with the horror genre and that also evidently indicate to the audience that the film they are watching is horror. • Also the theory of Grant links to the horror genre, as some horror movies do not just fit into one genre, they have sub-genres as well for example; thriller horror and action horror e.g.. Nightmare on Elm Street