The document describes 4 different game mechanics:
1. Tow Hook - Allows players to grab items or objects from a distance using a grappling hook.
2. Lock Overload - A reaction-based minigame where players click flashing squares to unlock doors.
3. Vent Interaction - Players can place alarms or poison gas in vents to harm enemies in connected areas.
4. Hover Trance - While unseen, players can levitate enemies to clear a path. Each mechanic is explained through examples of typical use.
Damma is a two-player game built for Samsung SmartTV, where each player has 12 checkers and trying to capture the other player's pieces.
Developed by : Ramzi BOUKERI - ESPRIT Mobile Team's member.
How the long range trainer escape glitch (mew trick) worksEduardo A. Vela N.
Technical description on how the Mew Glitch works (also known as the long-range trainer glitch), which allows you to get Mew (or any other Pokemon, based on the stats of the last fought Pokemon). Questions? twitter.com/sirdarckcat
Damma is a two-player game built for Samsung SmartTV, where each player has 12 checkers and trying to capture the other player's pieces.
Developed by : Ramzi BOUKERI - ESPRIT Mobile Team's member.
How the long range trainer escape glitch (mew trick) worksEduardo A. Vela N.
Technical description on how the Mew Glitch works (also known as the long-range trainer glitch), which allows you to get Mew (or any other Pokemon, based on the stats of the last fought Pokemon). Questions? twitter.com/sirdarckcat
my planning docs for my mobile first space shooter. These slides outline my design approach, mechanics of the game needed, and necessary systems required
my planning docs for my mobile first space shooter. These slides outline my design approach, mechanics of the game needed, and necessary systems required
New Explore Careers and College Majors 2024Dr. Mary Askew
Explore Careers and College Majors is a new online, interactive, self-guided career, major and college planning system.
The career system works on all devices!
For more Information, go to https://bit.ly/3SW5w8W
NIDM (National Institute Of Digital Marketing) Bangalore Is One Of The Leading & best Digital Marketing Institute In Bangalore, India And We Have Brand Value For The Quality Of Education Which We Provide.
www.nidmindia.com
Want to move your career forward? Looking to build your leadership skills while helping others learn, grow, and improve their skills? Seeking someone who can guide you in achieving these goals?
You can accomplish this through a mentoring partnership. Learn more about the PMISSC Mentoring Program, where you’ll discover the incredible benefits of becoming a mentor or mentee. This program is designed to foster professional growth, enhance skills, and build a strong network within the project management community. Whether you're looking to share your expertise or seeking guidance to advance your career, the PMI Mentoring Program offers valuable opportunities for personal and professional development.
Watch this to learn:
* Overview of the PMISSC Mentoring Program: Mission, vision, and objectives.
* Benefits for Volunteer Mentors: Professional development, networking, personal satisfaction, and recognition.
* Advantages for Mentees: Career advancement, skill development, networking, and confidence building.
* Program Structure and Expectations: Mentor-mentee matching process, program phases, and time commitment.
* Success Stories and Testimonials: Inspiring examples from past participants.
* How to Get Involved: Steps to participate and resources available for support throughout the program.
Learn how you can make a difference in the project management community and take the next step in your professional journey.
About Hector Del Castillo
Hector is VP of Professional Development at the PMI Silver Spring Chapter, and CEO of Bold PM. He's a mid-market growth product executive and changemaker. He works with mid-market product-driven software executives to solve their biggest growth problems. He scales product growth, optimizes ops and builds loyal customers. He has reduced customer churn 33%, and boosted sales 47% for clients. He makes a significant impact by building and launching world-changing AI-powered products. If you're looking for an engaging and inspiring speaker to spark creativity and innovation within your organization, set up an appointment to discuss your specific needs and identify a suitable topic to inspire your audience at your next corporate conference, symposium, executive summit, or planning retreat.
About PMI Silver Spring Chapter
We are a branch of the Project Management Institute. We offer a platform for project management professionals in Silver Spring, MD, and the DC/Baltimore metro area. Monthly meetings facilitate networking, knowledge sharing, and professional development. For event details, visit pmissc.org.
Jill Pizzola's Tenure as Senior Talent Acquisition Partner at THOMSON REUTERS...dsnow9802
Jill Pizzola's tenure as Senior Talent Acquisition Partner at THOMSON REUTERS in Marlton, New Jersey, from 2018 to 2023, was marked by innovation and excellence.
Brand Identity For A Sportscaster Project and Portfolio I
Game Pitch 12/14
1. Tow Hook
Player launches a grapple hook,
collecting items or pulling an object
towards the player’s location.
Created By: Aaron Bailey
2. Platform: Computer
Number of Players: Single Player
Controls: Keyboard and Mouse: Mouse button
2 (Right Click)
Perspective: Side Scrolling
Mechanic Info
3. The player will press Mouse Button 2 and a hook will shoot
out horizontally, towards the way the player is facing.
If the hook hits a collectable, the item will be picked up and
added to the player’s inventory.
If the hook hits an object with physics, the hook will drag that
object X amount, back toward the player’s location. The player
will be able to click the Mouse Button 2 again during the pull
to release the object
If the hook isn’t successful then it will return back to the
player and the ability will be able to be used again.
This mechanic is unique because it pulls objects or collectables
to the player instead of actually hooking the player to the
object. The ability is ranged and can be used when things are
out of reach or just for the player’s convenience.
Summary of the Mechanic
4. Tow Hook: Used on item
• Player recognizes an item that cannot be reached
• Player uses hook ability; hook shoots out and grabs item
• Hook stays attached to item, bringing it back to the player
• Player gains 1 of the item
5. Tow Hook: Used on object
• Player notices that it is impossible to jump to the next level
• Player sees box object and uses hook
• Hook grabs item and player drops it at a convenient
location
• Player uses object’s new positioning to reach the next level
6. Lock Overload
Player reactively clicks on an
interface where squares are
randomly lit up to unlock objects.
7. Platform: Computer
Number of Players: Single Player
Controls: Keyboard and Mouse: Clicking (Left
Mouse Button)
Perspective: 2D interface, first person camera
Mechanic Info
8. After the lock interface appears, the player will click
on the square is glowing. The glowing square will
change at a fixed pace but to random squares on the
interface and the player will be timed. If the player
clicks the wrong square, the timer will lose X
amount of seconds and will have to restart if the
timer reaches zero. If the players are successful, they
can progress to getting what was locked, whether
that be through a door, chest, etc.
This mechanic is unique because it is completely
based on the player’s reaction time. There aren’t any
puzzle pieces to put together or other sequences to
solve. The order is always random and unique to
every lock.
Summary of the Mechanic
9. Lock Overload
• Player is faced with locked door
• Player starts the override process, clicking on green squares as they appear
• Player has 10 seconds to complete the override
• Player is successful and door opens to the next level
10. Vent Interaction
Player places an alarm or poison
gas in a vent, making the sound or
gas travel to nearby vents,
distracting or killing enemies.
11. Platform: Computer
Number of Players: Single Player
Controls: Keyboard and Mouse: Q Key
Perspective: Side Scrolling
Mechanic Info
12. When a player is next to a vent, they have two options;
place alarm or place gas. The sound or gas will travel to
vents within X amount of radius and effect enemies
near those vents. The players can then decide how they
want to deal with the challenges ahead. This ability is
restricted based on how many alarms or gas items the
player possesses.
This mechanic is unique because it provides a indirect
way to deal with enemies that are too difficult to kill
and it has a high emphasis on level design. Players
won’t be able to use this ability freely so level designers
have the control of game balance. This mechanic can be
adapted to have any function as long as the action is
performed through vents.
Summary of the Mechanic
13. Vent Interaction: Used with poison gas
• Player sees a tough enemy ahead and notices a connecting vent system
• Player uses poison bomb and drops it on the vent
• Poison gas travels through the vent and covers the enemy’s area
• Enemy dies and ends up falling over to allow the player to jump the the
next level
14. Hover Trance
While undetected, players lift
enemies on the screen into the air.
15. Platform: Computer
Number of Players: Single Player
Controls: Keyboard and Mouse: C Key
Perspective: Side Scrolling
Mechanic Info
16. Any time that the player is undetected, the player
can press C to lift all enemies on the screen into the
air and put them in a trance. This ability will have a
large cool down and the enemies will be alerted
once the trance is over.
This mechanic is unique because it gives players a
way to traverse through the level without any
pressure. This is a high risk/reward situation where
players must time properly to succeed.
Summary of the Mechanic
17. Hover Trance: Successful use
• Player sees an enemy that would take too many resources to defeat
• Player uses hover trance ability
• Enemies are lifted to the air and a path is cleared for the player
• Player quickly runs under the enemies and avoids detection
18. Gamma Suit
Player emits a circular blast of
gamma radiation, hurting enemies
but also increasing the player’s
radiation meter.
19. Platform: Computer
Number of Players: Single Player
Controls: Keyboard and Mouse: E Key
Perspective: Side Scrolling
Mechanic Info
20. The player attacks by pressing E, shooting out
gamma particles and dealing damage in a radius
around the player’s center. This will do X damage
to surrounding enemies but fill up the player’s
gamma meter with every use. If the gamma meter
reaches 100%, the player dies.
This mechanic is unique because it is an attack
that the player’s have to time. The attack is very
effective but it will end up killing the player if
spammed over a small amount of time.
Summary of the Mechanic
21. Gamma Suit: Overused
• Player is being chased by an enemy
• Player starts using the gamma suit, which starts increasing the meter
• Player defeats enemy but panicked, overusing the ability and killing
himself
Editor's Notes
Notes: Add your own design flair to this document. No design flair means you are not designing this presentation. This page will make or break your entire presentation. An awesome, or horrible, title and/or tagline can make the viewer rage quit, say things like “uuugghhhhh, not another one,” and many other thoughts. So take your time and really think about this page, document, ideas, the title, and the and tagline.
Do NOT write in first person. Pitches should be in 3rd person.
Do NOT write in sentence format. Pitches should be short, sweet, and to the point.
Tagline: Do not write about the story of the idea. The tagline should only be ONE SENTENCE, and no longer than the “Twitter Limit.” It should not be about you, your design process, or how you came up with the idea. This sentence should be unique to your idea and not say things like “it will be awesome because…”
Example Mechanic Title: Match 3
Example Tagline: Match sparkling gems 3 at a time to make them burst into showers of color and points.
This should answer SUCCINTLY, What do my players DO?
TONE: The tone of your text should fear using fluffy language. If your design sounds like it’s a sales pitch, then these are not the droids we’re looking for. Your idea pitch is about the design. Use Direct language about the mechanics of the game: What players do, What they interact with, What goals are available, What things happen as a result of those exchanges. In other words, DEFINE your game. Also, this document isn’t about feelings; e.g. “I feel this game would be good”, “It’s cool”, etc. is the incorrect use of this work. Also, opinions are not necessary. Your personal opinion of your idea is not going to enhance our evaluation of your game’s design. Saying, “I love shooters” is wasteful language; first, it doesn’t define what you’re going to create; more importantly, I may hate shooters.
Screensize: EVERY SLIDE needs to be viewable and legible by someone with 20/20 vision in a large auditorium. If the text cannot be read and/or is such a bad font choice that it cannot be read, then the information gets skipped, possibly making your idea not get chosen, because it was not fully understood. SO…check your presentation from as far away as you can.
Platform: Choose from things like XBOX360, PS4, Mobile, Computer, Watch, Smart Phone, Game Boy, Steam, Etc.
Number of Players: This is things like 1, 2, or 3 players, etc, and things like story mode, single player, coop, multiplayer, etc.
***You canNOT select things like network play, multiplayer over the network, MMOs, or coop over a network…aka, nothing over a network*** (This is due to scope issues over a 4 month period)
Controls: (CHOOSE ONE) All your games will be designed on the PC, however, controls will help you target a platform.Example: keyboard and mouse, 12 button controller, Kinect, iMove, touch screens, motion controls, multi touch, etc.
Perspective: This is like first person, third person, isometric, side scrolling, vertical scrolling, 2D, 3D, 2.5D, camera switching between several of those, driver camera, security cameras, spectator cameras, etc.
Notes: The summary of the idea focuses on what exactly the player does in the game.
Example: In this match 3 idea, the player will click on one item, then click on another item, to see an animation of the two swapping places. After the animation has played, if there is a combination of 3 like items, they will disappear, things will explode, the score will go up, and all other items above them will drop into place.
Answer ONE question: WHAT DO YOUR PLAYERS DO? Break this down in more detail than in the tagline; mention explicit goals, meta-goals, success and failure, etc.
If you only have one thought, then a “bullet point” is not needed. If you have more than one thought, use “bullet points.”
After summarizing the mechanic, describe why it is unique when compared to other games.
Notes: ALL storyboards should be created by the designer of this game…aka…YOU. Use as many illustrations as needed to showcase the mechanic.
You are to draw, sketch, photograph your analog drawings, paint, Photoshop, etc, the mechanics of your idea, and how they will work. They must be so accurate that someone looking at them can say, “hey, I get it! I know what they are trying to do!”
Each “storyboard” should have 3 frames: Anticipation (Before Mechanic), Action (During Mechanic), Reaction (After Mechanic), for each mechanic.
Example: In this match 3, you can draw some objects, and have a mouse/target/finger on top of one with an arrow pointing to the right, then have the same image without the mouse/target/finger with the objects swapped, then have the same image but without the objects, add some explosions, and have arrows showing the other items dropping.
Animated gifs of your own drawings are allowed, though not as a substitute for each individual frame; add both. You are not allowed to use any representation from external sources.
This is NOT “in game footage.” This is strictly how the mechanic will work.
Notes: ALL storyboards should be created by the designer of this game…aka…YOU. Use as many illustrations as needed to showcase the mechanic.
You are to draw, sketch, photograph your analog drawings, paint, Photoshop, etc, the mechanics of your idea, and how they will work. They must be so accurate that someone looking at them can say, “hey, I get it! I know what they are trying to do!”
Each “storyboard” should have 3 frames: Anticipation (Before Mechanic), Action (During Mechanic), Reaction (After Mechanic), for each mechanic.
Example: In this match 3, you can draw some objects, and have a mouse/target/finger on top of one with an arrow pointing to the right, then have the same image without the mouse/target/finger with the objects swapped, then have the same image but without the objects, add some explosions, and have arrows showing the other items dropping.
Animated gifs of your own drawings are allowed, though not as a substitute for each individual frame; add both. You are not allowed to use any representation from external sources.
This is NOT “in game footage.” This is strictly how the mechanic will work.
Notes: Add your own design flair to this document. No design flair means you are not designing this presentation. This page will make or break your entire presentation. An awesome, or horrible, title and/or tagline can make the viewer rage quit, say things like “uuugghhhhh, not another one,” and many other thoughts. So take your time and really think about this page, document, ideas, the title, and the and tagline.
Do NOT write in first person. Pitches should be in 3rd person.
Do NOT write in sentence format. Pitches should be short, sweet, and to the point.
Tagline: Do not write about the story of the idea. The tagline should only be ONE SENTENCE, and no longer than the “Twitter Limit.” It should not be about you, your design process, or how you came up with the idea. This sentence should be unique to your idea and not say things like “it will be awesome because…”
Example Mechanic Title: Match 3
Example Tagline: Match sparkling gems 3 at a time to make them burst into showers of color and points.
This should answer SUCCINTLY, What do my players DO?
TONE: The tone of your text should fear using fluffy language. If your design sounds like it’s a sales pitch, then these are not the droids we’re looking for. Your idea pitch is about the design. Use Direct language about the mechanics of the game: What players do, What they interact with, What goals are available, What things happen as a result of those exchanges. In other words, DEFINE your game. Also, this document isn’t about feelings; e.g. “I feel this game would be good”, “It’s cool”, etc. is the incorrect use of this work. Also, opinions are not necessary. Your personal opinion of your idea is not going to enhance our evaluation of your game’s design. Saying, “I love shooters” is wasteful language; first, it doesn’t define what you’re going to create; more importantly, I may hate shooters.
Screensize: EVERY SLIDE needs to be viewable and legible by someone with 20/20 vision in a large auditorium. If the text cannot be read and/or is such a bad font choice that it cannot be read, then the information gets skipped, possibly making your idea not get chosen, because it was not fully understood. SO…check your presentation from as far away as you can.
Platform: Choose from things like XBOX360, PS4, Mobile, Computer, Watch, Smart Phone, Game Boy, Steam, Etc.
Number of Players: This is things like 1, 2, or 3 players, etc, and things like story mode, single player, coop, multiplayer, etc.
***You canNOT select things like network play, multiplayer over the network, MMOs, or coop over a network…aka, nothing over a network*** (This is due to scope issues over a 4 month period)
Controls: (CHOOSE ONE) All your games will be designed on the PC, however, controls will help you target a platform.Example: keyboard and mouse, 12 button controller, Kinect, iMove, touch screens, motion controls, multi touch, etc.
Perspective: This is like first person, third person, isometric, side scrolling, vertical scrolling, 2D, 3D, 2.5D, camera switching between several of those, driver camera, security cameras, spectator cameras, etc.
Notes: The summary of the idea focuses on what exactly the player does in the game.
Example: In this match 3 idea, the player will click on one item, then click on another item, to see an animation of the two swapping places. After the animation has played, if there is a combination of 3 like items, they will disappear, things will explode, the score will go up, and all other items above them will drop into place.
Answer ONE question: WHAT DO YOUR PLAYERS DO? Break this down in more detail than in the tagline; mention explicit goals, meta-goals, success and failure, etc.
If you only have one thought, then a “bullet point” is not needed. If you have more than one thought, use “bullet points.”
After summarizing the mechanic, describe why it is unique when compared to other games.
Notes: ALL storyboards should be created by the designer of this game…aka…YOU. Use as many illustrations as needed to showcase the mechanic.
You are to draw, sketch, photograph your analog drawings, paint, Photoshop, etc, the mechanics of your idea, and how they will work. They must be so accurate that someone looking at them can say, “hey, I get it! I know what they are trying to do!”
Each “storyboard” should have 3 frames: Anticipation (Before Mechanic), Action (During Mechanic), Reaction (After Mechanic), for each mechanic.
Example: In this match 3, you can draw some objects, and have a mouse/target/finger on top of one with an arrow pointing to the right, then have the same image without the mouse/target/finger with the objects swapped, then have the same image but without the objects, add some explosions, and have arrows showing the other items dropping.
Animated gifs of your own drawings are allowed, though not as a substitute for each individual frame; add both. You are not allowed to use any representation from external sources.
This is NOT “in game footage.” This is strictly how the mechanic will work.
Notes: Add your own design flair to this document. No design flair means you are not designing this presentation. This page will make or break your entire presentation. An awesome, or horrible, title and/or tagline can make the viewer rage quit, say things like “uuugghhhhh, not another one,” and many other thoughts. So take your time and really think about this page, document, ideas, the title, and the and tagline.
Do NOT write in first person. Pitches should be in 3rd person.
Do NOT write in sentence format. Pitches should be short, sweet, and to the point.
Tagline: Do not write about the story of the idea. The tagline should only be ONE SENTENCE, and no longer than the “Twitter Limit.” It should not be about you, your design process, or how you came up with the idea. This sentence should be unique to your idea and not say things like “it will be awesome because…”
Example Mechanic Title: Match 3
Example Tagline: Match sparkling gems 3 at a time to make them burst into showers of color and points.
This should answer SUCCINTLY, What do my players DO?
TONE: The tone of your text should fear using fluffy language. If your design sounds like it’s a sales pitch, then these are not the droids we’re looking for. Your idea pitch is about the design. Use Direct language about the mechanics of the game: What players do, What they interact with, What goals are available, What things happen as a result of those exchanges. In other words, DEFINE your game. Also, this document isn’t about feelings; e.g. “I feel this game would be good”, “It’s cool”, etc. is the incorrect use of this work. Also, opinions are not necessary. Your personal opinion of your idea is not going to enhance our evaluation of your game’s design. Saying, “I love shooters” is wasteful language; first, it doesn’t define what you’re going to create; more importantly, I may hate shooters.
Screensize: EVERY SLIDE needs to be viewable and legible by someone with 20/20 vision in a large auditorium. If the text cannot be read and/or is such a bad font choice that it cannot be read, then the information gets skipped, possibly making your idea not get chosen, because it was not fully understood. SO…check your presentation from as far away as you can.
Platform: Choose from things like XBOX360, PS4, Mobile, Computer, Watch, Smart Phone, Game Boy, Steam, Etc.
Number of Players: This is things like 1, 2, or 3 players, etc, and things like story mode, single player, coop, multiplayer, etc.
***You canNOT select things like network play, multiplayer over the network, MMOs, or coop over a network…aka, nothing over a network*** (This is due to scope issues over a 4 month period)
Controls: (CHOOSE ONE) All your games will be designed on the PC, however, controls will help you target a platform.Example: keyboard and mouse, 12 button controller, Kinect, iMove, touch screens, motion controls, multi touch, etc.
Perspective: This is like first person, third person, isometric, side scrolling, vertical scrolling, 2D, 3D, 2.5D, camera switching between several of those, driver camera, security cameras, spectator cameras, etc.
Notes: The summary of the idea focuses on what exactly the player does in the game.
Example: In this match 3 idea, the player will click on one item, then click on another item, to see an animation of the two swapping places. After the animation has played, if there is a combination of 3 like items, they will disappear, things will explode, the score will go up, and all other items above them will drop into place.
Answer ONE question: WHAT DO YOUR PLAYERS DO? Break this down in more detail than in the tagline; mention explicit goals, meta-goals, success and failure, etc.
If you only have one thought, then a “bullet point” is not needed. If you have more than one thought, use “bullet points.”
After summarizing the mechanic, describe why it is unique when compared to other games.
Notes: ALL storyboards should be created by the designer of this game…aka…YOU. Use as many illustrations as needed to showcase the mechanic.
You are to draw, sketch, photograph your analog drawings, paint, Photoshop, etc, the mechanics of your idea, and how they will work. They must be so accurate that someone looking at them can say, “hey, I get it! I know what they are trying to do!”
Each “storyboard” should have 3 frames: Anticipation (Before Mechanic), Action (During Mechanic), Reaction (After Mechanic), for each mechanic.
Example: In this match 3, you can draw some objects, and have a mouse/target/finger on top of one with an arrow pointing to the right, then have the same image without the mouse/target/finger with the objects swapped, then have the same image but without the objects, add some explosions, and have arrows showing the other items dropping.
Animated gifs of your own drawings are allowed, though not as a substitute for each individual frame; add both. You are not allowed to use any representation from external sources.
This is NOT “in game footage.” This is strictly how the mechanic will work.
Notes: Add your own design flair to this document. No design flair means you are not designing this presentation. This page will make or break your entire presentation. An awesome, or horrible, title and/or tagline can make the viewer rage quit, say things like “uuugghhhhh, not another one,” and many other thoughts. So take your time and really think about this page, document, ideas, the title, and the and tagline.
Do NOT write in first person. Pitches should be in 3rd person.
Do NOT write in sentence format. Pitches should be short, sweet, and to the point.
Tagline: Do not write about the story of the idea. The tagline should only be ONE SENTENCE, and no longer than the “Twitter Limit.” It should not be about you, your design process, or how you came up with the idea. This sentence should be unique to your idea and not say things like “it will be awesome because…”
Example Mechanic Title: Match 3
Example Tagline: Match sparkling gems 3 at a time to make them burst into showers of color and points.
This should answer SUCCINTLY, What do my players DO?
TONE: The tone of your text should fear using fluffy language. If your design sounds like it’s a sales pitch, then these are not the droids we’re looking for. Your idea pitch is about the design. Use Direct language about the mechanics of the game: What players do, What they interact with, What goals are available, What things happen as a result of those exchanges. In other words, DEFINE your game. Also, this document isn’t about feelings; e.g. “I feel this game would be good”, “It’s cool”, etc. is the incorrect use of this work. Also, opinions are not necessary. Your personal opinion of your idea is not going to enhance our evaluation of your game’s design. Saying, “I love shooters” is wasteful language; first, it doesn’t define what you’re going to create; more importantly, I may hate shooters.
Screensize: EVERY SLIDE needs to be viewable and legible by someone with 20/20 vision in a large auditorium. If the text cannot be read and/or is such a bad font choice that it cannot be read, then the information gets skipped, possibly making your idea not get chosen, because it was not fully understood. SO…check your presentation from as far away as you can.
Platform: Choose from things like XBOX360, PS4, Mobile, Computer, Watch, Smart Phone, Game Boy, Steam, Etc.
Number of Players: This is things like 1, 2, or 3 players, etc, and things like story mode, single player, coop, multiplayer, etc.
***You canNOT select things like network play, multiplayer over the network, MMOs, or coop over a network…aka, nothing over a network*** (This is due to scope issues over a 4 month period)
Controls: (CHOOSE ONE) All your games will be designed on the PC, however, controls will help you target a platform.Example: keyboard and mouse, 12 button controller, Kinect, iMove, touch screens, motion controls, multi touch, etc.
Perspective: This is like first person, third person, isometric, side scrolling, vertical scrolling, 2D, 3D, 2.5D, camera switching between several of those, driver camera, security cameras, spectator cameras, etc.
Notes: The summary of the idea focuses on what exactly the player does in the game.
Example: In this match 3 idea, the player will click on one item, then click on another item, to see an animation of the two swapping places. After the animation has played, if there is a combination of 3 like items, they will disappear, things will explode, the score will go up, and all other items above them will drop into place.
Answer ONE question: WHAT DO YOUR PLAYERS DO? Break this down in more detail than in the tagline; mention explicit goals, meta-goals, success and failure, etc.
If you only have one thought, then a “bullet point” is not needed. If you have more than one thought, use “bullet points.”
After summarizing the mechanic, describe why it is unique when compared to other games.
Notes: ALL storyboards should be created by the designer of this game…aka…YOU. Use as many illustrations as needed to showcase the mechanic.
You are to draw, sketch, photograph your analog drawings, paint, Photoshop, etc, the mechanics of your idea, and how they will work. They must be so accurate that someone looking at them can say, “hey, I get it! I know what they are trying to do!”
Each “storyboard” should have 3 frames: Anticipation (Before Mechanic), Action (During Mechanic), Reaction (After Mechanic), for each mechanic.
Example: In this match 3, you can draw some objects, and have a mouse/target/finger on top of one with an arrow pointing to the right, then have the same image without the mouse/target/finger with the objects swapped, then have the same image but without the objects, add some explosions, and have arrows showing the other items dropping.
Animated gifs of your own drawings are allowed, though not as a substitute for each individual frame; add both. You are not allowed to use any representation from external sources.
This is NOT “in game footage.” This is strictly how the mechanic will work.
Notes: Add your own design flair to this document. No design flair means you are not designing this presentation. This page will make or break your entire presentation. An awesome, or horrible, title and/or tagline can make the viewer rage quit, say things like “uuugghhhhh, not another one,” and many other thoughts. So take your time and really think about this page, document, ideas, the title, and the and tagline.
Do NOT write in first person. Pitches should be in 3rd person.
Do NOT write in sentence format. Pitches should be short, sweet, and to the point.
Tagline: Do not write about the story of the idea. The tagline should only be ONE SENTENCE, and no longer than the “Twitter Limit.” It should not be about you, your design process, or how you came up with the idea. This sentence should be unique to your idea and not say things like “it will be awesome because…”
Example Mechanic Title: Match 3
Example Tagline: Match sparkling gems 3 at a time to make them burst into showers of color and points.
This should answer SUCCINTLY, What do my players DO?
TONE: The tone of your text should fear using fluffy language. If your design sounds like it’s a sales pitch, then these are not the droids we’re looking for. Your idea pitch is about the design. Use Direct language about the mechanics of the game: What players do, What they interact with, What goals are available, What things happen as a result of those exchanges. In other words, DEFINE your game. Also, this document isn’t about feelings; e.g. “I feel this game would be good”, “It’s cool”, etc. is the incorrect use of this work. Also, opinions are not necessary. Your personal opinion of your idea is not going to enhance our evaluation of your game’s design. Saying, “I love shooters” is wasteful language; first, it doesn’t define what you’re going to create; more importantly, I may hate shooters.
Screensize: EVERY SLIDE needs to be viewable and legible by someone with 20/20 vision in a large auditorium. If the text cannot be read and/or is such a bad font choice that it cannot be read, then the information gets skipped, possibly making your idea not get chosen, because it was not fully understood. SO…check your presentation from as far away as you can.
Platform: Choose from things like XBOX360, PS4, Mobile, Computer, Watch, Smart Phone, Game Boy, Steam, Etc.
Number of Players: This is things like 1, 2, or 3 players, etc, and things like story mode, single player, coop, multiplayer, etc.
***You canNOT select things like network play, multiplayer over the network, MMOs, or coop over a network…aka, nothing over a network*** (This is due to scope issues over a 4 month period)
Controls: (CHOOSE ONE) All your games will be designed on the PC, however, controls will help you target a platform.Example: keyboard and mouse, 12 button controller, Kinect, iMove, touch screens, motion controls, multi touch, etc.
Perspective: This is like first person, third person, isometric, side scrolling, vertical scrolling, 2D, 3D, 2.5D, camera switching between several of those, driver camera, security cameras, spectator cameras, etc.
Notes: The summary of the idea focuses on what exactly the player does in the game.
Example: In this match 3 idea, the player will click on one item, then click on another item, to see an animation of the two swapping places. After the animation has played, if there is a combination of 3 like items, they will disappear, things will explode, the score will go up, and all other items above them will drop into place.
Answer ONE question: WHAT DO YOUR PLAYERS DO? Break this down in more detail than in the tagline; mention explicit goals, meta-goals, success and failure, etc.
If you only have one thought, then a “bullet point” is not needed. If you have more than one thought, use “bullet points.”
After summarizing the mechanic, describe why it is unique when compared to other games.
Notes: ALL storyboards should be created by the designer of this game…aka…YOU. Use as many illustrations as needed to showcase the mechanic.
You are to draw, sketch, photograph your analog drawings, paint, Photoshop, etc, the mechanics of your idea, and how they will work. They must be so accurate that someone looking at them can say, “hey, I get it! I know what they are trying to do!”
Each “storyboard” should have 3 frames: Anticipation (Before Mechanic), Action (During Mechanic), Reaction (After Mechanic), for each mechanic.
Example: In this match 3, you can draw some objects, and have a mouse/target/finger on top of one with an arrow pointing to the right, then have the same image without the mouse/target/finger with the objects swapped, then have the same image but without the objects, add some explosions, and have arrows showing the other items dropping.
Animated gifs of your own drawings are allowed, though not as a substitute for each individual frame; add both. You are not allowed to use any representation from external sources.
This is NOT “in game footage.” This is strictly how the mechanic will work.