Finite media presentation
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This document provides a detailed analysis of the short film "Finite" through a discussion of its visual and technical elements. It examines the camera work, framing, editing, mise-en-scene, sound, script, titles, genre conventions, narrative structure, representations, intended audience, and themes. Key points analyzed include the opening ocean shot setting a peaceful tone, framing emphasizing the character's isolation, flashbacks revealing the couple's past, and the overall theme of a man coming to terms with the loss of his partner.
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![Camera Angle, Movement and Position ,[object Object],Micro Elements Ending shot- a slow zoom out from the man stood in the middle of the frame , in the ocean.](data:image/gif;base64,R0lGODlhAQABAIAAAAAAAP///yH5BAEAAAAALAAAAAABAAEAAAIBRAA7)
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Brick
The opening sequence uses contrasting instruments and shots of shoes and a face to create confusion and mystery around the characters. Close ups and focal adjustments draw attention to an isolated male character intensely staring at a motionless pale girl lying dead by a drain. Flashbacks between the drain and school settings imply a relationship between the two characters and put emphasis on the alarming title by revealing the beginning was not chronological.
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2) Color is the norm for films but some directors choose black and white to emulate older genres or highlight important moments with selective color.
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Film Noir Presenation
Film Noir is a French term that refers to dark films made in a stylish crime drama style popular in Hollywood from the 1940s-1950s. These films had a low-key black-and-white visual style influenced by German Expressionism. They often centered around themes of crime, murder, alienation, and corruption. Archetypal characters included hard-boiled detectives, gangsters, and morally ambiguous figures. The visual style was defined by low-key lighting that created shadows and an unsettling atmosphere through the use of unconventional camera angles and urban settings shrouded in darkness.
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This document outlines several key visual and thematic features of film noir movies. It discusses how film noir translates to "black film" in French and was inspired by crime novels. Key features mentioned include black and white filming to emphasize shadows, urban settings filled with dark corners and alleys, dramatic lighting that highlights characters with shadows and darkness, frequent smoking scenes that add mystery, femme fatales who seduce and endanger men, and reflections that raise tension. Male protagonists are typically hard-boiled detectives who face downfalls, while guns add danger and action.
Conventions of Drama Films
Drama portrays realistic characters and situations to move audiences emotionally through conflict. It depicts inner and outer struggles and uses climaxes and resolutions to keep audiences engaged. While drama often shows hardships, it can combine with other genres and some films break conventions by having unpredictable endings, like comedy-drama Larry Crowne or the tragic conclusion of Titanic.
Film Noir
Film noir is a genre of film that originated in the 1940s defined by a mood of pessimism and cynicism. These films featured dark themes of moral ambiguity and corruption with characters that were often flawed or desperate. Visually, film noir is marked by low-key lighting and shadowy urban settings. Some of the earliest and most influential examples include Stranger on the Third Floor (1940) and The Maltese Falcon (1941).
Neo noir conventions
This document outlines several conventions of neo noir films compared to classic film noir. It discusses how neo noirs pushed boundaries with their depictions of sexuality and eroticism. It also describes common neo noir tropes like protagonists with personal codes of conduct, the use of unreliable narrators and complex plots, and the continued importance of the femme fatale character archetype. Settings in neo noirs range from darkened urban areas to brighter rural locations. Crime and violence are often more prominent compared to subtle suggestions in classic noir.
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Short film analysis script
Here is the script for the codes and conventions of short films. I have narrowed down the variety of films found to just romantic comedy's.
Short film analysis script
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Script for short film analysis
Script made out of notes in Short films research. Here we applied narrative theory, ideology, institution, audience
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Media real research sophie jones
The document analyzes the opening sequences of several teen thriller films, focusing on their use of genre conventions. It discusses how the openings build tension through the use of tracking shots over forests, establishing shots that set mysterious settings, and close-ups of characters' eyes to draw in audiences. It also notes how relationships and problems between main characters are introduced to involve viewers in the films' stories.
Final real media research sophie
The document analyzes the opening sequences of several teen thriller films, discussing the genre conventions they employ. It notes how the openings build tension through techniques like overhead shots in forests, establishing landscape shots, close-ups of characters' eyes, and shots that leave the audience confused and wanting more information. The purpose of these conventions is to attract teenage audiences and set a mysterious, tense tone typical of the thriller genre.
Final real media research sophie
The document analyzes the opening sequences of several teen thriller films, focusing on their use of genre conventions. It discusses how the openings build tension through the use of tracking shots over forests, establishing landscape shots, close-ups of characters' eyes and hands to draw the audience in and create mystery. The character shots shown appeal to teen audiences by featuring attractive young leads, while editing techniques like continuity cuts and shot reverse shots further immerse viewers in the films' ominous worlds.
Dreamland
A short film will tell the story of a girl mourning the loss of her boyfriend by depicting her journey through Margate and Dreamland amusement park, where she imagines spending one last day with him. Through conceptual cinematography and minimal dialogue, viewers will not realize the boyfriend is deceased until the end. The film aims to use lighting, editing, music and emotional facial expressions to convey the girl's solemn atmosphere as she searches for peace after her loss.
Main Task Genre Research: Saving Private Ryan
This is our research and textual analysis of the opening of the film Saving Private Ryan for our Main Task.
Short film reviews 2
The document is very short, containing no sentences or paragraphs from which to summarize. It consists of only the single word "SHORT" with no other context provided.
Micro elements
The document discusses various camera shots, techniques, and elements used in the opening sequence of the film Shutter Island to set the tone and build suspense for a psychological thriller genre. It describes shots like extreme long shots to set the background, close-ups to show facial expressions, medium shots to provide context, and long shots to show full-body language. It also discusses camera movements like pans, tilts, and zooms and how cut pace can manipulate speed and confusion. Additionally, it outlines the use of diegetic and non-diegetic sounds, mise-en-scene, and actor performances to immerse the audience and effectively launch the thriller story.
Film openings by Cleo Coogan
The opening scene of Black Swan shows a stick of chalk being dragged across a sheet to mimic ballet movements. The chalk starts smoothly but then cracks, mirroring the tension between grace and frustration. Dark colors and an old-fashioned sepia filter set a moody tone. Stylized text titles fade away quickly, hinting at a hidden meaning beneath the film's surface. Together, these visual and editing elements immerse viewers in the world of ballet while foreshadowing inner conflict.
Teeth
This film is a simple black-and-white short about friendship and comedy. It follows two elderly men fishing on a remote lake. One man accidentally sneezes his false teeth into the lake after his friend plays a trick on him. Their attempts to retrieve the teeth causes humorous situations that highlight their close bond of friendship. The simple narrative and minimalist style portray the calm atmosphere and personalities of the two main characters.
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LAND USE LAND COVER AND NDVI OF MIRZAPUR DISTRICT, UP
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For Upcoming Meetups Join Mysore Meetup Group - https://meetups.mulesoft.com/mysore/YouTube:- youtube.com/@mulesoftmysore
Mysore WhatsApp group:- https://chat.whatsapp.com/EhqtHtCC75vCAX7gaO842N
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Giridhar Meka - https://www.linkedin.com/in/giridharmeka
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Finite media presentation
- 1. Finite (2006) http:// www.youtube.com/watch?v =b6VTsuoBk3M Charlotte Elson
- 11. Representations Man is represented as alone and isolated . This is shown by the use of a long shot and the way the man is stood looking out to sea . Alone with just his thoughts, thinking about the past. Woman is brushing her hair, an everyday, ordinary thing to do. Shows she is totally at ease with the situation and has accepted it . The use of a close up shot draws the audiences attention to this. Conscious of her looks?
- 12. Audience Aimed at a young audience and people that enjoy the romance genre . Most likely more appealing to women. People that use YouTube.
- 13. Themes/Messages Themes: love, loss, a journey, devotion, denial. The journey of a man coming to turns with the loss of his partner and using different means to try and stay close to her. Throws the pyramid in the sea, symbolic. The man gaining a sense of closure. Eventually realizes he can’t live in the past forever and accepts the truth.